1. Existem três classes principais de interruptores diferenciais - Classe AC, Classe A e Classe B - que diferem na capacidade de detecção de diferentes tipos de correntes de fuga.
2. A Classe B é capaz de detectar o maior número de tipos de correntes, incluindo correntes contínuas, tornando-a ideal para aplicações com variação de velocidade e equipamentos médicos.
3. Diferenciais de alta imunização e selectivos apresentam atrasos intencionais no disparo para evitar disparos intempest
O documento descreve o processo de criação de maquetes eletrônicas em 4 etapas: 1) o cliente envia os dados do projeto, 2) o modelo 3D é desenvolvido e amostras são apresentadas, 3) o cliente aprova a modelagem após alterações, 4) a renderização final é gerada e entregue ao cliente.
Perú se ubica en el extremo occidental de Sudamérica, con costas en el Océano Pacífico y fronteras con Ecuador, Colombia, Brasil, Bolivia y Chile. El documento describe brevemente las culturas Chavín, Nazca y Moche que moldearon la identidad peruana, así como populares destinos turísticos como las Líneas de Nazca, Machu Picchu y el Lago Titicaca.
El documento describe las propiedades del ozono y su papel importante en la atmósfera. Explica que el ozono se forma a partir de moléculas de oxígeno y actúa como un filtro protector contra la radiación ultravioleta en la estratosfera. Sin embargo, el ozono en la troposfera puede ser dañino para la salud y el medio ambiente. También analiza cómo los gases de efecto invernadero contribuyen al calentamiento global.
HMV would be a suitable distributor for the magazine due to its unique stylistic approach and focus on new music genres that could attract HMV's interest. The MixMag app allows exclusive access to a digital magazine edition and provides additional advertising exposure. Distributing the magazine digitally through apps like Apple's would modernize it, reach a global audience, and allow embedding of music samples to illustrate articles. Independent record shops and newsagents may also be interested distributors as the magazine covers up-and-coming artists of interest to music enthusiasts and is aimed at younger, accessible audiences.
How does your media product represent particular social groupsEddie Guy
XOYO magazine targets 16-25 year olds, especially males, as this demographic listens to new and experimental electronic music. The magazine will feature articles about up-and-coming electronic artists to appeal to readers wanting to discover new music. While mainly aimed at males due to its masculine design, the magazine includes a feature on a female DJ to appeal to both genders. The magazine also appeals to all social classes as electronic music production is accessible to anyone now regardless of background.
This document contains an 11 question survey about media consumption habits and preferences regarding music videos. It asks about demographics, preferred genres and platforms for watching videos, styles of videos like narrative vs performance, use of effects like color and editing, and level of influence music videos have. Respondents are also asked to name a favorite video and their views on the importance of music-related visuals.
This document contains an 11 question survey about music video viewing habits and preferences. It asks respondents about their gender, preferred music genre, where they watch music videos, preferred video styles, opinions on use of color, editing techniques, pacing, special effects, favorite videos, and whether videos influence them. It collects both multiple choice and open-ended answers about visual and technical aspects of music videos.
1. Existem três classes principais de interruptores diferenciais - Classe AC, Classe A e Classe B - que diferem na capacidade de detecção de diferentes tipos de correntes de fuga.
2. A Classe B é capaz de detectar o maior número de tipos de correntes, incluindo correntes contínuas, tornando-a ideal para aplicações com variação de velocidade e equipamentos médicos.
3. Diferenciais de alta imunização e selectivos apresentam atrasos intencionais no disparo para evitar disparos intempest
O documento descreve o processo de criação de maquetes eletrônicas em 4 etapas: 1) o cliente envia os dados do projeto, 2) o modelo 3D é desenvolvido e amostras são apresentadas, 3) o cliente aprova a modelagem após alterações, 4) a renderização final é gerada e entregue ao cliente.
Perú se ubica en el extremo occidental de Sudamérica, con costas en el Océano Pacífico y fronteras con Ecuador, Colombia, Brasil, Bolivia y Chile. El documento describe brevemente las culturas Chavín, Nazca y Moche que moldearon la identidad peruana, así como populares destinos turísticos como las Líneas de Nazca, Machu Picchu y el Lago Titicaca.
El documento describe las propiedades del ozono y su papel importante en la atmósfera. Explica que el ozono se forma a partir de moléculas de oxígeno y actúa como un filtro protector contra la radiación ultravioleta en la estratosfera. Sin embargo, el ozono en la troposfera puede ser dañino para la salud y el medio ambiente. También analiza cómo los gases de efecto invernadero contribuyen al calentamiento global.
HMV would be a suitable distributor for the magazine due to its unique stylistic approach and focus on new music genres that could attract HMV's interest. The MixMag app allows exclusive access to a digital magazine edition and provides additional advertising exposure. Distributing the magazine digitally through apps like Apple's would modernize it, reach a global audience, and allow embedding of music samples to illustrate articles. Independent record shops and newsagents may also be interested distributors as the magazine covers up-and-coming artists of interest to music enthusiasts and is aimed at younger, accessible audiences.
How does your media product represent particular social groupsEddie Guy
XOYO magazine targets 16-25 year olds, especially males, as this demographic listens to new and experimental electronic music. The magazine will feature articles about up-and-coming electronic artists to appeal to readers wanting to discover new music. While mainly aimed at males due to its masculine design, the magazine includes a feature on a female DJ to appeal to both genders. The magazine also appeals to all social classes as electronic music production is accessible to anyone now regardless of background.
This document contains an 11 question survey about media consumption habits and preferences regarding music videos. It asks about demographics, preferred genres and platforms for watching videos, styles of videos like narrative vs performance, use of effects like color and editing, and level of influence music videos have. Respondents are also asked to name a favorite video and their views on the importance of music-related visuals.
This document contains an 11 question survey about music video viewing habits and preferences. It asks respondents about their gender, preferred music genre, where they watch music videos, preferred video styles, opinions on use of color, editing techniques, pacing, special effects, favorite videos, and whether videos influence them. It collects both multiple choice and open-ended answers about visual and technical aspects of music videos.
The mind map will help guide the filming of the music video by generating different aspects to include. The song is "Berlin" by Modeselektor, which is electronic genre. Conventions of this genre include vibrant colors and depictions of socializing. The narrative will be linear but with a circular structure as the day progresses backwards. Abstract imagery, buildings, objects, and activity will be filmed to give the video its own feel. The visual style will be from the character's point of view to depict "a day in the life". Cinematography will include close-ups, medium shots, and point of view shots. Locations will be urban environments to seem realistic. Editing, effects, filters, iconography
Week 25 - The student exported their finished music video to Adobe After Effects to add title text at the beginning. They researched graffiti fonts and added the word "BERLIN" in large white letters for 3 seconds at the start of the video. The final video was then rendered and exported. The student began working on their evaluation by writing scripts to answer questions.
Week 26 - The student completed the first section of their evaluation by writing a detailed essay discussing how their media product uses and challenges conventions of the genre through designs, styles, and technical codes. They uploaded the essay to their blog and began constructing their evaluation using Prezi, which took some time to learn.
The document lists various tools, software programs, and online services used for photography, video, audio, and presentation creation and editing. Key items mentioned include Nikon cameras, Adobe Premier and After Effects for video editing, Google Chrome and images for online research, YouTube and Facebook for sharing content, Adobe Photoshop for image editing, and Microsoft Word and PowerPoint for creating documents and presentations.
Evaluation question one finished without one screengrab = titleEddie Guy
The document discusses the production of a music video for an electronic song. Some key points:
1) The music video uses locations in Manchester like student housing and urban areas to develop a youthful, metropolitan style and relate to the target audience.
2) Shots are taken from various angles to put the viewer in the perspective of the main character and show his journey through the day in reverse order.
3) Elements like a bottle of alcohol, youthful clothing, and blurred/abstract imagery are used to represent the character's state of intoxication and conform to conventions of the electronic music genre.
4) Unconventional editing techniques like reversing shots and syncing shots to the music help challenge
Evaluation question one finished without one screengrab = titleEddie Guy
The document discusses the production of a music video for an electronic song. Some key points:
1) The music video uses locations in Manchester like student housing and urban areas to develop a youthful feel and sense of realism for the target audience.
2) Shots are taken from various angles to follow the main character through the city, putting the viewer in his perspective.
3) The video is edited in reverse to start at the end of the character's day and reveal how he ended up in that state, challenging conventions.
4) Stylistic choices like the character's clothing and use of alcohol aim to relate to conventions of the electronic music genre while also adding new elements.
Evaluation question one finished without one screengrab = titleEddie Guy
The document discusses conventions used in the production of a music video for an electronic music song. Some key conventions included are:
1) Filming in urban locations like Manchester that are gritty and realistic for the target audience. Shots of signs indicate the location.
2) Capturing the main character socializing to portray a youthful, party environment.
3) Using props like bottles to suggest the character is drinking alcohol, a stereotypical convention for the genre.
4) Choosing fonts, costumes, and styles that are fashionable for young music fans to make the video appealing and relatable.
The CD cover features an abstract, colorful design by John Squire consisting of swirling paint strokes in various hues. No text is included to maximize awareness of Squire's artwork. The back cover replicates the front cover design, with the track listing highlighted separately. The unique, artistic CD design reflects both Squire's personality and the experimental style of music created by The Stone Roses.
The CD cover features a colorful, abstract design by band member John Squire in various directions. Track listings can be found to the right. The back cover replicates the front cover with Squire's artwork and highlights the track listing separately. Squire's psychedelic, expressive artwork is featured prominently throughout to maximize awareness of his work and give a continuous theme.
Music video questionnaire primary researchEddie Guy
The document summarizes the results of a questionnaire given to the target audience of a music video. Most questions were quantitative to provide statistics on preferences. Results showed a majority of the audience preferred house and alternative music, consumed music on YouTube, and liked fast-paced edited videos with synchronized editing. Special effects were seen as adding a unique style by 70%. The majority also thought instruments were important in music videos.
Music video questionnaire primary researchEddie Guy
The document summarizes the results of a questionnaire conducted as primary research for a music video. It asked questions to understand preferences around music video styles, genres, and editing techniques. Key findings included that the target audience prefers fast-paced, synchronized editing and that colors can effectively convey themes when used purposefully. While most felt music videos don't influence them, some said they reflect the artist's image or serve as inspiration. This information will help the researcher make production decisions for their music video.
This document contains an 11 question media research questionnaire about music video preferences. It asks respondents about their gender, preferred music genres and where they watch music videos. It also asks about preferred music video styles in terms of narrative, performance or abstract formats. Additional questions cover preferences around use of color, editing techniques, pacing and use of special effects. It concludes by asking about favorite music videos, their influence, and the importance of instruments in music videos.
This document contains an 11 question media research questionnaire about music video preferences. It asks respondents about their gender, preferred music genres and where they watch music videos. It also asks about preferred music video styles in terms of narrative, performance or abstract formats. Additional questions cover preferences around use of color, editing techniques, pacing and use of special effects. It concludes by asking about favorite music videos, their influence, and the importance of showing instruments/equipment.
This document analyzes a magazine advertisement the author created for an electronic house music genre coursework project. The advertisement adheres to conventions of the house music genre through its use of psychedelic colors, flashing light inspired pink and teal colors, and laser-inspired text formatting. It also incorporates repetition of common house music terms like "Essentials" while adding some personal differences like a sophisticated font choice to diversify from others in the genre. Overall, the advertisement effectively communicates the house music genre and intent to highlight essential tracks through its visual design choices and language.
This poster advertises a greatest hits album by the psychedelic indie band Happy Mondays. Known for their experimental music in the 1980s-1990s that incorporated new sounds and techniques, the band was influential but unconcerned with image. The poster layout reflects this, with text taking up almost 100% of the space in a striking multicolored handwritten chalk style font to emphasize the music over visuals. The use of vibrant primary colors evokes the band's upbeat music and the psychedelic drug culture of their era.
The document provides an analysis of the music video for TNGHT's song "Bugg'n". It discusses several elements of the music video that could be incorporated into the author's own music video project. These include using opening title credits to identify the song and artist, including abstract imagery shots that reflect the style of the music, and attempting to capture footage from a live performance similar to the large venue shown in the video.
The document analyzes the cinematography techniques used in the music video for "Seraphim" by Simian Mobile Disco. It notes the video's use of inward and outward zooms on close-ups and medium shots. Sweeping shots are also used to reveal objects or people. These editing techniques reveal details gradually and create a sense of surprise. The document discusses replicating these techniques in its own music video through extreme close-ups that zoom out to reveal context. Fast cuts of an unfolding bed sheet matching the music's tones are also praised, as are shots of a light turning on and off that could be easily recreated.
The document analyzes the music video "Mount Kimbe - Carbonated" and discusses techniques that could be incorporated into the author's own music video. These include using handheld camera shots to make footage seem more realistic, incorporating abstract imagery to fit the electronic music themes, and using close-ups and medium shots to represent mood. The author also notes using lighting and club footage at the end of their video to match the upbeat house music genre.
The font, color palette, and design of the poster advertise an electronic dance music band. Jagged fonts, contrasting blacks, whites, and greys catch attention and reflect the fast-paced, hard-hitting style. Orange draws the eye to the album title "Invaders must die" and images of an army and blimp suggest the album's theme of invasion and destruction. The layout positions the band name, album title, and release date to guide attention from top to bottom, with purchase details in the bottom corner.
The poster uses a sepia effect on the images of the Swedish House Mafia DJs to give them a sophisticated yet distinctive look, while still keeping the design organized and not overly colorful. It clearly displays the group's name above their faces and lists the album title, release date, and tracklisting below in an easy-to-read font. While the sophisticated visual style may not initially convey their dance music genre, the established group name draws curiosity about their sound and style.
This document contains questions for evaluating a media foundation portfolio, including how the media product uses or challenges real media conventions, how it represents social groups, what type of institution might distribute it, how it addresses audiences, what was learned about technologies from creating the product, and what was learned from the preliminary task to the final product.
The mind map will help guide the filming of the music video by generating different aspects to include. The song is "Berlin" by Modeselektor, which is electronic genre. Conventions of this genre include vibrant colors and depictions of socializing. The narrative will be linear but with a circular structure as the day progresses backwards. Abstract imagery, buildings, objects, and activity will be filmed to give the video its own feel. The visual style will be from the character's point of view to depict "a day in the life". Cinematography will include close-ups, medium shots, and point of view shots. Locations will be urban environments to seem realistic. Editing, effects, filters, iconography
Week 25 - The student exported their finished music video to Adobe After Effects to add title text at the beginning. They researched graffiti fonts and added the word "BERLIN" in large white letters for 3 seconds at the start of the video. The final video was then rendered and exported. The student began working on their evaluation by writing scripts to answer questions.
Week 26 - The student completed the first section of their evaluation by writing a detailed essay discussing how their media product uses and challenges conventions of the genre through designs, styles, and technical codes. They uploaded the essay to their blog and began constructing their evaluation using Prezi, which took some time to learn.
The document lists various tools, software programs, and online services used for photography, video, audio, and presentation creation and editing. Key items mentioned include Nikon cameras, Adobe Premier and After Effects for video editing, Google Chrome and images for online research, YouTube and Facebook for sharing content, Adobe Photoshop for image editing, and Microsoft Word and PowerPoint for creating documents and presentations.
Evaluation question one finished without one screengrab = titleEddie Guy
The document discusses the production of a music video for an electronic song. Some key points:
1) The music video uses locations in Manchester like student housing and urban areas to develop a youthful, metropolitan style and relate to the target audience.
2) Shots are taken from various angles to put the viewer in the perspective of the main character and show his journey through the day in reverse order.
3) Elements like a bottle of alcohol, youthful clothing, and blurred/abstract imagery are used to represent the character's state of intoxication and conform to conventions of the electronic music genre.
4) Unconventional editing techniques like reversing shots and syncing shots to the music help challenge
Evaluation question one finished without one screengrab = titleEddie Guy
The document discusses the production of a music video for an electronic song. Some key points:
1) The music video uses locations in Manchester like student housing and urban areas to develop a youthful feel and sense of realism for the target audience.
2) Shots are taken from various angles to follow the main character through the city, putting the viewer in his perspective.
3) The video is edited in reverse to start at the end of the character's day and reveal how he ended up in that state, challenging conventions.
4) Stylistic choices like the character's clothing and use of alcohol aim to relate to conventions of the electronic music genre while also adding new elements.
Evaluation question one finished without one screengrab = titleEddie Guy
The document discusses conventions used in the production of a music video for an electronic music song. Some key conventions included are:
1) Filming in urban locations like Manchester that are gritty and realistic for the target audience. Shots of signs indicate the location.
2) Capturing the main character socializing to portray a youthful, party environment.
3) Using props like bottles to suggest the character is drinking alcohol, a stereotypical convention for the genre.
4) Choosing fonts, costumes, and styles that are fashionable for young music fans to make the video appealing and relatable.
The CD cover features an abstract, colorful design by John Squire consisting of swirling paint strokes in various hues. No text is included to maximize awareness of Squire's artwork. The back cover replicates the front cover design, with the track listing highlighted separately. The unique, artistic CD design reflects both Squire's personality and the experimental style of music created by The Stone Roses.
The CD cover features a colorful, abstract design by band member John Squire in various directions. Track listings can be found to the right. The back cover replicates the front cover with Squire's artwork and highlights the track listing separately. Squire's psychedelic, expressive artwork is featured prominently throughout to maximize awareness of his work and give a continuous theme.
Music video questionnaire primary researchEddie Guy
The document summarizes the results of a questionnaire given to the target audience of a music video. Most questions were quantitative to provide statistics on preferences. Results showed a majority of the audience preferred house and alternative music, consumed music on YouTube, and liked fast-paced edited videos with synchronized editing. Special effects were seen as adding a unique style by 70%. The majority also thought instruments were important in music videos.
Music video questionnaire primary researchEddie Guy
The document summarizes the results of a questionnaire conducted as primary research for a music video. It asked questions to understand preferences around music video styles, genres, and editing techniques. Key findings included that the target audience prefers fast-paced, synchronized editing and that colors can effectively convey themes when used purposefully. While most felt music videos don't influence them, some said they reflect the artist's image or serve as inspiration. This information will help the researcher make production decisions for their music video.
This document contains an 11 question media research questionnaire about music video preferences. It asks respondents about their gender, preferred music genres and where they watch music videos. It also asks about preferred music video styles in terms of narrative, performance or abstract formats. Additional questions cover preferences around use of color, editing techniques, pacing and use of special effects. It concludes by asking about favorite music videos, their influence, and the importance of instruments in music videos.
This document contains an 11 question media research questionnaire about music video preferences. It asks respondents about their gender, preferred music genres and where they watch music videos. It also asks about preferred music video styles in terms of narrative, performance or abstract formats. Additional questions cover preferences around use of color, editing techniques, pacing and use of special effects. It concludes by asking about favorite music videos, their influence, and the importance of showing instruments/equipment.
This document analyzes a magazine advertisement the author created for an electronic house music genre coursework project. The advertisement adheres to conventions of the house music genre through its use of psychedelic colors, flashing light inspired pink and teal colors, and laser-inspired text formatting. It also incorporates repetition of common house music terms like "Essentials" while adding some personal differences like a sophisticated font choice to diversify from others in the genre. Overall, the advertisement effectively communicates the house music genre and intent to highlight essential tracks through its visual design choices and language.
This poster advertises a greatest hits album by the psychedelic indie band Happy Mondays. Known for their experimental music in the 1980s-1990s that incorporated new sounds and techniques, the band was influential but unconcerned with image. The poster layout reflects this, with text taking up almost 100% of the space in a striking multicolored handwritten chalk style font to emphasize the music over visuals. The use of vibrant primary colors evokes the band's upbeat music and the psychedelic drug culture of their era.
The document provides an analysis of the music video for TNGHT's song "Bugg'n". It discusses several elements of the music video that could be incorporated into the author's own music video project. These include using opening title credits to identify the song and artist, including abstract imagery shots that reflect the style of the music, and attempting to capture footage from a live performance similar to the large venue shown in the video.
The document analyzes the cinematography techniques used in the music video for "Seraphim" by Simian Mobile Disco. It notes the video's use of inward and outward zooms on close-ups and medium shots. Sweeping shots are also used to reveal objects or people. These editing techniques reveal details gradually and create a sense of surprise. The document discusses replicating these techniques in its own music video through extreme close-ups that zoom out to reveal context. Fast cuts of an unfolding bed sheet matching the music's tones are also praised, as are shots of a light turning on and off that could be easily recreated.
The document analyzes the music video "Mount Kimbe - Carbonated" and discusses techniques that could be incorporated into the author's own music video. These include using handheld camera shots to make footage seem more realistic, incorporating abstract imagery to fit the electronic music themes, and using close-ups and medium shots to represent mood. The author also notes using lighting and club footage at the end of their video to match the upbeat house music genre.
The font, color palette, and design of the poster advertise an electronic dance music band. Jagged fonts, contrasting blacks, whites, and greys catch attention and reflect the fast-paced, hard-hitting style. Orange draws the eye to the album title "Invaders must die" and images of an army and blimp suggest the album's theme of invasion and destruction. The layout positions the band name, album title, and release date to guide attention from top to bottom, with purchase details in the bottom corner.
The poster uses a sepia effect on the images of the Swedish House Mafia DJs to give them a sophisticated yet distinctive look, while still keeping the design organized and not overly colorful. It clearly displays the group's name above their faces and lists the album title, release date, and tracklisting below in an easy-to-read font. While the sophisticated visual style may not initially convey their dance music genre, the established group name draws curiosity about their sound and style.
This document contains questions for evaluating a media foundation portfolio, including how the media product uses or challenges real media conventions, how it represents social groups, what type of institution might distribute it, how it addresses audiences, what was learned about technologies from creating the product, and what was learned from the preliminary task to the final product.