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The task was to design
new premises for the
Finnish Institute
[The] mission [of the
Finnish Institute of
London] is to identify
emerging issues relevant
to contemporary society
and to act as catalyst
for positive social change
through partnerships.”
The Finnish Institute,
encourages new and un-
expected collaborations
and supports artistic
interventions, research,
the creative industries,
foresight and social in-
novations.
Part of the space re-
quirements included an
exhibition space, function
room, auditorium, lecture
theatre and staff of-
fices.
This project is based around
the hypothetical moving of
The Finnish Institute London
to Newcastle Upon Tyne.
The Finnish Institute is a
London-based private trust
whose mission is to identify
emerging issues relevant to
contemporary society and to
act as catalyst for positive
social change through part-
nerships
.
Located on the banks of the
river Tyne, the design for
the institute drew inspira-
tion from the clients focus
on interactions. The concept
of games and their powers
as social activators were
used to drive the design
process to form an exciting,
creative environment infus-
ing work and play and en-
couraging social interactions.
An integral part of the de-
sign process, models were
used to experiment and
inspire a unique form and
structure.
By creating an effective kit
- of parts from the brief, I
was able to minipulate the
design in real time giving
me the ability to fit space
to function and site con-
straints whilst maintaining
the designs form and over-
all composition too.
Experimental model:
Skeletal frame structure to fit clients various
needs
Concept - To expand beyond the building and engage
the wider site
Prioritised circulation to encourage interactions A range of flexible multi-purpose spaces
The design reaches be-
yond the site with the
help of a new green
and friendly pedestrian
bridge.
Enabling more users to
access the site its jusi-
tification came from not
just the Finnish institute
but also the development
of the rest of the site.
With part of the brief
being open to interprita-
tion and an area of the
building given for our
own ideas it was my de-
cision to create offices
for start-up sustainable
businesses.
The idea behind it being
that they would benefit
from the exposure cre-
ated by the institute and
in turn they would grow,
move out of the building
and populate the rest of
the site completing a new
green sustainable strip
along the Tyne in line the
regions aspirations of
becomming the UK's new
green capital.
Open plan offices
Function Room
Section East - West
Sustainable business offices and meeting spaces connected to cafe
The design draws from
a strong site response
including the creation of
a new route linking the
local college campus to
the city centre replac-
ing the old congested
one with a more pedes-
trian friendly route.
Using the route the Film
Archive would benefit
from its prime place-
ment to engage with
passing students to
inspire them to get
involved and young
visionary filmakers to
follow in the footsteps
of many of the areas
great directors.
The concept diving the design came from
looking into the history of the area and
the change it has undergone in recent
years from relying on old industry to
technology and digital media.
The archive attempts to merge both
together with its copper clad industrial
aesthetic and digitised form wrapping
around the site creating an intriguing
environment attracting students.
The structure complements the form and
environmental deisgn techniques using
un-used shipping containers stacked to
achieve the otherwise complex form.
This project called for the
design of a new vistor centre
for Jesmond Dene.
Located on a challenging site
and dealing with the issues
of listed buildings and inclu-
sive design this project re-
quired a sensitive approach.
The design merges building
with landscape creating a
dynamic approach and route
through the building that
provides both an engaging
experience whilst solving the
briefs inclusive desires.
The building form is modern
whilst respecting the aes-
thestics of the older build-
ings on the site and includes
an origional and attractive
glass facade for the cafe.
This project was to design
a new welcome house for
Newcastle University. It in-
cluded facilities such as a
cafe and library as well as
rooms for accommodation.
The main focus of the
design became thresholds
and looked at how ele-
ments such as light and
structure can be used to
create different effects.
An installation that dismembers the human form to show the bodys interaction with
architecture and the experience of an individual moving through space.
leedwhitelock@gmail.com
www.leewhitelock.co.uk

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LDW Portfolio_BA

  • 1.
  • 2.
  • 3.
  • 4.
  • 5.
  • 6. The task was to design new premises for the Finnish Institute [The] mission [of the Finnish Institute of London] is to identify emerging issues relevant to contemporary society and to act as catalyst for positive social change through partnerships.” The Finnish Institute, encourages new and un- expected collaborations and supports artistic interventions, research, the creative industries, foresight and social in- novations. Part of the space re- quirements included an exhibition space, function room, auditorium, lecture theatre and staff of- fices.
  • 7.
  • 8. This project is based around the hypothetical moving of The Finnish Institute London to Newcastle Upon Tyne. The Finnish Institute is a London-based private trust whose mission is to identify emerging issues relevant to contemporary society and to act as catalyst for positive social change through part- nerships . Located on the banks of the river Tyne, the design for the institute drew inspira- tion from the clients focus on interactions. The concept of games and their powers as social activators were used to drive the design process to form an exciting, creative environment infus- ing work and play and en- couraging social interactions.
  • 9. An integral part of the de- sign process, models were used to experiment and inspire a unique form and structure. By creating an effective kit - of parts from the brief, I was able to minipulate the design in real time giving me the ability to fit space to function and site con- straints whilst maintaining the designs form and over- all composition too. Experimental model: Skeletal frame structure to fit clients various needs Concept - To expand beyond the building and engage the wider site Prioritised circulation to encourage interactions A range of flexible multi-purpose spaces
  • 10. The design reaches be- yond the site with the help of a new green and friendly pedestrian bridge. Enabling more users to access the site its jusi- tification came from not just the Finnish institute but also the development of the rest of the site. With part of the brief being open to interprita- tion and an area of the building given for our own ideas it was my de- cision to create offices for start-up sustainable businesses. The idea behind it being that they would benefit from the exposure cre- ated by the institute and in turn they would grow, move out of the building and populate the rest of the site completing a new green sustainable strip along the Tyne in line the regions aspirations of becomming the UK's new green capital.
  • 11.
  • 12.
  • 13. Open plan offices Function Room Section East - West Sustainable business offices and meeting spaces connected to cafe
  • 14.
  • 15.
  • 16.
  • 17. The design draws from a strong site response including the creation of a new route linking the local college campus to the city centre replac- ing the old congested one with a more pedes- trian friendly route. Using the route the Film Archive would benefit from its prime place- ment to engage with passing students to inspire them to get involved and young visionary filmakers to follow in the footsteps of many of the areas great directors.
  • 18. The concept diving the design came from looking into the history of the area and the change it has undergone in recent years from relying on old industry to technology and digital media. The archive attempts to merge both together with its copper clad industrial aesthetic and digitised form wrapping around the site creating an intriguing environment attracting students. The structure complements the form and environmental deisgn techniques using un-used shipping containers stacked to achieve the otherwise complex form.
  • 19.
  • 20.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28. This project called for the design of a new vistor centre for Jesmond Dene. Located on a challenging site and dealing with the issues of listed buildings and inclu- sive design this project re- quired a sensitive approach. The design merges building with landscape creating a dynamic approach and route through the building that provides both an engaging experience whilst solving the briefs inclusive desires. The building form is modern whilst respecting the aes- thestics of the older build- ings on the site and includes an origional and attractive glass facade for the cafe.
  • 29.
  • 30.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35.
  • 36. This project was to design a new welcome house for Newcastle University. It in- cluded facilities such as a cafe and library as well as rooms for accommodation. The main focus of the design became thresholds and looked at how ele- ments such as light and structure can be used to create different effects.
  • 37.
  • 38.
  • 39.
  • 40.
  • 41. An installation that dismembers the human form to show the bodys interaction with architecture and the experience of an individual moving through space.
  • 42.
  • 43.