GHOST is a perfectionist assassin who receives a new target. He spends several days following the target to learn his routines, ultimately discovering that the target walks through a nearby alley every day. GHOST plans to poison flowers and kill the target at his home. His plan succeeds, but he is confronted by the target's niece at the house. GHOST hesitates, conflicted between killing the niece to eliminate a witness or sparing her and compromising his secret identity.
GHOST is an assassin who receives a new target from his organization. He spends four days following and photographing the target to learn his daily routines. GHOST plans to poison flowers and kill the target at his home. On the day of the assassination, GHOST poses as a flower delivery person and kills the target with poison flowers. However, the target's nephew witnesses the killing, so GHOST must decide whether to break his moral code and kill the nephew to cover his tracks.
Elliott Erwitt is a renowned documentary and advertising photographer known for his candid black and white shots capturing ironic and absurd everyday situations. Over his career, he has published 23 books on his photography and techniques, and has photographed portraits of famous historical figures. His work featuring candid photos of dogs in everyday settings has been the subject of four books. Erwitt's candid style has influenced many modern humanitarian photographers, and he was awarded the Royal Photographic Society's Centenary Medal in 2002 for his sustained contributions to the art of photography.
The document proposes a short horror film called REDRUM about a teenager who discovers an old camera. When reviewing photos, they see a mysterious figure in the background. Over the next few days, the figure begins stalking and haunting the teenager. During a ritual to contact spirits, the figure appears behind the teenager and kills them. The film would use single-camera techniques over 5 minutes to create suspense through limited dialogue and jump scares, culminating in the teenager's death and a message that "no one is safe."
This scene summary describes Fin exiting his home to find the streets empty. Various camera shots are used to show his growing panic and confusion as he searches in vain for other people. When his phone has no signal, Fin has a breakdown in the park, pounding the ground in distress before placing a plastic bag over his head, raising questions about his existence and mental state in this strange new reality.
The document describes 13 shots for a film scene, beginning with a panning medium shot of a writer in a studyroom and zooming in on an old image of friends. It then cuts to medium close-ups of each character's face in the studyroom before cutting to wide and medium shots of the four friends walking together in a forest, with slow motion close-ups of each introducing them with voiceovers.
Alex Moonstone, a former Russian student at Harvard, is recruited by the CIA and sent back to Russia to investigate Operation Sostavil. The story follows Todorov's narrative theory, with Moonstone's life in equilibrium until being disturbed by the secret agent. Much action and fighting will occur, building to a climactic firefight. Good and bad characters will be distinguished by nationality in line with Levi-Strauss's theory of binary opposition. The film will feature Prop's seven character types and tense scenes to thrill audiences.
The shooting script outlines a two day film shoot with no audio on the first day. Day one includes shots of Louise reacting to pulling back a curtain, Joe walking down the street playing guitar, an argument between Louise and Joe in the living room where he attempts to kiss her but she pushes him away, Joe sitting on the couch thinking and Louise appearing to exchange words before pushing him away again. Day two will focus on lip sync shots now that audio is complete, including Joe singing on the couch and in the bedroom, Louise singing against a bedroom door, them both unaware of each other singing the ending chorus twice, and a rotating shot of them back to back singing the chorus.
This experimental short film titled "Fixed" explores themes of obsession, isolation, and habit through the relationship between two characters: a frail protagonist who isolates themselves in a pink room and obsessively paints portraits of an ambiguous man who walks through the room each day. The film takes place entirely within the single pink room set. The protagonist's daily routine builds up to the man's entrance and brief interaction before the protagonist paints their portrait. On one day, when the man ignores the protagonist, they have a frenzied breakdown, destroying the room with black ink. The next day, the protagonist leaves through the door, leaving the man sitting alone in the destroyed room.
GHOST is an assassin who receives a new target from his organization. He spends four days following and photographing the target to learn his daily routines. GHOST plans to poison flowers and kill the target at his home. On the day of the assassination, GHOST poses as a flower delivery person and kills the target with poison flowers. However, the target's nephew witnesses the killing, so GHOST must decide whether to break his moral code and kill the nephew to cover his tracks.
Elliott Erwitt is a renowned documentary and advertising photographer known for his candid black and white shots capturing ironic and absurd everyday situations. Over his career, he has published 23 books on his photography and techniques, and has photographed portraits of famous historical figures. His work featuring candid photos of dogs in everyday settings has been the subject of four books. Erwitt's candid style has influenced many modern humanitarian photographers, and he was awarded the Royal Photographic Society's Centenary Medal in 2002 for his sustained contributions to the art of photography.
The document proposes a short horror film called REDRUM about a teenager who discovers an old camera. When reviewing photos, they see a mysterious figure in the background. Over the next few days, the figure begins stalking and haunting the teenager. During a ritual to contact spirits, the figure appears behind the teenager and kills them. The film would use single-camera techniques over 5 minutes to create suspense through limited dialogue and jump scares, culminating in the teenager's death and a message that "no one is safe."
This scene summary describes Fin exiting his home to find the streets empty. Various camera shots are used to show his growing panic and confusion as he searches in vain for other people. When his phone has no signal, Fin has a breakdown in the park, pounding the ground in distress before placing a plastic bag over his head, raising questions about his existence and mental state in this strange new reality.
The document describes 13 shots for a film scene, beginning with a panning medium shot of a writer in a studyroom and zooming in on an old image of friends. It then cuts to medium close-ups of each character's face in the studyroom before cutting to wide and medium shots of the four friends walking together in a forest, with slow motion close-ups of each introducing them with voiceovers.
Alex Moonstone, a former Russian student at Harvard, is recruited by the CIA and sent back to Russia to investigate Operation Sostavil. The story follows Todorov's narrative theory, with Moonstone's life in equilibrium until being disturbed by the secret agent. Much action and fighting will occur, building to a climactic firefight. Good and bad characters will be distinguished by nationality in line with Levi-Strauss's theory of binary opposition. The film will feature Prop's seven character types and tense scenes to thrill audiences.
The shooting script outlines a two day film shoot with no audio on the first day. Day one includes shots of Louise reacting to pulling back a curtain, Joe walking down the street playing guitar, an argument between Louise and Joe in the living room where he attempts to kiss her but she pushes him away, Joe sitting on the couch thinking and Louise appearing to exchange words before pushing him away again. Day two will focus on lip sync shots now that audio is complete, including Joe singing on the couch and in the bedroom, Louise singing against a bedroom door, them both unaware of each other singing the ending chorus twice, and a rotating shot of them back to back singing the chorus.
This experimental short film titled "Fixed" explores themes of obsession, isolation, and habit through the relationship between two characters: a frail protagonist who isolates themselves in a pink room and obsessively paints portraits of an ambiguous man who walks through the room each day. The film takes place entirely within the single pink room set. The protagonist's daily routine builds up to the man's entrance and brief interaction before the protagonist paints their portrait. On one day, when the man ignores the protagonist, they have a frenzied breakdown, destroying the room with black ink. The next day, the protagonist leaves through the door, leaving the man sitting alone in the destroyed room.
Jade goes for a jog in the woods near her town. As she enters the woods, the music becomes ominous and she seems nervous. While running through the woods, Jade becomes lost and panicked. She falls and is unable to run quickly. A mysterious figure watches her from the background and slowly moves closer. When Jade tries to drag herself away, a hand suddenly grabs her leg and pulls her back as she screams one last time.
The document outlines Tom Symmons' interest in producing an original science fiction film called "The Truth" about ancient Sumerian gods returning to Earth to address the damage humans have caused. It would be rated 12 and based on theories that Sumerians were created by aliens to be workers. The film's opening sequence would feature an everyday 18-year-old man and his dog discovering a landed unidentified object. Locations would include a quarry near the producer's house and the film faces challenges of training the dog and creating visual effects.
This document outlines a film idea called "Living the Future" that is described as a dark, horror version of Futurama. The film would follow a character frozen in 2015 who wakes up in 2075 to find the future is not as advanced as expected. He has some traumatic encounters but remains optimistic like the character Fry from Futurama. Our character eventually finds comfort and friendship when he meets a man just like himself, but they wonder if they are the only sane people left. The opening scene is set in 2015 and shows our character's depressed daily life before freezing himself to wake up in the future world.
The document summarizes the speaker's TED Talk on exploring the relationship between the human mind, body, and the concepts of space and time through sculpture. The speaker, Antony Gormley, engaged the audience with stories from his childhood and used visual aids to maintain their interest. While passionate about his topic, the presentation could have benefitted from a more moderate speaking pace and increased enthusiasm.
The document discusses potential filming locations for 5 scenes of a psychological thriller movie. All 5 scenes would take place at Golders Green Park in London. Photos are included of specific areas within the park that would work well for scenes where the main characters first meet, spend time together, and where one character kidnaps the other. Safety precautions are outlined for traveling to and filming at the location, such as traveling with others, securing equipment, and bringing any necessary medications.
The film opening will show a group of friends talking and laughing while their dog barks and runs toward a strange noise. They will investigate and one will see something sprinting away, leading them to follow and try to find what it was. One character then goes missing, worrying the group as they search to find him sitting alone in a field. The main characters include Riess, who tries to keep everyone together; Bilal, who is brave but jumpy; and Haroon, who jokes to seem brave, while Kyle is scared and Josh/Ollie is paranoid and wants to leave.
GHOST is a perfectionist assassin who receives a new target from his handler NICKEL. He meticulously plans and follows the target, killing him at his home. However, the target's nephew KID witnesses the killing, forcing GHOST to decide whether to break his moral code against harming non-targets or risk being exposed. The summary establishes GHOST's character and perfectionist approach to assassinations, as well as the dilemma he faces with the nephew witnessing the killing.
GHOST is a perfectionist assassin who receives a new target from his handler NICKEL. He meticulously plans and follows the target, killing him at his home. However, the target's nephew KID witnesses the killing, forcing GHOST to decide whether to break his moral code against harming non-targets or risk being exposed. The summary establishes GHOST's character and perfectionist approach to assassinations, as well as the dilemma he faces with the nephew witnessing the killing.
GHOST is a young assassin who values perfection. He receives a new target - a teacher to be killed by 6pm at the school. GHOST meticulously plans the assassination. At the school, GHOST shoots the target in his classroom. However, the target's nephew witnesses the killing, complicating GHOST's otherwise perfect plan.
The video follows a man wearing a cartoon mask as he travels around searching for something to replace his old life. He enters several houses cautiously, looking through draws and under furniture, but is quickly kicked out by the homeowners. Finally, after failing to find what he is looking for in multiple houses, he sees the object lying on the floor in front of him. The video ends by fading to black as the man walks away with the object he had been searching for.
1) Detective George Foster is investigating the Gripwell Killer, who is committing violent crimes with a crowbar.
2) Foster finds a piece of fabric from the killer at a crime scene that he takes back to analyze.
3) After hitting frustrations in his investigation, Foster aggressively clears his desk in a rage, shouting that he will catch the killer even if it kills him.
4) Foster eventually spots the killer in an alleyway and a physical confrontation ensues, with Foster pinning the killer against a wall by the throat before the screen suddenly cuts to black.
The music video will represent the song "The Base of a Dream is Dream is Empty" by Yuck using stop motion animation. It will follow a protagonist as he experiences a strange string of dreams within dreams, with each dream featuring surreal and frightening elements. In the final scene, the protagonist awakens in his bed, believing the dreams have ended, but the viewer sees a monster from his dreams staring in through the window, leaving its reality ambiguous. The video aims to keep viewers watching through an Inception-style narrative structure and enigmatic cliffhanger ending.
I will have an assistant to play the murderer in this
scene.
Scene 7
Door: The door that the boy runs through to escape the scene.
Field: The field is already there so no props needed.
Props scenes 8-9
Scene 8
Smoke machine: I will rent a smoke machine for this scene to
create the forest fire effect.
Scene 9
Car: I will borrow my friends car for this scene.
Fake blood: To show the character has been shot with arrows.
Arrows: Plastic arrows will be used as the murder weapon.
Rain machine: I will rent a rain machine to create the
1) The first idea involves a man who captures children, with missing posters displayed and the children's fates left ambiguous. Fast pacing and jump cuts would be used to build tension.
2) The second centers on an elderly man who seems innocent but is actually a hitman. Shots from behind would hide his identity as he drinks whiskey in a victim's home before changing into a suit after killing her.
3) The third involves two hitmen whose true identities are only revealed at the end. Scenes of a blindfolded woman and a man visiting under false pretenses build confusion before their roles as killers are made clear in a phone call between them. Dialogue is used to further confuse the audience
This document provides a frame-by-frame analysis of the opening title sequence of A Nightmare on Elm Street. It summarizes each shot, highlighting how they establish the killer's point of view and sadistic nature, introduce the victim as vulnerable, and set an ominous, suspenseful tone through the use of lighting, music and camera angles. The analysis concludes by teasing the audience to watch the full movie to see if the killer catches the sinking victim.
The document provides details on the script, budget, production schedule, and risk assessments for a student film project. The script tells the story of teenagers going trick-or-treating on Halloween who get kidnapped by a stranger. Key plot points include a teenager finding a strange coded message and warning his friends, who dismiss his concerns and get taken to an abandoned house where they are also kidnapped. The budget of £50 will be spent on props and equipment. Filming will take place over several days on streets and at students' homes. Risk assessments address safely filming in public areas and parks without disrupting others or harming property or wildlife.
A group of teenagers go trick-or-treating on Halloween, despite one teen's warnings about a strange coded message he received. They go to a house where a masked man knocks them out with spray. The teens wake up tied to trees in the forest. Another teen had been kidnapped earlier after helping a stranger with directions. The film students plan to make a short horror film about these events, shooting scenes over several days on streets and at a friend's house, then editing together at school. They have a small budget and plan to get necessary props from stores.
The document provides details on the script, soundtrack, budget, production schedule, site plans, shot list, and risk assessments for a student film project. The script involves teenagers going trick-or-treating on Halloween and getting kidnapped by a stranger. Students will spend £50 on supplies like masks, tape, candy and fuel. Shooting will take place over 6 days on streets, houses, and a park. The shot list includes 15 shots ranging from establishing shots to close-ups. Risk assessments address safely filming in public areas and protecting equipment.
1. The screenplay is about a man named Argus who drinks excessively. He is kicked out of a bar while intoxicated.
2. On the street, Argus is attacked and robbed by his step-brother Lucifer. Argus owes Lucifer money.
3. Argus faints from drinking at home. He has flashbacks of owing money to Lucifer and his girlfriend Elly attacking him.
4. The story ends with Argus collapsing after opening his door drunk to Lucifer and Elly demanding to know where he has been. The movie leaves Argus' fate unknown.
This document outlines a student film project for a modern gothic horror film. The film will follow a teenage girl who falls into a nightmare where she is trapped with a supernatural vampire-like being. Though she wakes up alone, it is revealed she is actually dead, just like her younger brother who died a year ago. The film will take place primarily in the girl's house and a graveyard, and include influences from classic horror films like Dracula and The Sixth Sense. It aims to scare its target audience of 12+ year olds who enjoy both modern and classic horror genres.
This document outlines a student film project for a modern gothic horror film. The film will follow a teenage girl who falls into a nightmare where she is trapped with a supernatural vampire-like being. Though she wakes up alone, it is revealed she is actually dead, just like her younger brother who died a year ago. The film will take place primarily in the girl's house and a graveyard, and include influences from films like Dracula and The Sixth Sense. It aims to scare its target audience of 12+ year olds who enjoy both modern and classic horror genres.
This document outlines a student film project for a modern gothic horror film. The film will follow a teenage girl who falls into a nightmare where she is trapped with a supernatural vampire-like being. Though she wakes up alone, it is revealed she is actually dead, just like her younger brother who died a year ago. The film will take place primarily in the girl's house and a graveyard, and include influences from films like Dracula and The Sixth Sense. It aims to scare its target audience of 12+ year olds who enjoy both modern and classic horror genres.
Jade goes for a jog in the woods near her town. As she enters the woods, the music becomes ominous and she seems nervous. While running through the woods, Jade becomes lost and panicked. She falls and is unable to run quickly. A mysterious figure watches her from the background and slowly moves closer. When Jade tries to drag herself away, a hand suddenly grabs her leg and pulls her back as she screams one last time.
The document outlines Tom Symmons' interest in producing an original science fiction film called "The Truth" about ancient Sumerian gods returning to Earth to address the damage humans have caused. It would be rated 12 and based on theories that Sumerians were created by aliens to be workers. The film's opening sequence would feature an everyday 18-year-old man and his dog discovering a landed unidentified object. Locations would include a quarry near the producer's house and the film faces challenges of training the dog and creating visual effects.
This document outlines a film idea called "Living the Future" that is described as a dark, horror version of Futurama. The film would follow a character frozen in 2015 who wakes up in 2075 to find the future is not as advanced as expected. He has some traumatic encounters but remains optimistic like the character Fry from Futurama. Our character eventually finds comfort and friendship when he meets a man just like himself, but they wonder if they are the only sane people left. The opening scene is set in 2015 and shows our character's depressed daily life before freezing himself to wake up in the future world.
The document summarizes the speaker's TED Talk on exploring the relationship between the human mind, body, and the concepts of space and time through sculpture. The speaker, Antony Gormley, engaged the audience with stories from his childhood and used visual aids to maintain their interest. While passionate about his topic, the presentation could have benefitted from a more moderate speaking pace and increased enthusiasm.
The document discusses potential filming locations for 5 scenes of a psychological thriller movie. All 5 scenes would take place at Golders Green Park in London. Photos are included of specific areas within the park that would work well for scenes where the main characters first meet, spend time together, and where one character kidnaps the other. Safety precautions are outlined for traveling to and filming at the location, such as traveling with others, securing equipment, and bringing any necessary medications.
The film opening will show a group of friends talking and laughing while their dog barks and runs toward a strange noise. They will investigate and one will see something sprinting away, leading them to follow and try to find what it was. One character then goes missing, worrying the group as they search to find him sitting alone in a field. The main characters include Riess, who tries to keep everyone together; Bilal, who is brave but jumpy; and Haroon, who jokes to seem brave, while Kyle is scared and Josh/Ollie is paranoid and wants to leave.
GHOST is a perfectionist assassin who receives a new target from his handler NICKEL. He meticulously plans and follows the target, killing him at his home. However, the target's nephew KID witnesses the killing, forcing GHOST to decide whether to break his moral code against harming non-targets or risk being exposed. The summary establishes GHOST's character and perfectionist approach to assassinations, as well as the dilemma he faces with the nephew witnessing the killing.
GHOST is a perfectionist assassin who receives a new target from his handler NICKEL. He meticulously plans and follows the target, killing him at his home. However, the target's nephew KID witnesses the killing, forcing GHOST to decide whether to break his moral code against harming non-targets or risk being exposed. The summary establishes GHOST's character and perfectionist approach to assassinations, as well as the dilemma he faces with the nephew witnessing the killing.
GHOST is a young assassin who values perfection. He receives a new target - a teacher to be killed by 6pm at the school. GHOST meticulously plans the assassination. At the school, GHOST shoots the target in his classroom. However, the target's nephew witnesses the killing, complicating GHOST's otherwise perfect plan.
The video follows a man wearing a cartoon mask as he travels around searching for something to replace his old life. He enters several houses cautiously, looking through draws and under furniture, but is quickly kicked out by the homeowners. Finally, after failing to find what he is looking for in multiple houses, he sees the object lying on the floor in front of him. The video ends by fading to black as the man walks away with the object he had been searching for.
1) Detective George Foster is investigating the Gripwell Killer, who is committing violent crimes with a crowbar.
2) Foster finds a piece of fabric from the killer at a crime scene that he takes back to analyze.
3) After hitting frustrations in his investigation, Foster aggressively clears his desk in a rage, shouting that he will catch the killer even if it kills him.
4) Foster eventually spots the killer in an alleyway and a physical confrontation ensues, with Foster pinning the killer against a wall by the throat before the screen suddenly cuts to black.
The music video will represent the song "The Base of a Dream is Dream is Empty" by Yuck using stop motion animation. It will follow a protagonist as he experiences a strange string of dreams within dreams, with each dream featuring surreal and frightening elements. In the final scene, the protagonist awakens in his bed, believing the dreams have ended, but the viewer sees a monster from his dreams staring in through the window, leaving its reality ambiguous. The video aims to keep viewers watching through an Inception-style narrative structure and enigmatic cliffhanger ending.
I will have an assistant to play the murderer in this
scene.
Scene 7
Door: The door that the boy runs through to escape the scene.
Field: The field is already there so no props needed.
Props scenes 8-9
Scene 8
Smoke machine: I will rent a smoke machine for this scene to
create the forest fire effect.
Scene 9
Car: I will borrow my friends car for this scene.
Fake blood: To show the character has been shot with arrows.
Arrows: Plastic arrows will be used as the murder weapon.
Rain machine: I will rent a rain machine to create the
1) The first idea involves a man who captures children, with missing posters displayed and the children's fates left ambiguous. Fast pacing and jump cuts would be used to build tension.
2) The second centers on an elderly man who seems innocent but is actually a hitman. Shots from behind would hide his identity as he drinks whiskey in a victim's home before changing into a suit after killing her.
3) The third involves two hitmen whose true identities are only revealed at the end. Scenes of a blindfolded woman and a man visiting under false pretenses build confusion before their roles as killers are made clear in a phone call between them. Dialogue is used to further confuse the audience
This document provides a frame-by-frame analysis of the opening title sequence of A Nightmare on Elm Street. It summarizes each shot, highlighting how they establish the killer's point of view and sadistic nature, introduce the victim as vulnerable, and set an ominous, suspenseful tone through the use of lighting, music and camera angles. The analysis concludes by teasing the audience to watch the full movie to see if the killer catches the sinking victim.
The document provides details on the script, budget, production schedule, and risk assessments for a student film project. The script tells the story of teenagers going trick-or-treating on Halloween who get kidnapped by a stranger. Key plot points include a teenager finding a strange coded message and warning his friends, who dismiss his concerns and get taken to an abandoned house where they are also kidnapped. The budget of £50 will be spent on props and equipment. Filming will take place over several days on streets and at students' homes. Risk assessments address safely filming in public areas and parks without disrupting others or harming property or wildlife.
A group of teenagers go trick-or-treating on Halloween, despite one teen's warnings about a strange coded message he received. They go to a house where a masked man knocks them out with spray. The teens wake up tied to trees in the forest. Another teen had been kidnapped earlier after helping a stranger with directions. The film students plan to make a short horror film about these events, shooting scenes over several days on streets and at a friend's house, then editing together at school. They have a small budget and plan to get necessary props from stores.
The document provides details on the script, soundtrack, budget, production schedule, site plans, shot list, and risk assessments for a student film project. The script involves teenagers going trick-or-treating on Halloween and getting kidnapped by a stranger. Students will spend £50 on supplies like masks, tape, candy and fuel. Shooting will take place over 6 days on streets, houses, and a park. The shot list includes 15 shots ranging from establishing shots to close-ups. Risk assessments address safely filming in public areas and protecting equipment.
1. The screenplay is about a man named Argus who drinks excessively. He is kicked out of a bar while intoxicated.
2. On the street, Argus is attacked and robbed by his step-brother Lucifer. Argus owes Lucifer money.
3. Argus faints from drinking at home. He has flashbacks of owing money to Lucifer and his girlfriend Elly attacking him.
4. The story ends with Argus collapsing after opening his door drunk to Lucifer and Elly demanding to know where he has been. The movie leaves Argus' fate unknown.
This document outlines a student film project for a modern gothic horror film. The film will follow a teenage girl who falls into a nightmare where she is trapped with a supernatural vampire-like being. Though she wakes up alone, it is revealed she is actually dead, just like her younger brother who died a year ago. The film will take place primarily in the girl's house and a graveyard, and include influences from classic horror films like Dracula and The Sixth Sense. It aims to scare its target audience of 12+ year olds who enjoy both modern and classic horror genres.
This document outlines a student film project for a modern gothic horror film. The film will follow a teenage girl who falls into a nightmare where she is trapped with a supernatural vampire-like being. Though she wakes up alone, it is revealed she is actually dead, just like her younger brother who died a year ago. The film will take place primarily in the girl's house and a graveyard, and include influences from films like Dracula and The Sixth Sense. It aims to scare its target audience of 12+ year olds who enjoy both modern and classic horror genres.
This document outlines a student film project for a modern gothic horror film. The film will follow a teenage girl who falls into a nightmare where she is trapped with a supernatural vampire-like being. Though she wakes up alone, it is revealed she is actually dead, just like her younger brother who died a year ago. The film will take place primarily in the girl's house and a graveyard, and include influences from films like Dracula and The Sixth Sense. It aims to scare its target audience of 12+ year olds who enjoy both modern and classic horror genres.
The document outlines a pitch for a romantic comedy film with thriller elements. It describes the main characters as a stereotypical girly girl and a neat boy. It then provides details on 10 establishing shots, including aerial shots of the location, close-ups of the boy's watch and the girl running, and shots following the girl running to meet the boy. It also references including music in some shots and having a character watching the couple in one shot, to hint at a potential antagonist, before transitioning to title credits inspired by Bridget Jones's Diary.
The document outlines a pitch for a romantic comedy film with thriller elements. It describes the main characters as a stereotypical girly girl and a neat boy. It then provides details on 10 establishing shots, including aerial shots of a location, close-ups of a watch and someone running, and shots following the running woman. Additional shots include a long shot of the man waiting and two-shots to show their relationship. The pitch concludes with a description of a shot of an unidentified man watching the couple and a reference to the title design of Bridget Jones's Diary.
This document provides the shooting script and plan for filming a music video over two days. Day 1 will focus on narrative establishing shots without audio as the track is incomplete. 6 shots are described showing Louise and Joe's characters in the house and individually distressed. Day 2 will film lip syncing shots now that the audio track is complete, with 4 shots described of the characters singing parts of the song individually and together. No shot timings will be recorded to allow flexibility in filming and editing.
The document contains a sound decision list that evaluates the quality of various audio tracks recorded for a film production. It includes tracks for laughing, phone ringing, rumbling, talking, walking, door openings, and actor reactions. The evaluator comments on whether each take is good or bad based on audio quality, presence of background noise or echo, and how well it captures the intended sound. The best takes for each sound will be used in the final product.
The document contains a log of 36 sound files with information on their file name, format, and duration. The sound files include laughing tracks, phone ringing, rumble tracks, talking, walking, door opening, reactions, and sound effects ranging in duration from 00:11:20 to 47:40:00.
The document logs changes made to a film's footage, including:
1) Applying color correction LUTs to give the film a gritty, cinematic look by adjusting the LUT opacity where it darkened scenes.
2) Adding fade ins and fade outs using keyframes for more fluid transitions rather than Premiere Pro's preset methods.
3) Using the razor tool to cut unnecessary footage and focus on important parts.
4) Applying the displacement map effect in After Effects to a logo for a stylized melting outro.
The document is a log of 31 recorded sound files of various durations in .mp3 format, including laughing tracks, phone ringing, rumbling, talking, walking, door opening, and reaction sounds.
The document contains a sound decision list that includes the name and timecodes of various audio tracks recorded for a project. It summarizes each track, noting whether it will be used in the final product or not. Tracks deemed as "great" were clear without background noise or echo and captured the intended audio well. Tracks marked as "not great" contained issues like echo, background noise or did not fully capture the desired audio such as dialogue or reactions. The best reaction take was track 8.
This document is a contributor's release form for a production company's project titled "Ghost". It provides details of the contribution, which is acting, and confirms the contributor's consent to being filmed on June 11, 2019. It outlines terms and conditions assigning copyright of the contribution to the company and waiving moral rights, and addresses use of the contributor's image, liability, content restrictions, jurisdiction under English law.
This document contains an edit decision list for 21 shots taken during the filming of a project. It provides the timecode for each take, and a comment on whether the take was selected or another take should be used instead, with reasons such as poor focus, framing, or exposure. Many of the shots include multiple takes where the director attempted to improve the shot.
This document contains an edit decision list reviewing 9 shots from a film. Shot 1 received a take 1 comment for having great cinematic tracking. Shot 2 received a take 2 comment for being out of focus and having bad framing. Shot 3 received a take 1 comment for having good lighting and focus changes. Shot 4 received a take 2 comment for having a shaky pan shot. The remaining shots received varied take 1, 2, or 3 comments on focus, framing, exposure, and whether the target was visible.
Karanvir Singh has booked various film equipment from the Film and Media department between June 1st and June 20th, including a Canon 700D DSLR with 50mm and 70-300mm lenses, LED lights, microphones, and audio recorders. He also booked a Hague CameraSlider, clapperboard, and tripod. Equipment bookings are typically for 24 hours on weekdays unless otherwise arranged with Mr. Goodyear, and extensions must be approved by contacting him.
The background music and sounds in the film will be non-diegetic, including mysterious-toned music to match the visuals, keyboard typing, a voiceover, and the sound of a phone being hung up.
A dialogue spider diagram is a graphic organizer used to plan and structure a dialogue or conversation. It has a central topic placed in the middle with associated ideas branching out around it like the legs of a spider. The diagram allows someone to brainstorm different perspectives, arguments, questions, and points that could be discussed regarding the central topic.
The short film will have a cold atmosphere throughout, with ambient sounds of cold weather playing continuously. Specific scenes will feature quiet, ambient sounds around the main character on his computer to convey a sense of darkness and mystery. The gym scene will include ambient noises of punches and background music to match the action, while the assassination scene will have gunshot sounds during the target's execution.
This document contains a risk assessment form used by the BBC. It includes a list of potential hazards to consider such as electric shock, fire, sharp objects, and health issues like infection. It also includes a risk matrix to determine the likelihood and severity of potential harms from hazards in order to properly manage risks. The form is to be completed for a specific production location and activities to identify and mitigate any safety risks.
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2. FADE IN:
INT. THE HOUSE - THE BEDROOM — DAY
We hear a text notification sound effect as the camera
focuses in a close up on our main character of the story.
GHOST, an assassin, very young and got a lot of potential
in the assassination business. Perfection is everything
for him.
We see him slowly open his eyes as he reaches for phone
to check out the message. We change the focus from GHOST
to the cellular device as he reaches for it. As GHOST
reaches for the cellular device, we see him read the text
message.
GHOST
(voice over)
Perfection. A perfect plan doesn't
involve everything going within
expectations.
We see GHOST do his bedding in a way that is almost weird
for us. We see him iron out the wrinkles on the sheets on
his bed. We follow him in a tracking shot as he goes to
clean up his working space next to his bed.
GHOST
(voice over)
Kill anyone you want. But no way
in hell am I going to kill a kid
or a woman. That’s the moral I
grew up with.
We focus on one part of the work desk. We see a
collection of pens in a straight line but we see one of
the pens not in a straight line. We see GHOST pick up the
pen snap it in half and throws it in the bin.
GHOST
(voice over)
A perfect plan is achieved when it
has the plasticity needed to
flexibly deal with the unforeseen.
INT. THE HOUSE - KITCHEN - DAY
We follow GHOST into the kitchen walking through the
hallway. We focus on a bouquet on table, a collection of
beautiful and healthy group of flowers. Then we focus on
one of the leaves with a bad spot.
3. ! .2
Then we focus GHOST pick up a pair of scissors and cut
the whole steam off and throws it in the bin.
GHOST
(voice over)
Being the perfect assassin is not
about killing the target and
leaving without getting caught,
it’s about killing the target
where they would suffer to their
death and removing every single
trace. No sign. No trace. That’s
perfection.
We follow GHOST leaving his house to get to the gym. We
focus on him putting on his shoes and leaving the
slippers near the door in a straight and very tidy way.
CUT TO BLACK:
INT. GYM - DAY
The screen remains black as we hear some noise of fists
hitting a boxing bag. The screen then cuts to a close up
as we see GHOST training in the gym for his next
execution.
We change focus from GHOST training to his cellular
device as he receives a call from the HIERARCHY. We
slowly track him reaching for his cellular device.
HIERARCHY is the main organisation that GHOST works for
as an assassin. We don't know anything about the
HIERARCHY. All we know about the organisation is that it
has a collection of assassins that work for them.
GHOST
When and where?
HIERARCHY
(over the phone)
Friday. End of the week. Don’t
care how it is done. Needs to be
done by 6pm.
GHOST
Consider it done.
We follow GHOST as he leaves the gym with a tracking shot
through the doors.
INT. HOUSE - BEDROOM - NIGHT
4. ! .3
We see GHOST on his computer looking at something that we
don’t know what he is looking at. As we track around him,
it is revealed that GHOST is researching about the
target.
GHOST
(voice over)
Perfection. Perfection.
Perfection. There’s a limit to
everything in the world expect
perfect.
We focus on the target’s picture through an over the
shoulder shot. Then we follow GHOST as he gets up from
his chair and turns to his “board of death”. The camera
slowly zooms out as he looks at the board of death.
We then change focus from the board of death to GHOST’S
cellular device as it rings. He receives call from
manager NICKEL.
NICKEL is GHOST’s “manager”. No one knows what his real
name is or who is in real life. GHOST has never seen
NICKEL in real life.
NICKEL (O.S)
(over the phone)
Did you receive the information?
GHOST
Yes.
NICKEL (O.S)
(over the phone)
You have to follow him and figure
out his daily routines.
GHOST
I have my own plan. Don’t need to
tell me.
NICKEL (O.S)
(over the phone)
Must be done by 6PM. Or there will
be penalties.
GHOST
Never.
We see him put down his cellular device and the camera
focuses on the target’s picture.
(MONTAGE)
GRAPHIC ON SCREEN - DAY 1
5. ! .4
EXT. ALLEY WAY - DAY
We follow GHOST through an alleyway as he is following
the target. We track GHOST as he follows the target the
whole day while taking pictures.
EXT. PARK - DAY
We see the target sitting on a bench in the park and
enjoying the sun as GHOST is standing far behind taking
pictures. We follow some-one mysterious walking towards
GHOST.
RANDOM GUY (DRUNK)
Hey bro what are you doing?
GHOST
Taking pictures.
RANDOM GUY (DRUNK)
Oh cool. So what you do?
GHOST
Im an assassin.
RANDOM GUY (DRUNK)
Yeah nice one.
The random guy walks off laughing thinking this guy is
crazy.
EXT. ALLEY WAY - EVENING
We follow GHOST walk back through the alley way as he
follow the target. GHOST is taking pictures as he is
following the target in the alley way.
GHOST
(voice over)
He always seem to go through
the alley way for some odd reason.
Every day, from there and back.
INT. HOUSE - NIGHT
We focus on GHOST as he puts up a couple of pictures from
earlier on his board.
GRAPHIC ON SCENE - DAY 2
6. ! .5
EXT. ALLEY WAY - DAY
We again follow GHOST and the target walk through the
alley way.
EXT. TOWN - DAY
We follow both GHOST and the target while GHOST taking
the pictures to town and walking around. We see the
target sitting on a desk and enjoying the day.
We see GHOST taking pictures while sitting further away
from the target.
GHOST
(voice over)
The joy of a perfect assassination
is like no other.
EXT. ALLEY WAY - EVENING
We follow GHOST walk back through the alley way as he
follows the target . GHOST is taking pictures as he is
following the target in the alley way.
The alley way has some significance in the whole film.
INT. HOUSE - NIGHT
We again focus on GHOST as he puts up a couple of
pictures from earlier on his board.
GHOST
(voice over)
The alley way was a great place
for the perfect execution.
GRAPHIC ON SCENE - DAY 3
EXT. ALLEY WAY - DAY
We again focus on GHOST as he puts up a couple of
pictures from earlier on his board.
INT. TARGET’S FRIEND’S HOUSE - DAY
We see the target inside a house with his friend and we
also see GHOST taking pictures from the outside and
taking pictures of the surroundings.
7. ! .6
EXT. ALLEY WAY - EVENING
We again follow GHOST walk back through the alley way as
he follows the target. GHOST is taking pictures as he is
following the target in the alley way.
INT. HOUSE - NIGHT
We again focus on GHOST as he puts up a couple of
pictures from earlier on his board. The death board
starts to fill up with pictures.
GRAPHIC ON SCENE - DAY 4
EXT. ALLEY WAY - DAY
We again follow GHOST and the target walk through the
alley way.
INT. GYM - DAY
We again follow GHOST and the target walk through the
alley way.
GHOST
(voice over)
Killing these fools never bothered
me but what bothered me was
creases on my bed sheets.
INT. GYM - DAY
We follow the target go to the same gym as GHOST. He
follows him into the gym and proceeds to take more
pictures in the gym and it’s surroundings.
GHOST is observing what the target is doing and during
this montage of four days GHOST is trying to figure out
what would be the best way of assassinating his target.
EXT. ALLEY WAY - EVENING
We again follow GHOST walk back through the alley way as
he follows the target. GHOST is taking pictures as he is
following the target in the alley way.
8. ! .7
INT. HOUSE - NIGHT
We again focus on GHOST as he puts ups couple of pictures
from earlier on his board. The death board is now full of
different pictures as GHOST is thinking which place would
be the best to perform the assassination.
GHOST
(voice over)
The alley way isn’t going to work.
There are cameras around the
place. That easy exposure.
We change focus from the alley way pictures to the
pictures of the target’s house and GHOST smiles.
MONTAGE
We see GHOST prepare his “death flowers” as we see some
quick shots of him picking up the flowers and picking up
a poison liquid and squirting on the flowers.
We kind of figure out what GHOST’s plan is and how he is
going to execute his target.
GHOST’s plan is to spray poison on the flowers and
execute the target in his own house.
EXT. TARGET’S HOUSE - DAY/AFTERNOON
We see GHOST standing outside the house with a bouquet in
hand as he slowly walks towards the house.
We change to a POV of GHOST pressing the bell. We see the
target open the door and GHOST proceeds to shove the
flowers against the target’s face and kicks him in the
house.
INT. TARGET’S HOSUSE - DAY/AFTERNOON
We then follow GHOST as he drags the target into the
house and then he closes the door.
We focus on the target chocking and coughing on the floor
asking for help from someone.
TARGET
Ple..ase.help..me..
GHOST
*chuckles*
TARGET
Wh..o a..re you..?
9. ! .8
GHOST
The name’s Joe. Nighty night.
We change focus from GHOST to the target as he dies. We
then slowly pan to someone standing behind GHOST.
KID is the niece of the target who GHOST just killed and
was at his uncles house to stay the weekend.
KID
Uncle..?
We then slowly change focus back to GHOST as he turns
towards the KID and pulls out a knife.
We see GHOST flashbacks to crease on the bed as he is
conflicted between killing the KID and break his moral or
leave her and get exposed.
GHOST
(voice over)
Being the perfect assassin isn’t
about getting a few kills and go
on about your day, its about
whether you are willing to break
your moral to keep the streak
going.
We transition to GHOST standing in front of a mirror
talking to himself.
GHOST
My name is Joe. I’m the perfect
assassin.
10. ! .i
SCENE INDEX
INT. THE HOUSE - THE BEDROOM — DAY 1......................
INT. THE HOUSE - KITCHEN - DAY 1..........................
INT. GYM - DAY 2..........................................
EXT. ALLEY WAY - DAY 4....................................
EXT. PARK - DAY 4.........................................
EXT. ALLEY WAY - EVENING 4................................
INT. HOUSE - NIGHT 4......................................
EXT. ALLEY WAY - DAY 5....................................
EXT. TOWN - DAY 5.........................................
EXT. ALLEY WAY - EVENING 5...............................
INT. HOUSE - NIGHT 5......................................
GRAPHIC ON SCENE - DAY 3 5................................
EXT. ALLEY WAY - DAY 5....................................
INT. TARGET’S FRIEND’S HOUSE - DAY 5......................
EXT. ALLEY WAY - EVENING 6................................
INT. HOUSE - NIGHT 6......................................
GRAPHIC ON SCENE - DAY 4 6................................
EXT. ALLEY WAY - DAY 6....................................
INT. GYM - DAY 6..........................................
INT. GYM - DAY 6..........................................
EXT. ALLEY WAY - EVENING 6................................
INT. HOUSE - NIGHT 7......................................
MONTAGE 7.................................................
EXT. TARGET’S HOUSE - DAY/AFTERNOON 7.....................
INT. TARGET’S HOSUSE - DAY/AFTERNOON 7....................