The document provides an introduction and overview of the author. It discusses his interests in games, cars, music, movies and his home country. It also outlines his educational background at Full Sail University and some artworks he created while attending. Finally, it includes his contact information and references for any images used.
We’ve all heard that content is king, yet when it comes to designing web experiences we’re still stuck with lorem ipsum and placeholder images, as though the real content didn’t matter.
We’re still designing web experiences from the top down, starting with the desktop view of the homepage, even though they’re more likely to be experienced from the bottom up – starting with a content detail page on a mobile device.
Designing from the content out means starting with atomic elements of content, and building a system of components and layouts based on the real structure of content.
(see https://www.youtube.com/watch?v=PrPVZ60s-ls for audio and sync'd slides)
"Content precedes design. Design in the absence of content is not design, it's decoration." - Jeffrey Zeldman
We've all heard that content is king, yet when it comes to designing web experiences we're still stuck with lorem ipsum and placeholder images, as though the real content didn't matter.
We're still designing web experiences from the top down, starting with the desktop view of the homepage, even though they're more likely to be experienced from the bottom up - starting with a content detail page on a mobile device.
Designing from the content out means starting with atomic elements of content, and building a system of components and layouts based on the real structure of content.
We’ve all heard that content is king, yet when it comes to designing web experiences we’re still stuck with lorem ipsum and placeholder images, as though the real content didn’t matter.
We’re still designing web experiences from the top down, starting with the desktop view of the homepage, even though they’re more likely to be experienced from the bottom up – starting with a content detail page on a mobile device.
Designing from the content out means starting with atomic elements of content, and building a system of components and layouts based on the real structure of content.
(see https://www.youtube.com/watch?v=PrPVZ60s-ls for audio and sync'd slides)
"Content precedes design. Design in the absence of content is not design, it's decoration." - Jeffrey Zeldman
We've all heard that content is king, yet when it comes to designing web experiences we're still stuck with lorem ipsum and placeholder images, as though the real content didn't matter.
We're still designing web experiences from the top down, starting with the desktop view of the homepage, even though they're more likely to be experienced from the bottom up - starting with a content detail page on a mobile device.
Designing from the content out means starting with atomic elements of content, and building a system of components and layouts based on the real structure of content.
FLEMISH SOCIALIST PARTY PRESIDENT KAREL VAN MIERT ELABORATES PRIVATELY ON NEGATIVE VIEWS THAT HE AND HIS PARTY HAVE LONG EXPRESSED ON BELGIUM'S ZAIRE POLICY. SHARPLY CRITICIZES CURRENT PARATROOPER MISSION TO KITONA AND CHARGES CARETAKER PRIME MINISTER WITH
We are Interior Designers based in Pune offering total Interior and Kitchen solutions. We established Concepts in 1999. We provide comprehensive design support for new home developers, new home buyers and current homeowners. We educate and assist customers throught the entire process of flooring and interior product selection, installation and post-installation.
FLEMISH SOCIALIST PARTY PRESIDENT KAREL VAN MIERT ELABORATES PRIVATELY ON NEGATIVE VIEWS THAT HE AND HIS PARTY HAVE LONG EXPRESSED ON BELGIUM'S ZAIRE POLICY. SHARPLY CRITICIZES CURRENT PARATROOPER MISSION TO KITONA AND CHARGES CARETAKER PRIME MINISTER WITH
We are Interior Designers based in Pune offering total Interior and Kitchen solutions. We established Concepts in 1999. We provide comprehensive design support for new home developers, new home buyers and current homeowners. We educate and assist customers throught the entire process of flooring and interior product selection, installation and post-installation.
Collapsing Narratives: Exploring Non-Linearity • a micro report by Rosie WellsRosie Wells
Insight: In a landscape where traditional narrative structures are giving way to fragmented and non-linear forms of storytelling, there lies immense potential for creativity and exploration.
'Collapsing Narratives: Exploring Non-Linearity' is a micro report from Rosie Wells.
Rosie Wells is an Arts & Cultural Strategist uniquely positioned at the intersection of grassroots and mainstream storytelling.
Their work is focused on developing meaningful and lasting connections that can drive social change.
Please download this presentation to enjoy the hyperlinks!
Mastering the Concepts Tested in the Databricks Certified Data Engineer Assoc...SkillCertProExams
• For a full set of 760+ questions. Go to
https://skillcertpro.com/product/databricks-certified-data-engineer-associate-exam-questions/
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• It is recommended to score above 85% in SkillCertPro exams before attempting a real exam.
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This presentation, created by Syed Faiz ul Hassan, explores the profound influence of media on public perception and behavior. It delves into the evolution of media from oral traditions to modern digital and social media platforms. Key topics include the role of media in information propagation, socialization, crisis awareness, globalization, and education. The presentation also examines media influence through agenda setting, propaganda, and manipulative techniques used by advertisers and marketers. Furthermore, it highlights the impact of surveillance enabled by media technologies on personal behavior and preferences. Through this comprehensive overview, the presentation aims to shed light on how media shapes collective consciousness and public opinion.
Suzanne Lagerweij - Influence Without Power - Why Empathy is Your Best Friend...Suzanne Lagerweij
This is a workshop about communication and collaboration. We will experience how we can analyze the reasons for resistance to change (exercise 1) and practice how to improve our conversation style and be more in control and effective in the way we communicate (exercise 2).
This session will use Dave Gray’s Empathy Mapping, Argyris’ Ladder of Inference and The Four Rs from Agile Conversations (Squirrel and Fredrick).
Abstract:
Let’s talk about powerful conversations! We all know how to lead a constructive conversation, right? Then why is it so difficult to have those conversations with people at work, especially those in powerful positions that show resistance to change?
Learning to control and direct conversations takes understanding and practice.
We can combine our innate empathy with our analytical skills to gain a deeper understanding of complex situations at work. Join this session to learn how to prepare for difficult conversations and how to improve our agile conversations in order to be more influential without power. We will use Dave Gray’s Empathy Mapping, Argyris’ Ladder of Inference and The Four Rs from Agile Conversations (Squirrel and Fredrick).
In the session you will experience how preparing and reflecting on your conversation can help you be more influential at work. You will learn how to communicate more effectively with the people needed to achieve positive change. You will leave with a self-revised version of a difficult conversation and a practical model to use when you get back to work.
Come learn more on how to become a real influencer!
32. Contacts
Facebook:
JusLn
A
E
Strachan
Twi8er:
JusLn
Strachan
@lxBanGxl
Instagram:
@jusLnoneanonly
Emails:
jusLnstrachan10@outlook.com
jastrachan@fullsail.edu
33. References
STATUE
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/42453902@N00/258794389/">David
de
la
Luz
H.</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/
by-‐sa/2.0/">cc<
XBOXCONTROL
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/103293228@N06/16957517411/">Neo
Love</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by/
2.0/">cc</a>
SUPRA
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/44458546@N00/3911163697/">JAK
SIE
MASZ</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by-‐
sa/2.0/">cc</a>
HEADPHONES
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/121483302@N02/14374810662/">theglobalpanorama</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/
licenses/by-‐sa/2.0/">cc</a>
PACIFIC
RIM
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/22007612@N05/12163729903/">Gage
Skidmore</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/
by-‐sa/2.0/">cc</a>
FLAG
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/32571505@N00/3072047171/">Zebenji</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by-‐sa/
2.0/">cc</a>
NASSAU
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/120459374@N07/22239203721/">bid_ciudades</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by/
2.0/">cc</a>
RUN
UP
STAIRS
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/94353977@N00/3895833600/">Simon
Blackley</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by-‐
nd/2.0/">cc</a>
Picture
I
took
myself
TRANS
POSTER
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/121483302@N02/14525572645/">theglobalpanorama</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/
licenses/by-‐sa/2.0/">cc</a>
MASTER
CHIEF
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/8356650@N03/1678562866/">commorancy</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by/
2.0/">cc</a>
34. References
BOOKS
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/8624431@N08/3444606552/">Asim
Bijarani</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by/
2.0/">cc</a>
BTVI
h8p://www.employbahamians.com/btvi-‐elevator-‐technician-‐program/
DOOR
OPEN
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/33852688@N08/4323903097/">|Chris|</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by/
2.0/">cc</a>
FULLSAIL
UNIVERSITY
h8ps://en.wikipedia.org/wiki/Full_Sail_University
FISHBOWL
h8ps://en.wikipedia.org/wiki/Full_Sail_University
EXCITEMENT
FACE
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/129824217@N04/20661192993/">Poisoned_Pics_Photography</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://
creaLvecommons.org/licenses/by-‐sa/2.0/">cc</a>
DOG
STAIRDOWN
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/23566085@N00/3510281529/">e³°°°</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by-‐sa/
2.0/">cc</a>
BOB
MARLEY
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/37563893@N00/5418589205/">N.
Feans</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by/
2.0/">cc</a>
THINIING
MAN
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/13237923@N02/2701099408/">Simona
Scolari</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by-‐
sa/2.0/">cc</a>
CONTRUCTION
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/46335096@N07/4479680219/">AcLveSteve</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by-‐nd/
2.0/">cc</a>
QUEENS
GUARD
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/110671496@N06/15464521548/">Jonathan
Rolande</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/
licenses/by/2.0/">cc</a>
35. References
QUEENS
GUARD
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/110671496@N06/15464520448/">Jonathan
Rolande</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/
licenses/by/2.0/">cc</a>
WALL
PAINT
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/28481088@N00/5562301541/">tanakawho</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by-‐sa/
2.0/">cc</a>
CHESS
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/99058473@N00/7488934812/">gabrielsaldana</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/licenses/by-‐
sa/2.0/">cc</a>
PHILIP
STANHOPE,
4TH
EARL
OF
CHESTERFIELD
h8ps://commons.wikimedia.org/wiki/File:Philip_Dormer_Stanhope,_4th_Earl_of_Chesterfield_by_Allan_Ramsay.jpg
ISLAND
PICTURE
Photo
Credit:
<a
href="h8ps://www.flickr.com/photos/39442289@N00/2339686551/">Giorgio
Montersino</a>
via
<a
href="h8p://compfight.com">Compfight</a>
<a
href="h8ps://creaLvecommons.org/
licenses/by-‐sa/2.0/">cc</a>
PICTURE
I
TOOK
PICTURE
I
TOOK
SCREEN
SHOTS
OF
MY
ART