Paulo Cavalcanti is a Brazilian contemporary dancer, pianist, and researcher born in 1989 in São Paulo, Brazil. He has studied dance with several notable Brazilian dancers and choreographers. He holds degrees in classical piano and international trade. Currently he is pursuing a Bachelor's degree in Physical Activity Sciences at the University of São Paulo. Paulo has performed with several dance companies and founded a multimedia art project called "E | P Ensaios Poïéticos". He creates dance works that integrate movement with music, visuals, and new media. Paulo's choreography and performances have been presented in Brazil and Colombia.
Paulo is a 27-year-old Brazilian artist based in São Paulo. He works as a contemporary dancer, pianist, performer, and body educator. Paulo has trained extensively in contemporary dance, classical dance, and piano. He has a bachelor's degree in international trade and is pursuing a degree in physical activity sciences. Paulo teaches contemporary dance, has performed with several dance companies, and creates video art works that integrate dance, music, and other art forms.
Bruno Sérgio dos Reis Cardoso is a Portuguese artist born in 1996. He has studied performing arts and theatre at Alberto Sampaio High School from 2012 to 2015. His artistic education includes workshops in physical theatre, voice, body, masks, and epic theatre. Cardoso has performed in several theatre, dance, and musical productions from 2010 to 2015 covering genres like comedy, Shakespeare, and physical theatre. He is currently looking to expand his artistic career and education.
El documento presenta la estructura organizativa de una facultad, incluyendo los nombres y cargos del rector, decano, subdecano, secretarios y coordinadores de las carreras de Contabilidad y Auditoría y Economía y Gestión Financiera.
My media product challenges some conventions of real magazines but also uses several conventions:
One convention used is placing the masthead in the top left of the front cover. However, my bar code is unusually placed in the top left third, not the bottom corners.
The double page spread uses conventions like text flowing around images and using dividers between sections. However, the text could be spaced further from the image.
The contents page includes pictorial insets numbered and named, page numbers in order, and maintains the magazine's house style with colors, as seen in typical magazine contents pages.
This document provides tips for using social media platforms like Facebook, Google+, LinkedIn, and general best practices. It recommends listening to customers rather than overt advertising, sharing valuable information consistently across appropriate platforms, using engaging organic content, and responding to negative comments with kindness rather than deleting them. The key is representing your business professionally while contributing and engaging genuinely with your communities.
Triodos Bank - Meaningful relations - Emerce Efinance 2011Hadewych Kuiper
Bankieren gaat over relaties. Niet over transacties. Dat is het uitgangspunt van Triodos Bank’s internationale online strategie. Echte relaties aangaan met klanten. Verdiepen en betekenis geven. In de vijf Europese landen waar Triodos Bank actief is, verbindt Triodos Bank spaarders (die het geld ‘brengen’) en ondernemers (die het geld lenen). Betrokkenheid en content maken het verschil.
Als Head of Marketing is Hadewych Kuiper internationaal verantwoordelijk voor de marketing en online activiteiten van Triodos Bank. Sinds haar aantreden in 2008 heeft zij de transitie geleid naar een volledig nieuwe online aanwezigheid van Triodos Bank. Met één online platform worden alle landen bediend voor hun publieke websites, formulieren en internetbankieren. Met dit als robuuste basis, bouwt Triodos Bank deze community verder uit via social media.
This document summarizes a study of waterfowl diversity at Lake Reba in Madison County, Kentucky during fall migration. The author surveyed the lake in October, November, and early December, recording 11 total waterfowl species present. The four dominant species were American Coots, Mallards, Canadian Geese, and Pied-billed Grebes. Diversity indexes showed low diversity between waterfowl species across the survey months.
The audit report summarizes the findings of an occupational health and safety management system audit conducted at an organization. Several critical errors were identified across various audit principles, though some areas showed good findings. Recommendations are provided for each error, such as implementing documented procedures for managing hazards, legislative compliance, and ensuring approved codes of practice are followed. While the audit revealed issues, its objectives of evaluating health and safety performance and identifying areas for improvement were achieved. Immediate action is needed to address the most serious errors to ensure legislative compliance and prevent potential harm.
Paulo is a 27-year-old Brazilian artist based in São Paulo. He works as a contemporary dancer, pianist, performer, and body educator. Paulo has trained extensively in contemporary dance, classical dance, and piano. He has a bachelor's degree in international trade and is pursuing a degree in physical activity sciences. Paulo teaches contemporary dance, has performed with several dance companies, and creates video art works that integrate dance, music, and other art forms.
Bruno Sérgio dos Reis Cardoso is a Portuguese artist born in 1996. He has studied performing arts and theatre at Alberto Sampaio High School from 2012 to 2015. His artistic education includes workshops in physical theatre, voice, body, masks, and epic theatre. Cardoso has performed in several theatre, dance, and musical productions from 2010 to 2015 covering genres like comedy, Shakespeare, and physical theatre. He is currently looking to expand his artistic career and education.
El documento presenta la estructura organizativa de una facultad, incluyendo los nombres y cargos del rector, decano, subdecano, secretarios y coordinadores de las carreras de Contabilidad y Auditoría y Economía y Gestión Financiera.
My media product challenges some conventions of real magazines but also uses several conventions:
One convention used is placing the masthead in the top left of the front cover. However, my bar code is unusually placed in the top left third, not the bottom corners.
The double page spread uses conventions like text flowing around images and using dividers between sections. However, the text could be spaced further from the image.
The contents page includes pictorial insets numbered and named, page numbers in order, and maintains the magazine's house style with colors, as seen in typical magazine contents pages.
This document provides tips for using social media platforms like Facebook, Google+, LinkedIn, and general best practices. It recommends listening to customers rather than overt advertising, sharing valuable information consistently across appropriate platforms, using engaging organic content, and responding to negative comments with kindness rather than deleting them. The key is representing your business professionally while contributing and engaging genuinely with your communities.
Triodos Bank - Meaningful relations - Emerce Efinance 2011Hadewych Kuiper
Bankieren gaat over relaties. Niet over transacties. Dat is het uitgangspunt van Triodos Bank’s internationale online strategie. Echte relaties aangaan met klanten. Verdiepen en betekenis geven. In de vijf Europese landen waar Triodos Bank actief is, verbindt Triodos Bank spaarders (die het geld ‘brengen’) en ondernemers (die het geld lenen). Betrokkenheid en content maken het verschil.
Als Head of Marketing is Hadewych Kuiper internationaal verantwoordelijk voor de marketing en online activiteiten van Triodos Bank. Sinds haar aantreden in 2008 heeft zij de transitie geleid naar een volledig nieuwe online aanwezigheid van Triodos Bank. Met één online platform worden alle landen bediend voor hun publieke websites, formulieren en internetbankieren. Met dit als robuuste basis, bouwt Triodos Bank deze community verder uit via social media.
This document summarizes a study of waterfowl diversity at Lake Reba in Madison County, Kentucky during fall migration. The author surveyed the lake in October, November, and early December, recording 11 total waterfowl species present. The four dominant species were American Coots, Mallards, Canadian Geese, and Pied-billed Grebes. Diversity indexes showed low diversity between waterfowl species across the survey months.
The audit report summarizes the findings of an occupational health and safety management system audit conducted at an organization. Several critical errors were identified across various audit principles, though some areas showed good findings. Recommendations are provided for each error, such as implementing documented procedures for managing hazards, legislative compliance, and ensuring approved codes of practice are followed. While the audit revealed issues, its objectives of evaluating health and safety performance and identifying areas for improvement were achieved. Immediate action is needed to address the most serious errors to ensure legislative compliance and prevent potential harm.
Anna Furse was the Head of the Department of Theatre and Performance at Goldsmiths until recently. During her leadership, she expanded the department by 20% and introduced innovations like refurbishing practice spaces. She directed over 50 productions internationally and remains actively involved in the field through workshops, lectures, and mentoring younger artists. Her extensive career spans dance, theatre, writing, artistic direction and academic work promoting interdisciplinary collaboration.
Giovanna Chalkiopoulou has extensive experience in dance education and performance. She holds a degree in Sociology from Panteion University in Athens and a teaching diploma in classical and modern dance. Her work experience includes teaching dance to children in Athens from 2013 to 2015. She also has experience assisting with Pilates exercises in Athens in 2015. Currently residing in London, she has participated in dance performances there in 2015 and 2016.
This document is a sponsorship proposal for a collaborative dance and film project called "PATHS" between Kenyan and Danish artists. It provides:
1) An overview of the "PATHS" project, which involves Kenyan and Danish dancers and filmmakers creating choreographic and cinematographic pieces exploring connections between the two cultures.
2) Details on the project partners, dates, and locations for performances in Nairobi and Europe.
3) Background on the project directors and participating artists.
4) Information on sponsorship benefits and contacts
ANNEX_activities in collaboration with the management teamJordi Gendra
The document summarizes activities conducted from 2010-2017 in collaboration with the management team of the Conservatoire National de Musique d'Andorre. Key activities include:
1) Providing resources for an event featuring a famous singer and cellist for the "Carnet Jove Experiences" program for Andorran youth.
2) Organizing concerts in Andorra by the Ensemble Diapason, a Barcelona-based contemporary music group.
3) Managing the social media presence and blog of the IM music center with over 350 students.
4) Assisting in the production and post-production of a television series featuring performances by the IM.
Presentation black dance forms workshop_2015Abdoul Wane
The document announces an international dance workshop in Senegal from July 16th to August 26th, 2015 hosted by the Ecole des Sables. The workshop, directed by Patrick Acogny, will explore traditional and contemporary African dances as well as those of the African diaspora through classes taught by international guest teachers. Participants will gain understanding of how dance reflects culture and identity and can be used as a form of resistance. The workshop is open to professional dancers from around the world and will bring together 25 international dancers and 15 African dancers to exchange culture and ideas.
The Electric Cyberdance Research Group is part of the Laboratory for Advanced Research of Body at the School of Dance, University Federal of Bahia in Brazil. The group studies contemporary dance and its intersection with digital technologies. Its members include professors and students who conduct research on motion capture, interactive performance, interdisciplinarity in art, and virtual and augmented realities. The group collaborates with laboratories in Germany, the Netherlands, and Spain.
Flamenco dance is characterized by expressive hand movements, footwork, and body movements that originated from the gypsy communities in southern Spain. It has absorbed influences from other cultures over hundreds of years. El Rincon Flamenco is a 25-year old flamenco dance company based in Johannesburg under the direction of Joanne Bobrow and Mireille Lenferna. The company performs regularly for corporate and private events and has toured internationally, including performances in India in 2009 and 2010 for the FIFA World Cup in South Africa.
Anna Furse was the Head of the Department of Theatre and Performance at Goldsmiths until recently. During her leadership, she expanded the department by 20% and introduced innovations like refurbishing practice spaces. She directed over 50 productions internationally and remains actively involved in the field through workshops, lectures, and mentoring younger artists. Her extensive career spans dance, theatre, writing, artistic direction and academic work promoting interdisciplinary collaboration.
Giovanna Chalkiopoulou has extensive experience in dance education and performance. She holds a degree in Sociology from Panteion University in Athens and a teaching diploma in classical and modern dance. Her work experience includes teaching dance to children in Athens from 2013 to 2015. She also has experience assisting with Pilates exercises in Athens in 2015. Currently residing in London, she has participated in dance performances there in 2015 and 2016.
This document is a sponsorship proposal for a collaborative dance and film project called "PATHS" between Kenyan and Danish artists. It provides:
1) An overview of the "PATHS" project, which involves Kenyan and Danish dancers and filmmakers creating choreographic and cinematographic pieces exploring connections between the two cultures.
2) Details on the project partners, dates, and locations for performances in Nairobi and Europe.
3) Background on the project directors and participating artists.
4) Information on sponsorship benefits and contacts
ANNEX_activities in collaboration with the management teamJordi Gendra
The document summarizes activities conducted from 2010-2017 in collaboration with the management team of the Conservatoire National de Musique d'Andorre. Key activities include:
1) Providing resources for an event featuring a famous singer and cellist for the "Carnet Jove Experiences" program for Andorran youth.
2) Organizing concerts in Andorra by the Ensemble Diapason, a Barcelona-based contemporary music group.
3) Managing the social media presence and blog of the IM music center with over 350 students.
4) Assisting in the production and post-production of a television series featuring performances by the IM.
Presentation black dance forms workshop_2015Abdoul Wane
The document announces an international dance workshop in Senegal from July 16th to August 26th, 2015 hosted by the Ecole des Sables. The workshop, directed by Patrick Acogny, will explore traditional and contemporary African dances as well as those of the African diaspora through classes taught by international guest teachers. Participants will gain understanding of how dance reflects culture and identity and can be used as a form of resistance. The workshop is open to professional dancers from around the world and will bring together 25 international dancers and 15 African dancers to exchange culture and ideas.
The Electric Cyberdance Research Group is part of the Laboratory for Advanced Research of Body at the School of Dance, University Federal of Bahia in Brazil. The group studies contemporary dance and its intersection with digital technologies. Its members include professors and students who conduct research on motion capture, interactive performance, interdisciplinarity in art, and virtual and augmented realities. The group collaborates with laboratories in Germany, the Netherlands, and Spain.
Flamenco dance is characterized by expressive hand movements, footwork, and body movements that originated from the gypsy communities in southern Spain. It has absorbed influences from other cultures over hundreds of years. El Rincon Flamenco is a 25-year old flamenco dance company based in Johannesburg under the direction of Joanne Bobrow and Mireille Lenferna. The company performs regularly for corporate and private events and has toured internationally, including performances in India in 2009 and 2010 for the FIFA World Cup in South Africa.
Similar to Portfolio & BIO Paulo Cavalcanti EN (7)
2. Brazilian, Paulo was born in 1989, São Paulo, SP. He is contemporary dancer (DRT 34570), pianist (OMB 54925) and
researcher. His first experiences in music and dance started in Mairiporã, SP, between the years 2005 and 2006. His aesthetic
research in the arts goes through the multidisciplinary practice, the philosophy of the body, and experimental essays
integrating the human movement along with musicality, visualities, and new media.
Studied contemporary dance mainly with Mauricio de Oliveira and Claudia de Souza, and also with Morena Nascimento,
Ismael Ivo, Sandro Borelli, Edy Wilson and Márcio Dantas. His background in classical dance occurred mainly with Luis
Ribeiro, Neyde Rossi and Eduardo Bonnis. Graduated in Classical Piano with Horacio Gouveia by Escola de Música do
Estado de São Paulo – EMESP/TOM JOBIM. Graduated in International Trade by Universidade Paulista-UNIP, and still
graduating, at the 4th year in the course of Bachelor in Physical Activity Sciences at the School of Arts, Sciences and
Humanities of the University of São Paulo (EACH-USP). Integrates academic research groups: 'ECOAR' (Studies in Body
and Art), with guidance by Marilia Velardi (EACH-USP), and 'Hybrid Poetics - the theater interface with the visual arts' at the
Arts Institute IA/UNESP, guidance by Agnus Valente. Accomplished the courses: ‘Performance Creation/Live Art’ with
Elisa Band in SP Escola de Teatro; ‘Cultural Production for music' with Inty Queiroz in EPICENTRO CULTURAL and the
philosophy course 'Body, thought and freedom in Spinoza, Nietzsche, Bergson and Deleuze' with Amauri Ferreira, from
Nomadic School of Philosophy.
Recent workshops: Contemporary Dance with Rafaela Sahyoun at Capital 35 - Jorge Garcia Dance Company; ‘Still Life’
with Dimitris Papaioannou at Tusp Maria Antônia by MITsp; ‘Darkness Pomb’ with Modern Table Contemporary Dance
Company at Centro Cultural São Paulo (CCSP); 'Videodance creation' with André Uba, Anselmo Mancini and Cynthia
Domênico at SESC Pinheiros; 'Mind as Choreographic Body' with Ricardo Gali from Cia Perversos Polimorfos at SESC
Belenzinho; 'Afro-Brazilian dances and Mozambican experiences' with Lenna Bahule in FUNARTE / SP; and 'Merce
Cunningham Tecnique' with Gícia Amorim in OFICINA CULTURAL OSWALD DE ANDRADE.
Choreographer and contemporary dance teacher at Studio de Dança Sandra Sueli for about eight years. Paulo has worked
for the academies: Ballet Ismael Guiser Yoko Okada, Coreo Dance School, Studio Kitty Bodenheim, Bravo Ballet and Dance
Center Nice Leite-Ilara Lopes. In 2011, was a ballet pianist at Espaço Dança e Vida. In 2012 and 2013 was soloist at Cia Balé
de Bolso, playing Romeo in the remake "Romeo and Juliet – neither one or another", directed by Esmeralda Penha Gazal. In
2013, he joined the cast of the CIA DANÇAS - Claudia de Souza, with whom he studied techniques of modern dance
(Graham); and attended the opera AIDA, at the Municipal Theater of São Paulo, directed by Marco Gandini. In 2014 he
founded a project of integrated arts through video "E | P Ensaios Poïéticos", forming the group Corpo Camerístico, with
artists of music, dance, visual and performing arts. The production of this group has achieved several exhibitions and awards
in national and international festivals of videodance, highlighting: CCSP Weeks of Dance 2015 - Exhibition of videoart in
dance with the video CLOISTER; and 23th Festival Mix Brazil 2015 in the official selection with the video LISTEN.
In 2015, he directed the show SUITE EM DEZ ATOS with the group Corpo Camerístico at SESC Belenzinho, which
was part of “Caminhos da Dança” Programme, proposition coming from artistic actions of Ismael Ivo and Ivaldo Bertazzo.
He has also danced in Bogotá, Colombia, at the II Encuentro latino Americano de investigadores sobre el cuerpo y
corporalidades en las culturas, with the piece Corpus Sonum, for piano (composition by Cauê Muratt) and body. As a
performer, attended the assembly of experimental performative theater show ANATOMY OF THE FHAUN, based on the
work of Arthur Rimbaud, and also linked to the Performing Arts Laboratory of Escola de Comunicações e Artes (CAC /
ECA-USP), also linked to the EAD (School of Dramatic Art, USP), TUSP Maria Antonia and SP ESCOLA DE TEATRO.
3. In the year of 2016 Paulo joined the cast of SIAMESES DANCE COMPANY, directed by Maurício de Oliveira, during
the São Paulo Tour with the work ALBEDO (Project supported by PROAC).
CHAOS MEDITATION | https://youtu.be/K-AJc7A818I
LISTEN| https://youtu.be/g56aqhu6K_g
CLOISTER | https://youtu.be/9vDq9LiwhI8
SULLIED | https://youtu.be/g56aqhu6K_g
TOXIC HUES| https://youtu.be/AIbPQRwdy2A
THEMA | https://youtu.be/ooZ7sw24g1Q
Mobile phone | +55 (11) 968-199-447
E-mails | paulo2.cavalcanti@usp.br; paulocavalcantti@hotmail.com
facebook.com/paulo.cavalcanti.18
instagram.com/lcavalcantipaulo
youtube.com/c/PauloCavalcantii
google.com/+PauloCavalcantii
corpocameristico.wix.com/projetoep