The document summarizes the National Infantry Museum and Soldier Center, which tells the story of American soldiers through history. It describes the various galleries that take visitors through different eras, like WWI trenches and Vietnam jungles, using immersive experiences. Generations of soldiers are connected as visitors witness real people's interactions with artifacts and each gallery covers a different historical period through individual stories and media. The goal is to honor soldiers past, present, and future.
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Review of 'Unseen Enemy' exhibition at the National Army Museum that explores the impact of IEDs in Afghanistan on British soldiers.
Printed in the November edition of UK's Museums Journal.
By Yasmin Khan
Tom Hewitt The long term impact of design on the visitor experience: Analysis...Ann Baillie
M&GSQ Networking Event - Presenting About Design
Level 2 Seminar Room, 381 Brunswick St, Fortitude Valley
Wednesday 25 September, 3pm-5pm
Tom Hewitt, Fellow of the Chartered Society of Designers (UK) and inductee of Design Institute of Australia’s Designers Hall of Fame 2009 and designer of Museum of Wellington City and Sea in New Zealand, asked the question - ‘is it technology or imagination that injects new life into museums?’
um liquidificador de ingredientes alimentícios para uso em cozinhas industriais, com o objetivo de facilitar o trabalho de trituração dos ingredientes e eliminar os eventuais focos de contaminação por bactérias dos alimentos.
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Review of 'Unseen Enemy' exhibition at the National Army Museum that explores the impact of IEDs in Afghanistan on British soldiers.
Printed in the November edition of UK's Museums Journal.
By Yasmin Khan
Tom Hewitt The long term impact of design on the visitor experience: Analysis...Ann Baillie
M&GSQ Networking Event - Presenting About Design
Level 2 Seminar Room, 381 Brunswick St, Fortitude Valley
Wednesday 25 September, 3pm-5pm
Tom Hewitt, Fellow of the Chartered Society of Designers (UK) and inductee of Design Institute of Australia’s Designers Hall of Fame 2009 and designer of Museum of Wellington City and Sea in New Zealand, asked the question - ‘is it technology or imagination that injects new life into museums?’
When you travel on a WorldStrides trip to Washington, D.C., you are introduced to U.S. history and government with an extraordinary educational experience that immerses you in the culture and heritage of the country. Explore the hallways of the Capitol where current and past politicians have changed the world. Visit the top of the Washington Monument to see a bird’s eye view of the city. Lay a wreath at Arlington National Cemetery’s Tomb of the Unknowns. Discover D.C. is designed to enhance social studies curriculum. Students will gain a deeper understanding of our history, the consequences of politicians’ choices, and discover the American story.
http://www.worldstrides.org/destinations/washingtondc.asp
72 AMERICAN HISTORY72 AMERICAN HISTORY…home to many muse.docxalinainglis
72 AMERICAN HISTORY72 AMERICAN HISTORY
…home to many museums, now
has one honoring the African di-
aspora. Hailing countless efforts
to save and share black history,
President Barack Obama dedi-
cated the Smithsonian National
Museum of African American
History and Culture in 2016. The
37,000 exhibits, some of them
objects families preserved for
generations, demand multiple
return visits. Artifacts marking
famed, obscure, and ignored
contributions evoke nostalgia
and pride. The record of lives
lost to and broken by injustice
kindles anger and sadness. The
layout is epic. Lead architect
David Adjaye’s structure sug-
gests Yoruba crowns from
Ghana, his homeland. Inside, a
glass-walled elevator descends
to the 1400s, when the African
slave trade began. The ensuing
climb implies African-Ameri-
cans’ ascent toward equality and
showcases their myriad achieve-
ments. Upper floors focus on the
modern, from breakthroughs in
art, science, and technology to
dance steps. The final display
features Obama’s 2009 inaugu-
ration—a guidepost to progress
and the miles of work ahead.
—Rasheeda Smith is associate
editor of American History
Washington, DC…
Finely Wrought Silk and linen
shawl given to Harriet Tubman
by Queen Victoria of England. LEF
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Copyright of American History is the property of Historynet LLC and its content may not be
copied or emailed to multiple sites or posted to a listserv without the copyright holder's
express written permission. However, users may print, download, or email articles for
individual use.
Raise a Glass
Seven generations and more than 200 years ago, Jacob
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entire process of whiskey-making, starting with the
natural limestone well that is Jim Beam’s water source
and continuing through the steps of mashing, distilling,
barreling, aging, and bottling. Visit jimbeam.com
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How To Talk To a Live Person at American Airlinesflyn goo
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Discover Palmer, Puerto Rico, through an immersive cultural tour that unveils its rich history and vibrant traditions. Experience lively festivals, savor authentic cuisine, and explore local markets. Visit historical landmarks, museums, and stunning colonial architecture. Engage with friendly locals, enjoy live music, and hike scenic nature trails, all while participating in cultural workshops and discovering unique artisan crafts.
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1. T h e 1 7 t h A n n u a l T h e a A w a r d s p r e s e n t e d b y A E C O M 15
National Infantry Museum
and Soldier Center
by Joseph Kleiman
In the COLD WAR gallery, a man in his
60s with graying hair in a ponytail points
his cane at a Huey helicopter suspended
from the ceiling, proudly telling the stranger
next to him “I flew in one of those.” On
the ramp in front of the Bradley Fighting
Vehicle,a soldier in the 3rd Infantry Division,
preparing for deployment to Iraq tells his
son “Daddy’s going to go to the desert and
ride in one of those.”The boy, not yet ten,
responds, “I want to go too. I want to do
what you do.”
I witnessed these real-life reactions and
many more like them during my visits
through the galleries.The National Infantry
Museum and Soldier Center exists to honor
soldiers such as these – past, present, and
future.
The journey through time begins at the
entrance, where the massive 1960 “Follow
Me” soldier guards the building, rifle and
bayonet at the ready, beckoning his fellow
soldiers to the final 100 yards of battle.
Inside, they await the visitor.The “Drum,” a
futuristic black sentinel, acts as the gateway
to the Last 100 Yards, a ramp exactly 100
yards long that passes through eight key
battles in Infantry history – from Yorktown
to Iraq.
Actual vehicles are showcased and the
historic figures lining the ramp were molded
from the bodies and faces of present day
Fort Benning soldiers.The generations are
meeting. They also meet theatrically, in a
WWI diorama: A soldier peers around the
corner of a ruined building,pistol drawn.He
is not just looking for the enemy, but he is
looking to the future. His gaze goes beyond
the Second World War, beyond the Korean
andVietnam Conflicts, and beyond the Gulf
Wars to a large wall with the continuing
image of soldiers marching into the future.
At the top of the ramp is the Fort Benning
gallery, which explains every facet of Fort
Benning, including Infantry basic training, the
Officer Candidate School, the Rangers, and
the Airborne schools. This gallery is home
to the only installation open to the public of
a rifle range simulator used to train recruits
and special forces.
In the back of the Benning gallery, two large
windows overlook the museum’s WWII
Village, a collection of WWII buildings
saved from demolition, including a chapel,
barracks, mess, and the sleeping quarters
and headquarters of former Fort Benning
commander Gen. George S. Patton.
From between these buildings, new recruits
march to the adjacent parade field, also
visible from the windows, where graduation
ceremonies are held weekly. The parade
field on which new soldiers graduate is
consecrated with the soil of eight wars,
going back to the Battle ofYorktown.Again,
the past and the present are bridged.
Entering the Grand Hall, visitors find six
other galleries to explore, each covering a
different period of history.
• ENTERING THE NATIONAL STAGE:
The highlight of the gallery is a walk-through
trench from the First World War, with
lighting, sound, and video effects conveying
to the visitor a sense of what it must be like
to actually experience.
• A WORLD POWER: Covering the
Second World War, a video projected on a
semi-spherical screen, creating the effect of
a kinetic globe, sets the scene. Once inside
the main portion of the gallery, exhibits are
split, with the Pacific theater on one side
and the European theater on the other.
• THE COLD WAR: In the middle of this
gallery lies “In Country,” an experiential
journey through the jungles of Vietnam.
Like the WWI trench, it is an immersive
experience designed to emulate the most
frightening of conditions but in the safest of
environments..
For more than 15 years, Joe Kleiman (largeformattd@yahoo.com) has been involved in the giant screen and attractions industries.
During that time, he acted as head technician on the IMAX Ridefilm installation at Moody Gardens and as part of the teams respon-
sible for introducing IMAX 3D to Northern California and West Georgia. Most recently, he served as Director of Attractions for the
National Infantry Museum and Soldier Center during its first year of operation. Kleiman currently consults for giant screen filmmak-
ers and distributors on multiplatform distribution and writes professionally about the industry for a number of publications and very
unprofessionally about it on his blog (kinotechnologies.wordpress.com). He has started learning Mandarin Chinese.
The galleries are not just displays of artifacts: They are history lessons and personal experiences.
Photos courtesy of National Infantry Museum and Soldier Center
2. 16 T h e 1 7 t h A n n u a l T h e a A w a r d s p r e s e n t e d b y A E C O M
•THE SOLE SUPERPOWER: The majority of this gallery
is dedicated to the desert wars, including modern warfare
technology, such as night vision. A special display salutes those
who have fought as members of the National Guard.
The galleries are not just displays of both Infantry artifacts and
artifacts captured from foreign forces.They are history lessons
and personal experiences. Throughout the galleries individual
stories are related through graphics, audio and video.We begin
to see the soldier not just as an idea, but as a person.
Between the galleries, linking the generations, sits the Hall of
Valor, a glass-enclosed chamber lined with the visages of each
Infantryman to have earned the Congressional Medal of Honor,
the highest accolade that can be awarded for valor in action
against an enemy force. Finally, the Family Support Gallery
honors another group that makes the most difficult of sacrifices
during a deployment – the parents, spouse, and children of the
Infantryman.
The National Infantry Museum and Soldier Center tells the
story of America through the eyes of the men who have fought
for their country’s freedom for the past 236 years. It succeeds
by connecting the soldiers of the past with those of the present
and the future.
17th Annual Thea Awards
Award for Outstanding Achievement
The National Infantry Museum
Columbus, Georgia USA
(Museum)
Owner
National Infantry Foundation
With grateful acknowledgement to Bradley-Turner Foundation
MG (Ret) Jerry A.White, President
Ben F.Williams, Jr., Executive Director
Col (Ret) Greg Camp, Exec.Vice President
Board of Directors
LTG (Ret) Carmen Cavezza, Director
Mike Gaymon, Director
Carole Rutland, Director
Sam Friedman, Director
Jack Pezold, Director
Frank Lumpkin III, Director
Tim Farmer, Director
Jerry Newman, Director
Jean Puckett, Director
Former Directors: Judge John Allen, Billy Blanchard, Rob Doll
National Infantry Foundation Advisory Board
GEN Edwin H. Burba, Jr., Chairman
GEN Barry R. McCaffrey,Vice-Chairman
National Infantry Foundation Staff
Cyndy Cerbin, Director of Communications
Dick Hagan, Operations Manager
Vickie Benton, Director of Events
MattYoung, Director of Education
Lora Warren, Director ofVolunteer Services
Mark Balsinger, IMAX Director
Dennis Register,Attractions Director
Mike McCabe, Dir. of InformationTechnology
Jane Bayer,Assoc Director of Development
Lauren Pastwik, Director of Sales
Laura Jefferson,Accounting Manager
Mike Bullard, Facilities Director
Lisa Ezzell, Office Manager
Sonya Bell,Administrative Services Manager
U.S. Army – Fort Benning Command and Staff
MG Robert B. Brown, Commanding General, US Army Maneuver Center of Excellence
MG Mike Ferriter, Former Commanding General
MG Michael Barbero, Former Commanding General
BG Bryan Owens, Commandant, US Army Infantry School
COLTerry Sellers, MCoE Chief of Staff
COL Charles Durr, Former MCoE Chief of Staff
COL (Ret) Bob Brown, Deputy Director Operations andTraining (G3)
CSM Chris Hardy, MCoE Command Sergeant Major
CSM Steven McClaflin, US Army Infantry School Command Sergeant Major
Stephen Allie, Maneuver Center of Excellence Museum Division Chief
Mike Criscillis, MCoE Deputy Museum Division Chief
Frank Hanner, Curator
Ed Annable, Chief Registrar
Jeff Reed,Arms Curator
Al Reid, Exhibits Specialist
Joseph Johnson, Exhibits Specialist
Jacob Cox, ExhibitsTechnician
U.S. Army Center of Military History
Dr. Jeffrey Clark, CMH Director
Dr. Charles Cureton, Director,Army Museums
J.Terry Dougherty,Acting Chief, Museums Division
The Ultimate Technology Solution
www.edwardstechnologies.com
National Infantry Museum & Soldier Center
along with
Christopher Chadbourne & Associates
We are honored to have been part of this
winning team!
Recipient of the 2011
THEA Award for
Outstanding Achievement
Congratulations!
3. T h e 1 7 t h A n n u a l T h e a A w a r d s p r e s e n t e d b y A E C O M 17
Newton Aaron and Associates
Project ManagementTeam
Newt Aaron, President
Phyllis Aaron, Exhibits Manager
Ryan Clements, Project Manager
Lord Cultural Resources
Master Planners
Barry Lord, Co-President
Batson-Cook
Builder/General Contractor
Raymond Moody, President / CEO
Randy Hall, SeniorV.P./General Manager (Atlanta Office)
Joe Appleton, SeniorV.P./General Manager (West Point office)
Paul Meadows, Project Executive
Eddie Sanders, Project Manager
Chuck Williams, Project Superintendent
BrandonYates, Project Scheduler
Rebecca Gaston, Marketing Coordinator
Tammy Childs, Assistant Project Manager
Chaitra Ziebarth, Project Administrative Assistant
Patrick Spinks, Project Engineer
Graphic and Video Production
Basset and Becker Advertising
Bill Becker, Co-Owner
Jack Basset, Co-Owner
Alison Hagler, Designer/Art Director
George Adkins, Designer
Sean Schoff,Web Developer
Image by Design
Cyde McQuien, Partner
Jenny Horton, Partner
KIS Creative
WendyTimmons, Partner
Sally Morgan, Partner
Pope JohnsonVideo
Hal Pope, Partner
Dewayne Johnson, Partner
Phil Scoggins Productions
Phil Scoggins, Producer
Robbie Ross, Editor
Alan Matthews,Videographer
Architecture
Verner Johnson, Inc.
Brad Nederhoff, Principal-in-Charge
Verner Johnson, Founder
Glenn Remick, Project Architect, IMAXTheater
Anne Sullivan, Designer
Mike McHugh, Designer
Scott Mandeville, Designer
Jakob Jorgensen, IMAX designer
HBA, Inc. - Associated Architect
Bob Kidd, Principal
Ken Hughes,Architect
Kevin Loraas,Architect
Walter P. Moore and Associates, Inc. - Structural Engineer
Blair Hanuschak, Principal
Brent Bandy, Principal
Newcomb & Boyd - Mechanical, Plumbing, Fire Protection, Security,Tel & Data
William Dean, Partner
Ed Murphy, Mechanical Engineer
Sofya Nedelin, Plumbing Engineer
JohnTokaji, Engineer
Davis Pullin Associates, LLC - Electrical Engineer
Timothy Davis, Electrical Engineer
LAM Partners - Lighting Consultant
Jennifer Pieszak, Lighting Designer
Jaffe Holden Acoustics, Inc. - Acoustics Consultant
Jerome Smith, Engineer
Ben Bausher, Engineer
Spiker Baldwin Associates, Inc. – Spec.Writer
Betty Spiker, Spec.Writer
French and Associates – Landscape Architect
Larry French, Landscape Architect
Jessica Webb, Landscape Architect
Exhibit Design
Christopher Chadbourne & Associates
Christopher Chadbourne, Creative Director
David Whitemyer, Production Manager
Brent Johnson, Lead Exhibit Designer
Jeffrey Stammen, Lead Graphic Designer
ValerieTaylor, Exhibit Developer
Ian Swope, Exhibit Designer
Rebecca Looney, Exhibit Developer
Claudia DuPont, Exhibit Designer
Christine Lefebvre, Graphic Designer
Lauren Rocco, Researcher
Bridget Sandison, Researcher
Elizabeth Skelton, Graphic Designer
Grace Chong, Graphic Designer
Ernesto Mendoza, Graphic Designer
Theresa Brown, Exhibit Designer
Serena Furman, Project Manager
Exhibit Design Team
Donna Lawrence Productions
Media Production
Creative Director/Director- Donna Lawrence
Director ofVisual Design- John Murphy
Producer & Project Manager- Laury Christensen
Image Research- Lesley McShane
Additional Image Research- Laura Hartford, Cheyne Moses,Taj Whitesell
Field Producer/Production Manager- Kay Milam
Director of Photography- Jimmy Gribbins
Field Audio- Geoff Maxwell
Original Music Arrangement- Rachel Grimes
Sound Editing- Downtown Recording
Visual Editing- David Crites/Glyph & Jamie Pence/Videobred
Scenic Design- In-Depth Inc.
Pyramid Studios - Interactive Media
Dixie Hornstein, Producer
Bruce Hornstein,
Colonel Raymond K. Bluhm, Jr. USA Retired, Military Historian
Jessica Kantor, Computer Graphics
EricVetterick, Programmer
David Hall,Writer
Vince Hawkins,Writer
Matt Seelinger,Writer
Alfred Walker,The Park Group,Audio Production
Available Light - Exhibit Lighting
Steven Rosen, Principal-in-Charge
Matt Zelkowitz, Lighting Designer/Project Manager
Donald Christensen,Associate Designer
Ted Mather, Show Programming
Joel Plante,Assistant
Kirsten Opstad,Assistant
Rick Chamberlain, Managing Director
Susan Gochenour, CFO
Angela Connery, Office Manager
4. 1 8 T h e 1 7 t h A n n u a l T h e a A w a r d s p r e s e n t e d b y A E C O M
PPI Consulting - A/V Hardware
Robert J. Haroutunian, Principal
Studio EIS - Figure Fabrication
Elliot Schwartz, President/Co-Founder
Ivan Schwartz,Vice President/Co-Founder
Debra Schwartz, Project Manager
BJ Ervick, Production Manager
Jiwoong Cheh, Head Sculptor
Radostin Mladenov, Sculptor
Christen Waddell, Sculptor
Weixian Jiang, Sculptor
Suanne Martin, Sculptor
Damian Masanz, Sculptor
Igor Zorkin, Sculptor
Anna Ehrsam, Sculptor
Jody Pogue, Sculptor
Jerry Blackman, Sculptor
Adam Golovoy,Assistant Manager
Rebecca Spivack, Painter
Limor Gasko, Painter
Elisabeth Belominsky, Costumer
Steven Horak,Wig Maker
James O’Keeffe, Sculptor
Henry Cooke, Costume Reproduction
Colonel J. Rod Paschall - Writer/Historian
Museums/Tom Gille - Cost Estimation
Tom Gille, Sole Proprietor
Hal Buell - Image Researcher
Fabrication
Design Craftsmen, LLC –
John F. Gunning,Account Executive
David Goodman, Project Director
Terry LaVier, Project Director
Karen Featherston, Project Manager
JeffVan Meter, Project Manager
Marge Hetherson,Assistant Project Manager
Jason Kustra, Engineering Supervisor
Robert Cousineau, Production Supervisor
Leslie Fitzell, Graphic Supervisor
Martin Roznowski, Scenic Supervisor
Ryan Letts, E/M Supervisor
DCI Production-
Estimating – Justin Hess, Jeremy Hansen
Engineering – Brian Perkins, Maroo Nahikian, Ian Cruickshank
Fabrication – Scott McPhee, Dennis Steff, Randy Peck, Chris Piesik, Dallan Sanders
Graphics – MaryThompson, Scott Saxton,Tana Nichols, Ron Hand
Electro-Mechanical – Don McMullen, Dana Osmun, Nathan Goretski
DCI Major Subcontractors
Military History Consultant - Col. Ray Bluhm
Scenic - In-Depth, Inc.
Alan Lee and Melinda Oblinger, Principals
Lorraine Cocci, Sam Gilmar,Tessa Meier, Claire Noyes,Andrea Oliver, Daniel
Rumbullaku,Aubrey Smith, Bill Snyder, Rob Wielgoszinski, Catherine Badger,
Jon Benjamin,Trevor Colliano, Rita DeAngelo, Dustin Dowd,Andrew Fennell,
Laurie Fitzpatrick, Eric Fox, Greg Fox, Gloria Houng, Ron Jones, Mercedes Leyva,
Jamie McCauley, Ron Newhart, Richard Ott, Robert Romano, Dewey Saunders,
Megan Sherry, Chris Smith, Ed Stimson, Michael Stockton, Elver Usaraga, Marc
Vielle
Artifact Casework- Meyvaert Glass
Luc Rogiers-Account Manager
Albéric Moreels-Project Manager
Acoustic Graphics - Division Nine
Jim Stewart-Project Manager
Rigging/Macro Artifacts - Escoe EIR
Tony Hand-Project Manager
Chuck Baker-Foreman/Supervisor
John Richardson-Supervisor
Allen Richardson-Journeyman
Specialty Rigging Engineering - Bennett & Pless Engineering
Installation Supervisor - Lakeshore Exhibit Service, Inc.
Rick Ostrowski, Larry Zuker, Carl Wolf-Principles
Jennifer Harris-Office Manager
Pete McMahon-Foreman/Supervisor
Dale Russell-Graphic Supervisor.
Installation- Holsinger Manufacturing Corp. and RSLTheatrical
Artifact mounts- Sanders Museum Services
Bradley Sanders - Senior mountmaker, mannequins
Greg Mendez. - Senior mountmaker - lead mountmaker, installer
Tara Sanders Lowe - project coordinator
Carol Sanders - project coordinator on site
George Sanders - mountmaker steel mounts
Shane Reynolds - mountmaker armature mounts
Dion Hellyer - mountmaker, textiles
Matt Gay - mountmaker, mannequins
Chris Dodson - mountmaker - mannequins
Amanda Hamlin - mountmaker - textiles
Roselyn Sanders Mendez - textiles
Butch Sanders - installer
Ben Snyder - hardware casting
Anthony Furioso - hardware casting
Lucille Allen - Office manager
A/V Hardware Specialists – EdwardsTechnologies, Inc.
Brian Edwards: President/CEO
Mitch Hartmann -Technical Director
Dana Carsley - Project Coordinator
Doug Storm - Project Manager
Christian Sims - Lead Installer
Jerry Marcus - Installer
Frisco Gonzalez - Installer
Gus Granados - Installer
ArnoldTang - Programmer
Scott Shepard - Programmer
Roger Goodman – Programmer
Acoustical Consultant:Akustiks
C. RussellTodd, Principal
On-site Architectural Metalwork - Diverse Mechanical, Inc.
Specialty Glass and Glazing - Oldcastle Glass
Luminore application - Precision Concepts
Graphic production - Meteor, LLC & Vista
Graphic mural installation - Grady Hinman
Lighting - Barbizon,Atlanta
Fiber Optic Lighting - Luxam International
Painting - Specialty Finishes
Electrical - Wayne J. Griffin
Karen Carr Studio
Karen Carr, Illustrator and President
Ralph Gauer,Vice President
Alaina Dunivan, Illustrator and Creative Director
Karen Porter, Illustrator and Cartographer
Specialty Suppliers-
Lighting Services International, Lighting
Integrity and Modern Metalcraft, Metalwork
Fulcrum Composites, Ceiling Panels
United Rentals, Columbus, Georgia
Luminore, Specialty Finish
Stewart Filmscreen, Projection Screen Supplier