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Erich Dieckmann studied architecture in Danzig before moving to Dresden to study painting and drawing. In 1921 he enrolled in the Bauhaus in Weimar where he worked as a carpenter until 1925. When the Bauhaus moved to Dessau, Dieckmann transferred to the State College of Architecture in Weimar where he headed the carpentry workshop until 1930. He then led the carpentry workshop at Kunstgewerbeschule Burg Giebichenstein in Halle until 1933. Dieckmann was one of the most important furniture designers at the Bauhaus, developing frame types for chair furniture. He experimented with steel pipes but was best known for his standard wooden furniture designs, which had
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Peter behrens werkbund
The Deutscher Werkbund was a German organization from 1898-1927 that brought together artists, architects, designers, and industrialists to improve the competitiveness of German companies. It aimed to create high-quality, well-designed products through collaboration between manufacturers and designers. A key figure was Hermann Muthesius, who studied mass production in England and advocated for improving both craft and industrial design in Germany. The Werkbund held exhibitions to promote refined, standardized designs that could be produced at scale. Architect Peter Behrens played a major role by designing factories and offices for companies like AEG, integrating innovative ideas into functional designs.
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The document discusses several key figures in the German Werkbund movement from 1907-1914 such as Peter Behrens, Walter Gropius, Hermann Muthesius, and Bruno Taut. It lists some of their notable architectural works including Behrens' AEG Turbine Factory in Berlin from 1908-1909, Gropius and Meyer's Fagus Shoe Factory in Alfeld from 1911-1914, and Taut's social housing settlement "Reform" in Magdeburg from 1913. It also mentions works by these figures that were featured at the Cologne Werkbund Exhibition in 1914.
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The Deutscher Werkbund was founded in 1907 in Germany and was composed of artists, architects, and designers who aimed to improve German industrial design and integrate art into everyday products and architecture. Key figures like Peter Behrens and Walter Gropius pioneered modern industrial design and architecture. In 1919, Gropius established the Bauhaus school which aimed to combine art, craft, and technology. Over the following decades, the Bauhaus had important influences on design but was ultimately closed by the Nazis in 1933, forcing many teachers to emigrate.
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Walter Gropius designed the iconic Bauhaus building in Germany. As both an architect and founder of the Bauhaus school, Gropius believed that form should follow function. The modernist Bauhaus building had a straightforward design with flat roofs, cubic shapes, and smooth facades made of glass, steel, and light colors that separated functions internally while allowing them to interact. The building pioneered open floor plans and mass production techniques that went on to influence modern architecture globally.
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The document discusses the history and influence of the Bauhaus school of architecture and design founded in Germany in 1919. It provides background on founder Walter Gropius and highlights some of the school's key principles of integrating architecture, technology, and functionality. Examples are given of innovative furniture and building designs that emerged from the Bauhaus, including the Dessau building completed in 1926 that came to symbolize the school's ideals.
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bauhaus
Bauhaus was an influential art and design school founded in Germany in 1919 by Walter Gropius. It brought together various crafts and fine arts to create functional yet beautiful designs. The school had three directors over its existence: Walter Gropius, Hannes Meyer, and Ludwig Mies van der Rohe. It stressed collaboration between teachers and students and mixing different artistic disciplines. Famous Bauhaus artists and designers included Johannes Itten, Wassily Kandinsky, and László Moholy-Nagy. The school had to close in 1933 under pressure from the Nazi government but its approach to design had a lasting global influence.
Bauhaus
The document discusses the origins and principles of the Bauhaus school, which was founded in Germany in 1919 by Walter Gropius after World War 1. The school aimed to combine art, craftsmanship and technology, and taught subjects like woodworking, metalwork, weaving and architecture. Key principles were form following function, simplicity and functionality. Major contributors included László Moholy-Nagy, Paul Klee, Wassily Kandinsky and Marcel Breuer. Iconic Bauhaus designs include the Wassily Chair, Bauhaus Lamp and Barcelona Chair. The school had a significant influence on modern architecture, art and design.
The Bauhaus
The Bauhaus was a German design school active from 1919 to 1934 that was founded by Walter Gropius in Weimar, Germany. It focused on combining fine art and craftsmanship and strived to produce a new approach to architecture incorporating artistic design, craftsmanship, and modern machine technology. The school emphasized collaboration between craftsmen and artists and elevating the status of crafts. It had a lasting influence seen today in graphic design, furniture, and even Ikea designs reflecting its focus on functional items for everyday living.
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Ludwig Mies van der Rohe born Maria Ludwig Michael Mies; March 27, (1886 – August 17, 1969) was a German-American architect. He was commonly referred to as Mies, his surname. Along with Alvar Aalto, Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is regarded as one of the pioneers of modernist architecture. Mies was the last director of the Bauhaus, a seminal school in modern architecture. After Nazism's rise to power, with its strong opposition to modernism (leading to the closing of the Bauhaus itself), Mies emigrated to the United States. He accepted the position to head the architecture school at the Armour Institute of Technology (later the Illinois Institute of Technology), in Chicago
He worked in his father's stone carving shop and at several local design firms before he moved to Berlin, where he joined the office of interior designer Bruno Paul. He began his architectural career as an apprentice at the studio of Peter Behrens from 1908 to 1912, where he was exposed to the current design theories and to progressive German culture. He worked alongside Le Corbusier and Walter Gropius, who was later also involved in the development of the Bauhaus. Mies served as construction manager of the Embassy of the German Empire in Saint Petersburg under Behrens.
Ludwig Mies renamed himself as part of his transformation from a tradesman's son to an architect working with Berlin's cultural elite, adding "van der" and his mother's maiden name "Rohe" (the word mies means "lousy" in German and using the Dutch "van der", because the German form "von" was a nobiliary particle legally restricted to those of genuine aristocratic lineage. He began his independent professional career designing upper-class homes.
sought to establish his own particular architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created his own twentieth-century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces, as also conducted by other modernist architects in the 1920s and 1930s such as Richard Neutra. Mies strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of unobstructed free-flowing open space. He called his buildings "skin and bones" architecture. He sought an objective approach that would guide the creative process of architectural design, but was always concerned with expressing the spirit of the modern era. He is often associated with his fondness for the aphorisms, "less is more" and "God is in the details".
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Bauhaus was an influential German art school that operated from 1919 to 1933 under three different directors in three German cities. It focused on integrating art, craft, and technology, and emphasized rational design and functionality. Many notable artists and designers taught there, spreading its Modernist approach around the world. The school was controversial under the Nazis and ultimately forced to close in 1933.
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Walter Gropius was a German architect who founded the Bauhaus school. Some of his most notable works include the Fagus Factory in Germany, which featured glass curtain walls, and the Bauhaus school building in Dessau. Gropius advocated for using modern technology and industrialized building methods. He designed innovative buildings that utilized standardization, prefabrication, and a structural steel frame with continuous glass walls. Gropius was an important architect and theorist who helped transform building design into a science.
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Walter Gropius was a pioneering German architect and founder of the influential Bauhaus school. He believed design should be both functional and aesthetically pleasing. In 1919, Gropius was appointed director of the Weimar Bauhaus school, where he introduced a new approach that combined crafts, art, and technology. There, Gropius helped develop the International Style of architecture characterized by simplified forms, lack of ornamentation, and emphasis on volume and space rather than mass. He later emigrated to the UK and US due to Nazi pressure and continued influencing modern architecture through his teaching and work with The Architects' Collaborative firm.
Bauhaus
The Barbican's exhibition on the Bauhaus school of art and design showcased a wide range of documentary materials and works that spanned the school's history. Key pieces from the founding visionary works of Feininger and Kandinsky to iconic designs by Breuer, Albers, and others demonstrated the school's emphasis on form following function and its holistic approach integrating art, craft, and architecture. The exhibition provided visitors with a sweeping overview of the Utopian aims, teachings, and influential outcomes of the pioneering Bauhaus school.
Bauhaus. Revision
The Bauhaus school was founded in Germany after World War 1 during a time of political and cultural upheaval. It aimed to combine craftsmanship with mass production techniques through its workshop-based teaching approach. Some key characteristics of the International Style it pioneered included rejecting ornamentation in favor of functionality, asymmetry and regularity over symmetry, and grasping architecture in terms of space rather than mass. The school shifted locations and leadership over time as its focus and politics changed, and was ultimately closed by the Nazi regime in 1933.
walter gropius theory and international style
about walter gropuis and his revolution in modern architecture and opening of bahaus school and what is international style
Bauhaus
The document discusses the history and influence of the Bauhaus school of architecture and design founded in Germany in 1919. It provides background on founder Walter Gropius and highlights some of the school's key principles of integrating architecture, technology, and functionality. Examples are given of innovative furniture and building designs that emerged from the Bauhaus, including the Dessau building completed in 1926 that came to symbolize the school's ideals.
What is design?
The document provides an introduction to design. It discusses elements of design including theoretical and practical materials on design bases and terminology. It includes links to videos and websites about the history of design highlighting important figures and movements. Examples of design firms are also presented. The document concludes with an exercise to redesign a primitive tool set.
walter gropius
Walter Gropius was a pioneering German architect and founder of the influential Bauhaus school. He studied architecture in Munich and Berlin before working under Peter Behrens. In 1919, Gropius established the Bauhaus school in Weimar, which emphasized merging art, craft, and technology. Some of his notable early works include the Fagus Factory and the Bauhaus building. In the 1930s, Gropius emigrated to the UK and then US due to the rise of Nazis. He taught at Harvard and established an influential architecture firm. Gropius was a leading modernist and his designs, including his own home, helped introduce European modernism to America.
Bauhaus
The Bauhaus was an influential art and design school founded in Germany in 1919 by Walter Gropius. It gathered masters such as Paul Klee, Wassily Kandinsky, and Mies van der Rohe to develop an innovative style that combined crafts and fine arts. The school focused on functional and utilitarian design that could be mass produced, with its approach influencing modern architecture, typography, furniture and other design disciplines through its emphasis on simplicity, functionality and use of industrial materials.
bauhaus
Bauhaus was an influential art and design school founded in Germany in 1919 by Walter Gropius. It brought together various crafts and fine arts to create functional yet beautiful designs. The school had three directors over its existence: Walter Gropius, Hannes Meyer, and Ludwig Mies van der Rohe. It stressed collaboration between teachers and students and mixing different artistic disciplines. Famous Bauhaus artists and designers included Johannes Itten, Wassily Kandinsky, and László Moholy-Nagy. The school had to close in 1933 under pressure from the Nazi government but its approach to design had a lasting global influence.
Bauhaus
The document discusses the origins and principles of the Bauhaus school, which was founded in Germany in 1919 by Walter Gropius after World War 1. The school aimed to combine art, craftsmanship and technology, and taught subjects like woodworking, metalwork, weaving and architecture. Key principles were form following function, simplicity and functionality. Major contributors included László Moholy-Nagy, Paul Klee, Wassily Kandinsky and Marcel Breuer. Iconic Bauhaus designs include the Wassily Chair, Bauhaus Lamp and Barcelona Chair. The school had a significant influence on modern architecture, art and design.
The Bauhaus
The Bauhaus was a German design school active from 1919 to 1934 that was founded by Walter Gropius in Weimar, Germany. It focused on combining fine art and craftsmanship and strived to produce a new approach to architecture incorporating artistic design, craftsmanship, and modern machine technology. The school emphasized collaboration between craftsmen and artists and elevating the status of crafts. It had a lasting influence seen today in graphic design, furniture, and even Ikea designs reflecting its focus on functional items for everyday living.
Mies van der rohe
Ludwig Mies van der Rohe was a pioneering German-American architect who helped define modern architecture. Some of his most notable works included the Barcelona Pavilion, Farnsworth House, 860-880 Lake Shore Apartments in Chicago, and S.R. Crown Hall. Mies strove to create open floor plans and harmonious balances between buildings and nature using new materials like steel and glass. He believed "less is more" and that form should follow function.
Development of international style
Ludwig Mies van der Rohe born Maria Ludwig Michael Mies; March 27, (1886 – August 17, 1969) was a German-American architect. He was commonly referred to as Mies, his surname. Along with Alvar Aalto, Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is regarded as one of the pioneers of modernist architecture. Mies was the last director of the Bauhaus, a seminal school in modern architecture. After Nazism's rise to power, with its strong opposition to modernism (leading to the closing of the Bauhaus itself), Mies emigrated to the United States. He accepted the position to head the architecture school at the Armour Institute of Technology (later the Illinois Institute of Technology), in Chicago
He worked in his father's stone carving shop and at several local design firms before he moved to Berlin, where he joined the office of interior designer Bruno Paul. He began his architectural career as an apprentice at the studio of Peter Behrens from 1908 to 1912, where he was exposed to the current design theories and to progressive German culture. He worked alongside Le Corbusier and Walter Gropius, who was later also involved in the development of the Bauhaus. Mies served as construction manager of the Embassy of the German Empire in Saint Petersburg under Behrens.
Ludwig Mies renamed himself as part of his transformation from a tradesman's son to an architect working with Berlin's cultural elite, adding "van der" and his mother's maiden name "Rohe" (the word mies means "lousy" in German and using the Dutch "van der", because the German form "von" was a nobiliary particle legally restricted to those of genuine aristocratic lineage. He began his independent professional career designing upper-class homes.
sought to establish his own particular architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created his own twentieth-century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces, as also conducted by other modernist architects in the 1920s and 1930s such as Richard Neutra. Mies strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of unobstructed free-flowing open space. He called his buildings "skin and bones" architecture. He sought an objective approach that would guide the creative process of architectural design, but was always concerned with expressing the spirit of the modern era. He is often associated with his fondness for the aphorisms, "less is more" and "God is in the details".
The Origin Of Bauhaus and its influences on The Foundation Program in Arts Ed...
The Bauhaus was an influential art school in Germany that operated from 1919 to 1933. It combined crafts and fine arts, and was famous for its approach to design that it publicized and taught. Led initially by Walter Gropius, the school sought to merge art and technology and moved locations in Weimar, Dessau, and Berlin during its existence. The Bauhaus had a significant impact and influenced modern design, education, and art throughout the 20th century.
Artifact
The document features photos from various cities in Western Europe, including iconic landmarks like the Eiffel Tower and Brandenburg Gates as well as images depicting urban housing, riots, and homelessness in Paris, Dublin, Barcelona, Madrid, Munich, and Berlin between 2007 and 2009.
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The Origin Of Bauhaus and its influences on The Foundation Program in Arts Ed...
The Origin Of Bauhaus and its influences on The Foundation Program in Arts Ed...
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Glass box cahyatika try w.
Metode berpikir kotak kaca adalah metode berpikir rasional yang menganalisis suatu hal secara objektif, sistematis, dan logis tanpa dipengaruhi oleh pertimbangan irasional. Metode ini berusaha menemukan fakta dan sebab yang melandasi suatu kejadian, lalu menemukan solusi masalah secara ilmiah melalui proses analisis, sintesis, dan evaluasi untuk mendapatkan desain optimal.
Temu 3
1. Dokumen tersebut membahas perbandingan antara metode perancangan tradisional dan modern serta metodologi desain.
2. Metode tradisional didasarkan pada trial and error sedangkan metode modern menggunakan desain melalui gambar.
3. Ada tiga metode berfikir dalam desain yaitu berfikir logis, intuitif, dan prosedural yang diimplementasikan lewat metode kotak hitam, kaca, dan pengorganisasian diri.
Think with black box metode by anandatrisiana
Dokumen ini membahas pendekatan desain interior dengan metode "black box". Metode ini menganggap proses kreatif desainer sebagai kotak hitam di mana hanya hasil akhirnya yang terlihat, bukan proses berpikir di dalamnya. Metode ini menekankan pentingnya intuisi dan pengalaman dalam proses desain. Dokumen ini juga membandingkan pendekatan black box dengan glass box dan menyarankan pendekatan campuran antara keduanya.
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Ludwig mies van der rohe
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The document discusses several pioneers of the International Style of architecture, including Walter Gropius, Le Corbusier, and Mies van der Rohe. It provides biographical information on Mies van der Rohe and discusses some of his major works in Europe before he emigrated to the US, such as the Barcelona Pavilion and Tugendhat House. It also covers some of his influential American works like the Lake Shore Drive Apartments in Chicago and Seagram Building in New York City. The document additionally mentions other influential modern buildings in America designed by firms like SOM and architects like Eero Saarinen.
Bauhaus f05b
The document discusses how Germany became a leader in industrial design in the late 19th/early 20th century. After being embarrassed by poor design quality at the 1876 Philadelphia Exhibition, Germany established the Deutsche Werkbund in 1907 to promote high quality design for industrial production. Key figures like Peter Behrens and Walter Gropius embraced machine production and sought to bridge the divide between art and industry. The Bauhaus school, founded in 1919, trained designers and craftsmen together to create works suited for machine mass production. The Bauhaus had influences from the Werkbund as well as De Stijl and architects like Frank Lloyd Wright. It aimed to unite art, craft and technology to produce well-designed
20th Century Architecture
The document summarizes several early 20th century artistic movements:
The Arts and Crafts Movement originated in Britain and emphasized craftsmanship and natural materials. William Morris and Charles Rennie Mackintosh were influential designers. The Greene Brothers designed grand California bungalow homes.
The German Werkbund sought to combine craft with industry through machine production. Peter Behrens and Walter Gropius designed for the AEG factory.
The Vienna Secession rejected traditional styles and embraced new concepts. Gustav Klimt and Joseph Olbrich were leaders, and the Secession building became its symbol.
The Wiener Werkstatte fused high art with crafts through total interior designs
Early modernism in Architecutre
Peter Behrens, (born April 14, 1868, Hamburg—died Feb. 27, 1940, Berlin), architect noted for his influential role in the development of modern architecture in Germany.
Similar to Ppt anggun (7)
(History of Architecture 2) Nov 2012 modern architecture
(History of Architecture 2) Nov 2012 modern architecture
Ppt anggun
- 1. Erich Dieckmann Anggun Riska Safitri/ 1603144047/ Kelompok 07/ PDI (http://en.wikipedia.org/wiki/Erich_Dieckmann)
- 2. Erich Dieckmann Erich Dieckmann belajar arsitektur di Danzig Politeknik dari tahun 1918 sampai 1920. Setelah menyelesaikan program foundation, bagaimanapun, Erich Dieckmann putus dan pergi ke Dresden, di mana ia mulai belajar melukis dan menggambar. Pada tahun 1921 Erich Dieckmann terdaftar di Bauhaus di Weimar. Antara 1921 dan 1925 Dieckmann menjabat magang di sana sebagai tukang kayu. Ketika sekolah Bauhaus pindah ke Dessau pada tahun 1925, Erich Dieckmann ditransfer ke Staatliche Bauhochschule di Weimar dan kepala bengkel pertukangan di sana dari 1925 hingga 1930. 1931 sampai ia diberhentikan oleh Sosialis Nasional pada tahun 1933, Erich Dieckmann adalah kepala bengkel pertukangan di Kunstgewerbeschule Burg Giebichenstein di Halle. (http://en.wikipedia.org)
- 3. Erich Dieckmann Dari 1939 Erich Dieckmann tinggal di Berlin. Erich Dieckmann adalah salah satu desainer furnitur yang paling penting di Bauhaus, mengembangkan jenis rentang untuk perabotan kursi. Seperti Marcel Breuer, Erich Dieckmann bereksperimen dengan pipa baja, tetapi terutama dikenal untuk mebel kayu standar nya. Desain Dieckmann untuk furnitur kursi yang ketat geometris, dengan frame berdasarkan sudut kanan dan dibangun hampir potongan kayu yang baik hampir persegi di penampang atau flat; fitur lain yang khas dari karya Dieckmann ini adalah menghubungkan lengan kursi dan kaki kursi dalam konstruksi pelari. Dengan menggunakan kayu keras berkualitas seperti beech, cherry, oak, dan abu serta tebu anyaman, Dieckmann melonggarkan geometri yang ketat dari desain; di sisi lain, bagaimanapun, standardisasi dan bernorma proporsi adalah untuk menjaga harga potongan yang diproduksi secara massal tersebut mebel serendah mungkin.
- 4. KARYA-KARYA • Ca. 1870 Formation of a company for manufacturing of brass hardware for furniture and doors through the brothers Gustav and Albert Kuhlmann in Gruene near Iserlohn - Germany. • 1936 Bankruptcy of the company Gustav and Albert Kuhlmann. Take over of the fabrication and the business premises with a total of 14 staff members by the Dortmunder TRADES man Erich Dieckmann. • 1938 Registration of the brand name "EDI" by the company Erich Dieckmann Archetectural hardware. • 1939 Change of manufacturing from brass alloy to aluminium alloy because begin of World War II. • 1945 Restart of manufacturing with now only door- and window hardware as well as handholds and gardrobes out of aluminium. • 1949 Transformation of the company into a KG (limited partnership) • 1952 First constructional enlargement of the fabrication and offices.
- 5. KARYA- KARYA • 1954 Foundation of the sister company "NORMBAU Erich Dieckmann GmbH" with registered office in Kehl (later Renchen) through Erich Dieckmann and his son Dieter Dieckmann. (This business was sold by Dieter Dieckmann in 1991 to the british company "Newman Tonks" - today "Ingersol-Rand"). • 1962 Transformation of the company Erich Dieckmann KG into a limited liability company. • 1968 Son Rudolf Dieckmann enters the company as a second executive. • 1968 Absorption of the neighbour company OVENTROP. Integration of the plant and the assortment (shelves for stores) into the company Erich Dieckmann. • 1970 Building of an another production hall at the headquarters. • 1971 Erich Dieckmann leaves the MANAGEMENT of the company. Rudolf Dieckmann becomes exclusive manager. • From 1972 Successful installation of a new assortment for building centers and hardware stores. • 1977 Buillding of another expansion hall. • 1982 Construction of factory II also in Iserlohn/Gruene - Germany. • 1982 Shareholding of the french company "FFA-Le Fer Forge d'Alsace". (Sale of the share in 1997). • 1992 Further expansion buildings at factory II. • 1996 After retirement of Rudolf Dieckmann his son Rainer Dieckmann takes over the management of the company. • From 1997 Exports to West- and East Europe, Asia und Africa gain growing importance for the company. • 2003 Buying of company MAWEX GmbH in Neustadt/Hesse - Germany.
- 6. KARYA-KARYA Chaise à accotoirs Sette , ca. 1927
- 7. KARYA- KARYA Armchair ( model no. M42) Set Crency
- 8. Gartenstuhl