Music Video
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The document provides details on the concept, genre, influences, conventions, props/locations, and camerawork/editing/effects for a music video being created for the song "Let Her Go" by Passenger. The narrative-based concept involves the artist traveling to his ex-girlfriend's house to win her back, with flashbacks to their relationship and breakup. Targeting indie/folk fans aged 16-30, it will incorporate elements common to that genre including natural locations, acoustic guitar, and simple editing.
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Media Pesentation
The artist travels to his ex-girlfriend's house to try to win her back after realizing his regret over their breakup. Through his journey, the audience will see flashbacks to memories from their relationship sparked by different locations. The video will not reveal the outcome of his trip. It will combine a narrative story with musical performance in the indie/folk genre convention, using various camera shots and angles along with simple cuts and transitions between scenes.
Music video pitch presentation
The document outlines a music video pitch for the song "Midnight Moon" by Oh Wonder. It discusses why this song was chosen over others considered for its indie genre and duo artists, allowing for more shot variation. Locations like a drama hall, park, and beach are proposed to represent the artists' freedom and eco-friendliness. Potential issues like weather, timing delays, and camera problems are also addressed. The pitch envisions combining performance, concept, and narrative elements in the final video.
Indie music analysis
The document provides an overview of indie music and analyzes several music videos by Florence and the Machine to understand her style and marketing approach over multiple albums. Key elements incorporated into her videos include nature imagery, varied costumes maintaining a consistent color palette, and location changes. The tone of her videos evolves from upbeat to more emotional. The response proposes incorporating nature, vintage costumes, varied settings, and a storyline-focused performance into their own indie music video to emulate Florence's successful approach.
S1 Critical Perspectives Key Concepts Application
The document provides an analysis of a music video for a song featuring two artists. It discusses the intended audience as having general interest in comparing and contrasting videos and songs. It analyzes the use of narrative theory, with scenes split between the artists following a linear narrative of them searching and realizing something. It also discusses the genre as indie, with typical conventions like a quirky, arty style shown through the vintage setting and clothing.
Types of music videos
The document discusses three main types of music videos:
1. Performance-based videos feature the artist(s) performing the song throughout the video. These are commonly used in pop and rock genres to showcase the talents and star image of the artist.
2. Narrative-based videos tell a story or plot related to the song, sometimes featuring the artist and other times using actors. These can appear as short films with music.
3. Conceptual-based videos are based on an unusual or obscure idea that may not relate directly to the song's meaning, appealing to niche audiences. They often combine surreal elements with some performance aspects.
Indie Genre Conventions
This document discusses conventions of the indie music video genre. It notes that settings are typically low-budget locations that are easy to access like studios, cities, parks and tunnels. Mise-en-scene aims to portray narrative through costumes, makeup and props like instruments. Performance sections focus on showcasing the artist's talents. Narratives are increasingly popular as they help audiences relate to the lyrics. Sound, camera shots, editing and effects also aim to reflect the independent spirit of the music.
Evaluation Task 1
Our music video uses and challenges some conventions of the genre. It uses common camera shots and editing techniques like cutaways that match the lyrics and beat of the song. However, it also uses some unconventional elements like slow motion and transitions between color and black and white. The narrative and performance sections are kept strongly separate, using different costumes and color/black and white to distinguish them, which challenges the norm of tightly linking the two. This is done to emphasize the relatable narrative over the performance, in order to help a new artist build a fanbase by connecting with audiences.
Sven e carlsson media theorist
Sven E Carlsson proposes that music videos can be categorized as either "black" or "white", representing opposing concepts that drive the narrative. The document discusses a music video that subverts expectations by revealing the main character is an elderly man rather than the teenager the audience assumes. Music videos are also classified as either "performance" videos that feature the artist, or "conceptual" videos involving other elements. A conceptual video is proposed to avoid issues of an artist becoming seen as "no longer a performer" and focus audience understanding on the video's message rather than obsession with the artist.
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Media Pesentation
The artist travels to his ex-girlfriend's house to try to win her back after realizing his regret over their breakup. Through his journey, the audience will see flashbacks to memories from their relationship sparked by different locations. The video will not reveal the outcome of his trip. It will combine a narrative story with musical performance in the indie/folk genre convention, using various camera shots and angles along with simple cuts and transitions between scenes.
Music video pitch presentation
The document outlines a music video pitch for the song "Midnight Moon" by Oh Wonder. It discusses why this song was chosen over others considered for its indie genre and duo artists, allowing for more shot variation. Locations like a drama hall, park, and beach are proposed to represent the artists' freedom and eco-friendliness. Potential issues like weather, timing delays, and camera problems are also addressed. The pitch envisions combining performance, concept, and narrative elements in the final video.
Indie music analysis
The document provides an overview of indie music and analyzes several music videos by Florence and the Machine to understand her style and marketing approach over multiple albums. Key elements incorporated into her videos include nature imagery, varied costumes maintaining a consistent color palette, and location changes. The tone of her videos evolves from upbeat to more emotional. The response proposes incorporating nature, vintage costumes, varied settings, and a storyline-focused performance into their own indie music video to emulate Florence's successful approach.
S1 Critical Perspectives Key Concepts Application
The document provides an analysis of a music video for a song featuring two artists. It discusses the intended audience as having general interest in comparing and contrasting videos and songs. It analyzes the use of narrative theory, with scenes split between the artists following a linear narrative of them searching and realizing something. It also discusses the genre as indie, with typical conventions like a quirky, arty style shown through the vintage setting and clothing.
Types of music videos
The document discusses three main types of music videos:
1. Performance-based videos feature the artist(s) performing the song throughout the video. These are commonly used in pop and rock genres to showcase the talents and star image of the artist.
2. Narrative-based videos tell a story or plot related to the song, sometimes featuring the artist and other times using actors. These can appear as short films with music.
3. Conceptual-based videos are based on an unusual or obscure idea that may not relate directly to the song's meaning, appealing to niche audiences. They often combine surreal elements with some performance aspects.
Indie Genre Conventions
This document discusses conventions of the indie music video genre. It notes that settings are typically low-budget locations that are easy to access like studios, cities, parks and tunnels. Mise-en-scene aims to portray narrative through costumes, makeup and props like instruments. Performance sections focus on showcasing the artist's talents. Narratives are increasingly popular as they help audiences relate to the lyrics. Sound, camera shots, editing and effects also aim to reflect the independent spirit of the music.
Evaluation Task 1
Our music video uses and challenges some conventions of the genre. It uses common camera shots and editing techniques like cutaways that match the lyrics and beat of the song. However, it also uses some unconventional elements like slow motion and transitions between color and black and white. The narrative and performance sections are kept strongly separate, using different costumes and color/black and white to distinguish them, which challenges the norm of tightly linking the two. This is done to emphasize the relatable narrative over the performance, in order to help a new artist build a fanbase by connecting with audiences.
Sven e carlsson media theorist
Sven E Carlsson proposes that music videos can be categorized as either "black" or "white", representing opposing concepts that drive the narrative. The document discusses a music video that subverts expectations by revealing the main character is an elderly man rather than the teenager the audience assumes. Music videos are also classified as either "performance" videos that feature the artist, or "conceptual" videos involving other elements. A conceptual video is proposed to avoid issues of an artist becoming seen as "no longer a performer" and focus audience understanding on the video's message rather than obsession with the artist.
Evaluation Task 1
This document discusses conventions in the bass house music genre. It analyzes conventions used in music videos, album artwork, and websites for bass house artists. Key conventions discussed include abstract, jungle-themed visuals with dark lighting and colors; a lack of clear narrative or identified main artist in music videos; and a focus on promoting new music releases over the artist's image. Examples are given of how the student's own music video, album artwork, and website design incorporated these bass house conventions based on an analysis of artists like Bonobo.
Music Video Concepts - Dana Summerfield
This document discusses different types of music videos and theories about narrative structure in music videos. It explains that narratives in music videos can follow Todorov's five stages of equilibrium, disequilibrium, recognition, reparation, and new equilibrium. It also discusses Propps' idea that narratives are influenced by character variations like heroes, villains, and helpers. Strauss' theory is described as narratives being motivated by struggles between binary opposites like good and bad characters. The document also covers performance, concept, and narrative music videos.
Evaluation Question One.
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Initial ideas
The document discusses initial ideas for a music video for the song "Skinny Love" covered by Birdy. It will focus on the narrative and lyrical meanings of the song through the story of a couple whose relationship is faltering. Scenes of the singer's performance will be intercut with scenes from the couple's story to amplify the song's meaning. The video aims to target 16-21 year olds, especially females, through an indie genre convention of local settings and slowed, less edited pacing to focus on authenticity over fast cuts.
S1 Critical Perspectives Key Concepts Application
The music video portrays an indie artist, Charlie, performing along different streets with his band. It uses a restricted narrative that maintains viewer interest by only showing what the characters see and do without revealing their mental states. While it follows the lead singer, it does not fully comply with Propp's or Todorov's narrative theories. The video challenges modular narrative conventions by using a mix of split screens, forking paths, and anachronic narratives without separate stories. It aims to appeal to an indie audience through its use of typical indie conventions like featuring a band and rock instruments.
Q1b
The document discusses how the music video for the track "f e v e r" by the artist Eyes Like Switzerland challenges and develops conventions of the alternative R&B genre. It summarizes that the video challenges conventions by not including sexual or voyeuristic content common to R&B videos, and by having a narrative focus rather than just being a performance video. However, it develops conventions through use of costume, lighting, syncing shots to the music, and maintaining an enigmatic artist identity without including the artist in the video, similar to artists like The Weeknd. Overall it is difficult to strictly classify the genre of the video due to changing genre boundaries in music.
Conventions Of Music Videos
Music videos employ various camera techniques, editing styles, and mise-en-scene elements to represent the mood and themes of songs. Common shots include long shots, close-ups, and mid shots to emphasize artists, locations, and emotions. Jump cuts are frequently used to transition between scenes. Mise-en-scene arranges performers and props to reflect elements of the song through settings, costumes, and lighting. Different genres also have distinguishing conventions - for example, indie videos often use black and white with dark locations while hip hop features expensive displays of wealth and pop emphasizes bright colors and upbeat emotions.
Types and Conventions of Music Videos
There are three main types of music videos: performance, narrative, and concept-based. Performance videos feature the artist performing live on stage. Narrative videos tell a story that relates to the song's lyrics or genre through illustration, amplification, or disjunction of the narrative from the lyrics. Concept-based videos are based on a single idea or concept and are often abstract, leaving interpretation up to the viewer. They may use themes or symbols. Successful music videos typically show a relationship between the visuals and lyrics, are edited to the beat of the music, incorporate genre-related styles, and promote the artist.
Music Video Production – Mood Board
This document provides a mood board and production plan for a music video for the song "Read All About It" by Professor Green featuring Emeli Sande. The music video will tell a narrative story about a young boy going through hard times at home in a housing estate setting. Various cinematography techniques like close-ups, mid shots, and wide shots will be used. Lighting will include back lighting, high key lighting, hard lighting and low key lighting to set the dark and moody tone, with one scene using high key lighting at dusk. The characters will be of varied ages but the same race, portraying the struggles of the young boy.
Evaluation question 1
The document discusses conventions for music videos, digipaks, and album posters. It analyzes conventions outlined by Goodwin and Archer for elements that should be included in music videos, such as relating the visuals to the lyrics and song. It discusses how the student's music video incorporated many conventions, such as using a narrative that relates to the song lyrics, but adapted some conventions, like portraying the artist in a negative way to fit the narrative. It also analyzes conventions for digipaks, such as including exclusive content and photos of the artist, and discusses how the student followed conventions by using a similar style to the artist's other albums. Finally, it discusses conventions for album posters, such as including the artist name
Music Video research (taylor & bridgit)
This document analyzes the music videos for Taylor Swift's "22" and Bridgit Mendler's "Ready or Not" in terms of mise-en-scène elements like location, costumes, props, makeup, and camera work. It finds that both videos feature beach locations, layered accessories, and props like sunglasses and confetti poppers to convey a youthful, fun theme. Natural makeup and outfits like loose skirts also help establish the pop genre and target audience. Through the use of multiple locations, costumes, angles and shots, the videos maintain an upbeat, fast-paced visual style to match the songs.
Steve Archer Music Video Theory
Steve Archer is a media theorist known for his analysis of how music videos appeal to audiences. He identified five key elements that make music videos successful at enhancing the listening experience and marketing music. These include visualizing the imagery listeners associate with the music, telling a narrative, developing the artist's public image, illustrating or expanding on the song's meaning, and technical aspects like camerawork, lighting, and editing that keep time with the music. Archer sees music videos as part of an intertextual marketing strategy to attract audiences through multiple related media forms that together appeal to fans' desires to consume as much content as possible about their favorite artists.
Single ladies (put a ring on it
Goodwin's theory that music videos demonstrate genre characteristics, have a relationship between lyrics and visuals, and between music and visuals is accurate when applied to Beyoncé's "Single Ladies" music video. The video features a synchronized dance routine throughout, visual references to the lyrics, and fast pacing in both the music and dance. It also focuses closely on Beyoncé as the dominant figure, treats her body in a voyeuristic and provocative way, and does not include intertextual references. While Goodwin's theory fits "Single Ladies" well, it may not generalize to all music videos due to their individualism.
Conventions of the indie rock genre
Indie rock originated in the 1980s from independent record labels that produced alternative rock music. It is characterized by a balance of pop accessibility and experimentation. Indie rock videos typically feature band performance over narrative to showcase their live energy. They also often use cinematic techniques and mood-setting elements like lighting, makeup, colors and camerawork to represent the song and attract audiences.
Conventions of Jazz, Folk and Acoustic
This document discusses conventions for jazz, folk, and acoustic music videos. It outlines conventions like location, costumes, lighting, and editing for each genre. Jazz conventions include bright lights, sophisticated costumes, and old-fashioned settings and microphones. Folk often uses shadows, spotlighting of artists, exaggerated playing, and black and white editing. Acoustic focuses on emotional facial expressions, slow pacing, isolated settings, and editing to set mood. Examples are given of artists following or challenging these conventions. The conclusion advocates including aspects of each genre while making the video unique.
Charlotte Boosey Evaluation Question 1
1) The music video uses various visual techniques like shots of phones and phone calls to match the lyrics mentioning phones and match the narrative genre conventions.
2) The editing cuts the footage to the beat of the music, like shots of the main character moving closer to the camera.
3) The band is represented through performance shots of them playing music individually and together, fitting indie music video conventions.
Andrew goodwin's music video theory.
Andrew Goodwin's theory outlines 5 key aspects of music videos:
1) Thought Beats - seeing the sound through elements like choruses, verses, and the singer's voice.
2) Narrative and performance - music videos need a coherent narrative and performance to work properly.
3) The star image - how the artist presents themselves visually to build their persona and brand.
4) Relation of visuals to song - visuals can illustrate, amplify, or create disjuncture from the song's meaning.
5) Technical aspects - including sound, editing, mise-en-scene, and camera work.
Mood board ideas for a music video production
This document discusses ideas for elements to include in a music video production, including artists to feature, settings for filming, common props associated with different music genres, stereotypical costumes, and the purpose of different camera shots. It mentions selecting artists like Beyoncé and Dolly Parton, and describes how settings can relate to the story being told, from a plain room to a festival stage or beach. Common props for genres like indie, rap, and pop are identified. Costume choices are described as signaling genre through styles for rap, rock, and gothic music. Shots are outlined as a way to show emotion with close-ups or multiple people with long shots.
Codes and conventions of music videos
Camera shots like close-ups, mid shots, and long shots are used in music videos to connect the audience emotionally to the artist and song. Mise en scene, including costumes, makeup, and sets, can convey meaning and tell a story that enhances the message of the song. Sound is carefully edited, with diegetic and non-diegetic elements, to match the mood of the music. Professional editing is important to cut shots rhythmically for pop songs or use slow motion for slower songs to keep the audience engaged.
Leaf dog music video analysis (2)
The document analyzes the music video for the song "Some People Say" by Leaf Dog using Andrew Goodwin's five points of music video analysis. It examines the song structure, artist's voice and image, narrative elements, visual relationship to lyrics, and technical aspects of camerawork, editing, and effects. While the video focuses on the artist's performance and casual style, it lacks a clear narrative and uses basic technical elements to follow the artist and amplify the song's intensity.
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Evaluation Task 1
This document discusses conventions in the bass house music genre. It analyzes conventions used in music videos, album artwork, and websites for bass house artists. Key conventions discussed include abstract, jungle-themed visuals with dark lighting and colors; a lack of clear narrative or identified main artist in music videos; and a focus on promoting new music releases over the artist's image. Examples are given of how the student's own music video, album artwork, and website design incorporated these bass house conventions based on an analysis of artists like Bonobo.
Music Video Concepts - Dana Summerfield
This document discusses different types of music videos and theories about narrative structure in music videos. It explains that narratives in music videos can follow Todorov's five stages of equilibrium, disequilibrium, recognition, reparation, and new equilibrium. It also discusses Propps' idea that narratives are influenced by character variations like heroes, villains, and helpers. Strauss' theory is described as narratives being motivated by struggles between binary opposites like good and bad characters. The document also covers performance, concept, and narrative music videos.
Evaluation Question One.
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Initial ideas
The document discusses initial ideas for a music video for the song "Skinny Love" covered by Birdy. It will focus on the narrative and lyrical meanings of the song through the story of a couple whose relationship is faltering. Scenes of the singer's performance will be intercut with scenes from the couple's story to amplify the song's meaning. The video aims to target 16-21 year olds, especially females, through an indie genre convention of local settings and slowed, less edited pacing to focus on authenticity over fast cuts.
S1 Critical Perspectives Key Concepts Application
The music video portrays an indie artist, Charlie, performing along different streets with his band. It uses a restricted narrative that maintains viewer interest by only showing what the characters see and do without revealing their mental states. While it follows the lead singer, it does not fully comply with Propp's or Todorov's narrative theories. The video challenges modular narrative conventions by using a mix of split screens, forking paths, and anachronic narratives without separate stories. It aims to appeal to an indie audience through its use of typical indie conventions like featuring a band and rock instruments.
Q1b
The document discusses how the music video for the track "f e v e r" by the artist Eyes Like Switzerland challenges and develops conventions of the alternative R&B genre. It summarizes that the video challenges conventions by not including sexual or voyeuristic content common to R&B videos, and by having a narrative focus rather than just being a performance video. However, it develops conventions through use of costume, lighting, syncing shots to the music, and maintaining an enigmatic artist identity without including the artist in the video, similar to artists like The Weeknd. Overall it is difficult to strictly classify the genre of the video due to changing genre boundaries in music.
Conventions Of Music Videos
Music videos employ various camera techniques, editing styles, and mise-en-scene elements to represent the mood and themes of songs. Common shots include long shots, close-ups, and mid shots to emphasize artists, locations, and emotions. Jump cuts are frequently used to transition between scenes. Mise-en-scene arranges performers and props to reflect elements of the song through settings, costumes, and lighting. Different genres also have distinguishing conventions - for example, indie videos often use black and white with dark locations while hip hop features expensive displays of wealth and pop emphasizes bright colors and upbeat emotions.
Types and Conventions of Music Videos
There are three main types of music videos: performance, narrative, and concept-based. Performance videos feature the artist performing live on stage. Narrative videos tell a story that relates to the song's lyrics or genre through illustration, amplification, or disjunction of the narrative from the lyrics. Concept-based videos are based on a single idea or concept and are often abstract, leaving interpretation up to the viewer. They may use themes or symbols. Successful music videos typically show a relationship between the visuals and lyrics, are edited to the beat of the music, incorporate genre-related styles, and promote the artist.
Music Video Production – Mood Board
This document provides a mood board and production plan for a music video for the song "Read All About It" by Professor Green featuring Emeli Sande. The music video will tell a narrative story about a young boy going through hard times at home in a housing estate setting. Various cinematography techniques like close-ups, mid shots, and wide shots will be used. Lighting will include back lighting, high key lighting, hard lighting and low key lighting to set the dark and moody tone, with one scene using high key lighting at dusk. The characters will be of varied ages but the same race, portraying the struggles of the young boy.
Evaluation question 1
The document discusses conventions for music videos, digipaks, and album posters. It analyzes conventions outlined by Goodwin and Archer for elements that should be included in music videos, such as relating the visuals to the lyrics and song. It discusses how the student's music video incorporated many conventions, such as using a narrative that relates to the song lyrics, but adapted some conventions, like portraying the artist in a negative way to fit the narrative. It also analyzes conventions for digipaks, such as including exclusive content and photos of the artist, and discusses how the student followed conventions by using a similar style to the artist's other albums. Finally, it discusses conventions for album posters, such as including the artist name
Music Video research (taylor & bridgit)
This document analyzes the music videos for Taylor Swift's "22" and Bridgit Mendler's "Ready or Not" in terms of mise-en-scène elements like location, costumes, props, makeup, and camera work. It finds that both videos feature beach locations, layered accessories, and props like sunglasses and confetti poppers to convey a youthful, fun theme. Natural makeup and outfits like loose skirts also help establish the pop genre and target audience. Through the use of multiple locations, costumes, angles and shots, the videos maintain an upbeat, fast-paced visual style to match the songs.
Steve Archer Music Video Theory
Steve Archer is a media theorist known for his analysis of how music videos appeal to audiences. He identified five key elements that make music videos successful at enhancing the listening experience and marketing music. These include visualizing the imagery listeners associate with the music, telling a narrative, developing the artist's public image, illustrating or expanding on the song's meaning, and technical aspects like camerawork, lighting, and editing that keep time with the music. Archer sees music videos as part of an intertextual marketing strategy to attract audiences through multiple related media forms that together appeal to fans' desires to consume as much content as possible about their favorite artists.
Single ladies (put a ring on it
Goodwin's theory that music videos demonstrate genre characteristics, have a relationship between lyrics and visuals, and between music and visuals is accurate when applied to Beyoncé's "Single Ladies" music video. The video features a synchronized dance routine throughout, visual references to the lyrics, and fast pacing in both the music and dance. It also focuses closely on Beyoncé as the dominant figure, treats her body in a voyeuristic and provocative way, and does not include intertextual references. While Goodwin's theory fits "Single Ladies" well, it may not generalize to all music videos due to their individualism.
Conventions of the indie rock genre
Indie rock originated in the 1980s from independent record labels that produced alternative rock music. It is characterized by a balance of pop accessibility and experimentation. Indie rock videos typically feature band performance over narrative to showcase their live energy. They also often use cinematic techniques and mood-setting elements like lighting, makeup, colors and camerawork to represent the song and attract audiences.
Conventions of Jazz, Folk and Acoustic
This document discusses conventions for jazz, folk, and acoustic music videos. It outlines conventions like location, costumes, lighting, and editing for each genre. Jazz conventions include bright lights, sophisticated costumes, and old-fashioned settings and microphones. Folk often uses shadows, spotlighting of artists, exaggerated playing, and black and white editing. Acoustic focuses on emotional facial expressions, slow pacing, isolated settings, and editing to set mood. Examples are given of artists following or challenging these conventions. The conclusion advocates including aspects of each genre while making the video unique.
Charlotte Boosey Evaluation Question 1
1) The music video uses various visual techniques like shots of phones and phone calls to match the lyrics mentioning phones and match the narrative genre conventions.
2) The editing cuts the footage to the beat of the music, like shots of the main character moving closer to the camera.
3) The band is represented through performance shots of them playing music individually and together, fitting indie music video conventions.
Andrew goodwin's music video theory.
Andrew Goodwin's theory outlines 5 key aspects of music videos:
1) Thought Beats - seeing the sound through elements like choruses, verses, and the singer's voice.
2) Narrative and performance - music videos need a coherent narrative and performance to work properly.
3) The star image - how the artist presents themselves visually to build their persona and brand.
4) Relation of visuals to song - visuals can illustrate, amplify, or create disjuncture from the song's meaning.
5) Technical aspects - including sound, editing, mise-en-scene, and camera work.
Mood board ideas for a music video production
This document discusses ideas for elements to include in a music video production, including artists to feature, settings for filming, common props associated with different music genres, stereotypical costumes, and the purpose of different camera shots. It mentions selecting artists like Beyoncé and Dolly Parton, and describes how settings can relate to the story being told, from a plain room to a festival stage or beach. Common props for genres like indie, rap, and pop are identified. Costume choices are described as signaling genre through styles for rap, rock, and gothic music. Shots are outlined as a way to show emotion with close-ups or multiple people with long shots.
Codes and conventions of music videos
Camera shots like close-ups, mid shots, and long shots are used in music videos to connect the audience emotionally to the artist and song. Mise en scene, including costumes, makeup, and sets, can convey meaning and tell a story that enhances the message of the song. Sound is carefully edited, with diegetic and non-diegetic elements, to match the mood of the music. Professional editing is important to cut shots rhythmically for pop songs or use slow motion for slower songs to keep the audience engaged.
Leaf dog music video analysis (2)
The document analyzes the music video for the song "Some People Say" by Leaf Dog using Andrew Goodwin's five points of music video analysis. It examines the song structure, artist's voice and image, narrative elements, visual relationship to lyrics, and technical aspects of camerawork, editing, and effects. While the video focuses on the artist's performance and casual style, it lacks a clear narrative and uses basic technical elements to follow the artist and amplify the song's intensity.
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Conventions of indie pop
The document discusses conventions of the indie pop genre that the filmmakers plan to use in their music video. Some key conventions discussed include using low-budget settings like studios and parks, including live performance clips, telling a narrative through a sequence of images related to the song, keeping costumes, makeup and props simplistic and linked to the scene, and utilizing close-up shots of the artist to express their emotions. The filmmakers' music video will incorporate many of these elements to tell the story and emotions of the artist Savannah.
Question one evaluation
This document discusses the conventions of indie pop and R&B music videos and how the author's music video followed or challenged those conventions. It begins by outlining some typical elements of indie pop and R&B music videos such as lower production values, live performances, narrative storytelling, and sexualization of characters. It then analyzes how the author's music video for the song "Thinking of You" incorporated conventions like close-ups, slow motion, and layering videos while also subverting conventions by not oversexualizing characters and featuring various unique locations. The document concludes by discussing the conventions of indie pop/R&B album digipaks and how the author's digipak design fits those conventions with a close
Evaluation - Question One, Nicole Atkinson
This document summarizes how the media product uses and challenges conventions of the indie folk music genre. It uses conventions such as close-up shots of the singer, natural lighting, fade transitions, and woodland locations. It challenges conventions by incorporating abstract visual effects, increasing contrast of landscape shots, and including a jump cut at the end rather than a fade. The document provides examples of how other indie folk music videos have used the same conventions in their cinematography, locations, effects, and transitions.
Muisc Video: Codes and Conventions
This document discusses codes and conventions in music videos. It defines codes and conventions as systems that create meaning in music videos. There are technical codes like camera angles, shots, and editing, and symbolic codes like mise-en-scene involving props, costumes, and locations. Codes and conventions allow audiences to be familiar with genres and understand music videos. Technical elements like camera shots, movements, and angles construct meaning, as do symbolic elements of mise-en-scene like props, colors, locations, and facial expressions. Editing, lighting, and sound are also important technical codes that construct meaning and relate the visuals to the music.
Q1
The document discusses conventions of indie music videos. It notes that typical conventions include a focus on love and break-ups, shots of young artists, scenic natural backgrounds, a mixture of narrative scenes and performance shots, close-ups of the artist, and references to instruments like guitars. However, the author chose to challenge some conventions for their own video. They focused heavily on linking the lyrics and visuals, unlike many other indie videos, to tell a clear narrative through the video.
Andrew Goodwins Music Video Conventions
The document discusses how a student's media product used conventions of real music videos. It examines how the student's music video incorporated conventions like genre, star identification, voyeurism, lyrics and visuals, and locations. It aimed to use a calming purple filter and dull flashback filter to convey the indie pop genre. Close-up shots were used for star identification. Scenes focused on the female form for voyeurism. Locations in nature were chosen to emphasize traveling after loss. The lyrics were directly matched to visuals like dancing in the moonlight. Intertextual references and star iconography were not included to focus on telling the story of two normal girls in love through memories. The promotional package matched the music
Andrew Goodwins Music Video Conventions
The document discusses how a music video for an indie pop song used several conventions of real music videos, including genre, star identification, voyeurism, lyrics and visuals, and locations. It provides examples of how each convention was implemented, such as using filters to establish the genre, close-ups for star identification, shots emphasizing the female form for voyeurism, matching lyrics and visuals, and varying locations to represent themes. Intertextuality and star iconography were not used. The promotional package for the song followed conventions for design and coordinated with the music video.
Question 1: In what ways does your music video/digipak/magazine advert, use d...
The document discusses the creation of a music video, digipak, and magazine advertisement for a hybrid R&B and pop song. It analyzes the works using theories from scholars on music video conventions. The project aims to incorporate representations from both genres effectively. Key influences included using neutral colors and plain settings from R&B, with bold colors and a focus on the artist from pop. The video tells a narrative of the artist expressing feelings over a lost love through flashbacks. The other works continue this theme. Analysis finds the project illustrates lyrics, uses performance and conceptual elements, and promotes the artist's image in line with music video conventions.
Indie Pop Genre Conventions
Indie pop music videos typically have the following conventions:
1) They feature low-budget, DIY aesthetics with live performances, simple narratives and locations that are easy to access.
2) Narratives relate to the song's lyrics and are intercut with live performances to keep viewers engaged.
3) Mise-en-scene, including props and costumes, are used to develop characters and signify meanings from the lyrics.
4) Editing techniques like filters and pace changes reflect the music and create atmosphere.
Evaluation Question 1
This document discusses how a student's media project, a music video for the song "riptide" by Emma Stevens, uses and develops conventions of real music videos in the pop/country genre. Specifically, it includes:
- A narrative that matches the song's theme of love/relationships
- Casual clothing and lack of formal dress, as is typical in pop/country videos
- Frequent jumps cuts that are on beat to keep the video fast-paced and match the upbeat song
- Focus on the artist and locations through long shots, close-ups, and mid shots
Question 1
The document discusses conventions used in a student music video project based on Andrew Goodwin's seven conventions for music videos. It describes how the video incorporated conventions of genre, star identification, voyeurism, lyrics and visuals, and locations to tell the story of two lovers. It also discusses challenges to conventions like not including inter-textual references or following all conventions. Inspiration was drawn from music videos by Lana Del Rey, Florence and the Machine, and Ed Sheeran that also challenged conventions.
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conventions of real media products ?
Generic codes birdy skinny love
The video represents the indie folk genre through close-ups of the artist's face to show emotion during the performance and connect it to the lyrics. It tells a narrative story that brings the lyrics to life for viewers to understand and relate to. The cinematography uses close-ups of the artist and long shots of the old, damaged location to reflect the emotion in the lyrics. The editing is slow-paced, allowing time to analyze shots that set the mood corresponding to the lyrics and beat of the song. The target audience is adults who can understand the serious situation and story presented.
question 4
Our music video for the song "Three Tree Town" by the indie artist James Lorell both follows and challenges conventions of the indie genre. We followed conventions by using close-up shots of the artist singing and playing guitar, simple editing with fade transitions, and incorporating the guitar as a focal point. However, we also challenged conventions by having equal focus on performance and narrative scenes, including more context about the artist's personal life through the narrative, and having more elaborate mise-en-scene and long shots during the narrative portions of the video. Overall, we aimed to be largely consistent with expectations of the indie genre while also making our video more interesting through some unconventional elements.
Evaluation 1 - FIANAL
The document discusses a music video, Digipak, and magazine advertisement created by the author to promote Kelly Clarkson's cover of "Respect." The music video tells a story of female empowerment showing a woman gaining control after being ignored by her husband. Both the Digipak and magazine ad feature the same woman from the video in colorful, fashionable clothing to appeal to their target audience of females aged 16-25. The author analyzes their works using various music video theories and conventions such as narrative vs performance, editing techniques, mise-en-scene elements, and how their works compare to other pop music videos.
Question 1
The document discusses how a music video project used and developed several conventions of real music videos. It analyzes the use of conventions like genre, star identification, voyeurism, lyrics and visuals, and location. It provides examples of how the project incorporated these conventions and drew inspiration from other music videos. However, it did not include the conventions of inter-textual references and star iconography, challenging those conventions.
Codes and Conventions of Music Videos
Music videos use codes and conventions in their cinematography, editing, sound, mise-en-scene, and genre-specific techniques to promote artists and connect with audiences. Cinematography employs shots like close-ups and angles that suit different genres and songs. Editing cuts rhythmically to the beat. Mise-en-scene reflects lyrics through locations, costumes, and instruments. Genres have recognizable styles - R&B features wealth, rock uses dark colors for live performances, while pop uses bright colors and some voyeurism targeted at teens.
1
1. The media product uses and develops conventions from real music videos through extensive research into the indie/pop genre. Shots and editing styles were inspired by music videos like Rihanna's "Diamonds" but developed further, like adding slow motion and reversing shots.
2. Conventions were also challenged, like casting the creator instead of a Caucasian actress to subvert expectations and appeal to a wider audience. Additionally, the music video did not include a love interest like typical indie/pop videos to focus more on the singer's emotions and lyrics.
3. Elements were developed further, like changing a painted scene from colorful to black paint smeared aggressively to depict anger, developing the idea from Demi Lov
Question 1
The document summarizes and analyzes a music video the author created in reference to music video theory. It examines the narrative, editing, camerawork, and relationship between visuals and lyrics/music. The summary analyzes these elements in the author's video and references how other popular music videos use similar techniques, like Taylor Swift's "Trouble" video which tells a narrative through the lyrics. Quick cuts, close-ups of the artist, and handheld camerawork are used to emphasize the beat and maintain focus on the performer.
Evaluation Q1 - Millie Tapner
This document summarizes the conventions used in rock and indie music videos. It discusses how the student's music video incorporates many of these conventions, including close-ups of band members, shots showing the whole band performing, casual clothing, dim lighting that creates shadows, and a plain background setting. It also discusses how the student applied similar conventions to the design of their digipak and magazine advertisement for consistency across the media products.
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留信网认证的作用:
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Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
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Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
The Gallery of Shadows, In the heart of a bustling city
In the heart of a bustling city, hidden away from the modern chaos …
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定制(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书原版一模一样
原版定制【微信:bwp0011】《(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
一比一原版(UCSF毕业证)旧金山分校毕业证如何办理
原件一模一样【微信：95270640】【旧金山分校毕业证UCSF学位证成绩单】【微信：95270640】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
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二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：95270640】即可
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留信网认证的作用:
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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校名:学校英文全称
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综上所述，办理旧金山分校毕业证毕业证offerUCSF学位证【微信：95270640 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
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Sara Saffari: Turning Underweight into Fitness Success at 23
Uncover the remarkable journey of Sara Saffari, whose transformation from underweight struggles to being recognized as a fitness icon at 23 underscores the importance of perseverance, discipline, and embracing a healthy lifestyle.
原版制作(MUN毕业证书)纽芬兰纪念大学毕业证PDF成绩单一模一样
学校原件一模一样【微信：741003700 】《(MUN毕业证书)纽芬兰纪念大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
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四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
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◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Abraham Laboriel Records ‘The Bass Walk’ at Evergreen Stage
A legendary musician records an intricate song designed to show off his expert bass guitar chops at a historical Los Angeles studio.
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Music Video
- 2. Concept The song itself seems to give the idea of living with regret after the singer’s relationship has ended and now he has realised what he’s missed. Our video will be narrative based. The artist is reminded of his previous relationship and his regrets leads him to travel to his ex-girlfriend’s house to get her back. Throughout his travelling the audience will also see his memories of the relationship, through to the break up, sparked by locations and images until he reaches her house. However the video will leave the audience unknowing the outcome of his journey.
- 3. Genre Our chosen song belongs to the indie/folk genre. Target Audience: Indie videos often target teenagers to young adults. Although the lyrics/narrative within our video appeals more to females, as it surrounds the idea of relationships and love, it can still also appeal to males as the artist is male.
- 4. Influence Most of Passengers music videos are solely based on performance, however within our music video we want to include narrative as well as performance. Gabrielle Aplin – Panic Cord uses both narrative and performance. The message of this song is also similar to ‘Let Her Go’ – it follows a couple, who have broken up, and uses the idea of re-visiting old memories from the relationship, sparked by things kept from different occasions.
- 5. Conventions Lyrics and visuals – The video will visually represent the message in the lyrics through the narrative. Music and visuals – There will be a relationship between the music and visuals through the editing of the video. As the pace of the song increases so will the editing and the narrative content. Close-up – close ups will be used so that the artist can express emotion and connect with the audience. Genre – We will follow typical conventions of the indie genre through how we dress the artist, the locations we use and the editing of the video.
- 6. Props/Locations Within the folk/indie genre almost all videos focus on or include a performance of the song and therefore within our music video we will include instruments. To follow the usual conventions of this genre we will use an acoustic guitar for the performance. As indie is usually a small budget and niche audience genre they typically use fairly simple locations. They often use outside or everyday locations, often in order to use natural lighting.
- 7. Camerawork/Editing/Effects Our video will use a variety of camera angles, shots and distances within the video in order to keep it interesting and connected with the audience. For example use of P.O.V shots or over the shoulder shots will allow the audience to gain view from the performers perspective. Indie videos typically don’t use many edited effects and transitions are often simple cuts, so our video will follow this convention using transitions for the video to flow well.