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This document analyzes the trailers for three horror films - The Woman in Black, The Last Exorcism Part 2, and Insidious - focusing on their cinematography, sound, mise-en-scene, and editing techniques. It discusses how the trailers employ conventions of the horror genre through their use of shots that build tension, unsettling soundtracks, settings that enhance realism and mystery, and pacing that increases suspense. The analysis provides insights into how these trailers effectively utilize visual and audio elements to immerse viewers in an eerie atmosphere and anticipate frightening events in the films.
Masthead stories
The document provides potential masthead ideas - Up Beat, Base, Anthem, Tunage, and Volume - for a new music magazine. It analyzes the pros and cons of each idea. The author chooses "Anthem" as the final masthead because it relates to music, connotes togetherness, and had the most votes in a poll. Background information is given on an existing film magazine also called "Anthem" to show the mastheads are distinct. Various font styles are discussed for the masthead, with one noted to look powerful and eye-catching by using bold, unique lettering that adheres to music genres. Potential story ideas for the magazine are also listed.
Presentation1
The target audience for the magazine are male and female students aged 16-21 who enjoy unique styles of clothing, music festivals and gigs, spending time with friends, and keeping up with social media and gossip. They have part-time jobs and shop at stores like Urban Outfitters and Topshop that offer edgy clothing options. The magazine will feature both established and up-and-coming artists, discussing music festivals like V Festival and Wireless that the target audience would enjoy. A variety of musical styles will be represented, from acoustic singer-songwriters like Ben Howard to pop groups like Fun. Fashion retailers like Topshop and American Apparel will also be promoted in the magazine as being affordable options that appeal to
Media
The document analyzes differences between film magazine covers and a music magazine cover. Film magazine covers typically feature Hollywood actors using dramatic lighting and serious facial expressions to attract audiences. Their typography is bold and sophisticated. Music magazine covers represent artists as glamorous and stylish, using italic typography aimed at females. Film magazines adhere more to male stereotypes through serious images and topics like new films and reviews. Music magazines discuss interviews, trends, concerts and reviews, appealing more to females.
Storyboard pp
The story board outlines a black journal. It will follow a woman named Maria who decides to start keeping a journal to document her daily experiences and thoughts as an African American. She writes about facing racism at her job and encounters with police, but also finds community with other black friends. The journal becomes an outlet for Maria to process her emotions and feel less alone in her experiences.
Presentation2
The document analyzes conventions of horror film posters. It identifies several common elements:
- Main images feature creepy or shocking scenes with low lighting to appear eerie and mysterious. Facial expressions show fear or possession.
- Color schemes commonly use black, red, and white to convey danger and death. Titles stand out in bold, red text with a creepy font style.
- Small credits are placed at the bottom without detracting from the main image. A release date is also included.
- Analyzed posters demonstrate these conventions through their use of distorted faces, reaching hands from graves, looming villains, and titles styled as wooden stakes to hint at vampire themes.
Sofia plus
This document lists 4 names: Jessica Marcela Bernal, Diana Paola Casallas, Yessica Alexandra Muñoz, and Kenny Camilo Ojeda. No other information is provided about these individuals.
The Zealots Who Built Alto
In the fall of 2012 AOL launched the private beta of Alto – a re-imagining of the inbox for today’s modern world. This is the behind-the-scenes story of how Alto came to be inside the 25-year-old internet company. It’s far from a rosy picture, but it does hold inspiration and cautionary tales around giving flight to big ideas. How do you take a commodity product like email (whose death is heralded daily in the press) and create something unique and useful? And how do you do all that in the face of so many negative perceptions around the AOL brand? You’ll see how in-home visits inspired Alto’s design, sometimes helped sell the product throughout the organization, and other times were flat out ignored by execs. You’ll see previous iterations, learn why they failed and how they were harvested for the ideas that ultimately created Alto. You’ll hear how a rogue team of long-time mail veterans worked across disciplines and managed to take a risky product to market in the face of internal forces and organizational headwinds – because if we can do it, maybe you can too!
Recommended
Media lang
This document analyzes the trailers for three horror films - The Woman in Black, The Last Exorcism Part 2, and Insidious - focusing on their cinematography, sound, mise-en-scene, and editing techniques. It discusses how the trailers employ conventions of the horror genre through their use of shots that build tension, unsettling soundtracks, settings that enhance realism and mystery, and pacing that increases suspense. The analysis provides insights into how these trailers effectively utilize visual and audio elements to immerse viewers in an eerie atmosphere and anticipate frightening events in the films.
Masthead stories
The document provides potential masthead ideas - Up Beat, Base, Anthem, Tunage, and Volume - for a new music magazine. It analyzes the pros and cons of each idea. The author chooses "Anthem" as the final masthead because it relates to music, connotes togetherness, and had the most votes in a poll. Background information is given on an existing film magazine also called "Anthem" to show the mastheads are distinct. Various font styles are discussed for the masthead, with one noted to look powerful and eye-catching by using bold, unique lettering that adheres to music genres. Potential story ideas for the magazine are also listed.
Presentation1
The target audience for the magazine are male and female students aged 16-21 who enjoy unique styles of clothing, music festivals and gigs, spending time with friends, and keeping up with social media and gossip. They have part-time jobs and shop at stores like Urban Outfitters and Topshop that offer edgy clothing options. The magazine will feature both established and up-and-coming artists, discussing music festivals like V Festival and Wireless that the target audience would enjoy. A variety of musical styles will be represented, from acoustic singer-songwriters like Ben Howard to pop groups like Fun. Fashion retailers like Topshop and American Apparel will also be promoted in the magazine as being affordable options that appeal to
Media
The document analyzes differences between film magazine covers and a music magazine cover. Film magazine covers typically feature Hollywood actors using dramatic lighting and serious facial expressions to attract audiences. Their typography is bold and sophisticated. Music magazine covers represent artists as glamorous and stylish, using italic typography aimed at females. Film magazines adhere more to male stereotypes through serious images and topics like new films and reviews. Music magazines discuss interviews, trends, concerts and reviews, appealing more to females.
Storyboard pp
The story board outlines a black journal. It will follow a woman named Maria who decides to start keeping a journal to document her daily experiences and thoughts as an African American. She writes about facing racism at her job and encounters with police, but also finds community with other black friends. The journal becomes an outlet for Maria to process her emotions and feel less alone in her experiences.
Presentation2
The document analyzes conventions of horror film posters. It identifies several common elements:
- Main images feature creepy or shocking scenes with low lighting to appear eerie and mysterious. Facial expressions show fear or possession.
- Color schemes commonly use black, red, and white to convey danger and death. Titles stand out in bold, red text with a creepy font style.
- Small credits are placed at the bottom without detracting from the main image. A release date is also included.
- Analyzed posters demonstrate these conventions through their use of distorted faces, reaching hands from graves, looming villains, and titles styled as wooden stakes to hint at vampire themes.
Sofia plus
This document lists 4 names: Jessica Marcela Bernal, Diana Paola Casallas, Yessica Alexandra Muñoz, and Kenny Camilo Ojeda. No other information is provided about these individuals.
The Zealots Who Built Alto
In the fall of 2012 AOL launched the private beta of Alto – a re-imagining of the inbox for today’s modern world. This is the behind-the-scenes story of how Alto came to be inside the 25-year-old internet company. It’s far from a rosy picture, but it does hold inspiration and cautionary tales around giving flight to big ideas. How do you take a commodity product like email (whose death is heralded daily in the press) and create something unique and useful? And how do you do all that in the face of so many negative perceptions around the AOL brand? You’ll see how in-home visits inspired Alto’s design, sometimes helped sell the product throughout the organization, and other times were flat out ignored by execs. You’ll see previous iterations, learn why they failed and how they were harvested for the ideas that ultimately created Alto. You’ll hear how a rogue team of long-time mail veterans worked across disciplines and managed to take a risky product to market in the face of internal forces and organizational headwinds – because if we can do it, maybe you can too!
112988 633632132031191250
The document outlines essential topics for small business owners in starting and growing a business, including a business plan, marketing, communications, and sales tools. It discusses developing a business plan with sections like the executive summary and financial plan. For marketing, it emphasizes understanding customers, competitors and one's unique value proposition. It also provides guidance on developing a marketing strategy and mix of tactics like advertising, public relations, branding and sales. The document advises evaluating efforts based on delivering messages to attract and convert customers.
Film trailer analysis
This document analyzes conventions used in horror trailers and discusses several auteur directors. It examines how trailers showcase bits of the film without giving too much away, focusing on themes of good vs. evil, screaming, death, and disrupted normality. It discusses the auteur theory and how directors like Hitchcock, Burton, and Kubrick developed distinct styles and signatures. It concludes by analyzing inspirational horror trailers like The Last Exorcism, Orphan, and Paranormal Activity that effectively use techniques like spiritual locations, children's voices, and shaky "home video" camera work.
Moodboard
The mood board contains examples of front covers, contents pages, and double page spreads from two alternative music magazines, NME and Q. These examples were used to convey the genre, target audience, and overall style of the magazines. Both magazines consistently use the color red and feature the same artist, Florence and the Machine, indicating they aim to attract a similar audience interested in alternative music. The front covers and double page spreads are related, with the main image on the cover often continuing as the focus of a double page story. NME and Q utilize professional conventions like consistent colors, professional photography, and typography to portray a sophisticated, polished identity.
Presentation1
The target audience for the magazine are male and female students aged 16-21 who enjoy music festivals, spending time with friends, and keeping up with the latest fashion trends. They have interests in unique styles of clothing and accessories. The magazine will feature up-and-coming artists as well as established artists that perform at popular music festivals like V Festival and Wireless. It will also include advertisements from clothing stores like Topshop, Topman, Urban Outfitters, and American Apparel that are popular among the target audience.
Media real texts
The document analyzes typical codes and conventions found in horror trailers, including sinister soundtracks, isolated and eerie settings, quick cuts that build suspense, victims targeted by villains, supernatural elements, dark lighting, and the involvement of children to increase fear. It then summarizes two horror trailers, The Conjuring and The Woman in Black, noting how each adheres to these conventions through their settings, use of children, lighting, sound effects, and editing techniques to establish atmosphere and anticipate the horror to come.
Target Audience
The target audience for the magazine are 16-21 year olds interested in unique styles, music, and socializing with friends. They enjoy festivals like V Festival and Wireless which feature artists they like. The magazine will profile both established artists like Ben Howard, Frank Ocean, and Kings of Leon, as well as up-and-coming artists. It will also include fashion content as the audience enjoys unique styles and shopping at stores like Topshop and Urban Outfitters.
Shot list
The document outlines 28 shots that will be used in a horror movie trailer. Shot 1A is an establishing extreme wide shot showing the main characters. Shot 1B is a medium long shot showing the characters' faces and carefree actions drinking alcohol to portray their ages. Shot 1C is a close up of the protagonist Ryan Carter drinking from a bottle to show his hierarchy. The shots then show the characters walking into a dark greenery and discovering a mysterious book. Later shots reveal disturbing content in the book about people going missing and an article about Ryan's future death. Ryan becomes paranoid and begins researching and drawing symbols in the book, and is then possessed by it with black arms grabbing him. The friends discuss returning the book but it
Manual corporativo de la empresa
El manual corporativo describe la tipografía, color y formatos del logotipo de la empresa PH T DESING. El logotipo utiliza la tipografía Bell MT en color #24211D y sustituye la letra "o" por lentes de cámara fotográfica. El manual especifica cómo y en qué fondos puede usarse el logotipo, y proporciona detalles sobre colores corporativos, formatos de presentaciones, membretes, tarjetas de presentación y más materiales de marketing de la empresa.
Guia 6 de proyecto
Este documento presenta un proyecto de negocio para diseñar y producir fotomontajes aplicados a afiches y calendarios. El proyecto incluye un análisis del mercado, objetivos, estrategias de marketing, costos de producción, y una estructura organizacional. El proyecto busca ofrecer productos de alta calidad a través de la creatividad en el diseño de fotomontajes para diferentes ocasiones.
Guia 6
Este documento presenta un plan de negocio para un centro de tarjetería que ofrece tarjetas de invitación y afiches personalizados en materiales como acrílico y vinilo adhesivo. El negocio busca brindar diseños innovadores y de alta calidad a precios accesibles para todos los estratos socioeconómicos. Se analiza la competencia, el mercado objetivo, las estrategias de marketing, precios, promoción y proyecciones de ventas para este nuevo concepto de tarjetas en materiales resistentes y duraderos.
Manual de imagen
Este documento presenta las directrices para el uso de la imagen corporativa de una empresa dedicada a la producción de tarjetas de invitación y afiches personalizados en acrílico. Describe el logotipo, tipografías, colores corporativos, formatos de papelería, materiales promocionales y la identificación visual de cargos y personal de la empresa.
Manual de imagen
Este documento presenta las directrices para el uso de la imagen corporativa de una empresa dedicada a la producción de tarjetas de invitación y afiches personalizados en acrílico. Describe el logotipo, tipografías, colores corporativos, formatos de papelería, materiales promocionales y la identificación visual de cargos y personal de la compañía.
Manual de imagen
Este documento presenta las directrices para el uso de la imagen corporativa de una empresa dedicada a la producción de tarjetas de invitación y afiches personalizados en acrílico. Describe el logotipo, tipografías, colores corporativos, formatos de papelería, materiales promocionales y la identificación visual de cargos y personal de la empresa.
Instrumentos para el control de las pruebas de color
Este documento describe diferentes instrumentos para controlar pruebas de color, incluyendo densitómetros de reflexión y transmisión para medir densidades de color, espectrofotómetros para medir luz reflejada o transmitida a través de una curva, y colorímetros que miden valores triestímulos para apreciar el color como el ojo humano. También discute el uso de monitores calibrados para probar colores, aunque la conversión entre espacios de color RGB y CMYK puede causar desviaciones.
Prueba de color
Las pruebas de color permiten analizar aspectos fundamentales de la calidad de imágenes y reproducción del color. Las pruebas más fieles se producen a partir de las películas finales, que mediante la superposición de imágenes en colores, componen una reproducción del impreso final sin necesidad de usar una prensa. Las bandas de color presentan colores y tramas ordenadas en forma de tira para controlar la calidad de los impresos, y se colocan en las zonas marginales de los papeles. La banda de colores permite comprobar que
P rueba de color
Las pruebas de color permiten analizar aspectos fundamentales de la calidad de imágenes y reproducción del color. Las pruebas más fieles se producen a partir de las películas finales, que mediante la superposición de imágenes en colores, componen una reproducción del impreso final sin necesidad de usar una prensa. Las bandas de color presentan colores y tramas ordenadas en forma de tira para controlar la calidad de los impresos, y se colocan en las zonas marginales de los papeles. La banda de colores permite comprobar que
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112988 633632132031191250
The document outlines essential topics for small business owners in starting and growing a business, including a business plan, marketing, communications, and sales tools. It discusses developing a business plan with sections like the executive summary and financial plan. For marketing, it emphasizes understanding customers, competitors and one's unique value proposition. It also provides guidance on developing a marketing strategy and mix of tactics like advertising, public relations, branding and sales. The document advises evaluating efforts based on delivering messages to attract and convert customers.
Film trailer analysis
This document analyzes conventions used in horror trailers and discusses several auteur directors. It examines how trailers showcase bits of the film without giving too much away, focusing on themes of good vs. evil, screaming, death, and disrupted normality. It discusses the auteur theory and how directors like Hitchcock, Burton, and Kubrick developed distinct styles and signatures. It concludes by analyzing inspirational horror trailers like The Last Exorcism, Orphan, and Paranormal Activity that effectively use techniques like spiritual locations, children's voices, and shaky "home video" camera work.
Moodboard
The mood board contains examples of front covers, contents pages, and double page spreads from two alternative music magazines, NME and Q. These examples were used to convey the genre, target audience, and overall style of the magazines. Both magazines consistently use the color red and feature the same artist, Florence and the Machine, indicating they aim to attract a similar audience interested in alternative music. The front covers and double page spreads are related, with the main image on the cover often continuing as the focus of a double page story. NME and Q utilize professional conventions like consistent colors, professional photography, and typography to portray a sophisticated, polished identity.
Presentation1
The target audience for the magazine are male and female students aged 16-21 who enjoy music festivals, spending time with friends, and keeping up with the latest fashion trends. They have interests in unique styles of clothing and accessories. The magazine will feature up-and-coming artists as well as established artists that perform at popular music festivals like V Festival and Wireless. It will also include advertisements from clothing stores like Topshop, Topman, Urban Outfitters, and American Apparel that are popular among the target audience.
Media real texts
The document analyzes typical codes and conventions found in horror trailers, including sinister soundtracks, isolated and eerie settings, quick cuts that build suspense, victims targeted by villains, supernatural elements, dark lighting, and the involvement of children to increase fear. It then summarizes two horror trailers, The Conjuring and The Woman in Black, noting how each adheres to these conventions through their settings, use of children, lighting, sound effects, and editing techniques to establish atmosphere and anticipate the horror to come.
Target Audience
The target audience for the magazine are 16-21 year olds interested in unique styles, music, and socializing with friends. They enjoy festivals like V Festival and Wireless which feature artists they like. The magazine will profile both established artists like Ben Howard, Frank Ocean, and Kings of Leon, as well as up-and-coming artists. It will also include fashion content as the audience enjoys unique styles and shopping at stores like Topshop and Urban Outfitters.
Shot list
The document outlines 28 shots that will be used in a horror movie trailer. Shot 1A is an establishing extreme wide shot showing the main characters. Shot 1B is a medium long shot showing the characters' faces and carefree actions drinking alcohol to portray their ages. Shot 1C is a close up of the protagonist Ryan Carter drinking from a bottle to show his hierarchy. The shots then show the characters walking into a dark greenery and discovering a mysterious book. Later shots reveal disturbing content in the book about people going missing and an article about Ryan's future death. Ryan becomes paranoid and begins researching and drawing symbols in the book, and is then possessed by it with black arms grabbing him. The friends discuss returning the book but it
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Manual corporativo de la empresa
El manual corporativo describe la tipografía, color y formatos del logotipo de la empresa PH T DESING. El logotipo utiliza la tipografía Bell MT en color #24211D y sustituye la letra "o" por lentes de cámara fotográfica. El manual especifica cómo y en qué fondos puede usarse el logotipo, y proporciona detalles sobre colores corporativos, formatos de presentaciones, membretes, tarjetas de presentación y más materiales de marketing de la empresa.
Guia 6 de proyecto
Este documento presenta un proyecto de negocio para diseñar y producir fotomontajes aplicados a afiches y calendarios. El proyecto incluye un análisis del mercado, objetivos, estrategias de marketing, costos de producción, y una estructura organizacional. El proyecto busca ofrecer productos de alta calidad a través de la creatividad en el diseño de fotomontajes para diferentes ocasiones.
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Este documento presenta las directrices para el uso de la imagen corporativa de una empresa dedicada a la producción de tarjetas de invitación y afiches personalizados en acrílico. Describe el logotipo, tipografías, colores corporativos, formatos de papelería, materiales promocionales y la identificación visual de cargos y personal de la empresa.
Manual de imagen
Este documento presenta las directrices para el uso de la imagen corporativa de una empresa dedicada a la producción de tarjetas de invitación y afiches personalizados en acrílico. Describe el logotipo, tipografías, colores corporativos, formatos de papelería, materiales promocionales y la identificación visual de cargos y personal de la compañía.
Manual de imagen
Este documento presenta las directrices para el uso de la imagen corporativa de una empresa dedicada a la producción de tarjetas de invitación y afiches personalizados en acrílico. Describe el logotipo, tipografías, colores corporativos, formatos de papelería, materiales promocionales y la identificación visual de cargos y personal de la empresa.
Instrumentos para el control de las pruebas de color
Este documento describe diferentes instrumentos para controlar pruebas de color, incluyendo densitómetros de reflexión y transmisión para medir densidades de color, espectrofotómetros para medir luz reflejada o transmitida a través de una curva, y colorímetros que miden valores triestímulos para apreciar el color como el ojo humano. También discute el uso de monitores calibrados para probar colores, aunque la conversión entre espacios de color RGB y CMYK puede causar desviaciones.
Prueba de color
Las pruebas de color permiten analizar aspectos fundamentales de la calidad de imágenes y reproducción del color. Las pruebas más fieles se producen a partir de las películas finales, que mediante la superposición de imágenes en colores, componen una reproducción del impreso final sin necesidad de usar una prensa. Las bandas de color presentan colores y tramas ordenadas en forma de tira para controlar la calidad de los impresos, y se colocan en las zonas marginales de los papeles. La banda de colores permite comprobar que
P rueba de color
Las pruebas de color permiten analizar aspectos fundamentales de la calidad de imágenes y reproducción del color. Las pruebas más fieles se producen a partir de las películas finales, que mediante la superposición de imágenes en colores, componen una reproducción del impreso final sin necesidad de usar una prensa. Las bandas de color presentan colores y tramas ordenadas en forma de tira para controlar la calidad de los impresos, y se colocan en las zonas marginales de los papeles. La banda de colores permite comprobar que
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