Movement overview pp
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This document outlines an art course with multiple lessons focusing on figure drawing, portraiture, and movement. It includes homework assignments researching various artists who worked with these themes, such as Balla, Hume, Shaw, Duchamp, and Moore. Lessons involve overlapping drawings, blind contour portraits, photo collages, and sculpting abstract figures in clay. Students are encouraged to experiment with different materials and techniques like impasto painting in the style of Francis Bacon. The course aims to develop students' skills in depicting the human form and capturing a sense of movement through various mediums.
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Movement overview pp
- 1. MOVEMENT
- 2. LESSON 1 CRIT. OF SUMMER WORK- STUDENTS PRESENT THE WORK FROM THEIR SUMMER TASK.
- 3. LESSON 2 • Overlapping figure drawing. Students stand on table for 5 mins each in different sports poses-boxing, tennis, running, javelin etc. The rest of the group draw the figure in 5-10mins in different materials. Overlap each drawing…..
- 5. LESSON 3 A3 Overlapping portraits –profile/ face on /3/4turn in charcoal
- 6. LESSON 4 Work into overlapped drawings with paint/ ink,and finish the background.photograph and stick in sketchbook. Link to Balla/ Gary Hume
- 7. HOMEWORK: • Research the work of Balla. Draw a section of “Girl Running on Balcony” • Research Gary Hume and copy one of his Water Paintings
- 8. LESSON 4 • Create “Blind” portraits using fine liner pens.
- 9. LESSON 5 • Using your blind drawings create a 3d version from wire. You must also ensure that it stands up!
- 10. LESSON 6 Draw your hands in 3 different positions
- 11. HOMEWORK Research “Nude descending a Staircase” –Marcel Duchamp
- 12. LESSON Mono-print of photo of man walking downstairs
- 14. HOMEWORK Research on Anton Bragaglia and Edward Muybridge
- 15. HOMEWORK Cut open an apple, and store it at home in a lunchbox for 8 weeks. Draw your apple each week as it decays
- 16. LESSON 8 Class C+C - Francis Bacon/Research lesson
- 17. FRANCIS BACON RESPONSE Take photos of students with either faces swashed against glass or with sellotape distorted their faces. Print out photos A3 size on cartridge paper. Using impasto technique –with only glue spreaders and acrylic students complete painting in Bacon style.
- 18. Research on Jim Shaw with transcription
- 19. Students complete own Jim Shaw response using collage
- 20. HOMEWORK DAVID HOCKNEY RESEARCH+PHOTOCOLLAGE
- 21. Photo-Collage on A2 mountboard
- 22. Mono-print from photo collage (from A4 printout)
- 23. COLOUR THEORY
- 27. FINAL PAINTING • Students project their photo-collage onto canvas and create a photorealistic painting studying skin tones and colour mixing.
- 28. LESSON 9 Research on Henry Moore
- 29. HOMEWORK Take photos of a figure in different positions
- 30. LESSON 13 • Create an abstract figure drawing from your photos
- 31. LESSON 14 Create your abstract figures in clay
- 32. ARTISTS
- 33. FIGURATIVE MOVEMENT IN PAINTING
- 34. Gary Hume
- 35. Gary Hume Gary Hume uses figures in movement to create repeated patterns. He became famous during the 1990s when he created large abstract paintings of doors.
- 36. Lee Gil Woo Do you recognise these anyone from the images?
- 38. Lee’s approach to painting was sparked by a moment of epiphany. He has related how these works were inspired by the experience of looking at the sky through a mesh of autumnal ginkgo leaves; as they fluttered slightly in the wind, the shifting field of blazing color brought to mind burning incense. Translating this into art, Lee began to adapt images from mass media and art, applying them to sheets of paper and then burning through them with incense sticks or soldering irons. This created mesh fields, which, when laid over each other, produced the doubled, pointillist effect he was seeking. Lee has employed a variety of images in his work, always seeking combinations that express such dualities as materialism and spirituality, division and
- 39. Futurism Giacomo Balla “Girl Running on Balcony What is this painting technique called? the work does not have a central point of focus
- 40. Yoo Haeri
- 42. Gabriele Beveridge Category Three 2012 Magazine pages, glass, frame, spray paint 34.5 x 26.5 cm Gabriele Beveridge Deep Red 2011 Magazine pages, spray paint, glass and wood 22 x 67 x 7 cm
Editor's Notes
- Balla’s Girl Running on a Balcony (1912, above) is a study of a figure in motion. Borrowing from the pointillist technique, Balla has not mixed his non-primary colours in advance, but creates those by painting contrasting dots close to one another. Without emphasizing any element in the work, this technique is repeated throughout the picture surface. Therefore, the work does not have a central point of focus. It appears to be continuing outside the canvas to the spectator’s space, emphasizing the continuous motion of the girl.