Slides from Talk at La Rencontre de Fingal, Dublin, March 2013, about cultures of sustainability and the increased responsibility of culture as transition leaders.
Designers = Meta-epistemologists? Questions of practicing design in the spaces of beyond-knowledge and the not-yet. Presented at the IASDR, Seoul, Korea 2009.
By Hyaesook Yang, Ayako Fukuuchi, and Jordan Dalladay-Simpson.
Long Time No See Project: participation designlinda carroli
Long Time No See? is a new project supported by the Australia Council for the Arts Special National Broadband Initiative to create an innovative 'next generation' artwork optimised for the forthcoming National Broadband Network (NBN).
We will create a living work that develops dialogs around time, community and futures, working with a range of nascent communities of interest, initially drawn from NBN connected locations, students and special interest groupings such as Festival audiences.
Designers = Meta-epistemologists? Questions of practicing design in the spaces of beyond-knowledge and the not-yet. Presented at the IASDR, Seoul, Korea 2009.
By Hyaesook Yang, Ayako Fukuuchi, and Jordan Dalladay-Simpson.
Long Time No See Project: participation designlinda carroli
Long Time No See? is a new project supported by the Australia Council for the Arts Special National Broadband Initiative to create an innovative 'next generation' artwork optimised for the forthcoming National Broadband Network (NBN).
We will create a living work that develops dialogs around time, community and futures, working with a range of nascent communities of interest, initially drawn from NBN connected locations, students and special interest groupings such as Festival audiences.
Resillience, cultural intervention, micro innovation, policy - City-Link 2014Oleg Koefoed
This talk was given to the City-Link Congress in Hamburg, in September 2014. The congress brought together researchers, artists, and practitioners to reflect on the issue of resilience and culture in cities. The congress had presentations by Sharon Zukin, Elke Krasny, Levente Polyak, Sacha Kagan and Oleg Koefoed.
Digital sustainability: how to move beyond the oxymoron
Can digital art be made to last in a sustainable way? It is no surprise that artists are keen to use and respond to new material in their practices. With every new invention, throughout the years, museum conservators tried to follow and adapted their working methods to the new challenges. Similarly, with the rise of digital artworks conservators try to think of solutions to preserve the collected artworks. While this works well in some cases, in many cases changes to the artwork happen as most hardware and software follow the design of planned-obsolescence. As a consequence endless migration and/or emulation projects are set up to prolong the working of digital art. It makes sense to use upgraded technology to keep an artwork going. Yet this enduring rat race becomes questionable when thinking about the environmental impact of digitals. In this presentation I want to discuss the oxymoron ‘digital sustainability’. By acknowledging this inherent contradiction, in my research I aim to critically inquire what it means for digital technology to support sustainability and how humans and technology can work together optimally for a more sustainable future. As a first step, I'll explore the potential of ‘networks of care’ to create, build and maintain digital cultural heritage in a sustainable way.
Origin of Spaces - Research Source Book (screen) innovative practices for sus...Christiaan Weiler
Antonio Machado - Campos de Castilla - 1912
"... Caminante, son tus huellas el camino, y nada más; caminante, no hay camino, se hace camino al andar. Al andar se hace camino, y al volver la vista atrás se ve la senda que nunca se ha de volver a pisar. ...”
1. Preface
It is dawning on many of us that the current pace and direction of society is difficult to keep up for very long. When in the post-world-war period the pursuit of (individual) achievement seemed the key force of collective development, now the nature of the achievement is very much at the heart of our concerns. Sharing and respecting the environment, be it social, capital or natural, must now regain a central position in community management. Simultaneously the means available for this common task are more and more distributed. More than ever must one ask what one can do for the community, rather than what the community can do for us.
If this project can establish the relevance of the multidisciplinary approach to global sustainability, it will be succesful. All participants, and all of their partners, will be dealing with our subject hands on. This means, once again, to break out of conventional silos so that professionals with different expertise can share insights and work side by side for the common goal.
Once the individual participants of the project recognise the shared motivation, the matter can be improved, embodied and disseminated - through the work in progress and the distribution of the results. Everyone will have the occasion to relay the subject in new links with organisations and city councils on local level, bringing together the actors within a common framework. The nature of 'change management' will need the implication of key-stake-holders on a regional level. Developping and distributing tested contents will convince captains of governance and industry to support the agents of the new models. The rich and diverse context of european culture will be a favourable background for innovating community-management with the resilience of a hybrid multi-faceted approach. When we come out with a 'best-practice'-based toolbox, developed on field work, we will be ready to share the expertise, and promote this complementary and crucial frame of innovation.
2. Research Outcomes
This research report is part of the Erasmus + project. It is the result of the initial phase, and concentrates on the task of assessing the existing practices of the five partners. The results of the research is be the basis of the second and final phase - the Toolbox development. The Toolbox is destined to enable other individuals or groups to learn the basics of setting up multidisciplinary social entrepreneur clusters.
Can science fictioning, co-creation, and other innovative, design-centered foresight techniques find fertile ground within the marble halls of government? Find out in this critical examination of strategies, methods and lessons from the project, Economic Futures for Ontario 2032 (EFO). Led by Strategic Innovation Lab (sLab) at OCAD University, in close collaboration with an interdisciplinary governmental working group, EFO explores challenging futures for Canada’s most populous and diverse province. The project attracted hundreds of participants from public and private sectors.
Balancing creativity and surprise with evidence and policy relevance, EFO is a demonstration initiative designed to boost organizational learning through scanning, scenarios, and strategic implications. The joint sLab/government team co-authored together, producing unexpected ideas and exceptional stakeholder ownership. As governments cope with shifting public sentiment, dwindling coffers, and rising complexity, need has never been greater for innovative anticipatory planning. In this session we’ll interrogate a path with real risks and rewards.
First presented at WorldFutures 2013, Chicago.
Resillience, cultural intervention, micro innovation, policy - City-Link 2014Oleg Koefoed
This talk was given to the City-Link Congress in Hamburg, in September 2014. The congress brought together researchers, artists, and practitioners to reflect on the issue of resilience and culture in cities. The congress had presentations by Sharon Zukin, Elke Krasny, Levente Polyak, Sacha Kagan and Oleg Koefoed.
Digital sustainability: how to move beyond the oxymoron
Can digital art be made to last in a sustainable way? It is no surprise that artists are keen to use and respond to new material in their practices. With every new invention, throughout the years, museum conservators tried to follow and adapted their working methods to the new challenges. Similarly, with the rise of digital artworks conservators try to think of solutions to preserve the collected artworks. While this works well in some cases, in many cases changes to the artwork happen as most hardware and software follow the design of planned-obsolescence. As a consequence endless migration and/or emulation projects are set up to prolong the working of digital art. It makes sense to use upgraded technology to keep an artwork going. Yet this enduring rat race becomes questionable when thinking about the environmental impact of digitals. In this presentation I want to discuss the oxymoron ‘digital sustainability’. By acknowledging this inherent contradiction, in my research I aim to critically inquire what it means for digital technology to support sustainability and how humans and technology can work together optimally for a more sustainable future. As a first step, I'll explore the potential of ‘networks of care’ to create, build and maintain digital cultural heritage in a sustainable way.
Origin of Spaces - Research Source Book (screen) innovative practices for sus...Christiaan Weiler
Antonio Machado - Campos de Castilla - 1912
"... Caminante, son tus huellas el camino, y nada más; caminante, no hay camino, se hace camino al andar. Al andar se hace camino, y al volver la vista atrás se ve la senda que nunca se ha de volver a pisar. ...”
1. Preface
It is dawning on many of us that the current pace and direction of society is difficult to keep up for very long. When in the post-world-war period the pursuit of (individual) achievement seemed the key force of collective development, now the nature of the achievement is very much at the heart of our concerns. Sharing and respecting the environment, be it social, capital or natural, must now regain a central position in community management. Simultaneously the means available for this common task are more and more distributed. More than ever must one ask what one can do for the community, rather than what the community can do for us.
If this project can establish the relevance of the multidisciplinary approach to global sustainability, it will be succesful. All participants, and all of their partners, will be dealing with our subject hands on. This means, once again, to break out of conventional silos so that professionals with different expertise can share insights and work side by side for the common goal.
Once the individual participants of the project recognise the shared motivation, the matter can be improved, embodied and disseminated - through the work in progress and the distribution of the results. Everyone will have the occasion to relay the subject in new links with organisations and city councils on local level, bringing together the actors within a common framework. The nature of 'change management' will need the implication of key-stake-holders on a regional level. Developping and distributing tested contents will convince captains of governance and industry to support the agents of the new models. The rich and diverse context of european culture will be a favourable background for innovating community-management with the resilience of a hybrid multi-faceted approach. When we come out with a 'best-practice'-based toolbox, developed on field work, we will be ready to share the expertise, and promote this complementary and crucial frame of innovation.
2. Research Outcomes
This research report is part of the Erasmus + project. It is the result of the initial phase, and concentrates on the task of assessing the existing practices of the five partners. The results of the research is be the basis of the second and final phase - the Toolbox development. The Toolbox is destined to enable other individuals or groups to learn the basics of setting up multidisciplinary social entrepreneur clusters.
Can science fictioning, co-creation, and other innovative, design-centered foresight techniques find fertile ground within the marble halls of government? Find out in this critical examination of strategies, methods and lessons from the project, Economic Futures for Ontario 2032 (EFO). Led by Strategic Innovation Lab (sLab) at OCAD University, in close collaboration with an interdisciplinary governmental working group, EFO explores challenging futures for Canada’s most populous and diverse province. The project attracted hundreds of participants from public and private sectors.
Balancing creativity and surprise with evidence and policy relevance, EFO is a demonstration initiative designed to boost organizational learning through scanning, scenarios, and strategic implications. The joint sLab/government team co-authored together, producing unexpected ideas and exceptional stakeholder ownership. As governments cope with shifting public sentiment, dwindling coffers, and rising complexity, need has never been greater for innovative anticipatory planning. In this session we’ll interrogate a path with real risks and rewards.
First presented at WorldFutures 2013, Chicago.
Oleg koefoed les rencontres prototyping cultures of sustainability in cities, spaces and neighbourhoods
1. Prototyping Cultures of
Sustainability
- thoughts on spaces, agents,
neighbourhoods and cities
March 8th, 2013
Les Rencontres de Fingal
Oleg Koefoed, Ph.D, Action-philosopher; Cultura21
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
2. A new role for culture?
The economic model has changed
: from patronage to industries
Avatar Explosion of number of agents
: birth of the creative classes
Dismantling of disciplinary borders
SurvivalKit, Riga : art in culture in neighbourhoods
in cities in projects – in policies?
How can culture lead the transformation?
Couros / Guimaraes 2012
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
3. What is prototyping?
Well-known design approach
Breaking through in urban projects
Dome of Visions, CPH Creating unfinished microcosms
– testing elements
Engaging dialogue and reflection through practice
Case 1: prototyping Copenhagen 2025
Case 2: lack of coherence in Guimaraes 2012
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
4. Why Prototyping?
”...we need to give patient, sustained
attention to the activity of confusion,
rather than attempting to promote
creativity directly..”
(David Bohm)
= Fail fast, fail early,
fail often,
learn better!
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
5. Klimakvarter Skt Kjelds,
Copenhagen
Copenhagen 2025
targets
Områdeløft –
regeneration
2012-2018
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
6. Klimakvarter Skt Kjelds,
Copenhagen
Integrating / transversing
the 4 pillars
Space, engaging citizens,
environment, climate
change
Culture (after all) as lever
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
7. Sustainability/sustension
= transdisciplinarity
The pre-sens(c)ing of infinity/future
Sensitivity to dynamics (patterns)
Complexity at the heart
Sustainability is a mindset
And a capacity to allow for emergence
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
8. Art-Culture-Science-Activism
= transversality
”cultures of sustainability (in Bateson's terms,
sensitivity to patterns that connect) is a
transversal phenomenon that cuts across all the
fields or pillars, and evoking the relation between
future, present and past choices and options”
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
9. Couros, Guimaraes
Guimaraes ECoC 2012
Sustainability is
highlighted (?)
Culture as lever for
change (?)
OR
Fragmentation, branding,
lack of funding
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
10. Couros, Guimaraes
Lack of integration of art
and sustainability
Nice projects, with
insufficient support
= some sustensivity
Ambitions of longevity
Re-connection to be
followed..
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
11. Reflections from the Baltic Sea
A myriad of projects
Multitude of
approaches/methods
Lack of knowledge of effects
Lack of visibility among agents
Lack of cross-fertilizing
More transdisciplinarity and
transversality needed
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
12. Obstacles..
”sector-based politics may very well be one of the
greatest obstacles to sustainable development, as
the understandings of sustainability in varies
across sectors.”
(Katrina Soini, coordinator of COST IS1017 on
Cultural sustainability)
Deep challenge: the rational modern scientific
model integrated in business and politics – far
away from the fabric and materiality of the world
(Oleg Koefoed, Kulturkraft)
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
13. ..and opportunities
A need for new ways to connect across
crises!
Re-connecting to patterns that connect:
aesthetics of sustainability?
Re-connecting regional and urban strategy
with the multitude of local transversal
projects?
Cities leading the way ahead?
A new philosophy of action through
prototyping?
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
14. ..the pioneer's voice
”The idea that action should only be taken after all the answers and the
resources have been found is a sure recipe for paralysis. The planning of a
city is a process that allows for corrections; it is supremely arrogant to
believe that planning can be done only after every possible variable has
been controlled.”
(Jaime Lerner, former mayor of Curitiba)
So: how do we embrace uncertainty?
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities
15. Ressources & invitations
Thematic issue ”Cities, Cultures, Sustainability”
Workshop and project: The Baltic Sea Region
Kagan: Art and Sustainability booklet
Koefoed: Kulturkraft (forthcoming)
8/3-2013, Fingal Oleg Koefoed: Prototyping Cultures of
Sustainability in Spaces,
Neighbourhoods and Cities