The student created a fake blood mixture using syrup, chocolate powder and water to get the right texture so that it smoothly dripped down his arm. He also used different shades of eyeliner as makeup to create realistic looking fake bruises.
The document provides analogies between an Xbox console and a window, and a lamp and a flower, comparing their attributes of connectivity, transparency, ability to illuminate, and changing colors. It then discusses deliberately working to get better at something and the achievements of Tour de France cyclist Miguel Indurain. Various other disjointed phrases and sentences are included without context. The overall content and ideas are difficult to follow in a coherent summary due to the disjointed and ambiguous nature of the document.
The document describes editing a picture by first using levels to lighten the dark picture and bring out more vibrant colors. Then the author created a new layer and used the quick selection tool to highlight the body and paint the background and skin black, changing the layer to color to tint the skin and background to black, creating a greyscale picture with color splash effect.
The document provides an 8 step process for painting a watercolor of purple irises:
1. Prepare a sketch and pencil in the key elements on watercolor paper.
2. Paint a background wash using cadmium yellow and sap green, then add darker tones of hooker's green dark and cobalt blue.
3. Underpaint browning portions of irises with raw sienna and add dark foliage tones.
4. Underpaint iris petals with permanent rose and soften edges with clear water. Add soft blushes of color in white areas.
5. Add basic shadows to each flower using cobalt blue and dioxazine purple.
Pixel Pictures, a subsidiary of Sony, will distribute the film. Pixel Pictures typically distributes films with budgets of around $7 million, like SAW II ($5 million) and The Conjuring ($20 million). As Pixel Pictures is funded by Sony, it will provide most of the $7 million estimated budget for the film. Distributing through a major company like Pixel Pictures will allow the film to get wide releases in key markets, increasing its potential viewership and profits compared to an independent distribution.
We learned about several technologies from constructing this product. Slideshare and Blogger helped us easily upload and share our PowerPoint presentations. Final Cut 7 allowed us to edit our footage and improve quality with features like quick cutting, color grading, and speed ramping. Compressor converted video from SD cards to ProRes format for use in Final Cut, though the compression time slowed our process.
The document provides instructions for creating zombie makeup and sound effects for a film project. It includes details on using red contacts, face paint, and prosthetics to portray infected and tired zombie eyes and skin. It also describes how to create sound effects for zombie movements and attacks using items like newspapers, rice noodles, lemons, and tennis rackets. The document recommends techniques for editing the sound effects together and matching them to the visuals, as well as camera techniques like dolly and crane shots to capture moving zombie shots and clean transitions between objects and characters.
Liam learned several technologies from constructing this product including:
1) Slideshare which allows embedding PowerPoint presentations on blogs easily.
2) Blogger which is an organized website for uploading assignments.
3) Final Cut Pro 7 for high quality video editing including cutting, color grading, and speed ramping.
4) Compressor for converting video footage to ProRes to edit in Final Cut, though it slowed workflows.
5) Powtoon for presentations though editing took time but provided variety for future projects.
The document discusses the benefits of exercise for mental health. It states that regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise has also been shown to enhance self-esteem and quality of life.
The document provides analogies between an Xbox console and a window, and a lamp and a flower, comparing their attributes of connectivity, transparency, ability to illuminate, and changing colors. It then discusses deliberately working to get better at something and the achievements of Tour de France cyclist Miguel Indurain. Various other disjointed phrases and sentences are included without context. The overall content and ideas are difficult to follow in a coherent summary due to the disjointed and ambiguous nature of the document.
The document describes editing a picture by first using levels to lighten the dark picture and bring out more vibrant colors. Then the author created a new layer and used the quick selection tool to highlight the body and paint the background and skin black, changing the layer to color to tint the skin and background to black, creating a greyscale picture with color splash effect.
The document provides an 8 step process for painting a watercolor of purple irises:
1. Prepare a sketch and pencil in the key elements on watercolor paper.
2. Paint a background wash using cadmium yellow and sap green, then add darker tones of hooker's green dark and cobalt blue.
3. Underpaint browning portions of irises with raw sienna and add dark foliage tones.
4. Underpaint iris petals with permanent rose and soften edges with clear water. Add soft blushes of color in white areas.
5. Add basic shadows to each flower using cobalt blue and dioxazine purple.
Pixel Pictures, a subsidiary of Sony, will distribute the film. Pixel Pictures typically distributes films with budgets of around $7 million, like SAW II ($5 million) and The Conjuring ($20 million). As Pixel Pictures is funded by Sony, it will provide most of the $7 million estimated budget for the film. Distributing through a major company like Pixel Pictures will allow the film to get wide releases in key markets, increasing its potential viewership and profits compared to an independent distribution.
We learned about several technologies from constructing this product. Slideshare and Blogger helped us easily upload and share our PowerPoint presentations. Final Cut 7 allowed us to edit our footage and improve quality with features like quick cutting, color grading, and speed ramping. Compressor converted video from SD cards to ProRes format for use in Final Cut, though the compression time slowed our process.
The document provides instructions for creating zombie makeup and sound effects for a film project. It includes details on using red contacts, face paint, and prosthetics to portray infected and tired zombie eyes and skin. It also describes how to create sound effects for zombie movements and attacks using items like newspapers, rice noodles, lemons, and tennis rackets. The document recommends techniques for editing the sound effects together and matching them to the visuals, as well as camera techniques like dolly and crane shots to capture moving zombie shots and clean transitions between objects and characters.
Liam learned several technologies from constructing this product including:
1) Slideshare which allows embedding PowerPoint presentations on blogs easily.
2) Blogger which is an organized website for uploading assignments.
3) Final Cut Pro 7 for high quality video editing including cutting, color grading, and speed ramping.
4) Compressor for converting video footage to ProRes to edit in Final Cut, though it slowed workflows.
5) Powtoon for presentations though editing took time but provided variety for future projects.
The document discusses the benefits of exercise for mental health. It states that regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise has also been shown to enhance self-esteem and quality of life.
This document summarizes a student's assignment on the possession horror subgenre. It discusses conventions of the subgenre like priests helping possessed individuals, entrapment in isolated locations, and use of ouija boards. The student's opening sequence will focus symbolically on hands moving a ouija board to create narrative intrigue about the characters. Flashbacks will show the characters' differing possessed states, from violent killing to self-harm. Inspirational films cited are The Exorcist for establishing conventions, Ouija for its use of the board, and The Devil Inside for challenging expectations. The ouija board is identified as the unique selling point.
This document outlines the key elements of a possession horror film that a group of students plan to create for an assignment. It discusses conventions of the subgenre like priests helping the possessed and isolation of characters. The students' film will focus on brothers who use a Ouija board to contact their deceased mother's spirit but instead summon something sinister that possesses one of the brothers. Inspiration will come from classic possession films like The Exorcist that established conventions as well as Ouija and The Devil Inside for challenging conventions.
The document lists different business models such as B2B (business to business), C2C (customer to customer), and B2C (business to customer) and provides various website URLs. It references Alibaba, Taobao, eBay, T Mall, and Amazon as examples of these models and includes links to articles about billionaire Jack Ma and his explanations of business models.
GarageBand and Final Cut Pro were used to plan and produce sound effects for a scene. Foley noises were created such as the creaking of a bed by stepping on a wooden floor and dripping of blood by leaking water droplets from a tap in a bathroom to create an echo. These sounds were added to emphasize moments in the scene where a character was rocking in bed and another character was dripping with blood.
This document compares mainstream and independent horror films and their target audiences. Mainstream horror films are widely distributed in theaters and target audiences interested in technologically advanced films featuring demons and spirits. Independent horror films are produced outside of major studios and target audiences willing to watch low-budget films about haunted houses and possession, though some independent films can achieve wider release after recognition at film festivals.
This document provides a schedule for filming two drafts of a project called Assignment 32. It lists the teenage brothers playing main roles and their character descriptions. Dates are given for filming the first and second drafts over all day sessions in mid-March and early April, with additional days scheduled for re-shoots and editing of each draft.
The document discusses film production budgets and genres. It provides examples of various horror films from different production companies, showing budgets ranging from $15,000 for Paranormal Activity to $30 million for The Cabin in the Woods. Possession horror films generally have budgets between $1-6 million. Animation films require more technology and thus have higher budgets, typically over $60 million. The document also examines distribution company budgets, finding horror films usually have lower budgets than action films for distribution, typically $5-10 million.
This document summarizes and analyzes the opening title sequences (OTS) of three films. For Ginger Snaps, the credits appear on still images with names in lowercase and jobs in capitals in white. For The Conjuring, the credits use old black and white photos and appear as if on a projector with uncomfortable orchestra music. For The Last of Us, the credits do not touch spreading liquid on the page and transition with fades. The document discusses elements of each OTS that provide inspiration for the creator's own planned non-linear OTS featuring old black and white photos and ending with a candle flame transforming into the title via smoke.
The document discusses representing teenage boys in an open test scenario (OTS). It suggests stereotyping them with modern clothes like jeans, trainers, and hoodies. Electronics like iPhones should be included to show how technology is integrated into their lives. Their speech should use slang and the setting could include items like beer bottles and ashtrays to portray a hedonistic lifestyle.
The document provides details on costumes and props needed for a film project, including casual modern clothes that can get stained for teenage characters, an Ouija board with planchette and candles to make scary scenes, a bath tub with chain where a character will be possessed, and a bed where a character wakes with bruises to induce fear in the audience.
The purpose of the horror genre is to elicit fear, panic, and alarm in viewers by putting them on the edge of their seats wondering what will happen next. Sound is particularly effective at creating a sense of fear through sharp, high-pitched noises. Horror films often center around some change in circumstances that sets the story in motion, such as a person moving to a new neighborhood. The Purge is used as an example of how one event, such as all laws being suspended for 12 hours, can lead to generic horror conventions like death and violence. Viewers enjoy horror films because they like seeing the protagonist succeed against tough odds while experiencing fear and panic along with the characters. Descent shows a group endangered by blind,
Materi koperasi ini memuat pengertian, sumber modal, sejarah, lembaga organisasi, kebaikan&kelemahan, jenis-jenis, peran, cara menghitung shu disertai contoh soal, 5 butir soal essay dsb. Join this chapter.
This document discusses Miley Cyrus' career trajectory and changing image over time. It notes that early in her career with Disney, she targeted kids and teenagers with a wholesome country image. However, she increasingly adopted a more sexualized, party-oriented pop star image with videos promoting wild behavior. This was an effort to appeal to younger audiences and shift away from her Disney roots. The document also contrasts the image-focused strategies of mainstream artists seeking wide appeal versus the music-focused independence of artists appealing to niche audiences.
This document provides information about Coldplay and Kasabian. For Coldplay, it discusses their record labels, target audience, budgets for music videos, and how fans consume their music. It notes they are a big-budget mainstream band. For Kasabian, it discusses their record labels, performances, target audience of young females, how fans consume their music on platforms like Spotify and YouTube, and positives and negatives of being an indie artist.
The document analyzes and summarizes the packaging designs of 5 different music albums. Each album packaging is described in 1-2 sentences highlighting key design elements and how they relate to the artist or genre of music. Overall, the document concludes that mainstream artists focus more on promoting their image to sell albums while independent artists use more creative and conceptual designs that relate the themes of their music. Color schemes and imagery are also chosen deliberately depending on whether the album is a compilation of hits or a single release.
The document discusses lighting, editing, shots/angles, transitions, and MES/FX techniques used in various music videos that could provide inspiration for the student's own music video assignment. For lighting, it notes the use of a strong key light to create silhouettes in one video and lighting from a fire as the main focus in another. Regarding editing, it highlights the constant use of jump cuts and increased speed while keeping lip sync. For shots/angles, it examines close-ups, dutch angles, and long shots following the rule of thirds. Transitions discussed include fading between a graveyard shot and another and a blurred focus transition with bright colors. Finally, it analyzes the
This document provides shot suggestions for a film scene, including a close-up shot to show the fear on a character's face, an over-the-shoulder shot to depict a killer chasing their victim, and several high angle shots to illustrate the power and control of the killer as they look over and isolate their victim.
The document outlines the preliminary planning for a school film project, including using a room near the school hall for filming, props needed like chairs and a table, and a basic timeline showing a character walking in and sitting down opposite another character before they start talking and one runs away screaming. It also mentions overhead plans and camera angles, and costumes including the protagonist wearing a shirt, jumper and tie to look smarter while the other character will dress more casually in an untucked shirt to seem tougher.
This document discusses ideas and inspirations for a film project. It proposes using a basement setting with creepy lighting to create tension. Specific filming techniques are mentioned, like speed ramping shots of blood and using time lapse for cloud/moon shots. Negative filters and burning pictures are suggested to make shots look flickery. After receiving feedback, the filmmakers will focus more shots on an ouija board, editing in flickering character possession images. Effects will be inspired by examples shown previously, mixing time lapse, reverse shots, filters, speed ramps and cuts.
This document discusses ideas and inspirations for a film project. It proposes using a basement setting with creepy lighting to create tension. Specific filming techniques mentioned include speed ramping shots of blood, time lapse shots of the moon, applying negative filters to character portraits, and burning/reversing shots of photographs. After receiving feedback, the filmmakers plan to focus on shots of an ouija board and edit in flickering images of characters being possessed in different styles, using techniques like time lapse, reverse shots, filters, speed ramps, and cutaways. The goal is to create a flashing and flickering effect that builds suspense.
The team held auditions for three teenage boy roles in their film about possession. Over 200 actors auditioned and had to learn and perform a script without dialogue to test their acting abilities. The three boys who were selected stood out for taking the roles seriously and believably during the audition process. Vincent was chosen because he fit the teenage stereotype and brought excellent acting skills to the screen. Jordan was selected for standing out and making the possession genre more realistic for audiences. Liam was picked due to his phenomenal acting skills and determination to work hard both on and off screen.
This document provides an overview and explanation of a script for an observational documentary (OTS) split into 5 scenes. It describes the challenges of crafting a script without dialogue and explains that the script aims to describe each character's reactions through body language to convey tone. The script is intended to help guide the production and allow actors to understand their roles.
This document summarizes a student's assignment on the possession horror subgenre. It discusses conventions of the subgenre like priests helping possessed individuals, entrapment in isolated locations, and use of ouija boards. The student's opening sequence will focus symbolically on hands moving a ouija board to create narrative intrigue about the characters. Flashbacks will show the characters' differing possessed states, from violent killing to self-harm. Inspirational films cited are The Exorcist for establishing conventions, Ouija for its use of the board, and The Devil Inside for challenging expectations. The ouija board is identified as the unique selling point.
This document outlines the key elements of a possession horror film that a group of students plan to create for an assignment. It discusses conventions of the subgenre like priests helping the possessed and isolation of characters. The students' film will focus on brothers who use a Ouija board to contact their deceased mother's spirit but instead summon something sinister that possesses one of the brothers. Inspiration will come from classic possession films like The Exorcist that established conventions as well as Ouija and The Devil Inside for challenging conventions.
The document lists different business models such as B2B (business to business), C2C (customer to customer), and B2C (business to customer) and provides various website URLs. It references Alibaba, Taobao, eBay, T Mall, and Amazon as examples of these models and includes links to articles about billionaire Jack Ma and his explanations of business models.
GarageBand and Final Cut Pro were used to plan and produce sound effects for a scene. Foley noises were created such as the creaking of a bed by stepping on a wooden floor and dripping of blood by leaking water droplets from a tap in a bathroom to create an echo. These sounds were added to emphasize moments in the scene where a character was rocking in bed and another character was dripping with blood.
This document compares mainstream and independent horror films and their target audiences. Mainstream horror films are widely distributed in theaters and target audiences interested in technologically advanced films featuring demons and spirits. Independent horror films are produced outside of major studios and target audiences willing to watch low-budget films about haunted houses and possession, though some independent films can achieve wider release after recognition at film festivals.
This document provides a schedule for filming two drafts of a project called Assignment 32. It lists the teenage brothers playing main roles and their character descriptions. Dates are given for filming the first and second drafts over all day sessions in mid-March and early April, with additional days scheduled for re-shoots and editing of each draft.
The document discusses film production budgets and genres. It provides examples of various horror films from different production companies, showing budgets ranging from $15,000 for Paranormal Activity to $30 million for The Cabin in the Woods. Possession horror films generally have budgets between $1-6 million. Animation films require more technology and thus have higher budgets, typically over $60 million. The document also examines distribution company budgets, finding horror films usually have lower budgets than action films for distribution, typically $5-10 million.
This document summarizes and analyzes the opening title sequences (OTS) of three films. For Ginger Snaps, the credits appear on still images with names in lowercase and jobs in capitals in white. For The Conjuring, the credits use old black and white photos and appear as if on a projector with uncomfortable orchestra music. For The Last of Us, the credits do not touch spreading liquid on the page and transition with fades. The document discusses elements of each OTS that provide inspiration for the creator's own planned non-linear OTS featuring old black and white photos and ending with a candle flame transforming into the title via smoke.
The document discusses representing teenage boys in an open test scenario (OTS). It suggests stereotyping them with modern clothes like jeans, trainers, and hoodies. Electronics like iPhones should be included to show how technology is integrated into their lives. Their speech should use slang and the setting could include items like beer bottles and ashtrays to portray a hedonistic lifestyle.
The document provides details on costumes and props needed for a film project, including casual modern clothes that can get stained for teenage characters, an Ouija board with planchette and candles to make scary scenes, a bath tub with chain where a character will be possessed, and a bed where a character wakes with bruises to induce fear in the audience.
The purpose of the horror genre is to elicit fear, panic, and alarm in viewers by putting them on the edge of their seats wondering what will happen next. Sound is particularly effective at creating a sense of fear through sharp, high-pitched noises. Horror films often center around some change in circumstances that sets the story in motion, such as a person moving to a new neighborhood. The Purge is used as an example of how one event, such as all laws being suspended for 12 hours, can lead to generic horror conventions like death and violence. Viewers enjoy horror films because they like seeing the protagonist succeed against tough odds while experiencing fear and panic along with the characters. Descent shows a group endangered by blind,
Materi koperasi ini memuat pengertian, sumber modal, sejarah, lembaga organisasi, kebaikan&kelemahan, jenis-jenis, peran, cara menghitung shu disertai contoh soal, 5 butir soal essay dsb. Join this chapter.
This document discusses Miley Cyrus' career trajectory and changing image over time. It notes that early in her career with Disney, she targeted kids and teenagers with a wholesome country image. However, she increasingly adopted a more sexualized, party-oriented pop star image with videos promoting wild behavior. This was an effort to appeal to younger audiences and shift away from her Disney roots. The document also contrasts the image-focused strategies of mainstream artists seeking wide appeal versus the music-focused independence of artists appealing to niche audiences.
This document provides information about Coldplay and Kasabian. For Coldplay, it discusses their record labels, target audience, budgets for music videos, and how fans consume their music. It notes they are a big-budget mainstream band. For Kasabian, it discusses their record labels, performances, target audience of young females, how fans consume their music on platforms like Spotify and YouTube, and positives and negatives of being an indie artist.
The document analyzes and summarizes the packaging designs of 5 different music albums. Each album packaging is described in 1-2 sentences highlighting key design elements and how they relate to the artist or genre of music. Overall, the document concludes that mainstream artists focus more on promoting their image to sell albums while independent artists use more creative and conceptual designs that relate the themes of their music. Color schemes and imagery are also chosen deliberately depending on whether the album is a compilation of hits or a single release.
The document discusses lighting, editing, shots/angles, transitions, and MES/FX techniques used in various music videos that could provide inspiration for the student's own music video assignment. For lighting, it notes the use of a strong key light to create silhouettes in one video and lighting from a fire as the main focus in another. Regarding editing, it highlights the constant use of jump cuts and increased speed while keeping lip sync. For shots/angles, it examines close-ups, dutch angles, and long shots following the rule of thirds. Transitions discussed include fading between a graveyard shot and another and a blurred focus transition with bright colors. Finally, it analyzes the
This document provides shot suggestions for a film scene, including a close-up shot to show the fear on a character's face, an over-the-shoulder shot to depict a killer chasing their victim, and several high angle shots to illustrate the power and control of the killer as they look over and isolate their victim.
The document outlines the preliminary planning for a school film project, including using a room near the school hall for filming, props needed like chairs and a table, and a basic timeline showing a character walking in and sitting down opposite another character before they start talking and one runs away screaming. It also mentions overhead plans and camera angles, and costumes including the protagonist wearing a shirt, jumper and tie to look smarter while the other character will dress more casually in an untucked shirt to seem tougher.
This document discusses ideas and inspirations for a film project. It proposes using a basement setting with creepy lighting to create tension. Specific filming techniques are mentioned, like speed ramping shots of blood and using time lapse for cloud/moon shots. Negative filters and burning pictures are suggested to make shots look flickery. After receiving feedback, the filmmakers will focus more shots on an ouija board, editing in flickering character possession images. Effects will be inspired by examples shown previously, mixing time lapse, reverse shots, filters, speed ramps and cuts.
This document discusses ideas and inspirations for a film project. It proposes using a basement setting with creepy lighting to create tension. Specific filming techniques mentioned include speed ramping shots of blood, time lapse shots of the moon, applying negative filters to character portraits, and burning/reversing shots of photographs. After receiving feedback, the filmmakers plan to focus on shots of an ouija board and edit in flickering images of characters being possessed in different styles, using techniques like time lapse, reverse shots, filters, speed ramps, and cutaways. The goal is to create a flashing and flickering effect that builds suspense.
The team held auditions for three teenage boy roles in their film about possession. Over 200 actors auditioned and had to learn and perform a script without dialogue to test their acting abilities. The three boys who were selected stood out for taking the roles seriously and believably during the audition process. Vincent was chosen because he fit the teenage stereotype and brought excellent acting skills to the screen. Jordan was selected for standing out and making the possession genre more realistic for audiences. Liam was picked due to his phenomenal acting skills and determination to work hard both on and off screen.
This document provides an overview and explanation of a script for an observational documentary (OTS) split into 5 scenes. It describes the challenges of crafting a script without dialogue and explains that the script aims to describe each character's reactions through body language to convey tone. The script is intended to help guide the production and allow actors to understand their roles.
This document provides an overview and explanation of a script for an observational documentary (OTS) split into 5 scenes. It describes the challenges of crafting a script without dialogue and explains that the script aims to describe each character's reactions through body language to convey tone. The script is intended to help guide the production and allow actors to understand their roles.
The audience provided feedback on two film pitches. For the first zombie pitch, they felt it was well researched and fit horror conventions well but the setting of an abandoned house, street, and village would be too difficult to create. The second possession pitch was deemed weaker due to its linear structure and complexity involving three brothers of different ages but similar-aged actors, making it hard to understand. The audience suggested using possession symbolically for the genre.
This document summarizes the key elements of a possession horror film subgenre. It discusses conventions like priests helping possessed individuals, isolation/entrapment, and strange physical abilities. The proposed film would feature three characters whose hands are shown moving a Ouija board in flashbacks and scenes depicting their possessed states. Inspiration comes from films like The Exorcist, Ouija, and The Devil Inside for their use of possession, Ouija boards, and challenging of conventions. The unique selling point is the scary potential of Ouija boards.
This document discusses the possession horror movie subgenre. It outlines key conventions like films being set in isolated locations like houses to trap victims. Priests or mediums typically try to help rid spirits from possessed people. Common character types include the possessed person and priests. The document proposes an opening title sequence for a new possession film that won't show character faces, only their hands around an Ouija board, creating narrative mystery. Scenes will flash back and forth in time between the board and characters' later possessed states. Inspirational films cited are The Exorcist, Ouija, and The Devil Inside. The Ouija board is identified as the unique selling point for the proposed film.
This document discusses the possession horror subgenre and plans for a student film project exploring its conventions. It will focus on three characters communicating through an Ouija board, with flashbacks revealing how they become possessed. Key conventions that will be included are isolated settings like homes, the involvement of priests or mediums, and signs of possession like strange physical abilities. The project aims to both enforce conventions like using a family home and challenge them by subverting expectations of who becomes possessed. Inspirations include The Exorcist for its entrapment scenes, Ouija for its use of the board, and The Devil Inside for possessing the intended exorcists.
Pixel Pictures, a subsidiary of Sony, will distribute the film. Pixel Pictures typically distributes films with budgets of around $7 million, similar to other major horror titles from studios like Lionsgate, Universal Pictures, and Warner Bros. These major studio distributors release films nationwide in many theaters, or with "saturation" releases, to reach the largest possible audiences. Choosing a major distributor will help the film appeal to mainstream viewers and have the best chance of profiting from the large funding provided by Sony.
Blood was simulated using syrup, chocolate powder and water mixed to the right texture to smoothly dribble down the arm. Bruises were faked using different shades of eyeliner makeup to make the coloring look realistic. The document describes how a student created simulated blood and bruises for an assignment using common household ingredients.
Blood was simulated using syrup, chocolate powder and water mixed to the right texture to smoothly dribble down the arm. Bruises were faked using different shades of eyeliner makeup to make the coloring look realistic. The document describes how a student created simulated blood and bruises for an assignment using common household ingredients.
Blood was simulated using syrup, chocolate powder and water mixed to the right texture to smoothly dribble down the arm. Bruises were faked using different shades of eyeliner makeup to make the coloring look realistic. The document describes how a student created simulated blood and bruises for an assignment using common household ingredients.
Blood was simulated using syrup, chocolate powder and water mixed to the right texture to smoothly dribble down the arm. Bruises were faked using different shades of eyeliner makeup to make the coloring look realistic. The document describes how a student created simulated blood and bruises for an assignment using common household ingredients.
The document provides feedback on a preliminary film assignment. It identifies several areas for improvement in pre-production, production, and post-production. In pre-production, more thorough storyboards and script are needed. Better location selection is also important to avoid interruptions. During production, rushing led to shaky camera work, focusing issues, and poor audio quality. More planning and equipment checks are required. In post-production, file importing and rendering problems wasted time and caused jerky footage. The preliminary was useful for learning how to work as a team and identifying mistakes to avoid in the actual assignment video.
2. Blood
• For blood we used syrup,
Nesquick chocolate powder
and water.
• We mixed it to get the right
texture and consistency so that
it dribbled down my arm
smoothly.
3. Bruise
• For the fake bruises, we used
makeup (different shades of
eyeliner) to make the colouring
of the bruise look realistic