This document contains a foreword and introduction to the Nine Gems of Ramadasa's compositions. It discusses how the author, Sri Nedunuri Krishnamurthy, worked with Sri N Krishna Mohan to publish and spread these compositions of the composer Bhakta Ramadasa. It notes that the compositions were once very popular in Telugu households and temples. It hopes that singing these compositions will help propagate devotion to Rama and bless all with Rama's grace.
The document discusses the benefits of exercise for mental health. It notes that regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise has also been shown to enhance self-esteem and quality of life.
La pandemia de COVID-19 ha tenido un impacto significativo en la economía mundial y las vidas de las personas. Muchos países han impuesto medidas de confinamiento que han cerrado negocios y escuelas, y han pedido a la gente que se quede en casa tanto como sea posible. A medida que los países comienzan a reabrir gradualmente, los expertos advierten que es probable que se produzcan nuevos brotes del virus a menos que se implementen medidas estrictas de prueba, rastreo de contactos y distanciamiento social.
A empresa de tecnologia anunciou um novo smartphone com câmera avançada, tela grande e bateria de longa duração por um preço acessível. O aparelho tem como objetivo atrair mais consumidores para a marca e aumentar sua participação no competitivo mercado de smartphones.
Fagote estudo - seleção de clássicos fáceis (going solo bassoon) - solo e a...José Aparecido Sabaine
This document provides instructions and musical notation for 8 bassoon pieces:
1. "Jig" by Handel - Intended to be played alternating between sections I and II.
2. "In the Hall of the Mountain King" by Grieg - Accents and staccato are essential, with accompaniment softer than melody.
3. "Fayne would I wedd" by Farnaby - Produce notes without a 'cough' using the left thumb correctly.
4. "Trio from Symphony No. 5" by Schubert - A bassoon solo in the style of the original orchestration.
5. "Theme from Sheherazade" by Rim
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J. e. gordon estructuras (por que las cosas no se caen) ⁞▪ afMauricio Moran
Este documento habla sobre la importancia de la privacidad y la seguridad de los datos en la era digital. Explica que debido al gran volumen de datos personales que se comparten en línea, es crucial que las empresas protejan esta información de manera responsable para mantener la confianza de los clientes.
The document discusses the benefits of exercise for mental health. It notes that regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise has also been shown to enhance self-esteem and quality of life.
La pandemia de COVID-19 ha tenido un impacto significativo en la economía mundial y las vidas de las personas. Muchos países han impuesto medidas de confinamiento que han cerrado negocios y escuelas, y han pedido a la gente que se quede en casa tanto como sea posible. A medida que los países comienzan a reabrir gradualmente, los expertos advierten que es probable que se produzcan nuevos brotes del virus a menos que se implementen medidas estrictas de prueba, rastreo de contactos y distanciamiento social.
A empresa de tecnologia anunciou um novo smartphone com câmera avançada, tela grande e bateria de longa duração por um preço acessível. O aparelho tem como objetivo atrair mais consumidores para a marca e aumentar sua participação no competitivo mercado de smartphones.
Fagote estudo - seleção de clássicos fáceis (going solo bassoon) - solo e a...José Aparecido Sabaine
This document provides instructions and musical notation for 8 bassoon pieces:
1. "Jig" by Handel - Intended to be played alternating between sections I and II.
2. "In the Hall of the Mountain King" by Grieg - Accents and staccato are essential, with accompaniment softer than melody.
3. "Fayne would I wedd" by Farnaby - Produce notes without a 'cough' using the left thumb correctly.
4. "Trio from Symphony No. 5" by Schubert - A bassoon solo in the style of the original orchestration.
5. "Theme from Sheherazade" by Rim
Este documento apresenta um método elementar para ensino coletivo ou individual de instrumentos de banda, focando na tuba em Si bemol. O método contém 125 exercícios e canções para desenvolver a leitura, ritmo e habilidades técnicas do aluno, apresentando conceitos básicos de notação musical, compasso, dinâmicas e outros elementos musicais. As músicas variam entre marchas, canções folclóricas e exercícios e abordam diferentes compassos, tonalidades e técnicas como cânone e dueto.
J. e. gordon estructuras (por que las cosas no se caen) ⁞▪ afMauricio Moran
Este documento habla sobre la importancia de la privacidad y la seguridad de los datos en la era digital. Explica que debido al gran volumen de datos personales que se comparten en línea, es crucial que las empresas protejan esta información de manera responsable para mantener la confianza de los clientes.
This certificate certifies that [name redacted] passed the Secondary School Certificate Examination in March-April 2003 with a GPA of 3.38 out of 5. He/she is the son/daughter of [names redacted] of [location redacted] and was born on [date redacted]. The Board of Intermediate and Secondary Education of Comilla, Bangladesh issued this certificate on July 15, 2003 to verify the examination results without any alterations.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
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The document discusses the benefits of exercise for both physical and mental health. It notes that regular exercise can reduce the risk of diseases like heart disease and diabetes, improve mood, and reduce feelings of stress and anxiety. The document recommends that adults get at least 150 minutes of moderate exercise or 75 minutes of vigorous exercise per week to gain these benefits.
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The document contains details of members of various self-help groups (SHGs) located in Chinnathippasamudram village, Madanapalle block, Annamayya district of Andhra Pradesh state. It lists the name, father/husband's name, gender, age, and social category of over 100 SHG members from 17 different SHGs including Abhyudaya, Adithya, Adshralakshmi, Akkadevathala, Alakananda, and Alivelu Manga. The data appears to be from a government survey or census of SHGs in the specified location.
The document discusses various aspects of Carnatic music theory including technical terms, 16 basic swara positions, 13 characteristics of ragas, and details on 15 individual ragas including their ascending and descending scales, characteristic notes, and example compositions. It provides an overview of fundamental concepts in Carnatic music theory and analysis of specific ragas.
This certificate certifies that [name redacted] passed the Secondary School Certificate Examination in March-April 2003 with a GPA of 3.38 out of 5. He/she is the son/daughter of [names redacted] of [location redacted] and was born on [date redacted]. The Board of Intermediate and Secondary Education of Comilla, Bangladesh issued this certificate on July 15, 2003 to verify the examination results without any alterations.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
This document is a certificate from the Board of Intermediate and Secondary Education in Dhaka, Bangladesh. It certifies that Razeeb Robert Rozario, son of Rafael Rozario and Ujjala Rozario, studying at Banani Bidyaniketon in Dhaka, passed the Secondary School Certificate Examination in 2002 in the Business Studies group with a GPA of 4.50 out of 5.00. His date of birth is recorded as the 10th of August 1987. The certificate is signed by the Controller of Examinations and dated the 3rd of July 2002, indicating the date the exam results were published.
The document discusses the benefits of exercise for both physical and mental health. It notes that regular exercise can reduce the risk of diseases like heart disease and diabetes, improve mood, and reduce feelings of stress and anxiety. The document recommends that adults get at least 150 minutes of moderate exercise or 75 minutes of vigorous exercise per week to gain these benefits.
This document contains random characters and does not convey any coherent information. It is impossible to provide a meaningful summary as there is no essential information or high-level ideas contained within the text. The document appears to be gibberish without substance or meaning.
The document contains details of members of various self-help groups (SHGs) located in Chinnathippasamudram village, Madanapalle block, Annamayya district of Andhra Pradesh state. It lists the name, father/husband's name, gender, age, and social category of over 100 SHG members from 17 different SHGs including Abhyudaya, Adithya, Adshralakshmi, Akkadevathala, Alakananda, and Alivelu Manga. The data appears to be from a government survey or census of SHGs in the specified location.
The document discusses various aspects of Carnatic music theory including technical terms, 16 basic swara positions, 13 characteristics of ragas, and details on 15 individual ragas including their ascending and descending scales, characteristic notes, and example compositions. It provides an overview of fundamental concepts in Carnatic music theory and analysis of specific ragas.
101 Chitta Svaras - Kritis eBook | Chittaswaram | Dr. B. Pushpakrishnan | Bre...BrehathSangeeth
This book is for MUSIC LOVERS, MUSIC SCHOLARS, MUSIC STUDENTS AND THOSE WHO WANT TO KNOW THE INTRICACIES OF MUSIC.
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The best available, up-to-date information on all fishing and related vessels that appear on the illegal, unregulated, and unreported (IUU) fishing vessel lists published by Regional Fisheries Management Organisations (RFMOs) and related organisations. The aim of the site is to improve the effectiveness of the original IUU lists as a tool for a wide variety of stakeholders to better understand and combat illegal fishing and broader fisheries crime.
To date, the following regional organisations maintain or share lists of vessels that have been found to carry out or support IUU fishing within their own or adjacent convention areas and/or species of competence:
Commission for the Conservation of Antarctic Marine Living Resources (CCAMLR)
Commission for the Conservation of Southern Bluefin Tuna (CCSBT)
General Fisheries Commission for the Mediterranean (GFCM)
Inter-American Tropical Tuna Commission (IATTC)
International Commission for the Conservation of Atlantic Tunas (ICCAT)
Indian Ocean Tuna Commission (IOTC)
Northwest Atlantic Fisheries Organisation (NAFO)
North East Atlantic Fisheries Commission (NEAFC)
North Pacific Fisheries Commission (NPFC)
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Western and Central Pacific Fisheries Commission (WCPFC)
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2. Foreword
Smt Kapilavayi Lalitha Vijayakumar is a student of classical vocal music, of Dr
Seshulatha. Lalitha sings Annamayya and Ramadasu compositions in a sweet
voice with devotional fervour. She introduced her father Sri N Krishna Mohan to me,
the Managing Director of Sri Chakra Cements, a great philanthropist who takes
deep interest in our traditional music. Above all, he is an ardent Rama bhakta.
One fine morning, Sri Krishna Mohan called on me and sang one rare composition
of Tyagaraja, ‘Sita lakshmana sahitam’ – that I had set to tune. It was a pleasant
surprise when he told me that he had learnt it listening to my CD. He is a sincere
and honest music lover.
Our common interests being Rama bhakti and Sangitarchanamu, quite naturally, we
soon became good friends. Long since, it has been my desire to popularize Bhakta
Ramadasa’s compositions, which were once in vogue in every Telugu household
and also in temples, in the Bhajana Sampradaya. Sharing my deep concern, Sri
Krishna Mohan published 54 compositions of Bhakta Ramadasa, for which I wrote
notations – some with old tunes and some that I tuned. All these compositions are
now being sung by many in various concerts, as well as in the Bhakta Ramadasa
Jayanti Festival at the abode of Lord Rama, built by our own Bhakta Ramadasa, on
the pious banks of River Gowtami.
This annual event Bhakta Ramadasa Jayanti conducted under my guidance, sponsored
in a big way by Sri Krishna Mohan over the past 3 years, has grown to become a
popular and much awaited music festival, thanks to SVBC telecasting it all over the
globe. Pahi Rama Prabho, where I taught these compositions in the Bhakti channel
also contributed in a big way in popularizing these compositions.
Every year, Tyagaraja Aradhana Festival in Tiruvaiyar starts with ‘Tyagaraja Pancha
Ratna Seva’. Annamacharya Festivals followed suit with ‘Annamayya Saptagiri
Sankirtana Seva’. Bhadrachala Ramadasa Jayanti Utsavalu is also being started
with group renditions of Bhakta Ramadasa Navaratnalu (Nine Gems of Ramadasa’s
compositions). This Ramadasa Navaratna Seva has also gained popularity,
spreading Rama bhakti far and wide.
I sincerely appreciate the divine service of Sri Krishna Mohan, who readily undertook
the printing of Ramadasa Navaratnalu with notations in Telugu and English, as per
my wish. I pray to Sri Hanuman Sita Lakshmana Sahita Sri Ramachandra Swamy to
bless Sri N Krishna Mohan, Smt Lalitha Vijayakumar, and all their family members
with long and peacefully happy life in service of our traditional music and
propagation of Rama bhakti. I believe strongly that all the people who sing and
listen to these Ramadasa Navaratnamala will be blessed with Sri Rama Anugraham.
Rama jayam Sri rama jayam.
Sangita Kalanidhi Sri Nedunuri Krishnamurthy
January 2012
iii
3. Bhadrachala Ramadasa Navaratnalu
Nine Gems of Ramadasa’s Compositions
Index
S No Kriti Ragam Talam Pg
1 adigO bhadrAdri varALi Adi 1
2 SrI rAma nAmamE aThANA Adi (tiSra) 4
3 palukE bangAramAyenA Anandabhairavi Adi 7
4 SrI rAmula divyanAma sAvEri Adi 12
5 rAmajOgi mandu konarE khamAs Adi 16
6 tAraka mantramu dhanyAsi Adi 21
7 hari hari rAma kAnaDA Adi 29
8 takkuvEmi manaku sowrAshTra Adi 33
9 kaNTinEDu mA rAmula nAdanAmakriyA Adi (khaNDa) 36
v
4. PHONETIC CHART
ENGLISH Example ENGLISH Example
nna unnata
kva kvEtitam
Tya nATya
tna ratna
cchi sacchidAnanda
kk dhikkrita
hma brahma
gna lagna
hna chihnam
dma padma
kta rakta
ddha Suddha
lla vallabha
SWARA STHANAS
Swara Name of swara Example of rAga
s shaDjam
r1 Suddha riSabham sAvEri
r2 chatuSruti riSabham bilahari
R shaTSruti riSabham nATa
g1 sAdhAraNa gAndhAram kharaharapriyA
g2 antara gAndhAram mOhana
G Suddha gAndhAram gAnamUrti
m1 Suddha madhyamam Arabhi
m2 prati madhyamam kalyANi
p panchamam
d1 Suddha dhaivatam pantuvarALi
d2 chatuSruti dhaivatam kAmbhOji
D shaTSruti dhaivatam nATa
n1 kaiSiki nishAdam kEdAragowLa
n2 kAkali nishAdam SankarAbharaNam
N suddha nishAdam kanakAngi
vii
a agaNita
A Ananda
i indira
I tIrtha
u puravAsa
U rasapUra
E kEtu, Evam
kri kripayA
ai Saila,
O sOma
ka kamala
kha mukha
ga galita
gha ghana
cha chalana
chha svaccha
ja jalaja
Ta naTana
Tha kaNTha
Da chUDa
Dha gUDha
ta natajana
tha artha
da sundara
dha krOdha
ddha siddha
na naLina
PHONETIC CHART
ENGLISH Example ENGLISH Example
Na karuNa
pa parama
pha phala
ba bandhana
bha bhaya
ma vimala
ya nArAyaNa
ra sarala
la La tarala/muraLI
va varada
Sa Sankara, Subha, Siva
sha kalusha, vEsha
sa salila, sarva
ha hAsa
jna yajna
SrI SrI
ksha vIkshaNa, pakshi
Sva ISvaram
a santOshitO(a)ham
rNa varNA
nka pankaja
nga SringAra
dya vEdya
dga sadguNa
nja yAchEnjalinA
ncha chanchala
dri driSya
vi
6. 2 | Ramadasu Navaratnam Ramadasu Navaratnam | 3
S˜ s˜ n d p P | p d p m g r g m ||
dvAra mu la tO sun | da ra mai . yuN De Di ||
(adigO bhadrAdri)
3 .3 .3 .3 .3 .p p p P m D d n S˜ s˜ r˜ S˜ |
a nu pa mA na mai a ti sun da ra mai |
s˜ s˜ s˜ n d d p p | p d p m g r g m ||
ta na ru cha . kra mu na | dhaga dhaga me ri s e Di ||
(adigO bhadrAdri)
4 .4 .4 .4 .4 .p p p m D d n s˜ n G˜ g˜ r˜ r˜ s˜ |
ka li yu ga man du na ga la vai kuN Tha mu |
s˜ s˜ s˜ n d p P | p d p m g r g m ||
a la ru chun . na di | na ya mu ga mrokku Di ||
(adigO bhadrAdri)
5 .5 .5 .5 .5 .P p p d m d n S˜ s˜ S˜ r˜ S˜ |
SrI ka ra mu ga ni la rA ma dA su ni |
S˜ s˜ s˜ n d P | p d p m g r g m ||
prA ka Ta mu ga brO | chE pra bhu vA . sa mu ||
p p P P d n dpmg ; g r r s |
a di gO bhadrA dri . . . gow ta mi |
s n‰ G g r r s | S ; ; ; ||
i di gO chUDaN | Di . . . ||
p p P S˜ s˜ n dpmg ; g r r s |
a di gO bhadrA dri . . . gow ta mi |
do | do ||
idigO chUDaN | Di ||
RAMADASU NAVARATNAM 1 rAgam: varALi
adigO bhadrAdri tALam: Adi
A r o :A r o :A r o :A r o :A r o : s G r1 G m2 p d1 n2 s
ava:ava:ava:ava:ava: s n2 d1 p m2 G r1 s
PPPPPALLALLALLALLALLAAAAAVIVIVIVIVI
1 p p P P P p m G g r r s |
a di gO bha drA dri . . gow . ta mi |
s n‰ G g r r s | S ; ; ; ||
i di gO chU . DaN. | Di . . . ||
2 p p P S™ s˜ n dp mg ; g r r s |
a di gO bhadrA . dri . . gow. ta mi |
do | do ||
idigO chUDaN | Di ||
CHARANAMSCHARANAMSCHARANAMSCHARANAMSCHARANAMS
1 .1 .1 .1 .1 .p d p d N S™ s˜ s˜ s˜ S˜ r˜ s˜ s˜ |
mu da mu tO sI tA mu di ta la kshma Nu lu |
s˜ s˜ s˜ n d d P | p d p m g r g m ||
ka da si ko lu vu gA | ra ghu pa ti yuN De Di ||
p p P P d n dpmg ; g r r s |
a di gO bhadrA dri . . . gow ta mi |
s n‰ G g r r s | S ; ; ; ||
i di gO chU DaN | Di . . . ||
2 .2 .2 .2 .2 .P p D d N S˜ s˜ S˜ r˜ S˜ |
chA ru svar Na prA kA ra gO pu ra |
7. 4 | Ramadasu Navaratnam Ramadasu Navaratnam | 5
RAMADASU NAVARATNAM 2 rAgam: aThANA
SrI rAma nAmamE tALam: Adi (tiSra naDa)
A r o :A r o :A r o :A r o :A r o : s r2 m1 p n1 s
ava:ava:ava:ava:ava: s D2 n1 p m1 r2, s
PPPPPALLALLALLALLALLAAAAAVIVIVIVIVI
1 P , m g m P p P , |
SrI rA . ma nA ma mE . |
p d n p n p | n n p m p p ||
jih . va ku sthi ra | maiyun . na di ||
m p S˜ s˜ s˜ n r˜ s˜ D , |
SrI . rA mu la ka ru Na yE . |
P d n s˜ r˜ | s˜nP d n p m ||
la kshmI ka ra | maiyun . na di ||
2 P n pm g m P p d np |
SrI . rA . ma nA ma mE . |
; , ; , | ; , ; , |
. . . . . . | . . . . |
CHARANAMSCHARANAMSCHARANAMSCHARANAMSCHARANAMS
1 .1 .1 .1 .1 .P p m g m P p p p p |
ghO ra mai. na pA ta ka mu lu |
p d n p d n | p M P p ||
go . TTE . nann | na di mam mu ||
m p r˜ S˜ s˜ n r˜ s˜n¶ d d d |
chE . ra kun da A . pa da la nu |
p d n r˜ s˜ n | P d n p m ||
chen DE . nann | . . . na di ||
(SrI rAma nAmamE)
Ramadasu Navaratnam 2 rAgam: aThANA
tALam: Adi (tiSra)
P: SrI rAma nAmamE jihvaku sthiramai yunnadi
SrI rAmula karuNayE lakshmIkaramai yunnadi
C: 1 ghoramaina pAtakamulu goTTEnannadi mammu
chErakunda Apadalanu chenDEnannadi
2 vadalani durvishaya vAncha vadalamannadi nA
madilO hari bhajana sampatkaramai yunnadi
3 mukti mArgamunakidi mUlamannadi vi-
raktuDu bhadrAchala rAmadAsuDannadi
8. 6 | Ramadasu Navaratnam Ramadasu Navaratnam | 7
Ramadasu Navaratnam 3 rAgam: Anandabhairavi
tALam: Adi
P: palukE bangAramAyena kOdaNDapANi
C: 1 palukE bangAramAyE pilachina palukavEmi
kalalO nI nAma smaraNa marava chakkani tanDri
2 iravuga isukalOna poralina yuDuta bhaktiki
karuninchi brochitivani nera nammitini tanDri
3 rAti nAtiga jEsi bhUtala mandu pra-
khyAti chenditivani prItitO nammiti tanDri
4 enta vEDina nIku suntaina dayarAdu
pantamu sEya nE nentaTi vADanayya
5 SarAnAgata trANa birudAnkituDavu kAva
karuninchu bhadrAchala vara rAmadAsa pOsha
2 .2 .2 .2 .2 .p p m g M p p p P p |
va da la ni dur vi sha ya vAncha |
p d n P p | d n p ; , ||
va da la man na | di . . . . ||
do |
vadalani durvishaya vAncha |
do | P , , P ||
vadala manna | di . . nA ||
m p S˜ s˜ s˜ n r˜ s˜n¶D D |
ma di lO ha ri bhaja na sam |
d p d n s˜ r˜ | s˜nP d n p m ||
pat . ka ra mai | . . yun na di ||
(SrI rAma nAmamE)
3 .3 .3 .3 .3 .P p m g m p p p P , |
mukti mA . rga mu na ki di . |
p d n P p | d n p ; , ||
mU . la man na | di . . . . ||
do |
mukti mArga munakidi |
do | d n p ; m ||
mUla manna | di . . . vi ||
P s˜ S˜ , S˜ s˜n¶D d d |
rak tu Du bhadrA cha la |
d p d N s˜r˜ | s˜nP d n p m ||
rA . ma dA su | Dan. . na di ||
(SrI rAma nAmamE)
9. 8 | Ramadasu Navaratnam Ramadasu Navaratnam | 9
m P S˜ , s˜ n r˜ s˜ n d p p p pm |
ka la lO . nI . nA . ma . . smara Na |
g M p n p p p | mg R g ; M ||
ma ra va . cha | kka ni tan . Dri ||
2 p p n np M P p G˜ r˜ S˜ S˜ |
pa lu . kE . . ban gA . ra mA yE |
n S˜ r˜ p˜ m˜ g˜ r˜ | s˜ n¶ d n¶ S˜ S˜ ||
pi la chi . . na | pa lu ka . vE mi ||
m P r˜ S˜ s˜ n r˜ s˜ n d p p p pm |
ka la lO . nI . nA . ma . . smara Na |
do | do ||
marava cha | kkani tanDri ||
(palukE bangAramAyenA)
CHARANAM 2CHARANAM 2CHARANAM 2CHARANAM 2CHARANAM 2
p p n n P p m p d N¶ S˜ S˜ |
i ra . vu . ga . i su ka lO na |
n S˜ r˜ g˜ r˜ S˜ | s˜ n¶ d n¶ S˜ s˜ s˜ ||
po ra li . . na | yu Du ta . bhak ti ki ||
1 m P S˜ , s˜ n r˜ s˜ n d P p m |
ka ru Nin chi bro chi ti va ni . |
g M p n p p p | mg R g ; M ||
ne ra nam. mi | ti ni tan . Dri ||
2 m P r˜ S˜ s˜ n r˜ s˜ n d P p m |
ka ru Nin . Chi bro chi ti va ni . |
do | do ||
nera nammi | tini tanDri ||
(palukE bangAramAyenA)
RAMADASU NAVARATNAM 3 rAgam: Anandabhairavi
palukE bangAramAyenA tALam: Adi
A r o :A r o :A r o :A r o :A r o : s g1 r2 g1 m1 p d2 p s
ava:ava:ava:ava:ava: s n1 d2 p m1 g1 r2 s
PPPPPALLALLALLALLALLAAAAAVIVIVIVIVI
1 p P P , p p m m g r r m g r |
pa lu kE . ban gA . ra . mA . ye . |
S ; ; N‰ | s G r r g M ||
nA . . kO | daN Da pA . Ni ||
2 p P p n p p p m m g r p m g r |
pa lu kE . ban gA . ra . mA . ye . |
do | do ||
nA kO | daNDapANi ||
3 p P p n p p p m G r p m g r |
pa lu kE . ban . gA ra mA . ye . |
do | do ||
nA kO | daNDapANi ||
4 p P s˜n s˜ p p p m G r p m g r |
pa lu kE . . ban . gA ra mA . ye . |
r Gr S ; | ; ; ; ; ||
nA . . . | . . . . ||
CHARANAM 1CHARANAM 1CHARANAM 1CHARANAM 1CHARANAM 1
1 p p n n p m P p d N¶ S˜ S˜ |
pa lu . kE . . ban gA . ra mA yE |
n S˜ r˜ g˜ r˜ S˜ | s˜ n¶ d n¶ S S˜ ||
pi la chi . . na | pa lu ka . vE mi ||
10. 10 | Ramadasu Navaratnam Ramadasu Navaratnam | 11
CHARANAM 3CHARANAM 3CHARANAM 3CHARANAM 3CHARANAM 3
P , P , p m p d N¶ S˜ S˜ |
rA . ti . nA . ti . ga jE si |
n S˜ r˜ g˜ r˜ S˜ | s˜ n¶ d n¶ S˜ P ||
bhU. ta . . la | man . . du - pra ||
P , S˜ , s˜ n r˜ s˜ n d P p m |
khyA ti . chen di . ti . va ni . |
g M p n p p p|m m g r G M ||
prI . ti . . tO | nam mi ti tanDri ||
(palukE bangAramAyenA)
CHARANAM 4CHARANAM 4CHARANAM 4CHARANAM 4CHARANAM 4
P n n p m M p d N¶ S˜ S˜ |
en . ta . . vE Di . na nI ku |
n S˜ r˜ g˜ r˜ S˜ | s˜ n¶ d n¶ S˜ S˜ ||
sun . tai . . na | da . ya . rA du ||
m P S˜ , s˜ n r˜ s˜ n d P p m |
pan. ta . mu sE . ya . . nE . |
g M P n pMn | pmG , r G M ||
nen. ta . Ti | vA . Da nay ya ||
(palukE bangAramAyenA)
CHARANAM 5CHARANAM 5CHARANAM 5CHARANAM 5CHARANAM 5
1 p p n n P p m p d N¶ S˜ S˜ |
Sa ra . NA . ga . ta . . trA Na |
n S˜ r˜ g˜ r˜ S˜ | s˜ n¶ d n¶ S˜ S˜ ||
bi ru dA . . nki | tu Da vu . kA va ||
m P S˜ , s˜ n r˜ s˜ n d p p p m |
ka ru Nin chu bha drA . chala . |
g M P n pMn | pmG , r G M ||
va ra rA . ma | dA . sa pO sha ||
2 do |
SaraNAgata trANa |
n S˜ r˜ p˜ m˜ g˜ r˜ | s˜ n¶ d n¶ S˜ S˜ ||
bi ru dA . . nki . | tu Da vu . kA va ||
m p r˜ S˜ s˜ n r˜ s˜ n d p p p m |
ka ru Nin . chu bha drA . chala . |
do | do ||
vara rAma | dAsa pOsha ||
(palukE bangAramAyenA)
11. 12 | Ramadasu Navaratnam Ramadasu Navaratnam | 13
RAMADASU NAVARATNAM 4 rAgam: sAvEri
SrI rAmula divyanAma tALam: Adi
A r o :A r o :A r o :A r o :A r o : s r1 m1 p d1 s
a v a :a v a :a v a :a v a :a v a : s n2 d1 p m1 g2 r1 s
PPPPPALLALLALLALLALLAAAAAVIVIVIVIVI
1 ; p d S˜ s˜ s˜ s˜ d r˜ s˜ n p D |
SrI . rA mu la di . vya . nA . ma |
; p d n D p | mPd dPm g r R ||
sma ra Na sE yu | chun na . chA lu ||
; s r g s r s s s n‰ d‰ r s R |
ghO ra mai na ta pa mu . la . nu |
; s r m M m | d d p m d p D ||
kO . ra nE Ti | kE . . . ma na sA ||
2 do |
SrI rAmula divyanAma |
; p d r˜s˜S˜ D p | mPd dPm g r R ||
sma ra Na sE yu | chunna chA . lu ||
do |
ghOramaina tapamulanu |
; s r m M m | p d p d m P , ||
kO . ra nE Ti | kE . . . . . . ||
ANUPANUPANUPANUPANUPALLALLALLALLALLAAAAAVIVIVIVIVI
; d n d p d m d P d S˜ S˜ |
tA . ra ka SrI . rA . ma nA ma |
; s˜ r˜ g˜ s˜ R˜ | s˜ d r˜ s˜ n p D ||
dhyA na mu jE | si . na . chA lu ||
; P d g˜ r˜ s˜ s˜ d r˜ s˜ n p D |
vE ru vE . ru dai va mu la nu |
Ramadasu Navaratnam 4 rAgam: sAvEri
tALam: Adi
P: SrI rAmula divyanAma smaraNa sEyuchunna chAlu
ghOramaina tapamulanu kOranETikE manasA
A: tAraka SrI rAmanAma dhyAnamu jEsina chAlu
vEru vEru daivamulanu vedakanETikE manasA
C: 1 bhAgavatula pAda jalamu paina jallukunna chAlu
bhAgIradhiki poyyEnanE bhrAnti yETikE
bhAgavatula vAgAmrutamu pAnamu jEsina chAlu
bAgumIra naTTi amruta pAna mETikE manasA
2 parula himsa sEyakunna parama dharmamantE chAlu
parulanu rakshintunani balkanETikE
dorakani parula dhanamula dOchaka yuNDitE chAlu
gurutugAnu gOpuramu gaTTanETikE manasA
3 atithi vacchi Akalanna annaminta niDina chAlu
kratuvu sEyavalenanE kAnksha yETikE
satatamu mA bhadragiri svAmi rAmadAsuDaina
itara matamulaniyETi vetalavETikE manasA
12. 14 | Ramadasu Navaratnam Ramadasu Navaratnam | 15
; p d n D p | d d p m d p D ||
ve da ka nE Ti | kE . . . ma na sA ||
(SrI rAmula divyanama)
CHARANAMSCHARANAMSCHARANAMSCHARANAMSCHARANAMS
1 .1 .1 .1 .1 .; s r m m m m P , m d p D |
bhA ga va tu la pA . da ja la mu |
; P dm G r | s n‰ D‰ S S ||
pai na jal lu | kun na chA lu ||
S r g s r s s r s n‰ d‰ r s R |
bhA gI . . ra dhi ki poy . yE . na . nE |
; s r m M m | p d p d m P , ||
bhrA nti yE Ti | kE . . . . . . ||
; d n d p d m d p p d s˜ s˜ S˜ |
bhA ga va tu la va . gA . mru ta mu |
; s˜ r˜ g˜ s˜ R˜ | s˜ d r˜ s˜ n p D ||
pA . na mu jE | si . na . chA lu ||
; P d g˜ r˜ s˜ s˜ d r˜ s˜ n p D |
bA gu mI . ra na . TTi am ru ta |
; p d n D p | d d p m d p D ||
pA . na mE Ti | kE . . . ma na sA ||
(SrI rAmula divyanama)
; s r m M m | p d p d m P , ||
bal ka nE Ti | kE . . . . . . ||
; d n d p d m d P d s˜ s˜ S˜ |
do ra ka ni pa ru la . dha na mu la |
; s˜ r˜ g˜ s˜ R˜ | s˜ d r˜ s˜ np D ||
dO . cha ka yuN | Di . tE . chA lu ||
; d p d g˜ r˜ s˜ s˜ d r˜ s˜ n p D |
gu ru tu gA . nu gO pu ra . mu |
; p d n D p | d d p m d p D ||
gaT . Ta nE Ti | kE . . . ma na sA ||
(SrI rAmula divyanama)
3 .3 .3 .3 .3 . ; s r m M m P , m d p D |
a ti thi vac chi A . ka lan . na |
; P dm G r | s n‰ D‰ S S ||
an na min ta | ni Di na chA lu ||
; s r g sr s S n‰ d‰ r s R |
kra tu vu sE ya va le . na . nE |
; s r m M m | p d p d m P , ||
kA . nksha yE ti | kE . . . . . . ||
; d n d p d m d p p d S˜ S˜ |
sa ta ta mu mA . bha dra . gi ri |
; s˜ r˜ g˜ s˜ r˜ s˜ | s˜ d r˜ s˜ np D ||
svA mi rA . ma | dA su . Dai na ||
; d p d g˜ r˜ s˜ s˜ d r˜ s˜ n p D |
i ta ra ma ta mu la . ni . yE . Ti |
; p d n D p | d d p m d p D ||
ve ta la vE Ti | kE . . . ma na sA ||
(SrI rAmula divyanama)
2 .2 .2 .2 .2 .; s r m M m P , m d p D |
pa ru la him sa sE . ya kun na |
; p p dm G r | s n‰ D‰ S S ||
pa ra ma dhar ma | man tE chA lu ||
; s r g s R S n‰ d‰ r s R |
pa ru la nu ra kshin tu . na . ni |
13. 16 | Ramadasu Navaratnam Ramadasu Navaratnam | 17
Ramadasu Navaratnam 5 rAgam: khamAs
tALam: Adi
P: rAmajOgi mandu konarE O janulAra
A: rAmajOgi mandu mIru prEmatO bhujiyinchArayya
kAma krOdhamulanella kaDaku pAradrOlE mandu
C: 1 kATuka koNDalavaNTi karmamuleDabApE mandu
sATilEni jagamunandu svAmi rAmajOgi mandu
2 kOTi dhanamulittunani konnanu dorakani mandu
sATilEni bhAgavatulu smaraNajEsi talachu mandu
3 vAduku cheppinagani vAri pApamulugoTTi
mudamutO nE mOkshamicchE muddu rAmajOgi mandu
4 mudamutO bhadrAdriyandu muktini pondinchE mandu
sadayuDaina rAmadAsu sadbhaktitO golichE mandu
RAMADASU NAVARATNAM 5 rAgam: khamAs
rAma jOgi mandu konarE tALam: Adi
A r o :A r o :A r o :A r o :A r o : s m1 g2 m1 p d2 n1 s
ava:ava:ava:ava:ava: s n1 d2 p m1 g2 r2 s
PPPPPALLALLALLALLALLAAAAAVIVIVIVIVI
1 , P d n d d m P n d p m G |
rA ma jO . gi . man du . . ko na |
M ; ; g m | P P P p m ||
rE . . O . | ja nu lA ra . ||
2 m - P d r˜ s˜ n d m P d p m G |
. rA ma jO . gi . . man du . ko na |
M ; ; g m | P d n S˜r˜s˜ n d ||
rE . . O . | ja nu . lA ra . ||
3 m - P d r˜ s˜ n d m Ps˜d d p m G |
. rA ma jO . gi . . man du . ko na |
M ; ; m n | d n s˜ d n p d m ||
rE . . O . | ja . nu . lA . ra . ||
4 , P d n d d m m Ps˜d d p m G |
rA ma jO . gi . . man du . ko na |
M ; ; d p | M P ; ; ||
rE . . . . | . . . . ||
ANUPANUPANUPANUPANUPALLALLALLALLALLAAAAAVIVIVIVIVI
1 , g m n D n p d n s˜ n¶ R˜ S˜ |
rA . ma jO gi . man du . mI ru |
14. 18 | Ramadasu Navaratnam Ramadasu Navaratnam | 19
, S˜ s˜ S˜ s˜ s˜ | S˜r˜n n d d p D ||
prE ma tO bhu ji | yin chA. ray . ya ||
, S˜ s˜ S˜ n¶r˜s˜s˜ n n N n d s˜ n |
kA ma krO dha. . mu la nel . la . |
d - p d n n d p m | g m p m p d n d ||
. ka Da ku pA . ra . | drO . lE . man du . ||
m - P d
..... rAmarAmarAmarAmarAma jOgijOgijOgijOgijOgi mandu konarEmandu konarEmandu konarEmandu konarEmandu konarE
CHARANAM 1CHARANAM 1CHARANAM 1CHARANAM 1CHARANAM 1
, m n d n p d n S˜ s˜ n¶ g˜ r˜ S˜ |
kA . Tu ka . koN . Da la . vaN Ti |
, S˜ s˜ S˜ s˜ s˜ | S˜r˜n n d d p D ||
kar ma mu le Da | bA pE . . man du ||
, S˜ s˜ n¶ r˜s˜s˜n˜n , n n nd s˜ n D |
sA Ti lE . . Ni . ja ga mu nan . du |
, s˜ n d p m g m | P d p s˜ n n d ||
svA . mi rA . ma . | jO gi . man du . ||
m - P d
..... r Ar Ar Ar Ar A m am am am am a jOgi mandu konarEjOgi mandu konarEjOgi mandu konarEjOgi mandu konarEjOgi mandu konarE
CHARANAM 2CHARANAM 2CHARANAM 2CHARANAM 2CHARANAM 2
1 , m n d n d n p d n s˜ n¶ R˜ S˜ |
kO . Ti dhana mu . li . ttu . na ni |
, S˜ s˜ S˜ s˜ s˜ | S˜r˜n n d d p D ||
kon na nu do ra | ka ni . man du ||
2 , m n d n d n p d n s˜ n¶ g˜ r˜ S˜ |
kO . Ti dhana mu . li . ttu . na ni |
, s˜ m˜ g˜ r˜ s˜ s˜ s˜ | S˜r˜n n d d p D ||
kon . na nu . do ra | ka ni . man du ||
, S˜ s˜ s˜ n¶ r˜s˜s˜n , N n n n N |
sA Ti lE . ni . bhAga va tu lu |
, s˜ n d p m g m | p p d n S˜r˜s˜ n d ||
smara Na jE . si . | ta la chu . man du . ||
m - P d
..... rAmarAmarAmarAmarAma jOgijOgijOgijOgijOgi mandu konarEmandu konarEmandu konarEmandu konarEmandu konarE
CHARANAM 3CHARANAM 3CHARANAM 3CHARANAM 3CHARANAM 3
, m n d n p d n S˜ s˜ n¶ g˜ r˜ S˜ |
vA . du ku . che . ppi na . ga . ni |
, S˜ s˜ S˜ S˜ | S˜r˜n n d d p D ||
vA ri pA pa | mu lu . go . TTi ||
, d s˜ s˜ s˜ n¶ r˜s˜s˜n , N n N N |
mu da mu tO . nE . mO ksha mi cchE |
, P d n s˜ n d | p m g m Ps˜n n d ||
mu ddu rA . ma . | jO . gi . man du . ||
m - P d
..... r Ar Ar Ar Ar A m am am am am a jOgi mandu konarEjOgi mandu konarEjOgi mandu konarEjOgi mandu konarEjOgi mandu konarE
15. 20 | Ramadasu Navaratnam Ramadasu Navaratnam | 21
CHARANAM 4CHARANAM 4CHARANAM 4CHARANAM 4CHARANAM 4
1 , m n d n p d n S˜ s˜ n¶ R˜ S˜ |
mu da mu tO . bha . drA dri . yan du |
, S˜ s˜ S˜ S˜ | S˜r˜n n d d p D ||
mukti ni pon | din chE . man du ||
2 , m n d n p d n S˜ s˜ n¶ g˜ r˜ S˜ |
mu da mu tO . bha . drA dri . yan du |
, S˜ g˜r˜ S˜ S˜ | S˜r˜n n d d p D ||
mukti ni pon | din chE . man du ||
, d s˜ s˜n¶ r˜s˜s˜n, n , N nd s˜ n D |
sa da yu Dai . na rA ma dA . su |
, p d d n d p m | g m p m p d n d ||
sad . bhakti tO . | go li chE . man du . ||
m - P d
..... r Ar Ar Ar Ar A m am am am am a jOgi mandu konarEjOgi mandu konarEjOgi mandu konarEjOgi mandu konarEjOgi mandu konarE
Ramadasu Navaratnam 6 rAgam: dhanyAsi
tALam: Adi
P: tAraka mantramu kOrina dorikenu
dhanyuDanaitini OrannA
mIrina kAluni dUtala pAliTi
mrityuvuyaninammukayunnA
C: 1 macchikatO nitarAntarammula
mAyalalOpaDabOkannA
hecchuganUTa yEnimidi tirupatu-
-lelami tiruga pani lEdannA
2 mucchaTagA tA puNya nadulalO
munuguTa pani yEmiTikannA
vaccheTi paruvapu dinamulalO
suDi vaDu Talu mAnakayunnA
3 yenni janmamula yerukato jUchina
yEkO nArAyaNuDannA
anni rUpulaiyunna parAtparu-
-nA mahAtmuni katha vinnA
4 yenni janmamula jEsina pApamu
Ee janmamutO viDunannA
anniTikini kaDasAri janmamidi
satyambika puTTuTa sunnA
5 dharmamu tappaka bhadrAdrISuni
tanamadilO nammuchununnA
marmamu telisina rAmadAsu hrin-
-mandiramuna nE yunnA
16. 22 | Ramadasu Navaratnam Ramadasu Navaratnam | 23
RAMADASU NAVARATNAM 6 rAgam: dhanyAsi
tAraka mantramu tALam: Adi
A r o :A r o :A r o :A r o :A r o : s g1 m1 p n1 s
ava:ava:ava:ava:ava: s n1 d1 p m1 g1 r1 s
PPPPPALLALLALLALLALLAAAAAVIVIVIVIVI
; , p n s˜ S˜ s˜ r˜ s˜ n D P |
tA . ra ka man . . tra mu |
; , p n d P | G G M P ||
kO . ri na | do ri ke nu ||
; , p n d P G ; M p d |
dhan yu Da nai ti ni . |
p M g G R | r r S ; ; ||
O . . ran . | nA . . . . ||
1 ; , G m P P N N N |
mI ri na kA . lu ni |
n P n S˜ S˜ | S˜ r˜ n S˜ S˜ ||
dU . . ta la | pA . . li Ti ||
; , p n s˜ S˜ s˜ r˜ s˜ n D P |
mri tyu vu ya . ni . nam |
M p d p m G | G M P N ||
mu ka . yun . . | nA . . . ||
2 S˜ , - G m P do |
mI ri na kAluni |
do | do ||
dUtala | pAliTi ||
do |
mrityuvuyani nam |
M p d p m G | g m p n p n s˜ r˜ ||
mu ga . yun. . | nA . . . . . . . ||
n S˜ - p n s˜ S˜
..... ..... t At At At At A ..... r ar ar ar ar a k ak ak ak ak a mantramumantramumantramumantramumantramu
CHARANAM 1CHARANAM 1CHARANAM 1CHARANAM 1CHARANAM 1
; , p n s˜ S˜ s˜ r˜ s˜ n D P |
ma cchika tO . . . ni ta |
P , n d p p p | m g M P ; ||
rA . . ta . ram . | . . mu la . ||
; , p n d P G ; M p d |
mA ya la lO . pa Da . |
p M g G R | r r S ; ; ||
bO . . kan. | nA . . . . ||
1 ; , G m P P N N N |
he cchu ga nU . . Ta |
P N S˜ S˜ | S˜ r˜ n S˜ S˜ ||
ye ni mi di | ti ru . pa tu ||
P N S˜ s˜ r˜ s˜ n D P P |
le la mi ti . ru . ga pa ni |
M p d p m G | G M P N ||
lE . . dan. . | nA . . . ||
2 S˜ , - do do |
hecchuga nUTa |
do | do ||
yenimidi | tirupatu ||
17. 24 | Ramadasu Navaratnam Ramadasu Navaratnam | 25
do |
lelami tiruga pani |
M p d p m G | g m p n p n s˜ r˜ ||
lE . . dan. . | nA . . . . . . . ||
CHARANAM 2CHARANAM 2CHARANAM 2CHARANAM 2CHARANAM 2
; , p n s˜ S˜ s˜ r˜ s˜ n d P , |
mu ccha Ta gA . . . tA . . |
P , n d p p p | m g M P ; ||
puN. ya . na . | du . la lO . ||
; p p n d P G G M p d |
mu nu . gu Ta pa ni yE . . |
p m m g G R | r r S ; ; ||
mi . Ti . kan . | nA . . . . ||
1 ; , G m P P N N N |
va cche Ti pa ru va pu |
P N S˜ S˜ | S˜ r˜ n S˜ ; ||
di na mu la | lO . . . . ||
; p N s˜ S˜ s˜ r˜ s˜ n D P |
su Di va Du Ta . lu . mA . |
M p d p m G | G M P N ||
na ka . yun . . | nA . . . ||
2 S˜ , - do do |
vaccheTi paruvapu |
do | do ||
dinamula | lO ||
do |
suDi vaDi Talu mA |
M p d p m G | g m p n p n s˜ r˜ ||
na ka . yun. . | nA . . . . . . . ||
n S˜ - p n s˜ S˜
..... ..... t At At At At A ..... r ar ar ar ar a k ak ak ak ak a mantramumantramumantramumantramumantramu
CHARANAM 3CHARANAM 3CHARANAM 3CHARANAM 3CHARANAM 3
; , p n s˜ s˜ r˜ s˜ n D P P |
yen ni jan . . ma mu la |
; p p n d P | p p m g M P ||
ye ru . ka to | jU . . . chi na ||
; P n d P G ; M p d |
yE . . kO . nA . rA . . |
p p m g G R | r r S ; ; ||
ya . Nu . Dan . | nA . . . . ||
1 ; , G m P N N N ; |
an ni rU . pu lai . |
n P n S˜ S˜ | S˜ r˜ n S˜ S˜ ||
yun. na pa | rA . . tparu ||
P N S˜ s˜ r˜ s˜ n D P ; |
nA . ma hA . . . tmu ni . |
M p d p m G | G M P N ||
ka tha . vin . . | nA . . . ||
18. 26 | Ramadasu Navaratnam Ramadasu Navaratnam | 27
2 S˜ , - do do |
anni rU pulai |
do | do ||
yunna pa | rAtparu- ||
do |
nA mahAtmuni |
M p d p m G | g m p n p n s˜ r˜ ||
ka tha . vin . . | nA . . . . . ||
n S˜ - p n s˜ S˜
..... ..... t At At At At A ..... r ar ar ar ar a k ak ak ak ak a mantramumantramumantramumantramumantramu
CHARANAM 4CHARANAM 4CHARANAM 4CHARANAM 4CHARANAM 4
; , p n s˜ s˜ r˜ s˜ n D P P |
yen ni jan . . ma mu la |
; P n d P | p p m g M P ||
jE . si na | pA . . . pa mu ||
; P n d P G G M p d |
Ee . jan . ma mu tO . . |
p m m g G R | r r S ; ; ||
vi . Du . nan. | nA . . . . ||
1 ; , G m P P N P N |
an ni Ti ki ni ka Da |
S˜ ; S˜ S˜ | ; r˜ n S˜ S˜ ||
sA . ri jan | . ma mi di ||
; p n S˜ ; s˜ r˜ s˜ n d P , |
sa . tyam bi . ka . pu . . |
M p d p m G | G M P N ||
TTu Ta . sun . . | nA . . . ||
2 S˜ , - do do |
anniTi kini kaDa |
do | do ||
sAri jan | mamidi ||
do |
satyambika pu |
M p d p m G | g m p n p n s˜ r˜ ||
TTu Ta . sun . . | nA . . . . . . . ||
n S˜ - p n s˜ S˜
..... ..... t At At At At A ..... r ar ar ar ar a k ak ak ak ak a mantramumantramumantramumantramumantramu
CHARANAM 5CHARANAM 5CHARANAM 5CHARANAM 5CHARANAM 5
; , p n s˜ S˜ s˜ r˜ s˜ n D P |
dhar ma mu ta . . . ppa ka |
; p d p m G | G M P P ||
bha drA . . | drI . Su ni ||
; p p n d P G ; M p d |
ta na . ma di lO . nam . . |
p m m g G R | r r S ; ; ||
mu . chu. nun. | nA . . . . ||
19. 28 | Ramadasu Navaratnam Ramadasu Navaratnam | 29
1 ; , G m P P N N N |
mar ma mu te li si na |
n P n S˜ S˜ | ; R˜ ; S˜ ||
rA . . ma dA | su . hrin ||
P N S˜ S˜ s˜ r˜ s˜ n d P , |
man . di ra mu . na . nE . . |
M p d p m G | G M P N ||
yun. . . . . | nA . . . ||
2 S˜ , - do do |
marmamu telisina |
do | do ||
rAmadA | su hrin- ||
do |
mandira munanE |
M p d p m G | g m p n p n s˜ r˜ ||
yun. . . . . | nA . . . . . . . ||
n S˜ - p n s˜ S˜
..... ..... t At At At At A ..... r ar ar ar ar a k ak ak ak ak a mantramumantramumantramumantramumantramu
Ramadasu Navaratnam 7 rAgam: kAnaDA
tALam: Adi
P: hari hari rAma nannaramara jUDaku
niratamu nI nAma smaraNa yEmaranu
C 1 daSaratha nandana daSamukha mardana
paSupathi ranjana pApa vimOchana
2 maNimaya bhUshaNa manjula bhAshaNa
raNa jaya bhIshaNa raghukula pOshaNa
3 patita pAvana nAma bhadraSaila dhAma
satatamu SrI rAmadAsuDa nElu
20. 30 | Ramadasu Navaratnam Ramadasu Navaratnam | 31
RAMADASU NAVARATNAM 7 rAgam: kAnaDA
hari hari rAma tALam: Adi
A r o :A r o :A r o :A r o :A r o : s r2 g1 m1 d2 n1 s
ava:ava:ava:ava:ava: s n1 p m1 g1, m1 r2 s
PPPPPALLALLALLALLALLAAAAAVIVIVIVIVI
1 ; g M r R rsS ; S S |
ha ri ha ri rA . ma nan |
; sn‰¶ rs , n‰ n‰ d‰ | N‰ S S S ||
na ra ma ra . | jU . Da ku ||
; n‰ S r R G , G , G |
ni ra ta mu nI . nA . ma |
; m D n P | ; g M rs R ||
smara Na yE | ma ra nu . ||
2 do |
hari hari rAma nan |
do | N‰ ; R S ||
naramara | jU . Da ku ||
; n‰ S r R r n d pmmg , G |
ni ra ta mu nI . nA . . . ma |
; m D s˜nN P | do ||
smara Na yE | maranu ||
; g Mpm r R rsS ; S ; |
ha ri . ha ri rA . ma . |
S ; ; ; | ; ; ; ; ||
. . . . | . . . . ||
(hari hari rAma
CHARANAM 1CHARANAM 1CHARANAM 1CHARANAM 1CHARANAM 1
1 ; p P mg M D ; D D |
da Sa ra . tha nan . da na |
; m D n S˜ | N R˜ s˜ n P ||
da Sa mu kha | mar. da na ||
; n R˜ s˜ s˜ r˜ n r˜ s˜ n P P |
pa Su pa ti . ran . . ja na |
; m D n P | G M r s R ||
pA . pa vi | mO . cha na ||
2 ; m n np mg M do |
da . Sa ra . tha nandana |
do | do ||
daSa mukha | mardana ||
; n R˜ s˜ s˜ r˜ n s˜ R˜m˜r˜s˜ n P |
pa Su pa ti . ran . . . ja na |
; m D n r˜s˜S˜ | npmg , m pm rs R ||
pA . pa vi | mO . . . . chana ||
(hari hari rAma)
CHARANAM 2CHARANAM 2CHARANAM 2CHARANAM 2CHARANAM 2
1 ; p P mg M D ; D D |
ma Ni ma ya bhU. . shaNa |
; m D n S˜ | N R˜ s˜ n P ||
man . ju la | bhA. shaNa ||
; n R˜ s˜ s˜ r˜ n r˜ s˜ n P P |
ra Na ja ya . bhI . . shaNa |
; m D n P | G M r s R ||
ra ghu ku la | pO . shaNa ||
21. 32 | Ramadasu Navaratnam Ramadasu Navaratnam | 33
2 ; m n np mg M do |
ma . Ni ma ya bhUshaNa |
do | do ||
manjula | bhAshaNa ||
; n R˜ s˜ s˜ r˜ n s˜ R˜m˜r˜s˜ n P |
ra Na ja ya . bhI . . . shaNa |
; m D n r˜s˜S˜ | npmg , m pm rs R ||
ra ghu ku la | pO . . . . sha Na ||
(hari hari rAma)
CHARANAM 3CHARANAM 3CHARANAM 3CHARANAM 3CHARANAM 3
1 ; p P mg M d D D , D |
pa ti ta pA va na nA ma |
; m D n S˜ | s˜ n ´ r˜ s˜ n p P ||
bha. dra Sai | la . . dhA . ma ||
; n R˜ s˜ S˜ s˜ n r˜ s˜ n p P |
sa ta ta mu SrI . . rA . . ma |
; m D n P | G M r s R ||
dA . su Da | nE . lu . ||
2 ; m n np mg M do |
pa . ti ta pA vana nAma |
do | do ||
bhadraSai | la dhAma ||
; n R˜ s˜ S˜ n S˜r˜m™ r˜s˜ n p P |
sa ta ta mu SrI . . rA . . ma |
; m D n r˜s˜S˜ | npmg , m pm rs R ||
dA . su Da | nE . . . . . lu . ||
(hari hari rAma)
Ramadasu Navaratnam 8 rAgam: sowrAshTra
tALam: Adi
P: takkuvEmi manaku rAmuN-
DokkaDuNDu varaku
prakka tODugA bhagavantuDu tana
chakradhAriyai chentanE yuNDaga
C: 1 mrucchu sOmakuni munu jampinayA
matsya mUrti mana pakshamunuNDaga
2 surala koraku mandara giri mOsina
kUrmAvatAruni kripa manakuNDaga
3 hiraNyakaSipuni iru chekkalugA
parachina narahari prakkanEyuNDaga
4 bhUmi svargamunu ponduga golichina
vAmanuNDu manavADaiyunDaga
5 daSagrIvu munu danDinchinayA
daSaratha rAmuni daya manakuNDaga
6 dushTa kamsuni drunchinaTTi SrI
krishNuDu mana pai kripatOnuNDaga
7 rAmadAsu nila rakshinchedanani
prEmatO balkina prabhu viTanuNDaga
22. 34 | Ramadasu Navaratnam Ramadasu Navaratnam | 35
RAMADASU NAVARATNAM 8 rAgam: sowrAshTra
takkuvEmi manaku tALam :Adi
A r o :A r o :A r o :A r o :A r o : s r1 g2 m1 p m1 d2 , n2 s
ava:ava:ava:ava:ava: s n2 d2 n1 d2 p m1 g2 r1 s
PPPPPALLALLALLALLALLAAAAAVIVIVIVIVI
, s d d p p p m Pds˜ d p mgS R |
ta kku vE . mi ma na ku. . . rA . muN |
R p mg r r g r | S ; ; ; ||
Do kka DuN . Du va ra | ku . . . ||
, p p P m D d n S˜ s˜ s˜ r˜ s˜ |
pra kka tO Du gA bhaga van tu Du ta na |
, d s˜ s˜nD d dp | m p d p mgS s r ||
chakra dhA ri yai | chen ta nE yuN Da ga ||
, s d d p p p m Pds˜ d p mgS R |
ta kku vE . mi ma na ku . . rA . muN |
R p mg r r g r | S ; ; ; ||
Do kka DuN . Du va ra | ku . . . ||
CHARANAMSCHARANAMSCHARANAMSCHARANAMSCHARANAMS
1 .1 .1 .1 .1 ., p p P m d d d n S˜ s˜ r˜ S˜ |
mru cchu sO ma ku ni mu nu jam pi na yA |
, d s˜ s˜nD d d p | m p d p mgS s r ||
matsya mU rti ma na | pa . ksha mu nuN Da ga ||
(takkuvEmi manaku)
2 .2 .2 .2 .2 .p p p p p m D d n s˜ s˜ S˜ r˜ s˜ |
su ra la ko ra ku man da ra gi ri mOsi na |
s˜ S˜ r˜ s˜nDd p | m p d p mgS s r ||
kU rmAva tA ru ni | kri pa ma na kuN Da ga ||
(takkuvEm manaku)
3 .3 .3 .3 .3 .p P p p m d d d n S˜ s˜ r˜ S˜ |
hi raN ya ka Si pu ni i ru chek ka lu gA |
d n s˜ s˜ s˜n d d p | P d p mgS s r ||
pa ra chi na na ra ha ri | pra kka nE yuN Da ga ||
(takkuvEmi manaku)
4 .4 .4 .4 .4 .P p P m d d d n s˜ s˜ s˜ s˜ r˜ s˜ |
bhU mi sva rga mu nu pon . du ga go li chi na |
, d s˜ s˜nDd d p | m p d p mgS s r ||
vA ma nuNDu ma na | vA . Dai . yuN Da ga ||
(takkuvEmi manaku)
5 .5 .5 .5 .5 .p P P p p m D N s˜ r˜ S˜ |
da Sa grI vu mu nu daN Din chi na yA |
d n s˜ r˜ s˜nD d p | m p d p mgS s r ||
da Sa ra tha rA mu ni | da ya ma na kuN Da ga ||
(takkuvEmi manaku)
6 .6 .6 .6 .6 ., p m D d D d n s˜ S˜ r˜ S˜ |
dushTa kam su ni drun . chi naTTi SrI |
, d s˜ s˜ s˜n D d p | m p d p mgS s r ||
krish Nu Du ma na pai . | kri pa tO . nuN Da ga ||
(takkuvEmi manaku)
7 .7 .7 .7 .7 ., p p P m d d , dn S˜ s˜ s˜ r˜ s˜ |
rA ma dA su ni la rak shin che da na ni |
, s˜ s˜ s˜r˜ s˜nD d p | m p d p mgS s r ||
prE ma tO bal ki na | pra bhu vi Ta nuN Da ga ||
(takkuvEmi manaku)
23. 36 | Ramadasu Navaratnam Ramadasu Navaratnam | 37
Ramadasu Navaratnam 9 rAgam: nAdanAmakriyA
tALam: Adi (khaNDa)
P: kaNTinEDu mA rAmula
kanugonTi nEnu mA rAmula
A: kaNTinEDu bhakta gaNamula brOchu mA
iNTi vElupu bhadragirinunna vAni ni
C: 1 cheluvoppuchunnaTTi sItA samEtuDai
koluvu dIrina mA kOdaNDa rAmuni
2 dharaNi kula tilakuni ghana nIla gAtruni
karuNA rasamu guriyu kanudOyi galavAni
3 kurumunji mutyAla saramulu merayagA
muripempu chirunavvu momugali nilavAni
4 karaku bangaru chEla kAnti jagamulu gappa
Sara chApamulu kEla dharayinchu svAminI
5 dharaNipai SrI rAmadAsunEleDu vAni
parama purushuNDaina bhadragiri svAminI
RAMADASU NAVARATNAM 9 rAgam: nAdanAmakriyA
kaNTinEDu mA rAmula tALam: Adi (khaNDanaDa)
A r o :A r o :A r o :A r o :A r o : s r1 g2 m1 p d1 n2
ava:ava:ava:ava:ava: n2 d1 p m1 g2 r1 s n2
PPPPPALLALLALLALLALLAAAAAVIVIVIVIVI
1 S r p m m g r s r p m m g r S ; , |
kaNTi nE . Du . . . . MA rA . mu la . . |
s r G r M M , | g m p d p p m g r s ||
ka nu goN Ti nE nu . | mA . rA . mu la . . . . ||
S r p m m g r s r p m m g r S ; , |
kaNTi nE . Du . . . . MA . rA . mu la . . |
; ; , ; ; , | ; ; , ; ; , ||
. . . . . . | . . . . . . ||
ANUPANUPANUPANUPANUPALLALLALLALLALLAAAAAVIVIVIVIVI
1 p d p m g m p P p p d n D P p M |
kaN . Ti nE . Du . bhak ta ga Na mu la brO chu mA |
m g m P p d P m | g m P m m g r s n‰ ||
yiN . Ti vE lu pu bhadra | gi ri nunna vA . ni ni . ||
(kaNTinEDu mA rAmula)
CHARANAMSCHARANAMSCHARANAMSCHARANAMSCHARANAMS
1 .1 .1 .1 .1 .g pm m gr S S rn‰ s r G r M m M |
chelu vop . pu chunna TTi sI . tA sa mE tu Dai |
m g m P d p d p d | m p d p m m g r s n‰ ||
ko lu vu dI ri na mA . . | kO . daN Da rA . mu ni . ||
(kaNTinEDu mA rAmula)
24. 38 | Ramadasu Navaratnam
2 .2 .2 .2 .2 .g g pm g r s s s r n‰ s r G r M m M |
dhara Ni ku la ti la ku ni . ghana nI la gA tru ni |
g m P p p d m p m | g m P m g pmm g r ||
ka ru NA ra sa mu gu ri yu | ka nudO yi ga la vA . ni ||
(kaNTinEDu mA rAmula)
3 .3 .3 .3 .3 .g pm m g r S S rn‰ s r g g r m m m M |
ku ru mun . ji mu tyA la sa ra mulu . mera ya gA |
g m P p p d P m | g m p d p m g r s rn‰ ||
muri pem pu chi ru nav vu | mO . mu ga li gi na vA . ni ||
(kaNTinEDu mA rAmula)
4 .4 .4 .4 .4 .g g pm m g r s S rn‰ s r g r g m m M m |
ka ra ku ban . gA ru chE la kA . ntija ga mu lu gap pa |
g m P d n d P pm | g m Pdp m m g r s n‰ ||
Sa ra chA pa mu lu kE la | dha ra yin chu svA . mi ni . ||
(kaNTinEDu mA rAmula)
5 .5 .5 .5 .5 .g g pm m g r s S rn‰ s r g r g m m M m |
dha ra Ni pai . SrI . rA ma dA . su nE . le Du vA ni |
g m p p d n d d m p | G mp m m g r s n‰ ||
pa ra ma puru shuN . Dai . na| bha dragiri svA . mi nI . ||
(kaNTinEDu mA rAmula)