This document provides contact information and links for an organization called Oddstream that focuses on odd news and culture. The document lists an email address and phone number to contact Oddstream, as well as links to their website, Facebook page, Twitter account, and Flickr photos.
A local web series called 4Villains aims to let people embrace their inner super-villain. Created by Jeff Saamanen and Devan Douglas, it features ShadowSnake, Dr. Don't, Evil Hidden, and Psynapse. The project draws inspiration from shows like Buffy and Red Dwarf. It stands out by emphasizing fan interaction, with plans for a card game, comic, and social site where fans can level up. Filming of the first episode is underway.
This one page document is the table of contents for a magazine called "The Door From Hell" published in November 1998. The table of contents lists articles, advertisements, and sections including "I'm Just Talkin' bout Shaft", an article from "The Onion" online publication, an ad page, writings from "The Eat'n'Park Journals", a section titled "Death", a "Cut and Paste" section, and letters from readers. It also includes information about copyrights for photos in the publication.
The document discusses the author Currim Suteria's portfolio of selected works. It expresses an interest in a more poetic architecture that can provide authentic human experiences and make sense of the more-than-human world. The portfolio contains diverse projects inspired by literature, places, and people's lives, blending mediums like paintings, poetry, architecture, and sketches. It aims to not be a typical architectural portfolio. The contents section lists various projects, including housing, an urban lookout, a pavilion, and a library.
The Drift Deck (Analog Edition) is an algorithmic puzzle game used to navigate city streets. A deck of cards is used as instructions that guide you as you drift about the city. Each card contains an object or situation, followed by a simple action. For example, a situation might be — you see a fire hydrant, or you come across a pigeon lady. The action is meant to be performed when the object is seen, or when you come across the described situation. For example — take a photograph, or make the next right turn. The cards also contain writerly extras, quotes and inspired words meant to supplement your wandering about the city.
Processed in collaboration with Dawn Lozzi who did all of the graphic design and production.
More details here: http://www.nearfuturelaboratory.com/projects/drift-deck/
The document contains 15 poems by various authors. The poems cover a range of topics including reflections on aging, nature, relationships, and cultural experiences. They utilize different styles and forms of poetry to express ideas in brief, imaginative ways.
Ten museum designers. 5 minutes each. Ten inspirations from outside the museum field. Featuring Nina Simon, Aaron Goldblatt, Anna Slafer, Dan Spock, Matt DuPlessie, Charity Counts, Ben Dickow, Penny Jennings, Adam Lerner, and Dottie Miles. Created by Nina Simon, Museum 2.0.
This passage introduces Mystery, a member of a group called Project Hollywood, which taught men seduction techniques. Mystery has a mental breakdown, destroying parts of the house in fits of anger and sobbing uncontrollably. The narrator, known as Style, finds Mystery collapsed on the floor crying hysterically and threatening suicide. Style takes Mystery to a mental health center, hoping he can help calm Mystery down. The passage sets up Mystery's breakdown as the catalyst for the lessons that follow.
A local web series called 4Villains aims to let people embrace their inner super-villain. Created by Jeff Saamanen and Devan Douglas, it features ShadowSnake, Dr. Don't, Evil Hidden, and Psynapse. The project draws inspiration from shows like Buffy and Red Dwarf. It stands out by emphasizing fan interaction, with plans for a card game, comic, and social site where fans can level up. Filming of the first episode is underway.
This one page document is the table of contents for a magazine called "The Door From Hell" published in November 1998. The table of contents lists articles, advertisements, and sections including "I'm Just Talkin' bout Shaft", an article from "The Onion" online publication, an ad page, writings from "The Eat'n'Park Journals", a section titled "Death", a "Cut and Paste" section, and letters from readers. It also includes information about copyrights for photos in the publication.
The document discusses the author Currim Suteria's portfolio of selected works. It expresses an interest in a more poetic architecture that can provide authentic human experiences and make sense of the more-than-human world. The portfolio contains diverse projects inspired by literature, places, and people's lives, blending mediums like paintings, poetry, architecture, and sketches. It aims to not be a typical architectural portfolio. The contents section lists various projects, including housing, an urban lookout, a pavilion, and a library.
The Drift Deck (Analog Edition) is an algorithmic puzzle game used to navigate city streets. A deck of cards is used as instructions that guide you as you drift about the city. Each card contains an object or situation, followed by a simple action. For example, a situation might be — you see a fire hydrant, or you come across a pigeon lady. The action is meant to be performed when the object is seen, or when you come across the described situation. For example — take a photograph, or make the next right turn. The cards also contain writerly extras, quotes and inspired words meant to supplement your wandering about the city.
Processed in collaboration with Dawn Lozzi who did all of the graphic design and production.
More details here: http://www.nearfuturelaboratory.com/projects/drift-deck/
The document contains 15 poems by various authors. The poems cover a range of topics including reflections on aging, nature, relationships, and cultural experiences. They utilize different styles and forms of poetry to express ideas in brief, imaginative ways.
Ten museum designers. 5 minutes each. Ten inspirations from outside the museum field. Featuring Nina Simon, Aaron Goldblatt, Anna Slafer, Dan Spock, Matt DuPlessie, Charity Counts, Ben Dickow, Penny Jennings, Adam Lerner, and Dottie Miles. Created by Nina Simon, Museum 2.0.
This passage introduces Mystery, a member of a group called Project Hollywood, which taught men seduction techniques. Mystery has a mental breakdown, destroying parts of the house in fits of anger and sobbing uncontrollably. The narrator, known as Style, finds Mystery collapsed on the floor crying hysterically and threatening suicide. Style takes Mystery to a mental health center, hoping he can help calm Mystery down. The passage sets up Mystery's breakdown as the catalyst for the lessons that follow.
This document contains a summary of the poetry featured in Issue 9 of Creatrix magazine. It lists the selectors, editors, poets, and provides short excerpts from 3 poems: "Shotholed With Moonshine" by Jan Napier, "half" by Janet Jackson, and "Picking Mulberries At the Dewings" by Elio Novello.
This document provides an excerpt from a story about Jeremiah Taylor and Justin Vallee, two friends from Knoxville, Tennessee who have chosen an unconventional lifestyle focused on art, travel, and independence. They met five years ago and have since traveled together throughout Europe, experiences that inspired them to quit their jobs and careers to fully pursue their creative passions. Now working as street performers, artists, and freelancers, they prefer to define themselves as "two sick slugs who think outside the box" and find inspiration from living spontaneously and openly on the streets.
Here are a few reasons why stretchtext did not catch on as a dominant form of hypertext:
1. Habit of navigation. Readers had become accustomed to clicking links to move between nodes, rather than having the text dynamically change around them. Stretchtext required adjusting to a new paradigm.
2. Loss of context. When the text stretches, surrounding context is lost. Readers cannot easily refer back to what came before. Navigation allows random access to any part of the text.
3. Non-linearity. Hypertext thrives on the ability to read in a non-linear fashion, following links in any order. Stretchtext is inherently linear even if the content changes dynamically.
4
This document is the December 2010 issue of Poetry Creatrix, which includes poems by over 30 poets. It provides biographical information on the selectors and editors of the issue. The bulk of the document consists of poems on various topics, ranging from nature and travel to relationships and personal reflections. Each poem is attributed to its author.
This document is the December 2010 issue of Poetry Creatrix, which includes poems by over 30 poets. It introduces the selectors and editors for the issue. The first poem, "The Time of Birth" by Tatjana Debeljacki, is a reflection on growing older and telling stories to future generations. The next sections include two poems by Renee Pettitt-Schipp on the economic crisis in Australia and observing a butterfly. Further poems address topics like retirement, childhood memories, and the history of urban development in Melbourne.
Newsletter edition5 - fantastic in art and eventsErasmus+
The document discusses the Bermuda Triangle and provides information from interviews conducted with tourists visiting mysterious places in Europe. Tourists were asked questions about paranormal phenomena like the Bermuda Triangle, UFOs, ghosts, and haunted locations. The interviews aimed to assess attitudes towards parapsychology. The document also profiles several artists, including a Polish painter known for fantastical realism, an American comic book illustrator, and a Peruvian painter famous for fantasy paintings of muscular heroes and scantily clad women. Pictures from students and profiles of the artists are included.
This document discusses principles of design through quotes and examples. It covers topics like proportion, similarity, contrast, rhythm, color, brain science, and gestalt psychology. Design is presented as a way to solve problems through communication. Quotes emphasize leaving some things incomplete to allow for growth, and that science is true whether you believe in it. Diagrams show mathematical patterns in nature that influence design, like the golden ratio and Fibonacci sequence.
This document explores themes of cultural shifts from traditional community life to a more nomadic existence, the changing roles and identities of individuals, and the decline of hometown heroes. It references the poem "Casey at Bat" and uses baseball as a metaphor for the pressures of living up to expectations. Fragmented quotes and images portray a transition away from stable communities and towards more mobile, uncertain lives.
This document summarizes Warren Ellis's presentation titled "Global Frequency". The presentation touches on several topics in a loosely connected way, including urbanization, digital technology, play, parkour, augmented senses, and scale. It discusses how cities are becoming "slow computers" and how technology can help people project into larger contexts by considering things at different scales or through simulation. The presentation provides examples and perspectives on how technology might augment human senses and abilities in the future.
The document contains two poems by Tatjana Debeljački. The first poem, "The Lost Dream", reflects on lost opportunities and how things could have been better if they had believed in happiness and grasped the depths of the night. It describes Paris now looking different and shadows dancing away. The second untitled poem describes feeling lost in grey loneliness and intrusive cognition, with an unclear passionate and cruel thread awakening. It references paralysis, portable mirrors, and walking in dishonor.
Frontenac House' DEKTET 2010, 10 Poetry Books Publishing in April 2010Cadence PR
April 2010, marks the 10th anniversary of the Quartet poetry series. To celebrate, Frontenac House will simultaneously publish 10 poetry books – Dektet 2010. The titles have been chosen using a blind selection process by a jury of leading Canadian writers: bill bissett, George Elliot Clarke, and Alice Major. The jurors and publishers were impressed by both the number and quality of the submissions.
A Portrait Of The Artist As A Young Simian by Monkey Poet (SAMPLE)Burning Eye
Monkey Poet experiences a strange encounter in a San Francisco bar. He is transported to a magical realm where he meets famous poets like Dylan Thomas and Charles Bukowski. They invite him to a poetry reading. At the reading, Monkey Poet shares a controversial poem about shooting a baby, to silence from the group. The piece is a exploration of war and the evolution of the concept of genocide over history told through poetry and music. It references many genocides and mass killings of the 20th century.
The Stream of Consciousness: A Cerebration of PoetryJinglyNama
An amateur prose writer strays into the dangerous wilderness of Verse- and lives to tell the tale.
A gripping narrative on the mysteries and dangers of casual rhyme.
This document provides information about the Oddstream festival and some of the events that took place. It discusses performances by artists like zZz, The Death Letters, Emperors, Krause, and Alec Empire. It also talks about how festival attendees would reuse and repurpose plastic cups after the festival, with suggestions like turning them into birthday hats, art, or leaving them in the environment. The document promotes an alternative view of mainstream festivals and engaging visitors through music, art and inspiring discussions.
This document provides an overview of the Theatre of the Absurd. It discusses how a play by Samuel Beckett called "Waiting for Godot" was immediately understood by an audience of convicts at San Quentin Penitentiary, despite confusing more sophisticated audiences. The document contrasts the Theatre of the Absurd with more conventional plays, noting that Absurdist plays pursue different ends through different methods than traditional plays. It discusses how Absurdist plays reflect the preoccupations and anxieties of their time through abandoning rational devices and discursive thought in favor of achieving unity between form and content.
This document provides an overview of the Theatre of the Absurd. It discusses how a play by Samuel Beckett called "Waiting for Godot" was immediately understood by an audience of convicts at San Quentin Penitentiary, despite confusing more sophisticated audiences. The document contrasts the Theatre of the Absurd with more conventional plays, noting that Absurdist plays pursue different ends through different methods than traditional plays. It discusses how Absurdist plays reflect the preoccupations and anxieties of their time through abandoning rational devices and discursive thought in favor of achieving unity between assumptions and form of expression.
This document provides an excerpt from the novel "Caffeine" by Ryan Grabow. It introduces the main characters Brandon and Vair who are watching a movie together in a virtual reality theater. The story is set in a future where most interactions take place online. Brandon notices glitches disrupting the movie and feels disconnected from the simulated environment. Vair's online account was hacked and she speaks to an AI customer service representative to troubleshoot the issue but finds its responses lacking.
The document appears to be a play script that follows various characters at a peace camp as surreal interactions and conversations take place around the campfire, with references to protests, indigenous rights, and nuclear disarmament mixed with abstract dialogue. Characters include Brother, Hanna, Vroom, Benz, European Female, and others who discuss a variety of philosophical and political topics between scenes set at the abandoned camp.
This document appears to be a script for a play set in a deserted peace camp. It introduces various characters including Brother, Hanna, Vroom, Benz, and Michael Heseltine. Over the course of 7 scenes, the characters have surreal conversations and interactions as they struggle to keep their camp running in the face of authorities trying to shut it down. Brother writes a poem criticizing war and advocating for disarmament. Hanna and Vroom discuss the purpose behind life and how people function without impartiality. The script captures the chaos and tensions of life in the peace camp.
El Puerto de Algeciras continúa un año más como el más eficiente del continente europeo y vuelve a situarse en el “top ten” mundial, según el informe The Container Port Performance Index 2023 (CPPI), elaborado por el Banco Mundial y la consultora S&P Global.
El informe CPPI utiliza dos enfoques metodológicos diferentes para calcular la clasificación del índice: uno administrativo o técnico y otro estadístico, basado en análisis factorial (FA). Según los autores, esta dualidad pretende asegurar una clasificación que refleje con precisión el rendimiento real del puerto, a la vez que sea estadísticamente sólida. En esta edición del informe CPPI 2023, se han empleado los mismos enfoques metodológicos y se ha aplicado un método de agregación de clasificaciones para combinar los resultados de ambos enfoques y obtener una clasificación agregada.
An astonishing, first-of-its-kind, report by the NYT assessing damage in Ukraine. Even if the war ends tomorrow, in many places there will be nothing to go back to.
This document contains a summary of the poetry featured in Issue 9 of Creatrix magazine. It lists the selectors, editors, poets, and provides short excerpts from 3 poems: "Shotholed With Moonshine" by Jan Napier, "half" by Janet Jackson, and "Picking Mulberries At the Dewings" by Elio Novello.
This document provides an excerpt from a story about Jeremiah Taylor and Justin Vallee, two friends from Knoxville, Tennessee who have chosen an unconventional lifestyle focused on art, travel, and independence. They met five years ago and have since traveled together throughout Europe, experiences that inspired them to quit their jobs and careers to fully pursue their creative passions. Now working as street performers, artists, and freelancers, they prefer to define themselves as "two sick slugs who think outside the box" and find inspiration from living spontaneously and openly on the streets.
Here are a few reasons why stretchtext did not catch on as a dominant form of hypertext:
1. Habit of navigation. Readers had become accustomed to clicking links to move between nodes, rather than having the text dynamically change around them. Stretchtext required adjusting to a new paradigm.
2. Loss of context. When the text stretches, surrounding context is lost. Readers cannot easily refer back to what came before. Navigation allows random access to any part of the text.
3. Non-linearity. Hypertext thrives on the ability to read in a non-linear fashion, following links in any order. Stretchtext is inherently linear even if the content changes dynamically.
4
This document is the December 2010 issue of Poetry Creatrix, which includes poems by over 30 poets. It provides biographical information on the selectors and editors of the issue. The bulk of the document consists of poems on various topics, ranging from nature and travel to relationships and personal reflections. Each poem is attributed to its author.
This document is the December 2010 issue of Poetry Creatrix, which includes poems by over 30 poets. It introduces the selectors and editors for the issue. The first poem, "The Time of Birth" by Tatjana Debeljacki, is a reflection on growing older and telling stories to future generations. The next sections include two poems by Renee Pettitt-Schipp on the economic crisis in Australia and observing a butterfly. Further poems address topics like retirement, childhood memories, and the history of urban development in Melbourne.
Newsletter edition5 - fantastic in art and eventsErasmus+
The document discusses the Bermuda Triangle and provides information from interviews conducted with tourists visiting mysterious places in Europe. Tourists were asked questions about paranormal phenomena like the Bermuda Triangle, UFOs, ghosts, and haunted locations. The interviews aimed to assess attitudes towards parapsychology. The document also profiles several artists, including a Polish painter known for fantastical realism, an American comic book illustrator, and a Peruvian painter famous for fantasy paintings of muscular heroes and scantily clad women. Pictures from students and profiles of the artists are included.
This document discusses principles of design through quotes and examples. It covers topics like proportion, similarity, contrast, rhythm, color, brain science, and gestalt psychology. Design is presented as a way to solve problems through communication. Quotes emphasize leaving some things incomplete to allow for growth, and that science is true whether you believe in it. Diagrams show mathematical patterns in nature that influence design, like the golden ratio and Fibonacci sequence.
This document explores themes of cultural shifts from traditional community life to a more nomadic existence, the changing roles and identities of individuals, and the decline of hometown heroes. It references the poem "Casey at Bat" and uses baseball as a metaphor for the pressures of living up to expectations. Fragmented quotes and images portray a transition away from stable communities and towards more mobile, uncertain lives.
This document summarizes Warren Ellis's presentation titled "Global Frequency". The presentation touches on several topics in a loosely connected way, including urbanization, digital technology, play, parkour, augmented senses, and scale. It discusses how cities are becoming "slow computers" and how technology can help people project into larger contexts by considering things at different scales or through simulation. The presentation provides examples and perspectives on how technology might augment human senses and abilities in the future.
The document contains two poems by Tatjana Debeljački. The first poem, "The Lost Dream", reflects on lost opportunities and how things could have been better if they had believed in happiness and grasped the depths of the night. It describes Paris now looking different and shadows dancing away. The second untitled poem describes feeling lost in grey loneliness and intrusive cognition, with an unclear passionate and cruel thread awakening. It references paralysis, portable mirrors, and walking in dishonor.
Frontenac House' DEKTET 2010, 10 Poetry Books Publishing in April 2010Cadence PR
April 2010, marks the 10th anniversary of the Quartet poetry series. To celebrate, Frontenac House will simultaneously publish 10 poetry books – Dektet 2010. The titles have been chosen using a blind selection process by a jury of leading Canadian writers: bill bissett, George Elliot Clarke, and Alice Major. The jurors and publishers were impressed by both the number and quality of the submissions.
A Portrait Of The Artist As A Young Simian by Monkey Poet (SAMPLE)Burning Eye
Monkey Poet experiences a strange encounter in a San Francisco bar. He is transported to a magical realm where he meets famous poets like Dylan Thomas and Charles Bukowski. They invite him to a poetry reading. At the reading, Monkey Poet shares a controversial poem about shooting a baby, to silence from the group. The piece is a exploration of war and the evolution of the concept of genocide over history told through poetry and music. It references many genocides and mass killings of the 20th century.
The Stream of Consciousness: A Cerebration of PoetryJinglyNama
An amateur prose writer strays into the dangerous wilderness of Verse- and lives to tell the tale.
A gripping narrative on the mysteries and dangers of casual rhyme.
This document provides information about the Oddstream festival and some of the events that took place. It discusses performances by artists like zZz, The Death Letters, Emperors, Krause, and Alec Empire. It also talks about how festival attendees would reuse and repurpose plastic cups after the festival, with suggestions like turning them into birthday hats, art, or leaving them in the environment. The document promotes an alternative view of mainstream festivals and engaging visitors through music, art and inspiring discussions.
This document provides an overview of the Theatre of the Absurd. It discusses how a play by Samuel Beckett called "Waiting for Godot" was immediately understood by an audience of convicts at San Quentin Penitentiary, despite confusing more sophisticated audiences. The document contrasts the Theatre of the Absurd with more conventional plays, noting that Absurdist plays pursue different ends through different methods than traditional plays. It discusses how Absurdist plays reflect the preoccupations and anxieties of their time through abandoning rational devices and discursive thought in favor of achieving unity between form and content.
This document provides an overview of the Theatre of the Absurd. It discusses how a play by Samuel Beckett called "Waiting for Godot" was immediately understood by an audience of convicts at San Quentin Penitentiary, despite confusing more sophisticated audiences. The document contrasts the Theatre of the Absurd with more conventional plays, noting that Absurdist plays pursue different ends through different methods than traditional plays. It discusses how Absurdist plays reflect the preoccupations and anxieties of their time through abandoning rational devices and discursive thought in favor of achieving unity between assumptions and form of expression.
This document provides an excerpt from the novel "Caffeine" by Ryan Grabow. It introduces the main characters Brandon and Vair who are watching a movie together in a virtual reality theater. The story is set in a future where most interactions take place online. Brandon notices glitches disrupting the movie and feels disconnected from the simulated environment. Vair's online account was hacked and she speaks to an AI customer service representative to troubleshoot the issue but finds its responses lacking.
The document appears to be a play script that follows various characters at a peace camp as surreal interactions and conversations take place around the campfire, with references to protests, indigenous rights, and nuclear disarmament mixed with abstract dialogue. Characters include Brother, Hanna, Vroom, Benz, European Female, and others who discuss a variety of philosophical and political topics between scenes set at the abandoned camp.
This document appears to be a script for a play set in a deserted peace camp. It introduces various characters including Brother, Hanna, Vroom, Benz, and Michael Heseltine. Over the course of 7 scenes, the characters have surreal conversations and interactions as they struggle to keep their camp running in the face of authorities trying to shut it down. Brother writes a poem criticizing war and advocating for disarmament. Hanna and Vroom discuss the purpose behind life and how people function without impartiality. The script captures the chaos and tensions of life in the peace camp.
El Puerto de Algeciras continúa un año más como el más eficiente del continente europeo y vuelve a situarse en el “top ten” mundial, según el informe The Container Port Performance Index 2023 (CPPI), elaborado por el Banco Mundial y la consultora S&P Global.
El informe CPPI utiliza dos enfoques metodológicos diferentes para calcular la clasificación del índice: uno administrativo o técnico y otro estadístico, basado en análisis factorial (FA). Según los autores, esta dualidad pretende asegurar una clasificación que refleje con precisión el rendimiento real del puerto, a la vez que sea estadísticamente sólida. En esta edición del informe CPPI 2023, se han empleado los mismos enfoques metodológicos y se ha aplicado un método de agregación de clasificaciones para combinar los resultados de ambos enfoques y obtener una clasificación agregada.
An astonishing, first-of-its-kind, report by the NYT assessing damage in Ukraine. Even if the war ends tomorrow, in many places there will be nothing to go back to.
Essential Tools for Modern PR Business .pptxPragencyuk
Discover the essential tools and strategies for modern PR business success. Learn how to craft compelling news releases, leverage press release sites and news wires, stay updated with PR news, and integrate effective PR practices to enhance your brand's visibility and credibility. Elevate your PR efforts with our comprehensive guide.
Here is Gabe Whitley's response to my defamation lawsuit for him calling me a rapist and perjurer in court documents.
You have to read it to believe it, but after you read it, you won't believe it. And I included eight examples of defamatory statements/
Acolyte Episodes review (TV series) The Acolyte. Learn about the influence of the program on the Star Wars world, as well as new characters and story twists.
1. Let us know about smth odd: oddnews@oddstream.org phone: 0658959260
http://www.oddstream.org/
https://www.facebook.com/oddstream
https://twitter.com/odd_stream
http://www.flickr.com/photos/oddstream2011
TE A M
men Spiljak, Lotte Twilt
Web team: Kaj Derks, Bas Niemans Verdriet, Kar-
Graphical Design: Agate Lorence, Sandra Wiesthal
Bucar
Editorial team: Carola Stahl, Ruta Vimba, Tadeja
INTERNATIONALE
PARTNERS
The Oddstages pressed the play button:
rock fans making devil horns, beat junkies and
indie kids hanging around in the Oddstream
festival, built around the inspiring cultural factory in the industrial area of
Nijmegen. Beside the excellent choice of music, exhibitions in the contain-
ers and installations all around give the festival atmosphere and Nijmegen Text: Laura Reti // Photo: Karim Shalaby
city a pleasant vibe. Luckily, the weather is also on Oddstream’s side.
“It is pacman with the ultimate freedom, divine in our consumerist society”, Jan van der Asdonk, one
of the artists, sums up. Everyone knows pacman, the game with the yellow character eating its way
through little dots, while colourful ghosts are chasing it. It can be nerve-wrecking, annoying, challeng-
ing. Now, imagine a pacman with the opportunity to eat non-stop, without enemies, without a limited
Text: Melek Senturk // Photo: Cirila Zorenc
amount of food...
“It all began with two broken arcade cabinets. We came up with the idea of adapting the popular pac-
man game. That is how Freeman was born.” Insert any coin you want, be it five cents or one Norwegian
Kroner and you enter the heaven of limitless freedom and resources. “At first glance, the word ‘Free-
man’ has an extremely positive connotation”, Jan agrees, “but you are basically caught in the chains of
infinite consumption.”
“The only way to ever end the game is suicide. You either just stop moving and therefore stop eating,
The festival kicked off in early afternoon with or you find your way into the cave of the ghost.” Your movements are not leaving any trace, you wan-
local bands and DJ’s both on the Concretestage der around realising the futility and make your decision to pull the trigger yourself, forcing a quit.
(Liquid Snow, NL) and on the Streamstage (Sick Is there a better metaphor?
of Silence, NL), getting considerable attention
from the audience. One of the highlights of the
first day was Nina Boas (NL), the celebrated per-
formance artist from Rotterdam, who employs
imagination and alienation.
Creating an imaginary world by an interactive setting with projections, live animation and drawings as
well as an ordinary item which was recognizable for everyone, paper, she encouraged the audience to
comes to activism,” says Safaa, from Loesje. “Do whatever you want - but do something!”
In the outside, walls like these make prisons for the poor and the immigrant. In Palestine,
a couple of meters away, we read: “Being in the moment, you can feel yourself express-
“I start painting and I reset myself: I don’t go to the toilet, I don’t eat...” says Emilio. Just
write whatever they want. The project comes from Loesje, a writers’ collective that fights
get involved into the show.
Cyprus, Ceuta or Western Sahara, they boost hate and oppression. Here in Oddstream,
ing”. It’s the Wall of Freedom: tabula rasa, impatiently waiting for people to paint and
When I was passing by the Oddstage, the immediate traffic to Chop Wood (NL), the solo project of
The concrete wall outside de Vasim is, by these days, the bed for a street art orgy. The artists
come from different countries and are filling it up with all the techniques: brush, spray, sten-
Odilo Grod from Coparck, caught my eye. Without any guitar rhythms, his acoustic sound mixed with
are showing the process. And this involves the public,” explains Antje, who comes from Ger-
from normal life,” says Emilio from the italian crew. “We are not presenting the product: we
He has just finished painting Kill your TV. “Everybody should get out, be creative, and not
“We can offer people a distraction, a reflection, or just a laugh... whatever distracts them
eclectic electronic tunes, multilayered vocals of insomniatic lyrics, gave the listeners a calm feeling.
many. “It’s good to have something ‘offline’ here: no electricity, just painting,” says 103.
cil, posters... They share different skills - and they share the same passion for street art.
Text: Francisco Pedro // Photo: Karim Shalaby
After Chop Wood, I ran to the Vasim stage to have a
they are nothing but a huge canvas - for the freedom of creation.
look at another hip band from the Netherlands, Lola
Kite. With the help of the promos of their new album,
they created a nice vibe of concert atmosphere.
cultures. They should be a target when it
out of it. “Walls try to isolate people and
for freedom of speech. And in the end,
a stop-motion animation will be made
Unquestionably, the biggest hit of the day was the Young
stay watching TV,” explains the dutch artist.
Gods (CH). Hypnotic and heavy, melodic and noisy, familiar
yet utterly unique, the Young Gods were young again.
Later in the Club Oddstream the DJ’s like Richard Devine
(US), Coco Bryce (NL) and Ceephax (UK) totally hit the roof
with sharp beats and sent the audience to the camp area
with awe.
Tonight the headlines are the all-Dutch line up of the Death Letters, Emperors, zZz and Krause, while
Club Oddstream promises a party with Alec Empire (DE) and T.Raumschmiere (DE), which should not
be missed. Interviews with artists and more on “http://www.oddstream.org/” www.oddstream.org.
2. @WHODAWIN
ers! Here I am, your favorite paparazzi, pro-
Penny press #1 - Hello dear Oddstream lov-
vinding your daily fix... http://tumblr.com/
Tomorrow we will play #Oddstream at 19.15.
Spring Festival was a blast!!! We had a great
time!!! it was l.o.u.d. !!! Heading for Odd-
@ALEC_EMPIRE
Maniacs of Noise, live. He has a strikingly
tached to his finger. Festival! #oddstream
odd light emitting device of some sort at-
Our stage @ Oddstream sunday - http://
A nice new multimedia/music festival in
Text : Flaminia Klla, Photo: Cirila Zorenc
Nijmegen! --> http://bit.ly/j0haPu
Hello lovely Oddstreamists, ready for a new saucy update?
Here. You will be delighted to know that our mascotte, the woody dong, fi-
@DEADNEANDERTHAL
nally’s got his missus: a sinuous wooden vulva. Cyrille was shaping it with
his mighty chainsaw when he aknowledged my presence and promptly asked
stream Festival now!
“Ok?”
@_ROUTINES_
moby.to/hzwn88
@FIBERFESTIVAL
“Approved!” I said.
I mean, you should see it, you surely can’t get it wrong.
I’m afraid I won’t be as revelatory as promised ‘cause Gid, my ally from the
lavatories, was nowhere to be found. He put his groupies at the wc gates and
presumably pimped out the toilets’ fee so he could go and enjoy the shows.
Text : Flaminia Klla By the way, rumour has it that Carach Angren caused their share of funk, scar-
ing people shitless with their Chtulhu-ish make up. The backstage bar ladies
got really upset and thought those apparently normal guys of five minutes
before had suddenly underwent their mutation into Ghostface.
Did you know? Did you know? BUT THE BEST HAPPENED AFTER THE
The 360 degrees me- Children love Chroma. YOUNG GOD’S GIG. I met this very nice german woman
dia lab sometimes turn Once they start play-
the Contrastream. who’s following the band since ‘85 and guess what? She told me she also was
into a ‘gezellig’ futuris-
plplpl.pl installation.
ing with the plexi-
counter-cultural fest: in Montreaux years ago, when they performed with Mike Patton.
tic cocktail party (with
pretty intrigued by the
glassy drops they re-
supports a counter Ok, so what? I cried when I saw that on the interwebz.
no booze though). quire ice cream candy
Richard Devine was Oddstream morally
Did you know? to call it quits.
Did you know? That’s all for today dear oddies. See you here.
Text: Laura Reti, Photo: Laura Reti, Cirila Zorenc
I j ust l ove t his bui l ding, its so mysterious. When
you a re here it fee l s l ike w e a re entering anot her
w o r l d! w e a re entering anot her w o r l d!
Petra, 22, student digital art & culture
to help other people.
I have been to t his p l ace a l ot befo re, I he l ped her own dreams but also start
to bui l d t his, to make t his a ver y beautifu l p l ace. participant get closer to his or
I am rea l l y happy to be here no w . situation. Not only does every
Jino, 19, student social works and service Durf te Vragen is a win-win
Vragen. Through their website waarmakerij.nl they can arrange meetings.
II came her a l ot, because I w o rk here at a p rint - People can meet and work with each other at De Waarmakerij which is the office of Durf te
ing office. This is my first time here w hen t here is Questions you don`t want to ask your peers because they don`t want to be judged on that.
a festiva l o r a pa r t y,I rea l l y l ove it! A rea l l y good project where people worked together to solve questions you can`t answer by yourself.
p l ace fo r t his kind of festiva l ! Two years ago, the two guys felt inspired by an Estonian grassroots movement to start this
Marc, 21, art designer
Roemen. We met Juul in one of the containers, where he was sitting on a bright green pillow.
I rea l l y l ike t he l ocation, I've never been here be - wants to bring those people together. Durf te Vragen is a project run by Juul Martin and Niels
fo re, it is rea l l y nice. It is a l so ver y suitab l e fo r t his edge that will help people to achieve their individual dreams. Durf te Vragen/Dare to Ask
festiva l , because it is not mainst ream at a l l , j ust l ike We all have knowledge which will be helpful for more people than the ones we know. Knowl-
t he festiva l .
Lae, 30, art designer
Text: Janina Gutermann // Photo: Karim Shalaby
02.06.2011
Issue:2
You’ve been warned not to enter, you’ve been instructed to let
your imagination surrender. Didn’t listen. Thought you’re an ODD-
STREAMist? Not yet: until you’ve educated yourself you are just an
extremist.
Photo of the day
So dig: you are the closest thing you have to a voice of reason. Dig it?
by Karim Shalaby
Then dig deeper: you are in search for the thing that inspires mind
and soul.
Welcome to the digging ground - this is your second day in the ODD-
STREAM compound.
Do not be afraid to stand out - the inspired one doesn’t hide behind
the crowd.
Look around: you are a part of 3D inspirational surround! There is
no need to hold your breath, let yourself drown in the art and sound.
Open your senses - there is new in you to be found.
Stereotypes, phobias, prejudices - you know there is no way to get it
up if you do not let them go. If this is the case, why do you still resist
the stream of odd mind flow? Is it difficult to get rid of the mainstream
shackles issued to keep you going slow?
Dare to surprise yourself and get inspired.
This is ODDSTREAM and you are among your own.