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BACKGROUND MEDIA INFO – for immediate release
	
  
It’s	
  “the	
  new	
  way	
  to	
  do	
  your	
  Fringe”	
  …	
  
says	
  the	
  new	
  kid	
  in	
  town	
  
	
  
With	
  174	
  performances	
  from	
  around	
  the	
  world	
  and	
  across	
  Australia	
  ‘The	
  GC’,	
  at	
  223	
  
Flinders	
  Street,	
  will	
  make	
  an	
  impressive	
  debut	
  at	
  this	
  year’s	
  Fringe.	
  
	
  
Its	
  newest	
  ‘hub’	
  features	
  classical	
  to	
  rock	
  music,	
  comedic	
  magic	
  and	
  an	
  impressive	
  line	
  
up	
  of	
  more	
  serious	
  theatre	
  of	
  a	
  type	
  that	
  can	
  be	
  hard	
  to	
  find	
  on	
  the	
  Fringe.	
  
	
  
There’s	
  an	
  international	
  flavour	
  with	
  critically	
  and	
  publicly	
  acclaimed	
  Irish	
  theatre,	
  one	
  
of	
  the	
  UK’s	
  top	
  magicians	
  and	
  a	
  Pulitzer	
  Prize	
  nominated	
  play	
  by	
  Will	
  Eno.	
  
	
  
The	
  program	
  –	
  offered	
  throughout	
  the	
  month-­‐long	
  Fringe	
  over	
  four	
  floors	
  in	
  Flinders	
  
Street’s	
  iconic	
  German	
  Club	
  –	
  is	
  selling	
  well,	
  particularly	
  its	
  early	
  ‘Icons	
  and	
  Tributes’	
  
series.	
  	
  Both	
  1965	
  MASTERS	
  APPRENTICES	
  and	
  ABBA	
  GOLD	
  have	
  sold	
  out	
  first	
  
performances.	
  
	
  
Spokesman	
  Alan	
  Rosewarne	
  points	
  enthusiastically	
  to	
  shows	
  by	
  national	
  70s	
  rock	
  icons,	
  
former	
  Spectrum	
  front	
  man	
  Mike	
  Rudd	
  in	
  RETROSPECTRUM	
  (Feb	
  17)	
  and	
  two	
  shows	
  by	
  
the	
  legendary	
  Angels	
  Brewster	
  brother’s	
  MOONSHINE	
  JUG	
  &	
  STRING	
  BAND	
  (Feb	
  12	
  &	
  
13).	
  	
  
	
  
For	
  Rosewarne,	
  who	
  fronts	
  popular	
  local	
  band	
  The	
  Bald	
  Eagles	
  (AS	
  YOU	
  LIKE	
  IT,	
  three	
  
shows	
  Sunday	
  Feb	
  21),	
  Mike	
  Rudd	
  is	
  “a	
  personal	
  favourite	
  …	
  a	
  musical	
  hero	
  of	
  mine.”	
  
	
  
“Mike	
  was	
  there	
  when	
  it	
  was	
  all	
  happening,	
  not	
  only	
  creating	
  some	
  of	
  the	
  most-­‐played	
  
songs	
  on	
  Australian	
  radio	
  playlists,	
  but	
  rubbing	
  shoulders	
  with	
  many	
  of	
  the	
  great	
  rock	
  
music	
  figures	
  in	
  the	
  business	
  …	
  here	
  and	
  overseas.	
  	
  
	
  
“On	
  top	
  of	
  all	
  that,	
  he’s	
  a	
  wonderful	
  performer;	
  it’s	
  a	
  treat	
  to	
  have	
  him	
  appearing	
  in	
  our	
  
new	
  venue	
  for	
  his	
  first	
  ever	
  Fringe	
  show.”	
  
	
  
“Also	
  famous	
  …	
  especially	
  here	
  in	
  Adelaide	
  …	
  John	
  and	
  Rick	
  Brewster	
  and	
  their	
  mates	
  in	
  
Moonshine	
  metamorphosed	
  into	
  smash	
  hit	
  act,	
  The	
  Angels	
  and	
  audiences	
  are	
  keenly	
  
anticipating	
  their	
  return	
  to	
  The	
  GC	
  on	
  the	
  Fringe.”	
  	
  
	
  
The	
  GC’s	
  bands’	
  season	
  runs	
  almost	
  daily	
  between	
  Feb	
  11	
  and	
  21,	
  all	
  in	
  its	
  largest	
  venue	
  
SHOWROOM	
  ONE,	
  first	
  floor	
  at	
  223	
  Flinders	
  Street,	
  city.	
  
	
  
“It	
  will	
  be	
  set	
  up	
  in	
  cabaret	
  mode	
  for	
  all	
  the	
  rock	
  shows	
  and	
  for	
  Hans	
  &	
  Willsys’	
  TWINS	
  
on	
  Feb	
  19	
  and	
  20.	
  	
  That	
  pairs	
  the	
  outrageous	
  Hans	
  …	
  Berlin’s	
  wonder	
  boy	
  and	
  alter	
  ego	
  	
  
  Page 2 of 3
	
  
	
  
of	
  entertainer	
  and	
  journalist	
  Matt	
  Gilbertson	
  …	
  and	
  Adelaide’s	
  favourite	
  daughter,	
  
television’s	
  multi	
  Logie	
  winner,	
  Anne	
  Wills,”	
  says	
  Rosewarne.	
  	
  	
  
	
  
“For	
  all	
  these	
  shows	
  patrons	
  will	
  be	
  able	
  to	
  eat	
  an	
  inexpensive	
  bar	
  snack	
  in	
  situ,	
  while	
  
watching	
  the	
  show,	
  or	
  enjoy	
  full	
  dining	
  facilities	
  in	
  the	
  ground	
  floor	
  Bistro	
  Alstadt.”	
  	
  
	
  
When	
  the	
  rock	
  music	
  stops	
  SHOWROOM	
  ONE	
  will	
  magically	
  transform	
  to	
  full	
  theatre	
  
mode	
  to	
  accommodate	
  what	
  Rosewarne	
  describes	
  as	
  the	
  “artistic	
  highlight	
  and	
  coup	
  for	
  
The	
  GC’s	
  Fringe	
  season”.	
  
	
  
“We	
  are	
  absolutely	
  thrilled	
  to	
  have	
  three	
  fine	
  plays	
  from	
  Ireland,	
  direct	
  from	
  sell	
  out,	
  
critically	
  acclaimed	
  seasons	
  at	
  last	
  year’s	
  Edinburgh	
  Fringe.	
  
	
  
“This	
  is	
  still	
  classic	
  Fringe	
  fare,”	
  said	
  Rosewarne,	
  “international	
  class	
  but	
  short	
  and	
  
accessible	
  theatre	
  pieces	
  being	
  brought	
  to	
  us	
  by	
  Adelaide’s	
  own	
  international	
  producer,	
  
Arts	
  Project	
  Australia	
  (WOMADELAIDE,	
  et	
  al).	
  
	
  
“All	
  three	
  in	
  our	
  Irish	
  theatre	
  series	
  –	
  BEOWOLF-­‐THE	
  BLOCKBUSTER;	
  UNDERNEATH;	
  
and	
  Donal	
  O’Kelly’s	
  LITTLE	
  THING,	
  BIG	
  THING)	
  can	
  be	
  seen	
  in	
  a	
  single	
  evening	
  at	
  6pm,	
  
7.30	
  and	
  9.30	
  pm	
  …	
  or	
  patrons	
  can	
  spread	
  their	
  pleasure	
  throughout	
  the	
  Fringe	
  (Feb	
  27-­‐
28;	
  Mar	
  1-­‐6	
  and	
  8-­‐13)”,	
  he	
  says.	
  
	
  
“We	
  think	
  this	
  series	
  is	
  a	
  real	
  coup	
  for	
  The	
  GC	
  and	
  indeed	
  for	
  Adelaide.	
  	
  We’re	
  confident	
  
Adelaide	
  audiences	
  will	
  respond	
  and	
  flock	
  to	
  welcome	
  them.	
  	
  It’s	
  an	
  international	
  class	
  
of	
  theatre	
  at	
  a	
  level	
  of	
  excellence	
  that	
  can	
  be	
  hard	
  to	
  find	
  in	
  a	
  Fringe	
  season.”	
  
	
  
Rosewarne	
  says	
  other	
  Fringe	
  highlights	
  of	
  The	
  GC	
  set	
  to	
  play	
  longer	
  seasons	
  and	
  for	
  
larger	
  audiences	
  include	
  guitar	
  virtuoso	
  Matthew	
  Fagan’s	
  LORD	
  OF	
  THE	
  STRINGS	
  
(CLUBROOM,	
  various	
  dates	
  Feb	
  17-­‐21);	
  David	
  Calvitto	
  in	
  Will	
  Eno’s	
  Pulitzer	
  Prize	
  
nominated	
  THOM	
  PAIN	
  (BASED	
  ON	
  NOTHING)	
  in	
  the	
  (CELLAR,	
  various	
  dates	
  Feb	
  12-­‐
Mar	
  6);	
  and	
  CHOPIN’S	
  LAST	
  TOUR	
  (Feb	
  26-­‐29	
  and	
  Mar	
  1-­‐5).	
  
	
  
“We	
  have	
  lots	
  of	
  other	
  ‘small	
  but	
  perfectly	
  formed’	
  shows.	
  	
  Across	
  our	
  whole	
  program	
  
we	
  reckon	
  The	
  GC	
  offers	
  something	
  for	
  very	
  nearly	
  everyone.	
  	
  And,	
  with	
  the	
  German	
  
Club’s	
  help,	
  especially	
  with	
  food	
  and	
  beverage	
  …	
  and	
  nary	
  a	
  shred	
  of	
  canvas	
  or	
  a	
  
portaloo	
  in	
  sight	
  …	
  we	
  like	
  to	
  think	
  The	
  GC	
  really	
  will	
  be	
  THE	
  NEW	
  WAY	
  TO	
  DO	
  YOUR	
  
FRINGE.”	
  	
  
	
  
Fringe	
  chair	
  David	
  Minear	
  welcomed	
  The	
  GC	
  as	
  “our	
  newest	
  Fringe	
  hub”.	
  
	
  
“The	
  GC	
  program	
  is	
  first-­‐class.	
  Great	
  artists,	
  great	
  shows,	
  loads	
  of	
  variety,	
  loads	
  of	
  
appeal.	
  The	
  venue	
  itself	
  fits	
  perfectly	
  with	
  the	
  Fringe	
  and	
  sits	
  comfortably	
  alongside	
  
other	
  established	
  venues.	
  
	
  
“Well	
  worth	
  making	
  your	
  way	
  to	
  223	
  Flinders	
  Street."	
  
	
  
	
  
  Page 3 of 3
	
  
	
  
The	
  GC	
  –	
  Backstory	
  
	
  
The	
  GC	
  is	
  the	
  brainchild	
  of	
  three	
  (‘sexagenarian’)	
  amigos,	
  all	
  South	
  Australians	
  and	
  self-­‐
confessed	
  ‘old	
  farts’.	
  
	
  
They	
  ‘discovered’	
  at	
  Flinders	
  Street’s	
  German	
  Club	
  its	
  possibilities	
  as	
  a	
  ‘performance	
  
hub’	
  while	
  performing	
  at	
  last	
  year’s	
  Fringe	
  as	
  the	
  Bald	
  Eagles.	
  	
  
	
  
Alan	
  Rosewarne	
  and	
  Colin	
  Koch	
  –	
  front	
  liners	
  in	
  the	
  popular	
  band	
  –	
  noticed	
  their	
  venue	
  
was	
  at	
  least	
  a	
  ‘well	
  kept	
  secret’,	
  if	
  not	
  one	
  of	
  SA’s	
  least	
  discovered,	
  under	
  appreciated	
  
and	
  under	
  utilised	
  arts	
  and	
  entertainment	
  ‘hubs’.	
  
	
  
“Like	
  many	
  people	
  we’ve	
  shown	
  since”,	
  Alan	
  Rosewarne	
  said,	
  “we	
  were	
  amazed	
  by	
  the	
  
building’s	
  capacity	
  for	
  at	
  least	
  six	
  separate	
  performance	
  spaces	
  and	
  its	
  potential	
  –	
  
especially	
  being	
  fully	
  air-­‐conditioned,	
  with	
  extensive	
  toilet	
  facilities	
  and	
  the	
  German	
  
Club’s	
  excellent	
  dining	
  and	
  bar	
  facilities	
  already	
  in	
  place	
  –	
  as	
  	
  a	
  Fringe	
  and	
  Cabaret	
  
Fringe	
  Festival	
  entertainment	
  ‘hub’.	
  
	
  
Pulling	
  in	
  friend	
  and	
  marketer	
  Ron	
  Dent	
  –	
  who	
  had	
  helped	
  sell	
  out	
  the	
  Bald	
  Eagles’	
  three	
  
performances	
  for	
  Fringe	
  2015–	
  the	
  other	
  ‘amigos’	
  caught	
  the	
  ear	
  of	
  the	
  German	
  Club	
  
people	
  and	
  the	
  rest	
  is	
  …	
  history.	
  	
  So	
  far!	
  	
  But	
  “the	
  best”	
  –	
  at	
  least	
  in	
  the	
  estimate	
  of	
  the	
  
three	
  amigos	
  –	
  is	
  yet	
  to	
  come”	
  …	
  and	
  soon!	
  
	
  
Feb 9, 2016 … ends
	
  
MORE INFORMATION & ASSISTANCE
For any assistance with coverage of The GC, including artist contact, please phone
Ron Dent 0417 860 930 or Sally Woolford 0417 860 599.
For instant comment on any aspect of the venture including the program please
phone Alan Rosewarne 0417 809 362 or Colin Koch 0419 878 799.
W: http://thegcadelaide.com.au/#the-gc-adelaide
F: https://www.facebook.com/GCAdelaide/
	
  
	
  
THANKS
	
   	
  	
   	
   	
   	
  	
  	
  	
  	
   	
  
	
  
	
   	
   	
  

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Media backgrounder

  • 1.   Page 1 of 3     BACKGROUND MEDIA INFO – for immediate release   It’s  “the  new  way  to  do  your  Fringe”  …   says  the  new  kid  in  town     With  174  performances  from  around  the  world  and  across  Australia  ‘The  GC’,  at  223   Flinders  Street,  will  make  an  impressive  debut  at  this  year’s  Fringe.     Its  newest  ‘hub’  features  classical  to  rock  music,  comedic  magic  and  an  impressive  line   up  of  more  serious  theatre  of  a  type  that  can  be  hard  to  find  on  the  Fringe.     There’s  an  international  flavour  with  critically  and  publicly  acclaimed  Irish  theatre,  one   of  the  UK’s  top  magicians  and  a  Pulitzer  Prize  nominated  play  by  Will  Eno.     The  program  –  offered  throughout  the  month-­‐long  Fringe  over  four  floors  in  Flinders   Street’s  iconic  German  Club  –  is  selling  well,  particularly  its  early  ‘Icons  and  Tributes’   series.    Both  1965  MASTERS  APPRENTICES  and  ABBA  GOLD  have  sold  out  first   performances.     Spokesman  Alan  Rosewarne  points  enthusiastically  to  shows  by  national  70s  rock  icons,   former  Spectrum  front  man  Mike  Rudd  in  RETROSPECTRUM  (Feb  17)  and  two  shows  by   the  legendary  Angels  Brewster  brother’s  MOONSHINE  JUG  &  STRING  BAND  (Feb  12  &   13).       For  Rosewarne,  who  fronts  popular  local  band  The  Bald  Eagles  (AS  YOU  LIKE  IT,  three   shows  Sunday  Feb  21),  Mike  Rudd  is  “a  personal  favourite  …  a  musical  hero  of  mine.”     “Mike  was  there  when  it  was  all  happening,  not  only  creating  some  of  the  most-­‐played   songs  on  Australian  radio  playlists,  but  rubbing  shoulders  with  many  of  the  great  rock   music  figures  in  the  business  …  here  and  overseas.       “On  top  of  all  that,  he’s  a  wonderful  performer;  it’s  a  treat  to  have  him  appearing  in  our   new  venue  for  his  first  ever  Fringe  show.”     “Also  famous  …  especially  here  in  Adelaide  …  John  and  Rick  Brewster  and  their  mates  in   Moonshine  metamorphosed  into  smash  hit  act,  The  Angels  and  audiences  are  keenly   anticipating  their  return  to  The  GC  on  the  Fringe.”       The  GC’s  bands’  season  runs  almost  daily  between  Feb  11  and  21,  all  in  its  largest  venue   SHOWROOM  ONE,  first  floor  at  223  Flinders  Street,  city.     “It  will  be  set  up  in  cabaret  mode  for  all  the  rock  shows  and  for  Hans  &  Willsys’  TWINS   on  Feb  19  and  20.    That  pairs  the  outrageous  Hans  …  Berlin’s  wonder  boy  and  alter  ego    
  • 2.   Page 2 of 3     of  entertainer  and  journalist  Matt  Gilbertson  …  and  Adelaide’s  favourite  daughter,   television’s  multi  Logie  winner,  Anne  Wills,”  says  Rosewarne.         “For  all  these  shows  patrons  will  be  able  to  eat  an  inexpensive  bar  snack  in  situ,  while   watching  the  show,  or  enjoy  full  dining  facilities  in  the  ground  floor  Bistro  Alstadt.”       When  the  rock  music  stops  SHOWROOM  ONE  will  magically  transform  to  full  theatre   mode  to  accommodate  what  Rosewarne  describes  as  the  “artistic  highlight  and  coup  for   The  GC’s  Fringe  season”.     “We  are  absolutely  thrilled  to  have  three  fine  plays  from  Ireland,  direct  from  sell  out,   critically  acclaimed  seasons  at  last  year’s  Edinburgh  Fringe.     “This  is  still  classic  Fringe  fare,”  said  Rosewarne,  “international  class  but  short  and   accessible  theatre  pieces  being  brought  to  us  by  Adelaide’s  own  international  producer,   Arts  Project  Australia  (WOMADELAIDE,  et  al).     “All  three  in  our  Irish  theatre  series  –  BEOWOLF-­‐THE  BLOCKBUSTER;  UNDERNEATH;   and  Donal  O’Kelly’s  LITTLE  THING,  BIG  THING)  can  be  seen  in  a  single  evening  at  6pm,   7.30  and  9.30  pm  …  or  patrons  can  spread  their  pleasure  throughout  the  Fringe  (Feb  27-­‐ 28;  Mar  1-­‐6  and  8-­‐13)”,  he  says.     “We  think  this  series  is  a  real  coup  for  The  GC  and  indeed  for  Adelaide.    We’re  confident   Adelaide  audiences  will  respond  and  flock  to  welcome  them.    It’s  an  international  class   of  theatre  at  a  level  of  excellence  that  can  be  hard  to  find  in  a  Fringe  season.”     Rosewarne  says  other  Fringe  highlights  of  The  GC  set  to  play  longer  seasons  and  for   larger  audiences  include  guitar  virtuoso  Matthew  Fagan’s  LORD  OF  THE  STRINGS   (CLUBROOM,  various  dates  Feb  17-­‐21);  David  Calvitto  in  Will  Eno’s  Pulitzer  Prize   nominated  THOM  PAIN  (BASED  ON  NOTHING)  in  the  (CELLAR,  various  dates  Feb  12-­‐ Mar  6);  and  CHOPIN’S  LAST  TOUR  (Feb  26-­‐29  and  Mar  1-­‐5).     “We  have  lots  of  other  ‘small  but  perfectly  formed’  shows.    Across  our  whole  program   we  reckon  The  GC  offers  something  for  very  nearly  everyone.    And,  with  the  German   Club’s  help,  especially  with  food  and  beverage  …  and  nary  a  shred  of  canvas  or  a   portaloo  in  sight  …  we  like  to  think  The  GC  really  will  be  THE  NEW  WAY  TO  DO  YOUR   FRINGE.”       Fringe  chair  David  Minear  welcomed  The  GC  as  “our  newest  Fringe  hub”.     “The  GC  program  is  first-­‐class.  Great  artists,  great  shows,  loads  of  variety,  loads  of   appeal.  The  venue  itself  fits  perfectly  with  the  Fringe  and  sits  comfortably  alongside   other  established  venues.     “Well  worth  making  your  way  to  223  Flinders  Street."      
  • 3.   Page 3 of 3     The  GC  –  Backstory     The  GC  is  the  brainchild  of  three  (‘sexagenarian’)  amigos,  all  South  Australians  and  self-­‐ confessed  ‘old  farts’.     They  ‘discovered’  at  Flinders  Street’s  German  Club  its  possibilities  as  a  ‘performance   hub’  while  performing  at  last  year’s  Fringe  as  the  Bald  Eagles.       Alan  Rosewarne  and  Colin  Koch  –  front  liners  in  the  popular  band  –  noticed  their  venue   was  at  least  a  ‘well  kept  secret’,  if  not  one  of  SA’s  least  discovered,  under  appreciated   and  under  utilised  arts  and  entertainment  ‘hubs’.     “Like  many  people  we’ve  shown  since”,  Alan  Rosewarne  said,  “we  were  amazed  by  the   building’s  capacity  for  at  least  six  separate  performance  spaces  and  its  potential  –   especially  being  fully  air-­‐conditioned,  with  extensive  toilet  facilities  and  the  German   Club’s  excellent  dining  and  bar  facilities  already  in  place  –  as    a  Fringe  and  Cabaret   Fringe  Festival  entertainment  ‘hub’.     Pulling  in  friend  and  marketer  Ron  Dent  –  who  had  helped  sell  out  the  Bald  Eagles’  three   performances  for  Fringe  2015–  the  other  ‘amigos’  caught  the  ear  of  the  German  Club   people  and  the  rest  is  …  history.    So  far!    But  “the  best”  –  at  least  in  the  estimate  of  the   three  amigos  –  is  yet  to  come”  …  and  soon!     Feb 9, 2016 … ends   MORE INFORMATION & ASSISTANCE For any assistance with coverage of The GC, including artist contact, please phone Ron Dent 0417 860 930 or Sally Woolford 0417 860 599. For instant comment on any aspect of the venture including the program please phone Alan Rosewarne 0417 809 362 or Colin Koch 0419 878 799. W: http://thegcadelaide.com.au/#the-gc-adelaide F: https://www.facebook.com/GCAdelaide/     THANKS