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Show the pupils some photos of examples of artwork
(paintings, sculpture, ceramics, textiles) that have
been inspired by the natural world, a landscape,
some rocks, rivers, volcanoes, minerals, fossils - - - .
A few examples are given here.
Ask the pupils:-
• working in small groups to choose two examples of
artwork inspired by any aspect of Earth science or
created from any natural material. Describe how
the artist has used the natural environment to
create the artwork;
• to choose a topic they have studied in Earth
science or geography and make a design for their
own masterpiece. It could be:-
- painting: water colours, oils, mud or soil
- drawing: pen & ink, charcoal, scientific
- collage of natural materials
- sculpture (suggest the preferred natural material)
- textile design
• in groups, discuss their creations;
• if possible, produce their pieces of work.
Earthlearningidea - http://www.earthlearningidea.com
1
Geo-art: paintings to sculptures inspired by all things ‘geo’
Create your own geo-artwork
Artist Phil Entwistle writes, “John Ruskin wanted everyone to learn to draw. Not so that they could make pictures, but so that
they could see. Drawing and painting, for him, were tools for investigating nature. He saw them as integral to scientific enquiry
Our human scale conditions how we see things. We notice the beach, not the grains of sand, we see fields, not continents.
But the microscope and space exploration have broadened our choice of perspective far beyond the everyday, enabling us to
see similarities of form and pattern at hugely different scales. Similarly, our lifespan limits our perception of processes. We see
waves on the shore, but only occasionally in floods and landslides do we perceive the erosion of mountains; even less so the
tectonic widening of the Atlantic at a rate of a few centimetres a year. Yet process and movement are no less real for being
slow.”
‘Deltaic Sandstone’ based on the
Jurassic sandstone at Cloughton,
North Yorkshire.
Oil painting by Phil Entwistle
who says his love of science
inspires his work
Paintings left and below
are reproduced by
permission from the artist
http://www.philentwistle.co.uk/
An experiment with
oil paint and Indian
ink by Phil Entwistle
He is trying to
express the sense of
Earth’s restless,
continual change.
He uses gravity, tilt
and flow rather like
the processes that
form the landscape.
‘Dioptase’
Born in Toronto, artist Carly Waito is
known for her elegant artworks and
sculptural installations inspired by
the natural world. With a focus
towards geology, geometry and
light, she paints in oil the
complexities of crystals and gems
visible only on close inspection.
Reproduced with permission
from the artist
http://www.carlywaito.com/wp/
‘Mull 1’ by Karen Picton
The mud for this painting was collected from one area on the island
of Mull. The little stones were collected from Iona and include a
variety of beautiful colours along with tiny shells.
Reproduced with permission from the artist http://karenpicton.com/
Covered Bowl in the
shape of a Duck, c.1600
Carved in quartz (rock crystal),
a natural mineral
Walters Art Museum
This file is licensed under the
Creative Commons Attribution-
Share Alike 3.0 Unported licence
Cup with Dragon Handles
12th Century Chinese
Carved from Jade (variety nephrite),
a natural mineral
Walters Art Museum
This file is licensed under the
Creative Commons Attribution-Share
Alike 3.0 Unported licence
The back up:
Title: Geo-art; paintings to sculptures inspired by all
things ‘geo’.
Subtitle: Create your own geo-artwork.
Topic: Much of our great art was and is inspired by
the natural world. This activity encourages pupils to
create some imaginative artwork based on a topic
they have studied in Earth science or geography. It
creates a cross-curricular link between the sciences
and arts.
Age range of pupils: 5 - 95 years.
Time needed to complete activity: 30 minutes in
class but much longer to create the artwork.
Pupil learning outcomes: Pupils can:
• appreciate that much artwork is inspired by the
natural world;
• appreciate that some artwork is made from
material from the natural world, e.g. soil, pebbles
and minerals like jade and quartz;
• describe some pieces of this type of artwork;
• realise that everyone knows something about the
natural world;
• appreciate that everyone can create artwork;
• gain an insight into how much time and effort is
expended on producing great art.
Context:
“Art and science are branches of the same tree.”
(Albert Einstein)
This activity fits in well at the end of a topic where
pupils can explore other aspects of the subject of
study. It encourages creative thought and breaks
down any barrier pupils may make between scientific,
factual subjects and the arts.
Teachers may be interested in the book:-
‘Geology and Art: Cross-curricular Links’
Jane Dove, Wiley Online Library.
http://onlinelibrary.wiley.com/
Following up the activity:
Pupils can use search engines to explore the topic
‘Geology and Art’ further and to find more examples.
They could also try the Earthlearningidea ‘Geo-
literature’. http://www.earthlearningidea.com
Underlying principles:
• Much of our art has been inspired by the natural
world.
• Art and geology have played important rôles in our
lives since ancient humans lived in caves.
• All the raw materials for sculpture, architecture,
ceramics, jewellery, glass-blowing and original
colours for paints come from the Earth.
• Art and design can enhance the presentation of
geology in displays and publications. Scientific
illustrations can convey more information than
photographs.
• Rocks, fossils, minerals, landscape (and
geologists!) can provide subject matter and
inspiration for artists.
• Earth materials can be used directly for making art,
e.g. soil, pebbles and minerals.
• Rock exposures themselves can become artworks,
e.g. buildings in the beautiful coloured sandstones
of Petra in Jordan.
Thinking skill development:
Trying to interpret artwork shows construction.
Discussion about the art involves metacognition.
Turning a scientific topic into art is a bridging skill and
is the aim of the activity.
Resource list:
• a good imagination
• access to the internet (optional).
Useful links:
‘Blurring the line between Arts and Science’
by Sarah Henton De Angelis, Natural England
Earth Heritage Magazine, Issue 47
http://www.earthheritage.org.uk/
Balancing rock sculpture by Bill Dan:-
https://www.youtube.com/watch?v=ZItqAdaYPQM
Alan Spencer - ceramics
http://www.columbusmakesart.com/artist/645-alan-sp
encer/
Matthew Blakely - ceramics
http://www.matthewblakely.co.uk/blog/
Charles A. Borrell - abstract seascapes
http://www.charlesborrell.com/
Phil Entwhistle - http://www.philentwistle.co.uk/
Karen Picton - http://karenpicton.com/
Carly Waito - http://www.carlywaito.com/wp/
Source: Elizabeth Devon of the Earthlearningidea
Team inspired by the work of José Sellés Martínez
who has written much material in Spanish - book
chapters, articles for international and local journals,
magazines and proceedings. He has organised many
courses about Geology and Art. ‘Volcanoes, an
eruption of art’ is one example.
http://www.earthlearningidea.com/PDF/An_eruption_
of_art.pdf (8MB)
The Argentine Pampas is another example. This is 19
posters about the landscape of the Pampas and how
it has been described by poets, painters and
voyagers through time.
http://www.earthlearningidea.com/PDF/Argentine_Pa
mpas_posters.pdf (10MB)
Material has also been used from various posts on
the Geological Society of London blog -
https://blog.geolsoc.org.uk
Earthlearningidea - http://www.earthlearningidea.com
2
Earthlearningidea - http://www.earthlearningidea.com
3
© Earthlearningidea team. The Earthlearningidea team seeks to produce a teaching idea regularly, at minimal cost,
with minimal resources, for teacher educators and teachers of Earth science through school-level geography or science,
with an online discussion around every idea in order to develop a global support network. ‘Earthlearningidea’ has little
funding and is produced largely by voluntary effort.
Copyright is waived for original material contained in this activity if it is required for use within the laboratory or
classroom. Copyright material contained herein from other publishers rests with them. Any organisation wishing to use
this material should contact the Earthlearningidea team.
Every effort has been made to locate and contact copyright holders of materials included in this activity in order to obtain
their permission. Please contact us if, however, you believe your copyright is being infringed: we welcome any
information that will help us to update our records.If you have any difficulty with the readability of these documents,
please contact the Earthlearningidea team for further help.
Cross-curricular Earthlearningideas
Geo-art: paintings and sculptures inspired by all things 'geo'
Earthquakes and art: historic paintings of earthquakes
Geo-literature: poems and stories inspired by all things 'geo'
Geo-music: music inspired by all things 'geo'
Rocks music: create your own geo-instrument
Back in time: "Alligators spotted in London"

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Geo-art: paintings to sculptures inspired by Earth science

  • 1. Show the pupils some photos of examples of artwork (paintings, sculpture, ceramics, textiles) that have been inspired by the natural world, a landscape, some rocks, rivers, volcanoes, minerals, fossils - - - . A few examples are given here. Ask the pupils:- • working in small groups to choose two examples of artwork inspired by any aspect of Earth science or created from any natural material. Describe how the artist has used the natural environment to create the artwork; • to choose a topic they have studied in Earth science or geography and make a design for their own masterpiece. It could be:- - painting: water colours, oils, mud or soil - drawing: pen & ink, charcoal, scientific - collage of natural materials - sculpture (suggest the preferred natural material) - textile design • in groups, discuss their creations; • if possible, produce their pieces of work. Earthlearningidea - http://www.earthlearningidea.com 1 Geo-art: paintings to sculptures inspired by all things ‘geo’ Create your own geo-artwork Artist Phil Entwistle writes, “John Ruskin wanted everyone to learn to draw. Not so that they could make pictures, but so that they could see. Drawing and painting, for him, were tools for investigating nature. He saw them as integral to scientific enquiry Our human scale conditions how we see things. We notice the beach, not the grains of sand, we see fields, not continents. But the microscope and space exploration have broadened our choice of perspective far beyond the everyday, enabling us to see similarities of form and pattern at hugely different scales. Similarly, our lifespan limits our perception of processes. We see waves on the shore, but only occasionally in floods and landslides do we perceive the erosion of mountains; even less so the tectonic widening of the Atlantic at a rate of a few centimetres a year. Yet process and movement are no less real for being slow.” ‘Deltaic Sandstone’ based on the Jurassic sandstone at Cloughton, North Yorkshire. Oil painting by Phil Entwistle who says his love of science inspires his work Paintings left and below are reproduced by permission from the artist http://www.philentwistle.co.uk/ An experiment with oil paint and Indian ink by Phil Entwistle He is trying to express the sense of Earth’s restless, continual change. He uses gravity, tilt and flow rather like the processes that form the landscape. ‘Dioptase’ Born in Toronto, artist Carly Waito is known for her elegant artworks and sculptural installations inspired by the natural world. With a focus towards geology, geometry and light, she paints in oil the complexities of crystals and gems visible only on close inspection. Reproduced with permission from the artist http://www.carlywaito.com/wp/ ‘Mull 1’ by Karen Picton The mud for this painting was collected from one area on the island of Mull. The little stones were collected from Iona and include a variety of beautiful colours along with tiny shells. Reproduced with permission from the artist http://karenpicton.com/ Covered Bowl in the shape of a Duck, c.1600 Carved in quartz (rock crystal), a natural mineral Walters Art Museum This file is licensed under the Creative Commons Attribution- Share Alike 3.0 Unported licence Cup with Dragon Handles 12th Century Chinese Carved from Jade (variety nephrite), a natural mineral Walters Art Museum This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported licence
  • 2. The back up: Title: Geo-art; paintings to sculptures inspired by all things ‘geo’. Subtitle: Create your own geo-artwork. Topic: Much of our great art was and is inspired by the natural world. This activity encourages pupils to create some imaginative artwork based on a topic they have studied in Earth science or geography. It creates a cross-curricular link between the sciences and arts. Age range of pupils: 5 - 95 years. Time needed to complete activity: 30 minutes in class but much longer to create the artwork. Pupil learning outcomes: Pupils can: • appreciate that much artwork is inspired by the natural world; • appreciate that some artwork is made from material from the natural world, e.g. soil, pebbles and minerals like jade and quartz; • describe some pieces of this type of artwork; • realise that everyone knows something about the natural world; • appreciate that everyone can create artwork; • gain an insight into how much time and effort is expended on producing great art. Context: “Art and science are branches of the same tree.” (Albert Einstein) This activity fits in well at the end of a topic where pupils can explore other aspects of the subject of study. It encourages creative thought and breaks down any barrier pupils may make between scientific, factual subjects and the arts. Teachers may be interested in the book:- ‘Geology and Art: Cross-curricular Links’ Jane Dove, Wiley Online Library. http://onlinelibrary.wiley.com/ Following up the activity: Pupils can use search engines to explore the topic ‘Geology and Art’ further and to find more examples. They could also try the Earthlearningidea ‘Geo- literature’. http://www.earthlearningidea.com Underlying principles: • Much of our art has been inspired by the natural world. • Art and geology have played important rôles in our lives since ancient humans lived in caves. • All the raw materials for sculpture, architecture, ceramics, jewellery, glass-blowing and original colours for paints come from the Earth. • Art and design can enhance the presentation of geology in displays and publications. Scientific illustrations can convey more information than photographs. • Rocks, fossils, minerals, landscape (and geologists!) can provide subject matter and inspiration for artists. • Earth materials can be used directly for making art, e.g. soil, pebbles and minerals. • Rock exposures themselves can become artworks, e.g. buildings in the beautiful coloured sandstones of Petra in Jordan. Thinking skill development: Trying to interpret artwork shows construction. Discussion about the art involves metacognition. Turning a scientific topic into art is a bridging skill and is the aim of the activity. Resource list: • a good imagination • access to the internet (optional). Useful links: ‘Blurring the line between Arts and Science’ by Sarah Henton De Angelis, Natural England Earth Heritage Magazine, Issue 47 http://www.earthheritage.org.uk/ Balancing rock sculpture by Bill Dan:- https://www.youtube.com/watch?v=ZItqAdaYPQM Alan Spencer - ceramics http://www.columbusmakesart.com/artist/645-alan-sp encer/ Matthew Blakely - ceramics http://www.matthewblakely.co.uk/blog/ Charles A. Borrell - abstract seascapes http://www.charlesborrell.com/ Phil Entwhistle - http://www.philentwistle.co.uk/ Karen Picton - http://karenpicton.com/ Carly Waito - http://www.carlywaito.com/wp/ Source: Elizabeth Devon of the Earthlearningidea Team inspired by the work of José Sellés Martínez who has written much material in Spanish - book chapters, articles for international and local journals, magazines and proceedings. He has organised many courses about Geology and Art. ‘Volcanoes, an eruption of art’ is one example. http://www.earthlearningidea.com/PDF/An_eruption_ of_art.pdf (8MB) The Argentine Pampas is another example. This is 19 posters about the landscape of the Pampas and how it has been described by poets, painters and voyagers through time. http://www.earthlearningidea.com/PDF/Argentine_Pa mpas_posters.pdf (10MB) Material has also been used from various posts on the Geological Society of London blog - https://blog.geolsoc.org.uk Earthlearningidea - http://www.earthlearningidea.com 2
  • 3. Earthlearningidea - http://www.earthlearningidea.com 3 © Earthlearningidea team. The Earthlearningidea team seeks to produce a teaching idea regularly, at minimal cost, with minimal resources, for teacher educators and teachers of Earth science through school-level geography or science, with an online discussion around every idea in order to develop a global support network. ‘Earthlearningidea’ has little funding and is produced largely by voluntary effort. Copyright is waived for original material contained in this activity if it is required for use within the laboratory or classroom. Copyright material contained herein from other publishers rests with them. Any organisation wishing to use this material should contact the Earthlearningidea team. Every effort has been made to locate and contact copyright holders of materials included in this activity in order to obtain their permission. Please contact us if, however, you believe your copyright is being infringed: we welcome any information that will help us to update our records.If you have any difficulty with the readability of these documents, please contact the Earthlearningidea team for further help. Cross-curricular Earthlearningideas Geo-art: paintings and sculptures inspired by all things 'geo' Earthquakes and art: historic paintings of earthquakes Geo-literature: poems and stories inspired by all things 'geo' Geo-music: music inspired by all things 'geo' Rocks music: create your own geo-instrument Back in time: "Alligators spotted in London"