1. Research of Locations
I spent a morning in Manchester City Centre and took images which will closely link
and introduce the types of shots and locations we intend to use within our
documentary. Here is the final and best selection, with commentaries on how we
intend to use them within our final product.
3. Here I have edited the shot and used Adobe Photoshop to change the image to
black and white to compare if our filming would look more professional in
natural colour or black and white. The conclusion made was that the documentary
would be more realistic and professional if colour is used.
4. Mid low angle shot of the Manchester Wheel. Show the landmarks
of Manchester. Creates a positive image in the audiences mind.
5. Low angle shot again. Indicates the superiority of Manchester
compared the thugs who attempted to destroy the city.
6. Image of Manchester
Street, quiet and
relaxed. Emphasising
how calm the City of
Manchester really is.
Helping to encourage
tourists back into the
city
8. Long shot of king Street. Affected by the riots. With the help
of the ‘I Love Manchester Campaign’, things are back to
normal.
9. Long Shot of desolate street in Manchester. Reconstruction?
10. Long Shot of Market Street. Another perspective, showing
Manchester from different angles.
11. High angle medium shot. Using artificial lighting and editing
using Adobe Photoshop, here I have created the visual effect that
the shop across the road may be on fire. CCTV/ Amateur footage?
12. Miss
Selfridge, involve
d within a lot of
controversy Long/
surrounding the medium, point
riots. Footage of of view shot
the reconstruction
in process will
show how the
store has
recovered.
13. Silhouetted long
shot of Market
street. Edited using
Adobe Photoshop, I
have create the
effect that some of
the people on
location wish to
keep their identities
a secret. Could be
used so the audience
can differentiate
between the
criminals and
passersby.
14. A final shot of Manchester. Emphasising how it’s recovered and the
optimistic and encouraging state its in now.