NX Web Player is a web application optimized for access from iPad, iPod Touch and iPhone which lets you run an NX session from inside the browser. There\'s no need to install any additional software on the local device.
With the continued movement of work around the world, and with the pressures for reduced travel, it's easy to find yourself interacting with co-workers who are only represented by electronic simulacra (voice, text, video, or avatars). What does this mean to human interaction, to trust, and to effective collaboration?
Ochrona danych osobowych - jak przygotować się do zmian?Łukasz Węgrzyn
Już tylko niecałe 2 lata na dostosowanie się do zmian w przetwarzaniu danych osobowych. Zobacz jak dobrze przygotować swoją organizacje do nadchodzących zmian.
NX Web Player is a web application optimized for access from iPad, iPod Touch and iPhone which lets you run an NX session from inside the browser. There\'s no need to install any additional software on the local device.
With the continued movement of work around the world, and with the pressures for reduced travel, it's easy to find yourself interacting with co-workers who are only represented by electronic simulacra (voice, text, video, or avatars). What does this mean to human interaction, to trust, and to effective collaboration?
Ochrona danych osobowych - jak przygotować się do zmian?Łukasz Węgrzyn
Już tylko niecałe 2 lata na dostosowanie się do zmian w przetwarzaniu danych osobowych. Zobacz jak dobrze przygotować swoją organizacje do nadchodzących zmian.
University of Tulsa, Oklahoma lecture, contemporary art january 2015,Cathy Br...cathy breslaw
contemporary art lecture by cathy breslaw at the university of tulsa, tulsa oklahoma. Talks about textile, fiber art,contemporary art, sculpture, installation, painting,creativity,art history. Also talks about development of art career from beginnings to current studio practice and writing. www.cathybreslaw.com, www.artfullifebycathy.blogspot.com
Artificial Intelligence Catalyzes a Revolution for 21st Century Human Creativ...ijtsrd
Art is arguably the most creative form of expression known to mankind. Artificial intelligence has advanced to occupy a position of paramount importance in Science, but seldom do we associate it with Human Creativity in general, and with Modern Art in particular. Creativity is one of the rudimentary constituents of the functioning of machines. By using algorithms, machines churn out representations of shapes, images and structures. Machines are perpetually expanding, redefining and reinventing creativity in their own right. This idea has triggered the birth of a new subfield in Artificial Intelligence known as Computational Creativity. This paper analyzes the diverse ways in which the integrated algorithms of Machine Learning and Artificial Intelligence are cut for producing breakthroughs in the field of 21st Century Modern Arts. Avani Goenka "Artificial Intelligence Catalyzes a Revolution for 21st Century Human Creativity and Modern Art" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-6 | Issue-2 , February 2022, URL: https://www.ijtsrd.com/papers/ijtsrd49150.pdf Paper URL: https://www.ijtsrd.com/computer-science/artificial-intelligence/49150/artificial-intelligence-catalyzes-a-revolution-for-21st-century-human-creativity-and-modern-art/avani-goenka
This is a presentation of initial pairings we put together for the ICT & Art Connect project stand at the EU ICT 2013 showcase event on the new Digital Agenda. In some cases, these art-tech pairs had just met and had to only talk about their own background rather than new any new ideas for a project they had, but once paired some very good connections developed.
Digital/Computer Paintings as a Modern- day Igbo Artists’ vehicle for creatin...ikennaaghanya
Revolutions come in many varieties. Some tear down established notions destructively, while others consist of forging new paradigms through constructive means such as an ideological or technological innovation that fundamentally alters an individual or group’s creative path. But all have their place in history. This paper charts a course of change in art and art styles, as been practiced by some modern-day Igbo artists. It follows the meandering path that has been influenced by technological advances that have in turn influenced art culture and practices in technique. In particular, this paper examines how the modern-day processes of digital art have attempted to broaden the modern-day Igbo artist’s knowledge base, and has influenced new ways of doing old things. Together these ideas have impacted modern-day art by creating a fertile landscape allowing an artist’s inquisitive tendency to take root and uniquely flourish. The aim of this paper is to analyze the various digital paintings produced by three modern-day Igbo artists (Ikenna Aghanya, Okechukwu Johnson and Chidi Onwuekwe) and in turn examine how the use of the computer, as an art tool has affected their creative process. The paper will also look at the functions of this medium as it pertains to each of the decorative paintings done by these artists.
STW | 3D technologies and open digitized collectionsJonathan Beck
Presentation made for 'Digital imaging, modelling, making and interpretation of 3D cultural heritage objects', an all-day workshop organised by Cambridge University and The Fitzwilliam Museum.
Topics include introductions to Scan the World, 3D technologies (3D imaging and additive manufacturing) and open digitized museum data.
Steve and Social Tagging: Seeing Collections Through Visitors' EyesSteve Project
Brief introduction to Steve: The Museum Social Tagging Project, prepared for the RUSA Presidents' Program at the American Library Association's 2009 annual meeting.
!Home Article Oltre atomi e corpi una post-rifles.docxgertrudebellgrove
!
Home " Article " Oltre atomi e corpi: una post-riflessione su AE 2016 / Beyond atoms and bodies: a
post-reflection on AE 2016
# $ % & '
https://noemalab.eu/ideas/oltre-atomi-e-corpi-una-post-riflessione-su-ae-2016-beyond-atoms-and-bodies-a-post-reflection-on-ae-2016/#
https://noemalab.eu/
https://noemalab.eu/category/ideas/article/
https://twitter.com/noemalab
https://vimeo.com/noemalab
https://www.youtube.com/user/NoemaLab
https://www.facebook.com/NoemaLab/
https://noemalab.eu/feed/
Italiano [English below]
Oltre atomi e corpi: una post-riflessione su AE 2016 /
Beyond atoms and bodies: a post-reflection on AE 2016
Giorgio Cipolletta
A R T I C L E I D E A S R E V I E W S
https://noemalab.eu/category/ideas/article/
https://noemalab.eu/category/ideas/
https://noemalab.eu/category/reviews/
Ars Electronica 2016.
Per una ricerca alchemica radicale del nostro tempo e la perdita di equilibro.
Una post-riflessione oltre gli atomi e i corpi
La rivoluzione digitale ha riconfigurato e decodificato il nostro mondo immerso
tra il bagnato del biologico e il materico dei bit, modificando in maniera radicale la
nostra percezione. Chi sono gli alchimisti del nostro tempo? Con Radical Atoms
and the alchemist of our time, anche questo anno il Festival Ars Electronica a Linz
(8-12 settembre 2016) ha provato a riflettere sul nostro tempo, la società
contemporanea e il rapporto sempre più imprescindibile tra le arti e le scienze.
Attraverso il processo alchemico che l’arte e le scienze crea, si edificano nuovi
territori fluttuanti e ubiqui e soggetti ibridi. L’alchimia non è altro che una sorta di
filosofia, – ci ricorda Marcel Duchamp, – un tipo di pensiero che porta ad un
modo di comprensione. L’alchimia è pratica derivata dalla mescolanza
“consapevole” tra arte e scienza. Pensiamo all’arte robotica, ai droni, alI’Internet
delle cose, ai wereable device, alla bioarte e alla telematica ecc. Dal calcolo
digitale al mondo quantico, dall’ingegneria genetica fino alla biologia sintetica, le
tecnologie aumentano la nostra abilità di manipolare le fondamentali leggi della
natura. Delusioni, desideri, sogni e le speranze dell’essere umano sono tutti
ingredienti necessari affinché nuovi immaginari possano permettere di
sperimentare nuove idee speculative creando dei momenti straordinari. Infinite
sono le domande che sorgono durante queste occasioni di confronto a Linz. Ogni
http://www.aec.at/radicalatoms/de/
anno l’Ars Electronica diviene una piattaforma di dibattitto sul concetto di vita
nell’era dell’ingegneria genetica, sull’intelligenza artificiale che aumenta il nostro
mondo fisico dove persino le informazioni biologiche alterano spesso le forme di
comunicazione e determinano un mondo immerso tra la rivoluzione digitale e
l’evoluzione culturale e sociale.
L’Ars Electronica si pone quindi nuove sfide per comprendere inedite frontiere e il
compito dell’artista è quello di amalgamare il mondo disincarnato dei dati digitali
co ...
University of Tulsa, Oklahoma lecture, contemporary art january 2015,Cathy Br...cathy breslaw
contemporary art lecture by cathy breslaw at the university of tulsa, tulsa oklahoma. Talks about textile, fiber art,contemporary art, sculpture, installation, painting,creativity,art history. Also talks about development of art career from beginnings to current studio practice and writing. www.cathybreslaw.com, www.artfullifebycathy.blogspot.com
Artificial Intelligence Catalyzes a Revolution for 21st Century Human Creativ...ijtsrd
Art is arguably the most creative form of expression known to mankind. Artificial intelligence has advanced to occupy a position of paramount importance in Science, but seldom do we associate it with Human Creativity in general, and with Modern Art in particular. Creativity is one of the rudimentary constituents of the functioning of machines. By using algorithms, machines churn out representations of shapes, images and structures. Machines are perpetually expanding, redefining and reinventing creativity in their own right. This idea has triggered the birth of a new subfield in Artificial Intelligence known as Computational Creativity. This paper analyzes the diverse ways in which the integrated algorithms of Machine Learning and Artificial Intelligence are cut for producing breakthroughs in the field of 21st Century Modern Arts. Avani Goenka "Artificial Intelligence Catalyzes a Revolution for 21st Century Human Creativity and Modern Art" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-6 | Issue-2 , February 2022, URL: https://www.ijtsrd.com/papers/ijtsrd49150.pdf Paper URL: https://www.ijtsrd.com/computer-science/artificial-intelligence/49150/artificial-intelligence-catalyzes-a-revolution-for-21st-century-human-creativity-and-modern-art/avani-goenka
This is a presentation of initial pairings we put together for the ICT & Art Connect project stand at the EU ICT 2013 showcase event on the new Digital Agenda. In some cases, these art-tech pairs had just met and had to only talk about their own background rather than new any new ideas for a project they had, but once paired some very good connections developed.
Digital/Computer Paintings as a Modern- day Igbo Artists’ vehicle for creatin...ikennaaghanya
Revolutions come in many varieties. Some tear down established notions destructively, while others consist of forging new paradigms through constructive means such as an ideological or technological innovation that fundamentally alters an individual or group’s creative path. But all have their place in history. This paper charts a course of change in art and art styles, as been practiced by some modern-day Igbo artists. It follows the meandering path that has been influenced by technological advances that have in turn influenced art culture and practices in technique. In particular, this paper examines how the modern-day processes of digital art have attempted to broaden the modern-day Igbo artist’s knowledge base, and has influenced new ways of doing old things. Together these ideas have impacted modern-day art by creating a fertile landscape allowing an artist’s inquisitive tendency to take root and uniquely flourish. The aim of this paper is to analyze the various digital paintings produced by three modern-day Igbo artists (Ikenna Aghanya, Okechukwu Johnson and Chidi Onwuekwe) and in turn examine how the use of the computer, as an art tool has affected their creative process. The paper will also look at the functions of this medium as it pertains to each of the decorative paintings done by these artists.
STW | 3D technologies and open digitized collectionsJonathan Beck
Presentation made for 'Digital imaging, modelling, making and interpretation of 3D cultural heritage objects', an all-day workshop organised by Cambridge University and The Fitzwilliam Museum.
Topics include introductions to Scan the World, 3D technologies (3D imaging and additive manufacturing) and open digitized museum data.
Steve and Social Tagging: Seeing Collections Through Visitors' EyesSteve Project
Brief introduction to Steve: The Museum Social Tagging Project, prepared for the RUSA Presidents' Program at the American Library Association's 2009 annual meeting.
!Home Article Oltre atomi e corpi una post-rifles.docxgertrudebellgrove
!
Home " Article " Oltre atomi e corpi: una post-riflessione su AE 2016 / Beyond atoms and bodies: a
post-reflection on AE 2016
# $ % & '
https://noemalab.eu/ideas/oltre-atomi-e-corpi-una-post-riflessione-su-ae-2016-beyond-atoms-and-bodies-a-post-reflection-on-ae-2016/#
https://noemalab.eu/
https://noemalab.eu/category/ideas/article/
https://twitter.com/noemalab
https://vimeo.com/noemalab
https://www.youtube.com/user/NoemaLab
https://www.facebook.com/NoemaLab/
https://noemalab.eu/feed/
Italiano [English below]
Oltre atomi e corpi: una post-riflessione su AE 2016 /
Beyond atoms and bodies: a post-reflection on AE 2016
Giorgio Cipolletta
A R T I C L E I D E A S R E V I E W S
https://noemalab.eu/category/ideas/article/
https://noemalab.eu/category/ideas/
https://noemalab.eu/category/reviews/
Ars Electronica 2016.
Per una ricerca alchemica radicale del nostro tempo e la perdita di equilibro.
Una post-riflessione oltre gli atomi e i corpi
La rivoluzione digitale ha riconfigurato e decodificato il nostro mondo immerso
tra il bagnato del biologico e il materico dei bit, modificando in maniera radicale la
nostra percezione. Chi sono gli alchimisti del nostro tempo? Con Radical Atoms
and the alchemist of our time, anche questo anno il Festival Ars Electronica a Linz
(8-12 settembre 2016) ha provato a riflettere sul nostro tempo, la società
contemporanea e il rapporto sempre più imprescindibile tra le arti e le scienze.
Attraverso il processo alchemico che l’arte e le scienze crea, si edificano nuovi
territori fluttuanti e ubiqui e soggetti ibridi. L’alchimia non è altro che una sorta di
filosofia, – ci ricorda Marcel Duchamp, – un tipo di pensiero che porta ad un
modo di comprensione. L’alchimia è pratica derivata dalla mescolanza
“consapevole” tra arte e scienza. Pensiamo all’arte robotica, ai droni, alI’Internet
delle cose, ai wereable device, alla bioarte e alla telematica ecc. Dal calcolo
digitale al mondo quantico, dall’ingegneria genetica fino alla biologia sintetica, le
tecnologie aumentano la nostra abilità di manipolare le fondamentali leggi della
natura. Delusioni, desideri, sogni e le speranze dell’essere umano sono tutti
ingredienti necessari affinché nuovi immaginari possano permettere di
sperimentare nuove idee speculative creando dei momenti straordinari. Infinite
sono le domande che sorgono durante queste occasioni di confronto a Linz. Ogni
http://www.aec.at/radicalatoms/de/
anno l’Ars Electronica diviene una piattaforma di dibattitto sul concetto di vita
nell’era dell’ingegneria genetica, sull’intelligenza artificiale che aumenta il nostro
mondo fisico dove persino le informazioni biologiche alterano spesso le forme di
comunicazione e determinano un mondo immerso tra la rivoluzione digitale e
l’evoluzione culturale e sociale.
L’Ars Electronica si pone quindi nuove sfide per comprendere inedite frontiere e il
compito dell’artista è quello di amalgamare il mondo disincarnato dei dati digitali
co ...