The document discusses The Ghent Altarpiece, painted between 1432 by Hubert and Jan van Eyck. It contains high quality images and details of various panels from the altarpiece including Adam and Eve, angels, prophets, and the adoration of the lamb. The altarpiece was commissioned for Saint Bavo's Cathedral in Ghent, Belgium where it is still housed today.
Madalmaade maalikunst 15.-16. sajandil - BruegelMerille Hommik
The document provides details on numerous paintings created by the Flemish Renaissance artist Pieter Bruegel the Elder between the years 1525-1569. It includes the titles, dates of creation, materials, dimensions and current locations of many of his landscape paintings and engravings depicting peasant scenes and biblical subjects.
Art in Detail: The Ghent Altarpiece, Part 2guimera
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Madalmaade maalikunst 15.-16. sajandil Jan van Eyck van eyck 2Merille Hommik
The document provides information on artworks created by 15th century Flemish painter Jan van Eyck. It describes several of his famous oil paintings from the 1420s-1440s including portraits, religious works, and his masterpiece "The Arnolfini Portrait". The paintings are described along with their dates, materials, dimensions and current locations in museums.
Art in Detail: The Ghent Altarpiece, Part 3guimera
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Madalmaade maalikunst 15.-16. sajandil. Bouts, MemlingMerille Hommik
The document provides information about 15th-16th century Flemish painters Dirk Bouts and Hans Memling, including summaries of some of their major works. It describes several altarpieces and religious works by both artists during this period, located in museums across Europe. Many of the pieces featured Bouts and Memling's signature realistic, detailed, and serene style.
Art in Detail: The Ghent Altarpiece, Part 1guimera
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Madalmaade maalikunst 15.-16. sajandil - BruegelMerille Hommik
The document provides details on numerous paintings created by the Flemish Renaissance artist Pieter Bruegel the Elder between the years 1525-1569. It includes the titles, dates of creation, materials, dimensions and current locations of many of his landscape paintings and engravings depicting peasant scenes and biblical subjects.
Art in Detail: The Ghent Altarpiece, Part 2guimera
Download; http://www.authorstream.com/Presentation/guimera-3294986-art-detail-ghent-altarpiece-part/
Download my presentations in authorstream.com : http://www.authorstream.com/tag/latest/guimera/
Madalmaade maalikunst 15.-16. sajandil Jan van Eyck van eyck 2Merille Hommik
The document provides information on artworks created by 15th century Flemish painter Jan van Eyck. It describes several of his famous oil paintings from the 1420s-1440s including portraits, religious works, and his masterpiece "The Arnolfini Portrait". The paintings are described along with their dates, materials, dimensions and current locations in museums.
Art in Detail: The Ghent Altarpiece, Part 3guimera
Download: http://www.authorstream.com/Presentation/guimera-3294979-art-detail-ghent-altarpiece-part/
Download my presentations in authorstream.com : http://www.authorstream.com/tag/latest/guimera/
Madalmaade maalikunst 15.-16. sajandil. Bouts, MemlingMerille Hommik
The document provides information about 15th-16th century Flemish painters Dirk Bouts and Hans Memling, including summaries of some of their major works. It describes several altarpieces and religious works by both artists during this period, located in museums across Europe. Many of the pieces featured Bouts and Memling's signature realistic, detailed, and serene style.
Art in Detail: The Ghent Altarpiece, Part 1guimera
Download: http://www.authorstream.com/Presentation/guimera-3295001-art-detail-ghent-altarpiece-part/
Download my presentations in authorstream.com : http://www.authorstream.com/tag/latest/guimera/
The document discusses works by American hyperrealist artists Richard Estes and Robert Cottingham from the 1970s, as well as hyperrealist sculptures by Duane Hanson from the 1960s-1980s. It provides information on each work such as the title, date, materials, dimensions, and location. The works depicted everyday scenes and objects in photorealistic detail, from city streets and buildings to shoppers and tourists.
The document discusses several land artists from the 1960s-70s including Walter de Maria, Christo, Robert Smithson, and Merille Hommik. Some of their notable works mentioned are Walter de Maria's Lightning Field in New Mexico consisting of 400 stainless steel poles, Christo's Running Fence installation in California, and Robert Smithson's Spiral Jetty, an earthwork sculpture formed in a Utah saltwater lake. These artists helped pioneer the land art movement using the natural environment as their medium.
This document provides information on several op art and kinetic art artists including Victor Vasarely, Bridget Riley, Jesús Rafael Soto, and Alexander Calder. It includes the titles, dates, materials, and locations of many of their artworks. Images are included of works by each artist, both to illustrate their artistic styles and some of the key pieces discussed.
This document provides information on abstract artists Frank Stella, Josef Albers, and Kenneth Noland. It includes the title, date, materials, dimensions and location of many of their paintings from the 1950s-1970s. Stella is known for his minimalist paintings using stripes and geometric shapes. Albers created serial works exploring color called "Homage to the Square". Noland was influential in the development of Color Field painting with works featuring circles and stripes in vibrant colors.
The document provides information on various pop artists such as David Hockney, Claes Oldenburg, Andy Warhol, James Rosenquist, and Roy Lichtenstein. It includes the titles, dates, mediums, dimensions and locations of many of their prominent artworks from the 1960s and 1970s. Examples given include Hockney's "A Bigger Splash" and "Portrait of an Artist", Oldenburg's "Soft Toilet" and "Lipstick (Ascending) on Caterpillar Tracks", Warhol's "Campbell's Soup Cans", "Marilyn", and "Brillo Boxes", Rosenquist's "F-111" and "The Swimmer in the E
The document appears to be an exhibition catalog listing works by artists Yves Klein, Jasper Johns, and Robert Rauschenberg from the 1950s-1960s. It includes over 50 individual artworks described along with their titles, dates, materials, and dimensions. The artworks span painting, sculpture, and mixed media works incorporating objects, and cover each artist's experimentation with monochrome paintings, flags, targets, and early combine paintings incorporating found objects.
The document discusses works by American hyperrealist artists Richard Estes and Robert Cottingham from the 1970s, as well as hyperrealist sculptures by Duane Hanson from the 1960s-1980s. It provides information on each work such as the title, date, materials, dimensions, and location. The works depicted everyday scenes and objects in photorealistic detail, from city streets and buildings to shoppers and tourists.
The document discusses several land artists from the 1960s-70s including Walter de Maria, Christo, Robert Smithson, and Merille Hommik. Some of their notable works mentioned are Walter de Maria's Lightning Field in New Mexico consisting of 400 stainless steel poles, Christo's Running Fence installation in California, and Robert Smithson's Spiral Jetty, an earthwork sculpture formed in a Utah saltwater lake. These artists helped pioneer the land art movement using the natural environment as their medium.
This document provides information on several op art and kinetic art artists including Victor Vasarely, Bridget Riley, Jesús Rafael Soto, and Alexander Calder. It includes the titles, dates, materials, and locations of many of their artworks. Images are included of works by each artist, both to illustrate their artistic styles and some of the key pieces discussed.
This document provides information on abstract artists Frank Stella, Josef Albers, and Kenneth Noland. It includes the title, date, materials, dimensions and location of many of their paintings from the 1950s-1970s. Stella is known for his minimalist paintings using stripes and geometric shapes. Albers created serial works exploring color called "Homage to the Square". Noland was influential in the development of Color Field painting with works featuring circles and stripes in vibrant colors.
The document provides information on various pop artists such as David Hockney, Claes Oldenburg, Andy Warhol, James Rosenquist, and Roy Lichtenstein. It includes the titles, dates, mediums, dimensions and locations of many of their prominent artworks from the 1960s and 1970s. Examples given include Hockney's "A Bigger Splash" and "Portrait of an Artist", Oldenburg's "Soft Toilet" and "Lipstick (Ascending) on Caterpillar Tracks", Warhol's "Campbell's Soup Cans", "Marilyn", and "Brillo Boxes", Rosenquist's "F-111" and "The Swimmer in the E
The document appears to be an exhibition catalog listing works by artists Yves Klein, Jasper Johns, and Robert Rauschenberg from the 1950s-1960s. It includes over 50 individual artworks described along with their titles, dates, materials, and dimensions. The artworks span painting, sculpture, and mixed media works incorporating objects, and cover each artist's experimentation with monochrome paintings, flags, targets, and early combine paintings incorporating found objects.
Leveraging Generative AI to Drive Nonprofit InnovationTechSoup
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
Temple of Asclepius in Thrace. Excavation resultsKrassimira Luka
The temple and the sanctuary around were dedicated to Asklepios Zmidrenus. This name has been known since 1875 when an inscription dedicated to him was discovered in Rome. The inscription is dated in 227 AD and was left by soldiers originating from the city of Philippopolis (modern Plovdiv).
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
6. Hubert and Jan van
EYCK
• The Ghent Altarpiece:
Adam; Cain and Abel
• 1425-29
• Oil on wood
• 212,9 x 37,1 cm (with
the top grisaille)
• Cathedral of St Bavo,
Ghent
7. Hubert and Jan
van EYCK
• The Ghent Altarpiece:
Adam (detail)
• 1425-29
• Oil on wood
• Cathedral of St Bavo,
Ghent
8. Hubert and
Jan van EYCK
• The Ghent
Altarpiece: Adam
(detail)
• 1425-29
• Oil on wood
• Cathedral of St
Bavo, Ghent
9. H.
and
J.
van
EYCK
• The Ghent
Altarpiece:
The
Offering of
Abel and
Cain
• 1425-29
• Oil on
wood,
width 37
cm
• Cathedral
of St Bavo,
Ghent
10. Hubert and Jan
van EYCK
• The Ghent Altarpiece: Virgin
Mary
• 1426-29
• Oil on wood
• 168,7 x 74,9 cm
• Cathedral of St Bavo, Ghent
11. Hubert and
Jan van EYCK
• The Ghent
Altarpiece: Virgin
Mary (detail)
• 1426-29
• Oil on wood
• Cathedral of St
Bavo, Ghent
12. Hubert and Jan van
EYCK
• The Ghent Altarpiece: God
Almighty
• 1426-27
• Oil on wood
• 212,22 x 83,1 cm
• Cathedral of St Bavo, Ghent
13. Hubert and Jan
van EYCK
• The Ghent Altarpiece:
God Almighty (detail)
• 1426-27
• Oil on wood
• Cathedral of St Bavo,
Ghent
14. Hubert and Jan
van EYCK
• The Ghent Altarpiece: St
John the Baptist
• 1425-29
• Oil on wood
• 168,1 x 75,1 cm
• Cathedral of St Bavo, Ghent
15. Hubert and
Jan van
EYCK
• The Ghent
Altarpiece: St John
the Baptist (detail)
• 1425-29
• Oil on wood
• Cathedral of St
Bavo, Ghent
16. • The
Ghent
Altarpie
ce: The
Killing
of Abel
• 1425-2
9
• Oil on
wood,
width
37 cm
• Cathe-
dral of
St Bavo,
Ghent
17. Hubert and Jan van
EYCK
• The Ghent Altarpiece: Eve; The
Killing of Abel
• 1425-29
• Oil on wood
• 213,3 x 32,3 cm (with the top
grisaille)
• Cathedral of St Bavo, Ghent
18. Hubert and
Jan van EYCK
• The Ghent Altarpiece:
Eve (detail)
• 1425-29
• Oil on wood
• Cathedral of St Bavo,
Ghent
19. Hubert and Jan
van EYCK
• The Ghent Altarpiece:
Eve (detail)
• 1425-29
• Oil on wood
• Cathedral of St Bavo,
Ghent
30. Hubert and Jan van
EYCK
• The Ghent Altarpiece: The Just
Judges
• 1427-30
• Oil on wood
• 145 x 51 cm
• Cathedral of St Bavo, Ghent
31. Hubert and Jan van
EYCK
• The Ghent Altarpiece: The Soldiers of
Christ
• 1427-30
• Oil on wood
• 149,2x 54 cm
• Cathedral of St Bavo, Ghent
32. Hubert and
Jan van
EYCK
• The Ghent
Altarpiece: The
Soldiers of Christ
(detail)
• 1427-30
• Oil on wood
• height of detail:
39,5 cm
• Cathedral of St
Bavo, Ghent
33. • The Ghent Altarpiece: Adoration of
the Lamb
• 1425-29
• Oil on wood Hubert and Jan
• 137,7 x 242,3 cm
• Cathedral of St Bavo, Ghent van EYCK
34.
35. Hubert
and Jan
van EYCK
• The Ghent
Altarpiece:
Adoration of
the Lamb
(detail)
• 1425-29
• Oil on wood
• Cathedral of St
Bavo, Ghent
36. Hubert
and Jan
van EYCK
• The Ghent
Altarpiece:
Adoration of
the Lamb
(detail)
• 1425-29
• Oil on wood
• Cathedral of St
Bavo, Ghent
37. Hubert and
Jan van EYCK
• The Ghent
Altarpiece: Adoration
of the Lamb (detail)
• 1425-29
• Oil on wood
• Cathedral of St
Bavo, Ghent
38.
39.
40. Hubert and
Jan van
EYCK
• The Ghent
Altarpiece:
Adoration of the
Lamb (detail)
• 1425-29
• Oil on wood
• height of detail:
26 cm
• Cathedral of St
Bavo, Ghent
41. Hubert and
Jan van
EYCK
• The Ghent
Altarpiece:
Adoration of the
Lamb (detail)
• 1425-29
• Oil on wood
• height of detail:
26 cm
• Cathedral of St
Bavo, Ghent
42. Hubert and
Jan van
EYCK
• The Ghent
Altarpiece:
Adoration of the
Lamb (detail)
• 1425-29
• Oil on wood
• height of detail:
26 cm
• Cathedral of St
Bavo, Ghent
43. Hubert and
Jan van
EYCK
• The Ghent
Altarpiece:
Adoration of the
Lamb (detail)
• 1425-29
• Oil on wood
• height of detail:
26 cm
• Cathedral of St
Bavo, Ghent
44. Hubert and Jan van
EYCK
• The Ghent Altarpiece: The Holy
Hermits
• 1427-30
• Oil on wood
• 148,6 x 53,9 cm
• Cathedral of St Bavo, Ghent
45. Hubert and Jan van
EYCK
• The Ghent Altarpiece: The
Holy Pilgrims
• 1427-30
• Oil on wood
• 148,7 x 54,2 cm
• Cathedral of St Bavo, Ghent
47. Hubert and
Jan van
EYCK
• The Ghent
Altarpiece (wings
closed)
• 1432
• Oil on wood
• 350 x 223 cm
• Cathedral of St
Bavo, Ghent
48. Hubert and Jan
van EYCK
• The Ghent Altarpiece: Prophet
Zacharias; Angel of the
Annunciation
• 1432
• Oil on wood
• 164,8 x 71,7 cm
• Cathedral of St Bavo, Ghent
49. Hubert and Jan
van EYCK
• The Ghent Altarpiece:
Angel of the
Annunciation (detail)
• 1432
• Oil on wood
• Cathedral of St Bavo,
Ghent
50. • The Ghent Altarpiece: Prophet
Zacharias Hubert and
• 1432
• Oil on wood Jan van
• Cathedral of St Bavo, Ghent EYCK
51. Hubert and Jan
van EYCK
• The Ghent Altarpiece:
Erythraean Sibyl
• 1432
• Oil on wood
• Cathedral of St Bavo,
Ghent
52. Hubert and Jan
van EYCK
• The Ghent Altarpiece:
Cumaean Sibyl
• 1432
• Oil on wood
• Cathedral of St Bavo,
Ghent
53. Hubert and Jan van
EYCK
• The Ghent Altarpiece: Arched
Window with a View (detail)
• 1432
• Oil on wood
• 212,9 x 37,1 cm (with Sibyl)
• Cathedral of St Bavo, Ghent
54. Hubert and Jan van
EYCK
• The Ghent Altarpiece:
Niche with Wash Basin
(detail)
• 1432
• Oil on wood
• 213,5 x 36,1 cm (with
Sibyl)
• Cathedral of St Bavo,
Ghent
55. Hubert and Jan
van EYCK
• The Ghent Altarpiece:
Prophet Micheas; Mary
of the Annunciation
• 1432
• Oil on wood
• 164,8 x 73 cm
• Cathedral of St Bavo,
Ghent
56. Hubert and
Jan van EYCK
• The Ghent Altarpiece:
Mary of the
Annunciation (detail)
• 1432
• Oil on wood
• Cathedral of St Bavo,
Ghent
57. • The Ghent Altarpiece:
Prophet Micheas
• 1432
• Oil on wood
Hubert and Jan
• Cathedral of St Bavo, van EYCK
Ghent