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Art Matters: Illuminating Contemporary Art
Shepparton Art Museum
2015
LECTURE 5: ART, PLACE AND THE ENVIRONMENT
Albrecht Dürer The Large Piece of Turf 1503
Henrique Oliveira Baitogogo 2013
Installation at the Palais de Tokyo, Paris
Earth Rise, taken from Apollo 8, 24 Dec 1968
Carl Sagan, Pale Blue Dot: A Vision of the Human Future in Space (excerpt), 1994
Robert Smithson: Entropy
‘Art can become a resource that mediates between the ecologist
and the industrialist. Ecology and industry are not one-way streets,
rather they should be crossroads’
- Robert Smithson (Untitled 1971)
Robert Smithson Asphalt Rundown 1969
Joseph Beuys, 7000 Oaks, 1982
Documenta 7, Kassel, Germany
Cai Guo-Qiang The Century
with Mushroom Clouds:
Project for the Twentieth
Century (Salt Lake) 1996
Realised at Robert Smithson’s
Spiral Jetty on 15 February 1996
Michael Heiser Double Negative 1970
Michael Heiser Double Negative 1970
Rikrit Tiravanija The Land, Thailand 1998
Radical Nature: Art and Architecture for a Changing Planet 1969–2009
(London, 2009)
Earth: Art of a Changing World (Royal Academy)
Weather Report: Art and Climate Change (Boulder Museum of Contemporary
Art, Colorado 2007)
Burning Ice: Art and Climate Change (Natural History Museum, London 2006)
Heat: Art and Climate Change in Melbourne (RMIT Gallery, 2008)
Sensing Nature (Mori Art Museum, Tokyo 2011)
David Buckland’s Cape Farewell Project started in 2001
Shiro Takatani Ice Core 2005
Nature-Culture Divide
Angela Valamanesh, Animal, Vegetable, Mineral, 2007
SAM Collection
Simon Faithful 0.00 Navigation 2009, 55min video
David Burrow, Mirage Project [iceberg], Federation Square 2012
David Burrow, Mirage Project [iceberg], Palimpsest Biennale 2013
Kosuke Ikeda Rain/Desert Island 2010
Fujiko Nakaya and Shiro Takatani Cloud Forest 2010
Fujiko Nakaya and Shiro Takatani Cloud Forest 2010
Olfaur Elliason
The Weather Project 2003
Tate Turbine Hall
Weather Report: Art and Climate Change 2007 (L. Lippard) Mary Miss
Penny Byrne, The Four Horsemen of the 21st
Century Apocalypse
(Water Scarcity, Peak Oil, Food Shortages, Over population), 2009
Edward Burtynsky, 'Super Pit #4, Kalgoorlie, Western Australia', 2007
Alan Sonfist Time Landscape 1965-2005
• The divide between nature and culture has come to be seen as a false
dichotomy
• Humans are part of the natural world
• Understand of nature comes through cultural interpretation
• Environmental art has been made throughout history, but with different
concerns and interests depending on the era
• Social, political and scientific shifts in the 1960s and ‘70s changed the way
we view and understand the environment
• Artists working with the environment haven’t all been environmentalists
• Different approaches to the environment depending on the
interests and approach of the artist
• Though many artists have engaged with the environment to
express ecological and political concerns
Some Key Ideas from this lecture

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Lecture 5 - Art, Place and the Environment

  • 1. Art Matters: Illuminating Contemporary Art Shepparton Art Museum 2015 LECTURE 5: ART, PLACE AND THE ENVIRONMENT
  • 2. Albrecht Dürer The Large Piece of Turf 1503
  • 3. Henrique Oliveira Baitogogo 2013 Installation at the Palais de Tokyo, Paris
  • 4. Earth Rise, taken from Apollo 8, 24 Dec 1968
  • 5. Carl Sagan, Pale Blue Dot: A Vision of the Human Future in Space (excerpt), 1994
  • 6. Robert Smithson: Entropy ‘Art can become a resource that mediates between the ecologist and the industrialist. Ecology and industry are not one-way streets, rather they should be crossroads’ - Robert Smithson (Untitled 1971) Robert Smithson Asphalt Rundown 1969
  • 7. Joseph Beuys, 7000 Oaks, 1982 Documenta 7, Kassel, Germany
  • 8. Cai Guo-Qiang The Century with Mushroom Clouds: Project for the Twentieth Century (Salt Lake) 1996 Realised at Robert Smithson’s Spiral Jetty on 15 February 1996
  • 9. Michael Heiser Double Negative 1970
  • 10. Michael Heiser Double Negative 1970
  • 11. Rikrit Tiravanija The Land, Thailand 1998
  • 12. Radical Nature: Art and Architecture for a Changing Planet 1969–2009 (London, 2009) Earth: Art of a Changing World (Royal Academy) Weather Report: Art and Climate Change (Boulder Museum of Contemporary Art, Colorado 2007) Burning Ice: Art and Climate Change (Natural History Museum, London 2006) Heat: Art and Climate Change in Melbourne (RMIT Gallery, 2008) Sensing Nature (Mori Art Museum, Tokyo 2011) David Buckland’s Cape Farewell Project started in 2001
  • 13. Shiro Takatani Ice Core 2005
  • 15. Angela Valamanesh, Animal, Vegetable, Mineral, 2007 SAM Collection
  • 16. Simon Faithful 0.00 Navigation 2009, 55min video
  • 17. David Burrow, Mirage Project [iceberg], Federation Square 2012
  • 18. David Burrow, Mirage Project [iceberg], Palimpsest Biennale 2013
  • 20. Fujiko Nakaya and Shiro Takatani Cloud Forest 2010
  • 21. Fujiko Nakaya and Shiro Takatani Cloud Forest 2010
  • 22. Olfaur Elliason The Weather Project 2003 Tate Turbine Hall
  • 23. Weather Report: Art and Climate Change 2007 (L. Lippard) Mary Miss
  • 24. Penny Byrne, The Four Horsemen of the 21st Century Apocalypse (Water Scarcity, Peak Oil, Food Shortages, Over population), 2009
  • 25. Edward Burtynsky, 'Super Pit #4, Kalgoorlie, Western Australia', 2007
  • 26. Alan Sonfist Time Landscape 1965-2005
  • 27. • The divide between nature and culture has come to be seen as a false dichotomy • Humans are part of the natural world • Understand of nature comes through cultural interpretation • Environmental art has been made throughout history, but with different concerns and interests depending on the era • Social, political and scientific shifts in the 1960s and ‘70s changed the way we view and understand the environment • Artists working with the environment haven’t all been environmentalists • Different approaches to the environment depending on the interests and approach of the artist • Though many artists have engaged with the environment to express ecological and political concerns Some Key Ideas from this lecture