SlideShare a Scribd company logo
Andrew Goodwins 7 key ideas
•Music videos demonstrate genre characteristics. (e.g. stage performance in metal videos, dance routine for
boy/girl band, aspiration in Hip Hop).
•There is a relationship between lyrics and visuals. The lyrics are represented with images. (either illustrative,
amplifying, contradicting).
•There is a relationship between music and visuals. The tone and atmosphere of the visual reflects that of the
music. (either illustrative, amplifying, contradicting).
•The demands of the record label will include the need for lots of close ups of the artist and the artist may develop
motifs which recur across their work (a visual style).
•There is frequently reference to notion of looking (screens within screens, mirrors, stages, etc) and particularly
voyeuristic treatment of the female body.
•The artist may develop motifs or iconography that recur across their work (a visual style)
•There are often intertextual reference (to films, TV programs, other music videos etc).
An American band called the Killers released
Mr Brightside in September 2003 on their
album called Hot Fuss
Music videos demonstrate genre characteristics. (e.g. stage performance in metal videos, dance routine for boy/girl
band, aspiration in Hip Hop).
The fact that the band are standing and performing on stage
makes the video easier to understand as they fit the genre of
alternative rock. It also helps the audience understand as it is clear
that there is no storyline and just the band performing. However,
there is a sub-storyline of the woman in the video.
As this band are alternative rock, they fit the genre well as most
music videos with similar or the same genre will have a band
performing and no main storyline.
•There is a relationship between lyrics and visuals. The lyrics are represented with images. (either illustrative,
amplifying, contradicting).
As noted previously there is no clear storyline to this
music video. But, there are certain relationships
between the lyrics and what happens on screen, for
example, when the lead singer (Brandon Flowers) says
the words “takes a drag”, he then symbolises this with
his hand movements. This helps give the audience a
clearer understanding of the lyrics to the song and
what they mean.
Also when the song starts referencing sex, the
audience in the video start getting sexual which gives
the viewer an idea what the lyrics are referencing.
There is a relationship between music and visuals. The tone and atmosphere of the visual reflects that of the
music. (either illustrative, amplifying, contradicting).
There is a relationship between the song and the crowd in the
video because as the song gets louder, the audience start
getting more pumped up and start dancing. This reflects the
Killers in real life as this is what happens live.
Also throughout the video there are various shots of the band
playing with the lead singer which match perfectly with the
music.
The main place we see the voyeuristic treatment of the
female body is when the music starts and the females start
dancing and lifting their skirts. Then all the men are looking
at them as if they should be and the women are being
treated sexually. The voyeuristic treatment of women is
again showed because the song is about the lead singers
night with a woman and the crowd are re-enacting it with
the main focus on the women.
•There is frequently reference to notion of looking (screens within screens, mirrors, stages, etc) and particularly
voyeuristic treatment of the female body.
•The artist may develop motifs or iconography that recur across their work (a visual style)
The only clear motif is that the lead singer Brandon Flowers
likes the dress unusually. This adds to the brand of them being
cool and different.
•There are often intertextual reference (to films, TV programmes, other music videos etc).
This song clearly references the film Moulin Rouge as in the film there is
a club called Moulin Rouge and some burlesque dancing and in this
song there is very similar to that concept.
An English pop rock band called The
Hoosiers released ‘Goodbye Mr A’ in
October 2007 on their album called
‘The Trick to Life’.
Music videos demonstrate genre characteristics. (e.g. stage performance in metal videos, dance routine for
boy/girl band, aspiration in Hip Hop).
The band are performing on a stage, this fits with the genre
of alternative rock as in the previous analysed video, the
characteristics are exactly the same. The fact the lead
singer (Irwin Sparks) is performing at the front of the band
on stage also fits with the same genre characteristics.
•There is a relationship between lyrics and visuals. The lyrics are represented with images. (either illustrative,
amplifying, contradicting).
The lyrics to ‘Goodbye Mr A’ are closely represented In
the music video, e.g. when the words “Mr A” are
spoken, a box with the same words is shown on camera.
Another example is when the lyrics read ‘human touch’
and as this is spoken, the lead singer symbolises this
with his hand movements.
Relationships between lyrics and visuals help the
audience understand the lyrics more deeply and helps
amplify the meaning of them particular lyrics
There is a relationship between music and visuals. The tone and atmosphere of the visual reflects that of the
music. (either illustrative, amplifying, contradicting).
The close ups of Irwin Sparks immediately identify him
as the lead singer in the band. The beat and flow of the
music matches perfectly with the energy of the lead
singer and band to make the video move and flow
perfectly through each cut scene.
•The demands of the record label will include the need for lots of close ups of the artist and the artist may
develop motifs which recur across their work (a visual style).
The lead singer Irwin Sparks, looks directly into
the camera with a stare to maybe give the
viewers a more personal feel towards the song.
Sparks is known throughout his career as being
a lively lead singer, so the record label may
demand he keeps up this image to differ him
from others and give him his own image.
A visual style of the Hoosiers work is that across the
majority of their work, they seem to dress and style
themselves unusually. This makes the band look
different as they deter from the usual look of a
alternative rock band which makes them stand out.
•The artist may develop motifs or iconography that recur across their work (a visual style)
As seen in ‘Cops and Robbers’ and ‘Worried about Ray’
as well as ‘Goodbye Mr A’, the clothing chosen makes
them stand out as a band, however Irwin Sparks is
usually given the most vibrant clothing which portrays
how he is the lead singer/vocalist.
•There are often intertextual reference (to films, TV programs, other music videos etc).
The only intertextual reference that is
recognisable is that the music video is based
on superhero comics and popular culture,
such as the 1960’s Batman series.
Kasabian are an English rock band and
released the song ‘Days are forgotten’ on
their album Velociraptor in September
2011.
•Music videos demonstrate genre characteristics. (e.g. stage performance in metal videos, dance routine for
boy/girl band, aspiration in Hip Hop).
In this video, the whole band appear to be
wearing black clothing which makes them
stand out against the pale flooring and the
bright animations throughout the video. The
fact they’re performing on stage makes them
fit the genre of a rock band as they are
associated with performing on stage.
There is no routine to this video and their
performance as that is not really fitted with
the genre of rock.
•There is a relationship between lyrics and visuals. The lyrics are represented with images. (either illustrative,
amplifying, contradicting).
There are relationships between the lyrics
and the visuals as when the lead singer
(Tom Meighan) sings the lyrics “You may
call it suicide”, he points to the camera to
make it feel like the viewer is in this
situation and gives a more personal feel to
the song and music video.
Again, in a similar concept, the lead singer
sings “Call me a cliché”, whilst pointing at
himself which gives the same effect to the
song.
•There is a relationship between music and visuals. The tone and atmosphere of the visual reflects that of the
music. (either illustrative, amplifying, contradicting).
There is a constant relationship between
the music and the visuals throughout the
song/video. This is because when the beat
seems to drop, the band pick up their
energy and stand moving about lots more,
this symbolises the effect and energy of
the song.
Also, the two lead singers/vocalists (Tom
Meighan and Serge Pizzorno) are at the
front in the video and taking centre stage.
This relates to real life where them two are
the ones who deal with the media and
appear when Kasabian are featured as a
band.
•The demands of the record label will include the need for lots of close ups of the artist and the artist may develop
motifs which recur across their work (a visual style).
As a rock band, Kasabian fit the genre perfectly with
their music style, clothing, music videos. This recurs
throughout their work as in many of their music videos
they are dressed in all black.
Music video analysis

More Related Content

What's hot

Media summer assignment 2017
Media summer assignment 2017Media summer assignment 2017
Media summer assignment 2017
Tony Edwards
 
RESEARCH: A2 Media Music Video Analysis (Alternative Genre)
RESEARCH: A2 Media Music Video Analysis (Alternative Genre)RESEARCH: A2 Media Music Video Analysis (Alternative Genre)
RESEARCH: A2 Media Music Video Analysis (Alternative Genre)
HollyRileyA2
 
Music video analysis
Music video analysisMusic video analysis
Music video analysis
paige_rowell
 
Alfie
AlfieAlfie
Music Video Analysis
Music Video AnalysisMusic Video Analysis
Music Video Analysis
Hannahmd3
 
The Style Of Music Videos
The Style Of Music VideosThe Style Of Music Videos
The Style Of Music Videos
jackbrooks17
 
Andrew Goodwin theory
Andrew Goodwin theory Andrew Goodwin theory
Andrew Goodwin theory
Leah Aston
 
Music video conventions
Music video conventionsMusic video conventions
Music video conventions
Sam Benzie
 
Music video analysis
Music video analysisMusic video analysis
Music video analysis
leahmilner1999
 
Media work
Media workMedia work
Media work
frazer burbery
 
Music Video Analysis
Music Video AnalysisMusic Video Analysis
Music Video Analysis
Charles Timms
 
Textual analysis of 5 music videos
Textual analysis of 5 music videosTextual analysis of 5 music videos
Textual analysis of 5 music videosA_Adeosun
 
Summer hw music video analysis
Summer hw music video analysisSummer hw music video analysis
Summer hw music video analysis
rhiaassi
 
Different music videos for different genres
Different music videos for different genresDifferent music videos for different genres
Different music videos for different genres
whslaura
 
Unit 29 - Music Video - Task 2 Powerpoint
Unit 29 - Music Video - Task 2 Powerpoint Unit 29 - Music Video - Task 2 Powerpoint
Unit 29 - Music Video - Task 2 Powerpoint
leahreay
 
Music Video Analysis
Music Video AnalysisMusic Video Analysis
Music Video Analysis08thowe
 
Music video analysis
Music video analysisMusic video analysis
Music video analysis
frazer burbery
 
Genre music video analysis
Genre music video analysis Genre music video analysis
Genre music video analysis Farida Islam
 
Music video analysis
Music video analysisMusic video analysis
Music video analysis
jackhorne
 
Theories and Analysis of Music Videos
Theories and Analysis of Music VideosTheories and Analysis of Music Videos
Theories and Analysis of Music Videos
christieshee
 

What's hot (20)

Media summer assignment 2017
Media summer assignment 2017Media summer assignment 2017
Media summer assignment 2017
 
RESEARCH: A2 Media Music Video Analysis (Alternative Genre)
RESEARCH: A2 Media Music Video Analysis (Alternative Genre)RESEARCH: A2 Media Music Video Analysis (Alternative Genre)
RESEARCH: A2 Media Music Video Analysis (Alternative Genre)
 
Music video analysis
Music video analysisMusic video analysis
Music video analysis
 
Alfie
AlfieAlfie
Alfie
 
Music Video Analysis
Music Video AnalysisMusic Video Analysis
Music Video Analysis
 
The Style Of Music Videos
The Style Of Music VideosThe Style Of Music Videos
The Style Of Music Videos
 
Andrew Goodwin theory
Andrew Goodwin theory Andrew Goodwin theory
Andrew Goodwin theory
 
Music video conventions
Music video conventionsMusic video conventions
Music video conventions
 
Music video analysis
Music video analysisMusic video analysis
Music video analysis
 
Media work
Media workMedia work
Media work
 
Music Video Analysis
Music Video AnalysisMusic Video Analysis
Music Video Analysis
 
Textual analysis of 5 music videos
Textual analysis of 5 music videosTextual analysis of 5 music videos
Textual analysis of 5 music videos
 
Summer hw music video analysis
Summer hw music video analysisSummer hw music video analysis
Summer hw music video analysis
 
Different music videos for different genres
Different music videos for different genresDifferent music videos for different genres
Different music videos for different genres
 
Unit 29 - Music Video - Task 2 Powerpoint
Unit 29 - Music Video - Task 2 Powerpoint Unit 29 - Music Video - Task 2 Powerpoint
Unit 29 - Music Video - Task 2 Powerpoint
 
Music Video Analysis
Music Video AnalysisMusic Video Analysis
Music Video Analysis
 
Music video analysis
Music video analysisMusic video analysis
Music video analysis
 
Genre music video analysis
Genre music video analysis Genre music video analysis
Genre music video analysis
 
Music video analysis
Music video analysisMusic video analysis
Music video analysis
 
Theories and Analysis of Music Videos
Theories and Analysis of Music VideosTheories and Analysis of Music Videos
Theories and Analysis of Music Videos
 

Similar to Music video analysis

Elliot Woodward Music Video Anaylsis
Elliot Woodward Music Video AnaylsisElliot Woodward Music Video Anaylsis
Elliot Woodward Music Video Anaylsis
Elliot Woodward
 
Elliot Woodward Music Video Anaylsis
Elliot Woodward Music Video AnaylsisElliot Woodward Music Video Anaylsis
Elliot Woodward Music Video Anaylsis
hapaxlegomenon
 
Andrew Goodwin’s Rules – Music Video Analysis
Andrew Goodwin’s Rules – Music Video AnalysisAndrew Goodwin’s Rules – Music Video Analysis
Andrew Goodwin’s Rules – Music Video Analysis
St Peters RC Comprehensive
 
Textual Analysis- Summer Assignment
Textual Analysis- Summer Assignment  Textual Analysis- Summer Assignment
Textual Analysis- Summer Assignment
St Peters RC Comprehensive
 
Textual analysis year 13 media
Textual analysis year 13 mediaTextual analysis year 13 media
Textual analysis year 13 media
St Peters RC Comprehensive
 
Textual analysis- Summer Assignment
Textual analysis- Summer Assignment Textual analysis- Summer Assignment
Textual analysis- Summer Assignment
St Peters RC Comprehensive
 
Andrew goodwin
Andrew goodwinAndrew goodwin
Andrew goodwin
MediaEdWright
 
Music Video Analysis
Music Video AnalysisMusic Video Analysis
Music Video Analysis
rhiaassi
 
Fall Out Boy Analysis
Fall Out Boy Analysis Fall Out Boy Analysis
Fall Out Boy Analysis
EmilyMoorby
 
110312133024-phpapp01qwsaSWZZZAZ
110312133024-phpapp01qwsaSWZZZAZ110312133024-phpapp01qwsaSWZZZAZ
110312133024-phpapp01qwsaSWZZZAZAdella1
 
Fall Out Boy Video Analysis
Fall Out Boy Video Analysis Fall Out Boy Video Analysis
Fall Out Boy Video Analysis
EmilyMoorby
 
Narrative theorist
Narrative theoristNarrative theorist
Narrative theorist
rhiaassi
 
Music video analyse feedback
Music video analyse feedbackMusic video analyse feedback
Music video analyse feedbackGraveney School
 
Andrew Goodwin's Theory
Andrew Goodwin's TheoryAndrew Goodwin's Theory
Andrew Goodwin's Theory
Amy Tompkins
 
Media presentation
Media presentationMedia presentation
Media presentation
tomcarnegie
 
Andrew goodwin’s theory
Andrew goodwin’s theoryAndrew goodwin’s theory
Andrew goodwin’s theoryLauracharlotte
 
Music anaylsis 1
Music anaylsis 1Music anaylsis 1
Music anaylsis 1
kittyelliott2000
 
What is a music video
What is a music videoWhat is a music video
What is a music video
DeanaKent
 

Similar to Music video analysis (20)

Elliot Woodward Music Video Anaylsis
Elliot Woodward Music Video AnaylsisElliot Woodward Music Video Anaylsis
Elliot Woodward Music Video Anaylsis
 
Elliot Woodward Music Video Anaylsis
Elliot Woodward Music Video AnaylsisElliot Woodward Music Video Anaylsis
Elliot Woodward Music Video Anaylsis
 
Andrew Goodwin’s Rules – Music Video Analysis
Andrew Goodwin’s Rules – Music Video AnalysisAndrew Goodwin’s Rules – Music Video Analysis
Andrew Goodwin’s Rules – Music Video Analysis
 
Textual Analysis- Summer Assignment
Textual Analysis- Summer Assignment  Textual Analysis- Summer Assignment
Textual Analysis- Summer Assignment
 
Textual analysis year 13 media
Textual analysis year 13 mediaTextual analysis year 13 media
Textual analysis year 13 media
 
Textual analysis- Summer Assignment
Textual analysis- Summer Assignment Textual analysis- Summer Assignment
Textual analysis- Summer Assignment
 
Andrew goodwin
Andrew goodwinAndrew goodwin
Andrew goodwin
 
Music Video Analysis
Music Video AnalysisMusic Video Analysis
Music Video Analysis
 
Fall Out Boy Analysis
Fall Out Boy Analysis Fall Out Boy Analysis
Fall Out Boy Analysis
 
Media don broco
Media don brocoMedia don broco
Media don broco
 
110312133024-phpapp01qwsaSWZZZAZ
110312133024-phpapp01qwsaSWZZZAZ110312133024-phpapp01qwsaSWZZZAZ
110312133024-phpapp01qwsaSWZZZAZ
 
Fall Out Boy Video Analysis
Fall Out Boy Video Analysis Fall Out Boy Video Analysis
Fall Out Boy Video Analysis
 
Narrative theorist
Narrative theoristNarrative theorist
Narrative theorist
 
Music video analyse feedback
Music video analyse feedbackMusic video analyse feedback
Music video analyse feedback
 
Andrew Goodwin's Theory
Andrew Goodwin's TheoryAndrew Goodwin's Theory
Andrew Goodwin's Theory
 
Media presentation
Media presentationMedia presentation
Media presentation
 
Media don broco
Media don brocoMedia don broco
Media don broco
 
Andrew goodwin’s theory
Andrew goodwin’s theoryAndrew goodwin’s theory
Andrew goodwin’s theory
 
Music anaylsis 1
Music anaylsis 1Music anaylsis 1
Music anaylsis 1
 
What is a music video
What is a music videoWhat is a music video
What is a music video
 

Recently uploaded

National Security Agency - NSA mobile device best practices
National Security Agency - NSA mobile device best practicesNational Security Agency - NSA mobile device best practices
National Security Agency - NSA mobile device best practices
Quotidiano Piemontese
 
GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...
GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...
GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...
Neo4j
 
Microsoft - Power Platform_G.Aspiotis.pdf
Microsoft - Power Platform_G.Aspiotis.pdfMicrosoft - Power Platform_G.Aspiotis.pdf
Microsoft - Power Platform_G.Aspiotis.pdf
Uni Systems S.M.S.A.
 
Secstrike : Reverse Engineering & Pwnable tools for CTF.pptx
Secstrike : Reverse Engineering & Pwnable tools for CTF.pptxSecstrike : Reverse Engineering & Pwnable tools for CTF.pptx
Secstrike : Reverse Engineering & Pwnable tools for CTF.pptx
nkrafacyberclub
 
SAP Sapphire 2024 - ASUG301 building better apps with SAP Fiori.pdf
SAP Sapphire 2024 - ASUG301 building better apps with SAP Fiori.pdfSAP Sapphire 2024 - ASUG301 building better apps with SAP Fiori.pdf
SAP Sapphire 2024 - ASUG301 building better apps with SAP Fiori.pdf
Peter Spielvogel
 
Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...
Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...
Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...
SOFTTECHHUB
 
PHP Frameworks: I want to break free (IPC Berlin 2024)
PHP Frameworks: I want to break free (IPC Berlin 2024)PHP Frameworks: I want to break free (IPC Berlin 2024)
PHP Frameworks: I want to break free (IPC Berlin 2024)
Ralf Eggert
 
GraphSummit Singapore | The Art of the Possible with Graph - Q2 2024
GraphSummit Singapore | The Art of the  Possible with Graph - Q2 2024GraphSummit Singapore | The Art of the  Possible with Graph - Q2 2024
GraphSummit Singapore | The Art of the Possible with Graph - Q2 2024
Neo4j
 
Video Streaming: Then, Now, and in the Future
Video Streaming: Then, Now, and in the FutureVideo Streaming: Then, Now, and in the Future
Video Streaming: Then, Now, and in the Future
Alpen-Adria-Universität
 
Communications Mining Series - Zero to Hero - Session 1
Communications Mining Series - Zero to Hero - Session 1Communications Mining Series - Zero to Hero - Session 1
Communications Mining Series - Zero to Hero - Session 1
DianaGray10
 
A tale of scale & speed: How the US Navy is enabling software delivery from l...
A tale of scale & speed: How the US Navy is enabling software delivery from l...A tale of scale & speed: How the US Navy is enabling software delivery from l...
A tale of scale & speed: How the US Navy is enabling software delivery from l...
sonjaschweigert1
 
Monitoring Java Application Security with JDK Tools and JFR Events
Monitoring Java Application Security with JDK Tools and JFR EventsMonitoring Java Application Security with JDK Tools and JFR Events
Monitoring Java Application Security with JDK Tools and JFR Events
Ana-Maria Mihalceanu
 
PCI PIN Basics Webinar from the Controlcase Team
PCI PIN Basics Webinar from the Controlcase TeamPCI PIN Basics Webinar from the Controlcase Team
PCI PIN Basics Webinar from the Controlcase Team
ControlCase
 
Transcript: Selling digital books in 2024: Insights from industry leaders - T...
Transcript: Selling digital books in 2024: Insights from industry leaders - T...Transcript: Selling digital books in 2024: Insights from industry leaders - T...
Transcript: Selling digital books in 2024: Insights from industry leaders - T...
BookNet Canada
 
FIDO Alliance Osaka Seminar: The WebAuthn API and Discoverable Credentials.pdf
FIDO Alliance Osaka Seminar: The WebAuthn API and Discoverable Credentials.pdfFIDO Alliance Osaka Seminar: The WebAuthn API and Discoverable Credentials.pdf
FIDO Alliance Osaka Seminar: The WebAuthn API and Discoverable Credentials.pdf
FIDO Alliance
 
Uni Systems Copilot event_05062024_C.Vlachos.pdf
Uni Systems Copilot event_05062024_C.Vlachos.pdfUni Systems Copilot event_05062024_C.Vlachos.pdf
Uni Systems Copilot event_05062024_C.Vlachos.pdf
Uni Systems S.M.S.A.
 
FIDO Alliance Osaka Seminar: Overview.pdf
FIDO Alliance Osaka Seminar: Overview.pdfFIDO Alliance Osaka Seminar: Overview.pdf
FIDO Alliance Osaka Seminar: Overview.pdf
FIDO Alliance
 
Essentials of Automations: The Art of Triggers and Actions in FME
Essentials of Automations: The Art of Triggers and Actions in FMEEssentials of Automations: The Art of Triggers and Actions in FME
Essentials of Automations: The Art of Triggers and Actions in FME
Safe Software
 
Removing Uninteresting Bytes in Software Fuzzing
Removing Uninteresting Bytes in Software FuzzingRemoving Uninteresting Bytes in Software Fuzzing
Removing Uninteresting Bytes in Software Fuzzing
Aftab Hussain
 
Alt. GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using ...
Alt. GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using ...Alt. GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using ...
Alt. GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using ...
James Anderson
 

Recently uploaded (20)

National Security Agency - NSA mobile device best practices
National Security Agency - NSA mobile device best practicesNational Security Agency - NSA mobile device best practices
National Security Agency - NSA mobile device best practices
 
GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...
GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...
GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...
 
Microsoft - Power Platform_G.Aspiotis.pdf
Microsoft - Power Platform_G.Aspiotis.pdfMicrosoft - Power Platform_G.Aspiotis.pdf
Microsoft - Power Platform_G.Aspiotis.pdf
 
Secstrike : Reverse Engineering & Pwnable tools for CTF.pptx
Secstrike : Reverse Engineering & Pwnable tools for CTF.pptxSecstrike : Reverse Engineering & Pwnable tools for CTF.pptx
Secstrike : Reverse Engineering & Pwnable tools for CTF.pptx
 
SAP Sapphire 2024 - ASUG301 building better apps with SAP Fiori.pdf
SAP Sapphire 2024 - ASUG301 building better apps with SAP Fiori.pdfSAP Sapphire 2024 - ASUG301 building better apps with SAP Fiori.pdf
SAP Sapphire 2024 - ASUG301 building better apps with SAP Fiori.pdf
 
Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...
Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...
Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...
 
PHP Frameworks: I want to break free (IPC Berlin 2024)
PHP Frameworks: I want to break free (IPC Berlin 2024)PHP Frameworks: I want to break free (IPC Berlin 2024)
PHP Frameworks: I want to break free (IPC Berlin 2024)
 
GraphSummit Singapore | The Art of the Possible with Graph - Q2 2024
GraphSummit Singapore | The Art of the  Possible with Graph - Q2 2024GraphSummit Singapore | The Art of the  Possible with Graph - Q2 2024
GraphSummit Singapore | The Art of the Possible with Graph - Q2 2024
 
Video Streaming: Then, Now, and in the Future
Video Streaming: Then, Now, and in the FutureVideo Streaming: Then, Now, and in the Future
Video Streaming: Then, Now, and in the Future
 
Communications Mining Series - Zero to Hero - Session 1
Communications Mining Series - Zero to Hero - Session 1Communications Mining Series - Zero to Hero - Session 1
Communications Mining Series - Zero to Hero - Session 1
 
A tale of scale & speed: How the US Navy is enabling software delivery from l...
A tale of scale & speed: How the US Navy is enabling software delivery from l...A tale of scale & speed: How the US Navy is enabling software delivery from l...
A tale of scale & speed: How the US Navy is enabling software delivery from l...
 
Monitoring Java Application Security with JDK Tools and JFR Events
Monitoring Java Application Security with JDK Tools and JFR EventsMonitoring Java Application Security with JDK Tools and JFR Events
Monitoring Java Application Security with JDK Tools and JFR Events
 
PCI PIN Basics Webinar from the Controlcase Team
PCI PIN Basics Webinar from the Controlcase TeamPCI PIN Basics Webinar from the Controlcase Team
PCI PIN Basics Webinar from the Controlcase Team
 
Transcript: Selling digital books in 2024: Insights from industry leaders - T...
Transcript: Selling digital books in 2024: Insights from industry leaders - T...Transcript: Selling digital books in 2024: Insights from industry leaders - T...
Transcript: Selling digital books in 2024: Insights from industry leaders - T...
 
FIDO Alliance Osaka Seminar: The WebAuthn API and Discoverable Credentials.pdf
FIDO Alliance Osaka Seminar: The WebAuthn API and Discoverable Credentials.pdfFIDO Alliance Osaka Seminar: The WebAuthn API and Discoverable Credentials.pdf
FIDO Alliance Osaka Seminar: The WebAuthn API and Discoverable Credentials.pdf
 
Uni Systems Copilot event_05062024_C.Vlachos.pdf
Uni Systems Copilot event_05062024_C.Vlachos.pdfUni Systems Copilot event_05062024_C.Vlachos.pdf
Uni Systems Copilot event_05062024_C.Vlachos.pdf
 
FIDO Alliance Osaka Seminar: Overview.pdf
FIDO Alliance Osaka Seminar: Overview.pdfFIDO Alliance Osaka Seminar: Overview.pdf
FIDO Alliance Osaka Seminar: Overview.pdf
 
Essentials of Automations: The Art of Triggers and Actions in FME
Essentials of Automations: The Art of Triggers and Actions in FMEEssentials of Automations: The Art of Triggers and Actions in FME
Essentials of Automations: The Art of Triggers and Actions in FME
 
Removing Uninteresting Bytes in Software Fuzzing
Removing Uninteresting Bytes in Software FuzzingRemoving Uninteresting Bytes in Software Fuzzing
Removing Uninteresting Bytes in Software Fuzzing
 
Alt. GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using ...
Alt. GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using ...Alt. GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using ...
Alt. GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using ...
 

Music video analysis

  • 1. Andrew Goodwins 7 key ideas •Music videos demonstrate genre characteristics. (e.g. stage performance in metal videos, dance routine for boy/girl band, aspiration in Hip Hop). •There is a relationship between lyrics and visuals. The lyrics are represented with images. (either illustrative, amplifying, contradicting). •There is a relationship between music and visuals. The tone and atmosphere of the visual reflects that of the music. (either illustrative, amplifying, contradicting). •The demands of the record label will include the need for lots of close ups of the artist and the artist may develop motifs which recur across their work (a visual style). •There is frequently reference to notion of looking (screens within screens, mirrors, stages, etc) and particularly voyeuristic treatment of the female body. •The artist may develop motifs or iconography that recur across their work (a visual style) •There are often intertextual reference (to films, TV programs, other music videos etc).
  • 2. An American band called the Killers released Mr Brightside in September 2003 on their album called Hot Fuss
  • 3. Music videos demonstrate genre characteristics. (e.g. stage performance in metal videos, dance routine for boy/girl band, aspiration in Hip Hop). The fact that the band are standing and performing on stage makes the video easier to understand as they fit the genre of alternative rock. It also helps the audience understand as it is clear that there is no storyline and just the band performing. However, there is a sub-storyline of the woman in the video. As this band are alternative rock, they fit the genre well as most music videos with similar or the same genre will have a band performing and no main storyline.
  • 4. •There is a relationship between lyrics and visuals. The lyrics are represented with images. (either illustrative, amplifying, contradicting). As noted previously there is no clear storyline to this music video. But, there are certain relationships between the lyrics and what happens on screen, for example, when the lead singer (Brandon Flowers) says the words “takes a drag”, he then symbolises this with his hand movements. This helps give the audience a clearer understanding of the lyrics to the song and what they mean. Also when the song starts referencing sex, the audience in the video start getting sexual which gives the viewer an idea what the lyrics are referencing.
  • 5. There is a relationship between music and visuals. The tone and atmosphere of the visual reflects that of the music. (either illustrative, amplifying, contradicting). There is a relationship between the song and the crowd in the video because as the song gets louder, the audience start getting more pumped up and start dancing. This reflects the Killers in real life as this is what happens live. Also throughout the video there are various shots of the band playing with the lead singer which match perfectly with the music.
  • 6. The main place we see the voyeuristic treatment of the female body is when the music starts and the females start dancing and lifting their skirts. Then all the men are looking at them as if they should be and the women are being treated sexually. The voyeuristic treatment of women is again showed because the song is about the lead singers night with a woman and the crowd are re-enacting it with the main focus on the women. •There is frequently reference to notion of looking (screens within screens, mirrors, stages, etc) and particularly voyeuristic treatment of the female body.
  • 7. •The artist may develop motifs or iconography that recur across their work (a visual style) The only clear motif is that the lead singer Brandon Flowers likes the dress unusually. This adds to the brand of them being cool and different.
  • 8. •There are often intertextual reference (to films, TV programmes, other music videos etc). This song clearly references the film Moulin Rouge as in the film there is a club called Moulin Rouge and some burlesque dancing and in this song there is very similar to that concept.
  • 9. An English pop rock band called The Hoosiers released ‘Goodbye Mr A’ in October 2007 on their album called ‘The Trick to Life’.
  • 10. Music videos demonstrate genre characteristics. (e.g. stage performance in metal videos, dance routine for boy/girl band, aspiration in Hip Hop). The band are performing on a stage, this fits with the genre of alternative rock as in the previous analysed video, the characteristics are exactly the same. The fact the lead singer (Irwin Sparks) is performing at the front of the band on stage also fits with the same genre characteristics.
  • 11. •There is a relationship between lyrics and visuals. The lyrics are represented with images. (either illustrative, amplifying, contradicting). The lyrics to ‘Goodbye Mr A’ are closely represented In the music video, e.g. when the words “Mr A” are spoken, a box with the same words is shown on camera. Another example is when the lyrics read ‘human touch’ and as this is spoken, the lead singer symbolises this with his hand movements. Relationships between lyrics and visuals help the audience understand the lyrics more deeply and helps amplify the meaning of them particular lyrics
  • 12. There is a relationship between music and visuals. The tone and atmosphere of the visual reflects that of the music. (either illustrative, amplifying, contradicting). The close ups of Irwin Sparks immediately identify him as the lead singer in the band. The beat and flow of the music matches perfectly with the energy of the lead singer and band to make the video move and flow perfectly through each cut scene.
  • 13. •The demands of the record label will include the need for lots of close ups of the artist and the artist may develop motifs which recur across their work (a visual style). The lead singer Irwin Sparks, looks directly into the camera with a stare to maybe give the viewers a more personal feel towards the song. Sparks is known throughout his career as being a lively lead singer, so the record label may demand he keeps up this image to differ him from others and give him his own image.
  • 14. A visual style of the Hoosiers work is that across the majority of their work, they seem to dress and style themselves unusually. This makes the band look different as they deter from the usual look of a alternative rock band which makes them stand out. •The artist may develop motifs or iconography that recur across their work (a visual style) As seen in ‘Cops and Robbers’ and ‘Worried about Ray’ as well as ‘Goodbye Mr A’, the clothing chosen makes them stand out as a band, however Irwin Sparks is usually given the most vibrant clothing which portrays how he is the lead singer/vocalist.
  • 15. •There are often intertextual reference (to films, TV programs, other music videos etc). The only intertextual reference that is recognisable is that the music video is based on superhero comics and popular culture, such as the 1960’s Batman series.
  • 16. Kasabian are an English rock band and released the song ‘Days are forgotten’ on their album Velociraptor in September 2011.
  • 17. •Music videos demonstrate genre characteristics. (e.g. stage performance in metal videos, dance routine for boy/girl band, aspiration in Hip Hop). In this video, the whole band appear to be wearing black clothing which makes them stand out against the pale flooring and the bright animations throughout the video. The fact they’re performing on stage makes them fit the genre of a rock band as they are associated with performing on stage. There is no routine to this video and their performance as that is not really fitted with the genre of rock.
  • 18. •There is a relationship between lyrics and visuals. The lyrics are represented with images. (either illustrative, amplifying, contradicting). There are relationships between the lyrics and the visuals as when the lead singer (Tom Meighan) sings the lyrics “You may call it suicide”, he points to the camera to make it feel like the viewer is in this situation and gives a more personal feel to the song and music video. Again, in a similar concept, the lead singer sings “Call me a cliché”, whilst pointing at himself which gives the same effect to the song.
  • 19. •There is a relationship between music and visuals. The tone and atmosphere of the visual reflects that of the music. (either illustrative, amplifying, contradicting). There is a constant relationship between the music and the visuals throughout the song/video. This is because when the beat seems to drop, the band pick up their energy and stand moving about lots more, this symbolises the effect and energy of the song. Also, the two lead singers/vocalists (Tom Meighan and Serge Pizzorno) are at the front in the video and taking centre stage. This relates to real life where them two are the ones who deal with the media and appear when Kasabian are featured as a band.
  • 20. •The demands of the record label will include the need for lots of close ups of the artist and the artist may develop motifs which recur across their work (a visual style). As a rock band, Kasabian fit the genre perfectly with their music style, clothing, music videos. This recurs throughout their work as in many of their music videos they are dressed in all black.