2. INTRODUCTIO
N
New Perspectives: Folklore Study in the Late Twentieth Century" by
Roger D. Abrahams is a seminal work that explores the changing
landscape of folklore studies in the latter part of the 20th century. One
of the key themes of the book is the importance of studying folklore in
its contemporary context. Abrahams argues that folklorists should not
only focus on the traditional forms of folklore but also on the ways in
which these traditions are adapted and transformed by modern
society. Another important aspect of the book is the emphasis on the
interdisciplinary nature of folklore studies. Abrahams suggests that
folklore should be approached from a variety of perspectives, including
anthropology, sociology, psychology, linguistics, and literary studies.
3. BACKGROUN
DThe Era of 1950 - 1960s
Theories of Frances Lee Utley's
Models of Richard M. Dorson & Mac Edward
Going through phase of 1967 - 68
4. Folklorist & Social
Entities
Debates of A m y S h u m a n
& Susan Ritchie, John
Roberts & Marget Mills
Studies of John Dorst's &
Barbara Kirshenblatt
Gimbletts's
CONTD.
5. CONTD
.
Western Models on Culture
Theories and Studies of Folklorists
Paper and Research of Kapchan's
Issue need to adressed
6. New Perspectives: Folklore Study in the Late Twentieth Century" by Roger D. Abrahams
provides several insights into the study of folklore, that includes :
Folklore is not a static or fixed phenomenon
Folklore is interdisciplinary
Folklore is shaped by power dynamics
Folklore is created and disseminated by a variety of actors
Folklore can be used to challenge dominant narratives
Folklore can be both local and global
These insights demonstrate the rich and complex nature of folklore as a cultural
phenomenon, and the ways in which it reflects and shapes social and cultural dynamics.
CONCLUSION