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IV WEEKEND POST, Friday October 2, 2015
LUSAKA’S Levy Mall will today and tomorrow host the
2015 Stanbic Jazz Festival featuring US legend Earl
Klugh, Zimbabwean guitarist Oliver Mtukudzi and South
African house band Mi Casa. Also featuring local artistes
Abel Chungu, Scarlet, Jaggari Chanda, Afro Red, Kiki,
Victor Kasoma and James Sakala. Dates: October 2 and
3. Tickets: K450, K700 (VIP).
THE Barcode tomorrow from 10:00hrs to 18:00 holds
a talent show and from 19:00hrs till late there will be
the ‘Midas Lusaka Tour’ featuring Alpha Romeo, J.O.B,
Frankiss, Bolokiyo, Flexville Marley and Jobik DJ.
Angela Nyirenda this evening launches ‘Salary’ at
Lusaka New Government Complex. Time 20:00hrs and
charges K100 and K200 VIP. Family show tomorrow
at Belvedere Lodge, Leopards Hill from 12:00hrs to
22:00hrs. Charges K50 adults and K20 children.
What’s On!
Musubila
oozes SoulBy Hope ‘Deejay Wolf’
Mkunte @selectalupo
y
ou will be in for
a treat if you go
to the Coffee
and Jazz show
this Sunday
a t t h e
V i l l a g e
Cafe. The
s h o w
b o a s t s
refreshing
live music
from Pompi and
his Catfish
band. But if you
are interested
i n h e a r i n g
something new,
pay particular
attention to a
guy with Shaggy
Afro, possibly
wearing a bow tie
on a shirt but-
toned to the
collar and looking
like an 80s soul
singer - he will
mesmerise you.
His name is
Musubila and he
is leading the
new pack of
Z a m b i a n
artistes who
are setting
trends by
e x p l o r i n g
o t h e r
genres of
m u s i c
beside the
usual. Jazz
and Soul are
his forte
and ironi-
cally, he was
inspired by
the music
from the
T o m a n d
J e r r y
cartoon.
His new
single Bika
Dance oozes
with soul
h a r m o -
n i e s
t h a t
y o u
want
to hear over and over
again and let’s not even
talk about the backing
female vocals offering
just the perfect umph to
an already electic jam.
Musubila has been
touring with Pompi and
made quite an impression
on the Broken English
Tour, signaling that he
has come of age as a
musician and is stepping
out on his own.
But who is this guy
that is redefining Soul
music and adding a
Zambian flavour to it?
Well, he started off a
rapper and when he
realised he didn’t quite
cut it, he switched to
singing.
“Before I was a singer
I was part of a dance
group called Alliance 314
that has its roots at
ZCAS, that hosts the
dance project every year.
I went by the moniker,
Triple M that stood for
Musubila Mangilashi
Mumpangwe and even
though I was okay I
didn’t think I would have
stood out with the likes
of Zone Fam or Krytic. I
wouldn’t have been part
of these greats because
rap was not my strong
element. After the dance
and rapping phase was
over, I started doing
poetry at Bitter Sweet
Poetry Zambia, that’s
where I really got to
experiment and then I
discovered that with
poetry I felt more con-
nected to my audience
and the feeling was
great. I continued with it
but when I sang I felt
even more connected to
my audience ,that’s when
I discovered how I really
wanted to share my emo-
tions and art.” he says.
He has always been a
creative type from an
early age, experimenting
with other forms of art
before settling on music
in 2012.
“From the time I was a
boy I always had a great
desire for music and art
and I have always wanted
to do things that are art
inclined. In grade 3 I
remember drawing a
truck and my friends
were amazed. I’ve always
wanted to be an artist. I
remember being asked
what I wanted to be
when I grew up and I said
I wanted to be a pop
star.”
His music is uplifting
and offers spiritual
insights in its lyrics.
“I always had the
desire to spread hope
through my music and for
it to have the forever
factor even after 100
years I want it to still be
relevant and the music
that has that is the clas-
sics and the oldies.
Fusing that with the
word of God [which] has
been there forever would
be the perfect recipe for
timeless music. My name
“Musubila” has its roots
in the Bisa and Bemba
tribes, deriving it’s mean-
ing from “subila” ,”isubilo”
meaning hope. Musubila
means someone who is
hopeful.” he says.
Raised by a single
mother, Musubila’s
upbringing was a painful
one. He talks about it now
like it has always been
sunny, but deep down a
sadness lingers and the
scars of poverty bleed
anew. “My dad passed
away in 1994 on my moth-
er’s birthday, it’s a
bittersweet moment for
her and what is worse, my
f a t h e r ’ s r e l a t i v e s
grabbed all the property
from us. Because of all
these issues neighbours
started calling my mother
‘Neria’ after the
Zimbabwean movie that
was popular at that time.
As much as I am an
African and a firm
believer in keeping our
roots and culture, some
beliefs are backwards
and pure evil, especially
the tradition of property
grabbing and ‘Ukuchusha
Mukamfwilwa’ mistreat-
ing a widow.” he says
without emotion.
The mistreatment of
his mother was just the
start of the hardships
that would mould him into
the man he is today.
“The struggle was real.
I’ve grown up with my
mother who also played
the role of father at the
same time. She went
from being a rich man’s
wife to being a marke-
teer selling Salaula at
Soweto then went to
Ndola where she set up a
stand at main Masala
market in order to put
clothes on our backs and
take us to school.”
Besides these strug-
gles, Musubila went
through his own growing
pains.
”I was not the sharpest
pupil in my class plus I
used to stammer in my
early school days. I was
timid and would always
have issues expressing
myself so I turned to art
as an outlet for my emo-
tions.” he says.
Musubila would go to
study marketing at
ZCAS. While there he
also started taking his
art seriously.
“ I started discovering
myself all the way
through junior high
school to college and
after by trying out many
forms of art and skills
from table tennis, playing
football, basketball, sing-
ing and dancing and
graffiti. “ he says.
It wasn’t long before
he caught the ear of peo-
ple who would help him
shape his career.
“The person who gave
me my first chance in the
recording booth was
Lawrence ‘Lawdak ‘ Daka
of Nxt Solutions and
Bittersweet poetry gave
me the platform to
perform.”
He would later meet
Mag44 who ended up pro-
ducing most of his music.
“Mag gave me a chance
and also gave me advice
when I really wanted to
do. Pompi mentors me a
lot as well. He is someone
I look up to and he has
been a big source of
inspiration and influence
to me.”
Uncle Rex is consid-
ered the pioneer of Jazz
music in Zambia but it
has seen bevy of young
artistes champion the
genre. Musubila is opti-
m i s t i c a b o u t i t s
progress.
“I think its a growing
industry at a state of
being internationally rec-
ognised, there is a lot of
creativity and hard work-
ers but at the same time
it has a lot to be desired
especially in video pro-
duction for us to
pernetrate sales beyond
borders. but I think it’s
on the right track.” says
Musubila.
He is currently working
on an album to be
released soon under
A t m o s p h e r e
Entertainment. He has so
far just released two
singles, Kaboom and Bika
Dance, which are slated
to appear on the yet-to-
be-titled album.
Let’s talk music,email
me at killagroove@gmail.
com

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Musubila Music Feature article

  • 1. IV WEEKEND POST, Friday October 2, 2015 LUSAKA’S Levy Mall will today and tomorrow host the 2015 Stanbic Jazz Festival featuring US legend Earl Klugh, Zimbabwean guitarist Oliver Mtukudzi and South African house band Mi Casa. Also featuring local artistes Abel Chungu, Scarlet, Jaggari Chanda, Afro Red, Kiki, Victor Kasoma and James Sakala. Dates: October 2 and 3. Tickets: K450, K700 (VIP). THE Barcode tomorrow from 10:00hrs to 18:00 holds a talent show and from 19:00hrs till late there will be the ‘Midas Lusaka Tour’ featuring Alpha Romeo, J.O.B, Frankiss, Bolokiyo, Flexville Marley and Jobik DJ. Angela Nyirenda this evening launches ‘Salary’ at Lusaka New Government Complex. Time 20:00hrs and charges K100 and K200 VIP. Family show tomorrow at Belvedere Lodge, Leopards Hill from 12:00hrs to 22:00hrs. Charges K50 adults and K20 children. What’s On! Musubila oozes SoulBy Hope ‘Deejay Wolf’ Mkunte @selectalupo y ou will be in for a treat if you go to the Coffee and Jazz show this Sunday a t t h e V i l l a g e Cafe. The s h o w b o a s t s refreshing live music from Pompi and his Catfish band. But if you are interested i n h e a r i n g something new, pay particular attention to a guy with Shaggy Afro, possibly wearing a bow tie on a shirt but- toned to the collar and looking like an 80s soul singer - he will mesmerise you. His name is Musubila and he is leading the new pack of Z a m b i a n artistes who are setting trends by e x p l o r i n g o t h e r genres of m u s i c beside the usual. Jazz and Soul are his forte and ironi- cally, he was inspired by the music from the T o m a n d J e r r y cartoon. His new single Bika Dance oozes with soul h a r m o - n i e s t h a t y o u want to hear over and over again and let’s not even talk about the backing female vocals offering just the perfect umph to an already electic jam. Musubila has been touring with Pompi and made quite an impression on the Broken English Tour, signaling that he has come of age as a musician and is stepping out on his own. But who is this guy that is redefining Soul music and adding a Zambian flavour to it? Well, he started off a rapper and when he realised he didn’t quite cut it, he switched to singing. “Before I was a singer I was part of a dance group called Alliance 314 that has its roots at ZCAS, that hosts the dance project every year. I went by the moniker, Triple M that stood for Musubila Mangilashi Mumpangwe and even though I was okay I didn’t think I would have stood out with the likes of Zone Fam or Krytic. I wouldn’t have been part of these greats because rap was not my strong element. After the dance and rapping phase was over, I started doing poetry at Bitter Sweet Poetry Zambia, that’s where I really got to experiment and then I discovered that with poetry I felt more con- nected to my audience and the feeling was great. I continued with it but when I sang I felt even more connected to my audience ,that’s when I discovered how I really wanted to share my emo- tions and art.” he says. He has always been a creative type from an early age, experimenting with other forms of art before settling on music in 2012. “From the time I was a boy I always had a great desire for music and art and I have always wanted to do things that are art inclined. In grade 3 I remember drawing a truck and my friends were amazed. I’ve always wanted to be an artist. I remember being asked what I wanted to be when I grew up and I said I wanted to be a pop star.” His music is uplifting and offers spiritual insights in its lyrics. “I always had the desire to spread hope through my music and for it to have the forever factor even after 100 years I want it to still be relevant and the music that has that is the clas- sics and the oldies. Fusing that with the word of God [which] has been there forever would be the perfect recipe for timeless music. My name “Musubila” has its roots in the Bisa and Bemba tribes, deriving it’s mean- ing from “subila” ,”isubilo” meaning hope. Musubila means someone who is hopeful.” he says. Raised by a single mother, Musubila’s upbringing was a painful one. He talks about it now like it has always been sunny, but deep down a sadness lingers and the scars of poverty bleed anew. “My dad passed away in 1994 on my moth- er’s birthday, it’s a bittersweet moment for her and what is worse, my f a t h e r ’ s r e l a t i v e s grabbed all the property from us. Because of all these issues neighbours started calling my mother ‘Neria’ after the Zimbabwean movie that was popular at that time. As much as I am an African and a firm believer in keeping our roots and culture, some beliefs are backwards and pure evil, especially the tradition of property grabbing and ‘Ukuchusha Mukamfwilwa’ mistreat- ing a widow.” he says without emotion. The mistreatment of his mother was just the start of the hardships that would mould him into the man he is today. “The struggle was real. I’ve grown up with my mother who also played the role of father at the same time. She went from being a rich man’s wife to being a marke- teer selling Salaula at Soweto then went to Ndola where she set up a stand at main Masala market in order to put clothes on our backs and take us to school.” Besides these strug- gles, Musubila went through his own growing pains. ”I was not the sharpest pupil in my class plus I used to stammer in my early school days. I was timid and would always have issues expressing myself so I turned to art as an outlet for my emo- tions.” he says. Musubila would go to study marketing at ZCAS. While there he also started taking his art seriously. “ I started discovering myself all the way through junior high school to college and after by trying out many forms of art and skills from table tennis, playing football, basketball, sing- ing and dancing and graffiti. “ he says. It wasn’t long before he caught the ear of peo- ple who would help him shape his career. “The person who gave me my first chance in the recording booth was Lawrence ‘Lawdak ‘ Daka of Nxt Solutions and Bittersweet poetry gave me the platform to perform.” He would later meet Mag44 who ended up pro- ducing most of his music. “Mag gave me a chance and also gave me advice when I really wanted to do. Pompi mentors me a lot as well. He is someone I look up to and he has been a big source of inspiration and influence to me.” Uncle Rex is consid- ered the pioneer of Jazz music in Zambia but it has seen bevy of young artistes champion the genre. Musubila is opti- m i s t i c a b o u t i t s progress. “I think its a growing industry at a state of being internationally rec- ognised, there is a lot of creativity and hard work- ers but at the same time it has a lot to be desired especially in video pro- duction for us to pernetrate sales beyond borders. but I think it’s on the right track.” says Musubila. He is currently working on an album to be released soon under A t m o s p h e r e Entertainment. He has so far just released two singles, Kaboom and Bika Dance, which are slated to appear on the yet-to- be-titled album. Let’s talk music,email me at killagroove@gmail. com