The document provides direction for filming scenes for a music video of the song "Loving Someone" by The 1975. It describes shots inside and outside a church with teenagers exploring and playing. It then shows a girl named Yioda being bullied online and taking a bath in red water. The teenagers find an unusual book in the church that emits light. The video will portray various interconnecting storylines and characters.
A 16-year-old boy named Aaron gets knocked out and wakes up in the year 2001 instead of 2016. He tries to find his way back to his original time. The film has no particular message but aims to entertain audiences. In the opening scene, Aaron says goodbye to his parents before an earthquake knocks him out. He wakes up near his house and meets his mother who is 15 years younger. He then realizes he has traveled back 15 years to the year 2001.
I have made another educational power point with even more slides to help students with their English literature exams coming up soon. This is based on An Inspector Calls which is a play written in 1945 made by Priestly. I hope you enjoy and learn, please follow and like to discover more power points. Thank you! (Reference: Bitesize: English literature)
~ Suzan G
(Info is from Bitesize, I don't own it)
<a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width:0" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.
The document summarizes stories from The Joy Luck Club. It provides details about several stories told by different characters:
- Jing-mei Woo is taking her mother's place in the Joy Luck Club after her death and learns she didn't fully know her mother.
- An-Mei Hsu's story involves her mother becoming a ghost and family traditions around respecting ancestors.
- Lindo Jong's story is about her arranged marriage and how she gains independence.
It then summarizes additional stories and details about the characters and their families.
The chapter focuses on Lena recalling memories of her mother Ying-Ying and the superstitions she held. Lena remembers stories her mother told of their ancestors and her time immigrating to America. The chapter also describes tensions growing in Lena's marriage as communication breaks down with her husband Harold. Lena comes to realize her marriage is lacking the love and understanding she had hoped for.
John proposes to his girlfriend Lily at a cafe while another woman, Nevaeh, watches angrily from outside. The story then flashes forward to Lily seeing John holding hands with Nevaeh in the park. When Lily calls John, he declines the call. The document outlines brainstorms and ideas for an opening sequence about a relationship between a young couple that involves jealousy and cheating.
Othello, a Moorish general in the Venetian army, marries Desdemona against her father's wishes but wins a legal battle allowing their marriage. Iago, angry that Othello passed him over for a promotion, sows seeds of doubt in Othello's mind that Desdemona is unfaithful. Othello murders his wife in a fit of jealous rage only to then learn that Iago deceived him, leading to Othello taking his own life in grief and remorse over what he had done.
Aileen and Sem are introduced as having a global love story. Aileen is described as a restless party queen from a young age who traveled extensively around the world seeking adventure, including to places like Nepal, climbing mountains, and sailing oceans. She even auditioned for Memoirs of a Geisha in Japan but lost the role to Zhang Ziyi. Sem is portrayed as a fashionable man who spent time overseas in places like the US and Korea, working hard and studying. He wanted to be a pillar for society. They finally found love together after meeting at a Lord of the Rings movie date.
Lindsey is the popular student at her school until a new student, Jennifer, arrives and quickly takes her place. Jennifer also steals Lindsey's boyfriend Dylan. When a murder occurs, Lindsey suspects Jennifer is responsible but no one believes her. Lindsey works to prove Jennifer's guilt and save Dylan, who she believes is in danger, before Jennifer can hurt anyone else. In the end, Lindsey finds Dylan bound and gagged by Jennifer, and the police arrive to arrest Jennifer for the murder.
A 16-year-old boy named Aaron gets knocked out and wakes up in the year 2001 instead of 2016. He tries to find his way back to his original time. The film has no particular message but aims to entertain audiences. In the opening scene, Aaron says goodbye to his parents before an earthquake knocks him out. He wakes up near his house and meets his mother who is 15 years younger. He then realizes he has traveled back 15 years to the year 2001.
I have made another educational power point with even more slides to help students with their English literature exams coming up soon. This is based on An Inspector Calls which is a play written in 1945 made by Priestly. I hope you enjoy and learn, please follow and like to discover more power points. Thank you! (Reference: Bitesize: English literature)
~ Suzan G
(Info is from Bitesize, I don't own it)
<a rel="license" href="http://creativecommons.org/licenses/by/4.0/"><img alt="Creative Commons Licence" style="border-width:0" src="https://i.creativecommons.org/l/by/4.0/88x31.png" /></a><br />This work is licensed under a <a rel="license" href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution 4.0 International License</a>.
The document summarizes stories from The Joy Luck Club. It provides details about several stories told by different characters:
- Jing-mei Woo is taking her mother's place in the Joy Luck Club after her death and learns she didn't fully know her mother.
- An-Mei Hsu's story involves her mother becoming a ghost and family traditions around respecting ancestors.
- Lindo Jong's story is about her arranged marriage and how she gains independence.
It then summarizes additional stories and details about the characters and their families.
The chapter focuses on Lena recalling memories of her mother Ying-Ying and the superstitions she held. Lena remembers stories her mother told of their ancestors and her time immigrating to America. The chapter also describes tensions growing in Lena's marriage as communication breaks down with her husband Harold. Lena comes to realize her marriage is lacking the love and understanding she had hoped for.
John proposes to his girlfriend Lily at a cafe while another woman, Nevaeh, watches angrily from outside. The story then flashes forward to Lily seeing John holding hands with Nevaeh in the park. When Lily calls John, he declines the call. The document outlines brainstorms and ideas for an opening sequence about a relationship between a young couple that involves jealousy and cheating.
Othello, a Moorish general in the Venetian army, marries Desdemona against her father's wishes but wins a legal battle allowing their marriage. Iago, angry that Othello passed him over for a promotion, sows seeds of doubt in Othello's mind that Desdemona is unfaithful. Othello murders his wife in a fit of jealous rage only to then learn that Iago deceived him, leading to Othello taking his own life in grief and remorse over what he had done.
Aileen and Sem are introduced as having a global love story. Aileen is described as a restless party queen from a young age who traveled extensively around the world seeking adventure, including to places like Nepal, climbing mountains, and sailing oceans. She even auditioned for Memoirs of a Geisha in Japan but lost the role to Zhang Ziyi. Sem is portrayed as a fashionable man who spent time overseas in places like the US and Korea, working hard and studying. He wanted to be a pillar for society. They finally found love together after meeting at a Lord of the Rings movie date.
Lindsey is the popular student at her school until a new student, Jennifer, arrives and quickly takes her place. Jennifer also steals Lindsey's boyfriend Dylan. When a murder occurs, Lindsey suspects Jennifer is responsible but no one believes her. Lindsey works to prove Jennifer's guilt and save Dylan, who she believes is in danger, before Jennifer can hurt anyone else. In the end, Lindsey finds Dylan bound and gagged by Jennifer, and the police arrive to arrest Jennifer for the murder.
EastEnders Evaluation: Creating a Brand IdentitySammi Wilde
This document provides a summary and analysis of the opening credits and early scenes of the BBC soap opera "EastEnders". It is set in modern day London in the fictional working-class area of Walford. The opening credits feature a dark, minor-key piano tune that conveys the dull and sad lives of the characters. The first scene shows a messy home where a young family lives, indicating they are a working-class family. It then cuts to a café where a flashy woman looks out of place and receives a threatening phone call from a man, revealing she is being blackmailed into prostitution.
1. The document outlines the shot list and descriptions for a film project titled "Misconception". It details 35 shots ranging from long shots to close-ups showing a girl getting into a car with a man after school and later revealing to the man that she is pregnant.
2. The man, Nathan, reacts angrily at first but then agrees to talk more at his home. There, the girl tells him she is 2 months pregnant and wants to keep the baby, though Nathan paces in distress.
3. Later, Nathan secretly turns up the heat in the sauna where the girl is, killing her. He covers it up by welcoming his new girlfriend Lily into his home, who also reveals
This document provides a summary of a short film script titled "Lost". It follows an elderly mixed-race man as he goes about his day in his home. Scenes show him in different rooms of the house, interacting with his daughter Claire and an unseen woman named Laura. The man goes up to the attic to search for old photos at Laura's request. While in the attic, he finds a photo album and looks through old blurred photos. Later he goes to the supermarket, where he runs into an old friend. Throughout the script, music is heard which seems to trigger memories or moments of confusion for the man.
East Enders is a BBC soap opera set in East London that focuses on the dull lifestyles of working class characters. It is implied that a young boy lives in a run-down home based on toys and clothing seen. A scene shows a man sneaking out after a tryst, while another depicts a woman doing her makeup after a similar encounter. The soap explores the daily lives of its characters through their interactions in local cafes and other settings that portray the reality of living in poverty in East London.
The Crying Demon, In a Cold Sweat (second draft)maximgummer
Jon, a troubled teen, is experiencing disturbing dreams about a pale girl who tells him to commit violent acts. At a therapy session, Jon reveals he burned a table at the girl's urging in a dream. The dreams escalate, with the girl demanding Jon sacrifice his classmates. Jon reluctantly brings a weapon to school but resists harming others. It's revealed the girl did not truly control Jon. In the end, Jon stares down the girl, saying she never had power over him.
The document is divided into three scenes introducing three women at different points in time: Claire from the 1980s, Emma who was a teenager in the 1980s and is now 50 years old, and Emma's daughter Madeleine who is currently an 18-year-old woman. Each scene includes visual b-roll of the subject and an interview where they discuss their experiences as a woman in their respective era, allowing comparisons across the decades from the 1980s to present day.
Maurio Coles' New Nightmare in the Hood (screenplay)Maurio Coles
Teena tells her brother Deucalion about her nightmare involving their friend Minnie's death. She describes in detail an incident she and Minnie experienced previously where they encountered a killer named Jaxon Volker at an abandoned campsite. Though they escaped, Teena has been having nightmares and a bad feeling since then. She wonders if Minnie's death could be connected to someone associated with Jaxon seeking revenge. Deucalion listens and questions if Minnie's killer could indeed be linked to the past encounter.
This document is a script for a television drama titled "I'll Drink to That". It introduces the main characters Eileen Davies and John, who are attending a social club event. Eileen kisses John and goes outside to smoke, where she talks with her friend Deb. When John joins them, Deb jokes about marriage, making Eileen uncomfortable. Later, Eileen and John are assaulted by hooded youths on their walk home. John has a heart attack and is rushed to the hospital, where Eileen waits alone. The next day, Eileen and Deb go to John's house to deal with the aftermath of his death.
Joseph is struggling with insomnia and has a history of working dangerous jobs for a deceiving acquaintance. Jolene, Joseph's ex, is unexpectedly assigned as his partner for an attack job at a racecourse. They are set up and ambushed during the job. It is revealed that Jolene and the acquaintance planned to use Joseph as part of a scheme to get money, hurting him in the process.
A man dressed in black examines photos and articles pinned to a bulletin board in a dimly lit basement decorated with hanging meat and plastic. The story then introduces Casey Crane, a girl who paints her nails in the bathroom of her house. There are crosscuts between her routine and a man tightly binding her hands to a chair in a basement, covered in blood. Later, Casey prays in a church, asking for her family's health and safety. As she walks home alone at night, a man approaches from behind and drags her into the darkness, bagging her head.
1) Krissy wakes up from a disturbing nightmare she cannot remember and feels panicked and terrified.
2) In the bathroom, Krissy's reflection behaves oddly, straining against the mirror and staring intensely as she leaves.
3) Krissy convinces her friends to enter a dark forest near their school despite their warnings, saying they need an adventure. A piercing scream is then heard from within the forest.
The document describes two scenes involving Annabelle Richmond. In the first scene, a shady male figure is seen watching Annabelle's house while heavy breathing. The second scene takes place at a party, where Daymon Stamford takes an interest in Annabelle but she is pulled away. The screen then fades to reveal photographs on a wall that have been taken and edited by a stalker, with Annabelle as the subject.
The document describes two scenes involving Annabelle Richmond. In the first scene, a shady male figure is seen watching Annabelle's house while her blood drops by his feet. The second scene takes place at a party, where Daymon takes an interest in Annabelle but she is pulled away by friends. Photos on the wall then reveal someone has been secretly stalking and photographing Annabelle, circling her features and cutting others out of photos.
The document describes two scenes involving Annabelle Richmond. In the first scene, a shady male figure is seen watching Annabelle's house while heavy breathing. Blood drops are seen by his feet. The second scene takes place at a party, where Charlie introduces his friend Daymon to Annabelle. Daymon seems oddly interested in Annabelle and glares as she walks away. The screen then shows photographs on a wall that have been taken and edited by a stalker, with Annabelle as the subject.
The document describes characters and scenes for an action thriller film opening. Ethan is a civil servant in London who has a close relationship with his colleague Melina. In the opening scene, Melina is kidnapped from her office by a group of thugs. Ethan chases after them on a borrowed bike. In the next scene, Melina struggles in the car as they pass landmarks. Ethan then gets a call demanding ransom for Melina's return. At the exchange, Ethan fights off the thugs and rescues Melina, though one thug warns their boss that Ethan and Melina survived, implying the situation is not yet resolved.
INSOMNIAC_S THAT GO BANG IN THE NIGHT .pdfLucasHigham1
Joseph receives a mysterious note instructing him to meet at a park where he finds a file detailing a job to kill a man named The Target. At the meeting spot he discovers his ex, Jolene, is his partner for the job. They confront The Target at a racetrack but things don't go as planned. Joseph realizes they were set up. In a flashback, Joseph is seen violently attacking The Target. In the present, Joseph questions Jolene about what happened, believing they were betrayed. Jolene insists she wants nothing more to do with it.
The document outlines the opening sequence of a horror film. It will begin with two girls laughing while using a Ouija board in an old, candlelit library. As the lights dim and the board begins moving on its own, one girl returns to find it in the dark. When she lights a match, her candle briefly illuminates a sinister masked face before she screams. The sequence aims to build tension through dim lighting, eerie music and the girls' heavy breathing without dialogue. It will establish the haunted and psychologically terrifying themes of possession and masks that set this horror film apart from those focused on gore.
1) Krissy wakes up from a nightmare feeling panicked but unable to remember the details, and gets ready for school in a hurry.
2) In the bathroom, Krissy's reflection behaves strangely, straining against the mirror and staring intensely as she leaves.
3) Krissy convinces her friends to enter a dark forest near their school despite their warnings, saying she saw something inside. After they enter, a piercing scream is suddenly heard.
The document outlines a script for a short film called "Doll Shadows" about two teenage girls, Rachel and Sarah, who explore an old house and discover a dusty dollhouse in the basement. They find clues that suggest the previous owner, a girl named Viola, killed herself after her parents died. Strange events begin occurring in the house as Viola's spirit haunts Rachel and Sarah. The script uses lighting, camera angles, and props to set a creepy, unsettling mood and build suspense as the girls are stalked by Viola's ghost.
This document provides a comedic summary of two scenes - a funeral service going awry due to an intoxicated priest, and a hostage negotiation between police officers and a masked man that devolves into an argument over candy preferences. In the funeral scene, Father O'Neil makes numerous mistakes and engages in inappropriate behavior, upsetting the grieving father. In the hostage scene, the police officers attempt to negotiate with the masked man by offering him different candy bars, losing their focus on the situation.
The document contains a production schedule for ASA Productions with various activities, equipment, personnel, and time frames allocated. Key events include filming scenes at a school, flat, shop, and church between October and December 2015. Editing of footage was scheduled between January 5-14th. Additional activities included creating soundtracks and titles with completion of the production schedule by January 22nd.
The risk assessment document summarizes the risks involved in filming a scene set in a bedroom for the production titled "The 1975 'Loving Someone'". Key risks identified include burning from fairy lights, suffocation during a strangulation shot, electrocution from fairy lights, and injury from broken glass. Further actions required to control these risks are turning off lights after extended use, stopping shots involving strangulation at the first sign of distress, ensuring crew stand clear of loose wiring, and having a brush available to clean up any broken glass. An action plan and essential contact numbers are also included.
EastEnders Evaluation: Creating a Brand IdentitySammi Wilde
This document provides a summary and analysis of the opening credits and early scenes of the BBC soap opera "EastEnders". It is set in modern day London in the fictional working-class area of Walford. The opening credits feature a dark, minor-key piano tune that conveys the dull and sad lives of the characters. The first scene shows a messy home where a young family lives, indicating they are a working-class family. It then cuts to a café where a flashy woman looks out of place and receives a threatening phone call from a man, revealing she is being blackmailed into prostitution.
1. The document outlines the shot list and descriptions for a film project titled "Misconception". It details 35 shots ranging from long shots to close-ups showing a girl getting into a car with a man after school and later revealing to the man that she is pregnant.
2. The man, Nathan, reacts angrily at first but then agrees to talk more at his home. There, the girl tells him she is 2 months pregnant and wants to keep the baby, though Nathan paces in distress.
3. Later, Nathan secretly turns up the heat in the sauna where the girl is, killing her. He covers it up by welcoming his new girlfriend Lily into his home, who also reveals
This document provides a summary of a short film script titled "Lost". It follows an elderly mixed-race man as he goes about his day in his home. Scenes show him in different rooms of the house, interacting with his daughter Claire and an unseen woman named Laura. The man goes up to the attic to search for old photos at Laura's request. While in the attic, he finds a photo album and looks through old blurred photos. Later he goes to the supermarket, where he runs into an old friend. Throughout the script, music is heard which seems to trigger memories or moments of confusion for the man.
East Enders is a BBC soap opera set in East London that focuses on the dull lifestyles of working class characters. It is implied that a young boy lives in a run-down home based on toys and clothing seen. A scene shows a man sneaking out after a tryst, while another depicts a woman doing her makeup after a similar encounter. The soap explores the daily lives of its characters through their interactions in local cafes and other settings that portray the reality of living in poverty in East London.
The Crying Demon, In a Cold Sweat (second draft)maximgummer
Jon, a troubled teen, is experiencing disturbing dreams about a pale girl who tells him to commit violent acts. At a therapy session, Jon reveals he burned a table at the girl's urging in a dream. The dreams escalate, with the girl demanding Jon sacrifice his classmates. Jon reluctantly brings a weapon to school but resists harming others. It's revealed the girl did not truly control Jon. In the end, Jon stares down the girl, saying she never had power over him.
The document is divided into three scenes introducing three women at different points in time: Claire from the 1980s, Emma who was a teenager in the 1980s and is now 50 years old, and Emma's daughter Madeleine who is currently an 18-year-old woman. Each scene includes visual b-roll of the subject and an interview where they discuss their experiences as a woman in their respective era, allowing comparisons across the decades from the 1980s to present day.
Maurio Coles' New Nightmare in the Hood (screenplay)Maurio Coles
Teena tells her brother Deucalion about her nightmare involving their friend Minnie's death. She describes in detail an incident she and Minnie experienced previously where they encountered a killer named Jaxon Volker at an abandoned campsite. Though they escaped, Teena has been having nightmares and a bad feeling since then. She wonders if Minnie's death could be connected to someone associated with Jaxon seeking revenge. Deucalion listens and questions if Minnie's killer could indeed be linked to the past encounter.
This document is a script for a television drama titled "I'll Drink to That". It introduces the main characters Eileen Davies and John, who are attending a social club event. Eileen kisses John and goes outside to smoke, where she talks with her friend Deb. When John joins them, Deb jokes about marriage, making Eileen uncomfortable. Later, Eileen and John are assaulted by hooded youths on their walk home. John has a heart attack and is rushed to the hospital, where Eileen waits alone. The next day, Eileen and Deb go to John's house to deal with the aftermath of his death.
Joseph is struggling with insomnia and has a history of working dangerous jobs for a deceiving acquaintance. Jolene, Joseph's ex, is unexpectedly assigned as his partner for an attack job at a racecourse. They are set up and ambushed during the job. It is revealed that Jolene and the acquaintance planned to use Joseph as part of a scheme to get money, hurting him in the process.
A man dressed in black examines photos and articles pinned to a bulletin board in a dimly lit basement decorated with hanging meat and plastic. The story then introduces Casey Crane, a girl who paints her nails in the bathroom of her house. There are crosscuts between her routine and a man tightly binding her hands to a chair in a basement, covered in blood. Later, Casey prays in a church, asking for her family's health and safety. As she walks home alone at night, a man approaches from behind and drags her into the darkness, bagging her head.
1) Krissy wakes up from a disturbing nightmare she cannot remember and feels panicked and terrified.
2) In the bathroom, Krissy's reflection behaves oddly, straining against the mirror and staring intensely as she leaves.
3) Krissy convinces her friends to enter a dark forest near their school despite their warnings, saying they need an adventure. A piercing scream is then heard from within the forest.
The document describes two scenes involving Annabelle Richmond. In the first scene, a shady male figure is seen watching Annabelle's house while heavy breathing. The second scene takes place at a party, where Daymon Stamford takes an interest in Annabelle but she is pulled away. The screen then fades to reveal photographs on a wall that have been taken and edited by a stalker, with Annabelle as the subject.
The document describes two scenes involving Annabelle Richmond. In the first scene, a shady male figure is seen watching Annabelle's house while her blood drops by his feet. The second scene takes place at a party, where Daymon takes an interest in Annabelle but she is pulled away by friends. Photos on the wall then reveal someone has been secretly stalking and photographing Annabelle, circling her features and cutting others out of photos.
The document describes two scenes involving Annabelle Richmond. In the first scene, a shady male figure is seen watching Annabelle's house while heavy breathing. Blood drops are seen by his feet. The second scene takes place at a party, where Charlie introduces his friend Daymon to Annabelle. Daymon seems oddly interested in Annabelle and glares as she walks away. The screen then shows photographs on a wall that have been taken and edited by a stalker, with Annabelle as the subject.
The document describes characters and scenes for an action thriller film opening. Ethan is a civil servant in London who has a close relationship with his colleague Melina. In the opening scene, Melina is kidnapped from her office by a group of thugs. Ethan chases after them on a borrowed bike. In the next scene, Melina struggles in the car as they pass landmarks. Ethan then gets a call demanding ransom for Melina's return. At the exchange, Ethan fights off the thugs and rescues Melina, though one thug warns their boss that Ethan and Melina survived, implying the situation is not yet resolved.
INSOMNIAC_S THAT GO BANG IN THE NIGHT .pdfLucasHigham1
Joseph receives a mysterious note instructing him to meet at a park where he finds a file detailing a job to kill a man named The Target. At the meeting spot he discovers his ex, Jolene, is his partner for the job. They confront The Target at a racetrack but things don't go as planned. Joseph realizes they were set up. In a flashback, Joseph is seen violently attacking The Target. In the present, Joseph questions Jolene about what happened, believing they were betrayed. Jolene insists she wants nothing more to do with it.
The document outlines the opening sequence of a horror film. It will begin with two girls laughing while using a Ouija board in an old, candlelit library. As the lights dim and the board begins moving on its own, one girl returns to find it in the dark. When she lights a match, her candle briefly illuminates a sinister masked face before she screams. The sequence aims to build tension through dim lighting, eerie music and the girls' heavy breathing without dialogue. It will establish the haunted and psychologically terrifying themes of possession and masks that set this horror film apart from those focused on gore.
1) Krissy wakes up from a nightmare feeling panicked but unable to remember the details, and gets ready for school in a hurry.
2) In the bathroom, Krissy's reflection behaves strangely, straining against the mirror and staring intensely as she leaves.
3) Krissy convinces her friends to enter a dark forest near their school despite their warnings, saying she saw something inside. After they enter, a piercing scream is suddenly heard.
The document outlines a script for a short film called "Doll Shadows" about two teenage girls, Rachel and Sarah, who explore an old house and discover a dusty dollhouse in the basement. They find clues that suggest the previous owner, a girl named Viola, killed herself after her parents died. Strange events begin occurring in the house as Viola's spirit haunts Rachel and Sarah. The script uses lighting, camera angles, and props to set a creepy, unsettling mood and build suspense as the girls are stalked by Viola's ghost.
This document provides a comedic summary of two scenes - a funeral service going awry due to an intoxicated priest, and a hostage negotiation between police officers and a masked man that devolves into an argument over candy preferences. In the funeral scene, Father O'Neil makes numerous mistakes and engages in inappropriate behavior, upsetting the grieving father. In the hostage scene, the police officers attempt to negotiate with the masked man by offering him different candy bars, losing their focus on the situation.
The document contains a production schedule for ASA Productions with various activities, equipment, personnel, and time frames allocated. Key events include filming scenes at a school, flat, shop, and church between October and December 2015. Editing of footage was scheduled between January 5-14th. Additional activities included creating soundtracks and titles with completion of the production schedule by January 22nd.
The risk assessment document summarizes the risks involved in filming a scene set in a bedroom for the production titled "The 1975 'Loving Someone'". Key risks identified include burning from fairy lights, suffocation during a strangulation shot, electrocution from fairy lights, and injury from broken glass. Further actions required to control these risks are turning off lights after extended use, stopping shots involving strangulation at the first sign of distress, ensuring crew stand clear of loose wiring, and having a brush available to clean up any broken glass. An action plan and essential contact numbers are also included.
The risk assessment identifies several hazards for the film production of "The 1975 'Loving Someone'" taking place in a bathroom, including slipping on wet floors, swallowing water, and skin irritation from strawberry squash. Controls are in place such as towels and limiting time submerged in water. Further actions include briefing crew on hazards, ensuring first aid is available, and providing clean water. The action plan assigns responsibilities and completion dates to address the risks. Contact numbers for emergencies and those involved are also listed.
The risk assessment document outlines potential hazards for the film production of "The 1975 'Loving Someone'" being filmed at Londis. Hazards identified include tripping over objects, falling objects from shelves, and spillages. Controls already in place include clearing tripping hazards, cautioning crew near shelves, and having a mop available. Further actions required are briefing crew on hazards, ensuring first aid kit availability, and having shop owner contacts for emergencies. An action plan and essential contact numbers are also provided.
This risk assessment document summarizes the risks and risk controls for the film production of "The 1975 'Loving Someone'" being filmed at a church. The risks identified include tripping hazards, falling objects, and cramped spaces. Controls already in place include clearing hazards from the floor and removing falling objects. Further actions required include briefing crew on hazards, having first aid available, and limiting open flames. Contact information is also provided.
1) The summary introduces a male searching for information about a missing woman from Oak Park. Flashes of the mysterious woman are seen.
2) It then cuts to an empty playground at dusk with creaking and giggling sounds. Flashes of point of view footage from 1977 are seen of the woods.
3) A young boy runs along the edge of the woods but is called back by his mother. A pair of women's feet are seen returning to the forest.
Within the Woods is a psychological thriller targeting teenagers and young adults. The film introduces Richard, a 45-year-old man obsessed with finding evidence of Imogen, a woman who lives in the woods. Richard experiences hallucinations and flashbacks related to Imogen. He returns to the woods with a camera where strange events occur. The film also shows flashbacks of Imogen at age 17 recovering from being raped. In the climax, Richard dreams of being called back to the woods to kill Imogen in order to escape her grasp.
Odia New Web Series at your fingerprint.mikedanoffice
Stay ahead of the curve with the latest in Odia entertainment! Our Odia new web series promise an exciting blend of fresh narratives, talented performances, and engaging plots. Immerse yourself in the evolving world of Odia storytelling with our curated selection of cutting-edge web content. for more visit: https://aaonxt.com/series
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Gamegreendigital
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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2. FADE FROM BLACK:
EXT: Outside a church – The weather is overcast. There is little
greenery outside the church and a long pavement leading to the door.
Establishing long shot of church.
CUT TO:
INT: Inside a church – The church has long aisles with chairs on
either side. A large stage is at the front of the church and stained
glass windows on either side. The room is dimly lit, and completely
empty. This will create an ominous atmosphere.
Establishing long shot of church aisles.
CUT TO:
Yeah, you should be loving someone
Oh, oh, loving someone
Yeah, you should be loving someone
Oh, oh, loving someone
Yeah, you should be
INT: Dark room with black background. Room will not be shown due to
extreme close up shots.
Extreme close up of various peoples faces, which transition through
cuts. High key lighting on face. Face changes after each 'loving
someone’ in song.
CUT TO:
EXT: Outside a church - The weather is overcast. There is little
greenery outside the church and a long pavement leading to the door.
Tracking low angle long shot of three teenagers walking towards the
front of the church. There are no other people around, creating an
eerie atmosphere.
CUT TO:
Extreme close up of teenager opening door to church.
CUT TO:
Low angle long shot of the three teenagers entering the church, shot
from behind them.
CUT TO:
INT: Inside church – The church is empty and a little light is
shining in through the stained glass window as the teenagers enter.
0,00
0,06
0,10
0,32
0,34
0,37
0,40
3. Teenagers walk into church in a low angle tracking shot, shot from
in front of them. They are looking around, then gather at the front
of the church.
CUT TO:
Extreme close up of the side of Jason’s face. He is standing still,
then peers towards the camera.
FADE FROM BLACK:
EXT: Hampden Square – Night time, setting is dark and the lights
from cars on the street can be seen in the background.
My heart is telling me the telly isn't telling me anything
I need but it needs to keep you selling me
Jason is sitting on a bench outside the shop. He is seen smoking a
cigarette.
Besides celebrities lacking in integrity
Holding up the status quo instead of showing your kids
Extreme close up of smoke from the cigarette is seen to go up in the
air. The shot the reverses at a higher speed, and the smoke moves
backwards in the air.
CUT TO:
Low angle mid shot of Jason walking towards the front door of
Londis.
CUT TO:
That they matter, who're you gonna buy up next
Keep hold of their necks and keep selling them sex
It's better if we keep them perplexed
Point of view shot of Jason pushing the door open and entering.
INT: Londis – The light of the shop contrasts the darkness from
outside. The shop has one customer in it, who is distracting the
shopkeeper due to an argument. The atmosphere is tense.
Point of view shot, looking towards the shopkeeper, who is arguing
with a customer.
CUT TO:
It's better if we make them want the opposite sex
And this drives drunk through criminal minds
And you camp out beside where your man resides
0,42
0,49
0,52
0,56
4. Mid shot of Jason walking towards the alcohol section in the shop,
shot from behind him.
CUT TO:
Close up of Jason reaching out for a bottle of vodka, the placing it
inside his jacket.
CUT TO:
You're not slow, it's just never been shown
That you should
Be loving someone
Jason then leaves the shop, shown through a mid shot of him opening
the door and walking out, shot from behind.
FADE FROM BLACK:
Oh, oh, loving someone
Yeah, you should be loving someone
INT: Inside church – Teenagers are walking around inside church. The
atmosphere is exciting as the teenagers explore their surroundings.
Mid shot of teenagers walking down the aisle of church, looking
around.
CUT TO:
Oh, oh, loving someone
Oh, oh
Long shot of teenagers continuing to walk. This shot will allow the
audience to see the size of the church for the first time, including
the stained glass windows and rows of chairs.
CUT TO:
Mid shot of teenagers at front of church, looking out at the chairs.
They are sitting down, relaxed as we realise that these teenagers
are friends.
CUT TO:
Extreme close up of Anna who is addressing the camera, flicking her
hair and smiling. The shot ends when she looks directly at the
camera.
FADE FROM BLACK:
We're all human, we're just like you man
We're sentient, we're something
1,00
1,11
1,15
1,21
1,26
1,30
1,36
5. INT: Bedroom – only bed is shown. Bed has white bed sheets and
multi-coloured fairy lights on them.
Establishing shot of bedroom, extreme close up of Christmas, multi-
coloured lights on a bed.
CUT TO:
EXT: Roadside
Long shot - Anna is standing on street corner, and a car is
approaching from a distance.
CUT TO:
Close up of Anna’s feet, as the car approaches and stops next to
her. The door then opens and she get in the car.
CUT TO:
Close up of Anna in the car, shot from behind the male driver.
CUT TO:
INT: Inside Bedroom – The room is dark and the bed is filled with
fairy lights. The scene will follow the male and female into the
room where the female will be taken advantage of.
You know I can't really remember, whatever
We shouldn't have people afloat
If it was safer underground, we wouldn't be on a boat
Extreme close up of Anna leading a male up stairs.
CUT TO:
High angle close up of Anna being wrapped in multicoloured lights by
the male.
CUT TO:
Birds eye shot on Anna lying on a bed, wrapped in multicoloured
lights.
CUT TO:
Shot of telepathy, exploiting insecurities, and preying on the
purity
Of grief and its simplicity but I know that maybe I'm too scared to
call
Even Guy Debord needed spectacles, you see
Extreme close up of Anna’s neck, followed by the male coming into
the shot, then pushing his hand against her neck.
1,40
1,42
1,47
1,49
1,52
1,56
1,57
6. CUT TO:
Match on action - Extreme close up of Anna’s hand gripping the bed
sheets.
CUT TO:
High angle close up of Anna looking down, with mulicoloured lights
wrapped around her.
CUT TO:
I'm the Greek economy of cashing intellectual cheques
And now I'm trying to progress, but instead of selling sex
And I think I should be
Close up point of view shot of a plug being switched off by a male
hand. The shot is sped up.
CUT TO:
Previous high angle shot of Anna looking down as the lights switch
off. She then looks up, towards the camera.
FADE TO BLACK:
FADE FROM BLACK:
Loving someone
Oh, oh, loving someone
Yeah, you should be loving someone
INT: Inside church. The atmosphere is relaxed as the teenagers begin
to have fun and explore.
Tracking shot following Anna running after Yioda in a game of ‘it’.
CUT TO:
Close up of Yioda brushing past a bible and knocking it over. Anna
then also runs past the bible failing to notice it.
CUT TO:
Oh, oh, loving someone
Yeah, you should be loving someone
Close up of Yioda on the stage, imitating a priest. She is throwing
her arms in the air, [pretending to give a sermon.
CUT TO:
Oh, oh, loving someone
Yeah, you should be loving someone
1,59
2,03
2,04
2,06
2,08
2,12
2,15
2,22
7. Close up of Anna and Jason laughing at and mocking Yioda. They
imitate her actions, while laughing.
CUT TO:
Oh, oh, loving someone
Yeah, you should be
Yioda brings her arms down, and addresses the camera. Her facial
expression becomes more serious as she does this.
FADE FROM BLACK:
She blazed about how
'Cultural language is an operation system
A simple interface rendered feeble and listless
Extreme close up high angle shop of a mobile being held by Yioda.
She is receiving messages on Facebook, calling her ‘slut’ and
telling her ‘to die’
CUT TO:
Extreme close up of Yioda’s eye, from eye level.
CUT TO:
High angle close up of Yioda’s hair in the bath. The bath water is
red in colour.
CUT TO:
When tested with a divinity or a true understanding
Of the human condition
I never did understand - the duality of art and reality
High angle extreme close up tracking shot of Yioda’s hand moving up
her arm, which is submerged in a bath.
CUT TO:
Eye level mid shot of a projection of images depicting catwalks and
news articles on top of Yioda, who is being projected on.
CUT TO:
Living life and treating it as such but with a certain disconnect
To touch that cajoles at the artist with comfort and abandon
And between the spires and rolling roofs of the white city
High angle over the shoulder shot of Facebook messages, continuing
to tell Yioda to ‘die’.
2,30
2,51
2,55
2,57
3,05
3,10
3,16
8. CUT TO:
High angle, behind the head shot of Yioda in the bath.
CUT TO:
That orange, English light cast only one, singular shadow
For you are not beside but within me
High angle mid shot of Yioda submerging herself into the red bath
water.
CUT TO:
Extreme close up of Yioda’s hand floating in the red bath water.
FADE FROM BLACK:
Loving someone
Oh, oh, loving someone
INT: Church – shot from the front of the church. Teenagers discover
bible, which they open.
Long shot of church and Yioda and Jason run into shot from behind
the camera. They continue to run down the aisle.
CUT TO:
Mid shot - Jason finding a room at the back of the church. He
appears excited and calls the other in by waving hi arm.
CUT TO:
Yeah, you should be loving someone
Oh, oh, loving someone
Yeah, you should be loving someone
Mid shot - Teenagers enter the room, one at a time. Jason is
standing by a book, which they all surround. They appear surprised,
yet confused.
CUT TO:
Extreme close up of book being opened by Jason. A light appears to
emit from the book.
CUT TO:
Oh, oh, loving someone
Yeah, you should be loving someone
INT: Londis
3,31
3,20
3,26
3,28
3,36
3,40
3,45
3,50
9. Mid tracking shot - Jason walks through the front door of the shop,
holding the bottle of wine he stole earlier. The camera tracks
backwards as he walks in. The track reveals a shopkeeper who is
surprised by his return.
Jason places the bottle of wine on the shop counter and the
shopkeeper takes it back.
CUT TO:
EXT: Roadside
Close up shot of Anna getting out of the car she had previously got
into. Only her feet, the door and the pavement can be seen.
CUT TO:
Oh, oh, loving someone
Oh, oh
INT: Bedroom
Extreme close up of Yioda’s phone. She is seen to be blocking the
account which was bullying her earlier.
CUT TO:
INT: Inside Church
Extreme close up of Bible which was dropped by Yioda earlier. Anna
and Yioda walk out of the door, while Jason begins to walk out,
stops, then walks back to pick up the Bible. He moves it off camera
and runs after Yioda and Anna who have left the church.
FADE TO BLACK:
L4
4,00
4,10
4,15
4,25