This document is a syllabus for three courses being offered in an accelerated evening program through Lindenwood University: Twentieth Century World History, Art and Culture of Latin America I, and Contemporary Issues in Modern Latin America. The syllabus provides information on class meeting times and locations, required textbooks, course descriptions and objectives, policies on attendance, late papers, academic dishonesty, and other administrative details. The courses will examine Latin America's history, culture, art and current issues from both 20th century global and regional perspectives.
This summary provides an overview of the World Music course offered in Spring 2022 at Lewis University. The asynchronous online course provides a historical overview of world music and how it is influenced by and influences other cultures. The course fulfills a general education fine arts requirement. Key learning outcomes include understanding music terminology, identifying music by country, describing genres, comprehending reviews, and evaluating performances. The primary textbook is Soundscapes: Exploring Music In A Changing World. Coursework includes concert evaluations, listening journals, discussions, and a final project. The course relates to the university's mission of preparing students to be life-long learners who are socially responsible and globally aware.
This document provides information about a World Music course being offered in the fall 2021 semester. It includes details about the instructor, catalog description, course rationale, student learning outcomes, relationship to the university mission, course requirements, policies, and a weekly course outline. The course will provide an overview of world music and its influence across cultures. Students will develop an understanding of different musical genres and how music reflects the beliefs and history of its parent culture. Assessment will include concert evaluations, listening journals, discussions, and a term paper.
This document provides information about a World Music course being offered in the spring 2020 semester. It includes details about the instructor, catalog description, course rationale, student learning outcomes, relationship to the university mission, contact information, assessment and grading policy, required textbooks, course outline, class attendance policy, academic honesty policy, and classroom decorum expectations. The course will provide an overview of world music and how it reflects different cultures while also being influenced by globalization. Students will develop their ability to discuss and critique musical performances and compositions from around the world.
This document provides information about a World Music course offered in the Spring 2019 semester. The course is taught online by instructor Joshua Manchester and provides an historical overview of world music while observing how it is ever-changing and influenced by other cultures. The course objectives are to help students understand terminology used to discuss music, identify musical styles by country, describe musical genres, comprehend music reviews, and evaluate musical performances. The course fulfills a general education fine arts requirement and uses a textbook on world music along with assignments like concert reviews, exams, listening journals, discussions, and a term paper.
This document provides an overview of an Introduction to Humanities course being offered at Valencia College. The course will explore concepts in art, religion, architecture, music, language, politics, and philosophy through history. Students will analyze how these concepts continue to impact the contemporary world. The course objectives are to understand humanity's development through critical thinking, learn about civilizational contributions that shaped today's world, develop critical thinking skills, and analyze philosophy's application to modern society. Students will be evaluated based on attendance, assignments, exams, and attending a cultural event with a written response. The required textbook and schedule of topics are also outlined.
This document provides details for an Introduction to Music course being offered at Hillsborough Community College in Tampa, Florida during the spring 2015 semester. The course will be taught on Mondays from 7:00-9:45pm by Dr. Melissa Slawsky and will provide an overview of music history from approximately 450 AD to the present. Students will learn about basic musical concepts, historical events that influenced music, and connections between music and other disciplines. Assessment will include exams, concert critiques, a term paper, and final presentation. The course aims to help students recognize and appreciate music as well as understand its relationship to their daily lives.
This thesis examines students' perceptions of the scaffolding strategy used in an Extensive Reading II class at Sanata Dharma University. The study aimed to understand how scaffolding was implemented in the class through various phases and activities, and to assess students' views on the process and impact of scaffolding. Data was collected through interviews, observations, and questionnaires of students in the 2009-2010 academic year. The findings showed that scaffolding was implemented over four phases - modeling, imitating, removing scaffolding, and independent work. Most students reported positive perceptions of both the scaffolding implementation and how it helped them achieve learning goals independently.
This document outlines the syllabus for a Principles of Macroeconomics course taught by Dr. Jean-Pierre Mulumba. It provides details on the course schedule, assignments, grading, and policies. The course will introduce macroeconomic concepts like national income, economic growth, monetary and fiscal policy. It will meet on Mondays and Wednesdays and include lectures, discussions, quizzes, exams, and a group presentation project. The goal is for students to learn economic perspectives and tools to analyze problems.
This summary provides an overview of the World Music course offered in Spring 2022 at Lewis University. The asynchronous online course provides a historical overview of world music and how it is influenced by and influences other cultures. The course fulfills a general education fine arts requirement. Key learning outcomes include understanding music terminology, identifying music by country, describing genres, comprehending reviews, and evaluating performances. The primary textbook is Soundscapes: Exploring Music In A Changing World. Coursework includes concert evaluations, listening journals, discussions, and a final project. The course relates to the university's mission of preparing students to be life-long learners who are socially responsible and globally aware.
This document provides information about a World Music course being offered in the fall 2021 semester. It includes details about the instructor, catalog description, course rationale, student learning outcomes, relationship to the university mission, course requirements, policies, and a weekly course outline. The course will provide an overview of world music and its influence across cultures. Students will develop an understanding of different musical genres and how music reflects the beliefs and history of its parent culture. Assessment will include concert evaluations, listening journals, discussions, and a term paper.
This document provides information about a World Music course being offered in the spring 2020 semester. It includes details about the instructor, catalog description, course rationale, student learning outcomes, relationship to the university mission, contact information, assessment and grading policy, required textbooks, course outline, class attendance policy, academic honesty policy, and classroom decorum expectations. The course will provide an overview of world music and how it reflects different cultures while also being influenced by globalization. Students will develop their ability to discuss and critique musical performances and compositions from around the world.
This document provides information about a World Music course offered in the Spring 2019 semester. The course is taught online by instructor Joshua Manchester and provides an historical overview of world music while observing how it is ever-changing and influenced by other cultures. The course objectives are to help students understand terminology used to discuss music, identify musical styles by country, describe musical genres, comprehend music reviews, and evaluate musical performances. The course fulfills a general education fine arts requirement and uses a textbook on world music along with assignments like concert reviews, exams, listening journals, discussions, and a term paper.
This document provides an overview of an Introduction to Humanities course being offered at Valencia College. The course will explore concepts in art, religion, architecture, music, language, politics, and philosophy through history. Students will analyze how these concepts continue to impact the contemporary world. The course objectives are to understand humanity's development through critical thinking, learn about civilizational contributions that shaped today's world, develop critical thinking skills, and analyze philosophy's application to modern society. Students will be evaluated based on attendance, assignments, exams, and attending a cultural event with a written response. The required textbook and schedule of topics are also outlined.
This document provides details for an Introduction to Music course being offered at Hillsborough Community College in Tampa, Florida during the spring 2015 semester. The course will be taught on Mondays from 7:00-9:45pm by Dr. Melissa Slawsky and will provide an overview of music history from approximately 450 AD to the present. Students will learn about basic musical concepts, historical events that influenced music, and connections between music and other disciplines. Assessment will include exams, concert critiques, a term paper, and final presentation. The course aims to help students recognize and appreciate music as well as understand its relationship to their daily lives.
This thesis examines students' perceptions of the scaffolding strategy used in an Extensive Reading II class at Sanata Dharma University. The study aimed to understand how scaffolding was implemented in the class through various phases and activities, and to assess students' views on the process and impact of scaffolding. Data was collected through interviews, observations, and questionnaires of students in the 2009-2010 academic year. The findings showed that scaffolding was implemented over four phases - modeling, imitating, removing scaffolding, and independent work. Most students reported positive perceptions of both the scaffolding implementation and how it helped them achieve learning goals independently.
This document outlines the syllabus for a Principles of Macroeconomics course taught by Dr. Jean-Pierre Mulumba. It provides details on the course schedule, assignments, grading, and policies. The course will introduce macroeconomic concepts like national income, economic growth, monetary and fiscal policy. It will meet on Mondays and Wednesdays and include lectures, discussions, quizzes, exams, and a group presentation project. The goal is for students to learn economic perspectives and tools to analyze problems.
This course introduces students to physical anthropology through lectures, discussions, films and assignments. The course objectives are to help students understand human cultural heritage and diversity, develop critical thinking skills, and consider issues relating to cultural change. Students will learn about archaeology, the human fossil record, primate evolution and human variation. Assessment includes CD-ROM assignments, exams, writing papers and group work. Topics include hominin taxonomy, the fate of Neanderthals, and human adaptation. The syllabus outlines weekly readings, assignments and a final grade breakdown.
This document provides information about a World Music course offered at Lewis University in the Fall 2020 semester. The course will be taught online by instructor Joshua Manchester and will provide an historical overview of world music while observing how it is ever-changing. The course goals aim to help students understand other cultures through their traditional music and develop critical and creative thinking skills. Students will learn to identify music by nation, describe genres, and critique musical performances. The course will cover music from regions including Africa, India, Brazil, the Caribbean, and more. Assessment will include concert evaluations, exams, listening journals, discussions, and a final project.
This document provides information about an online music appreciation course titled "Music for the Listener". The course is intended for non-music majors to fulfill a fine arts requirement. Key details include the instructor's contact information, a description of student learning outcomes, an outline of course content and assignments, and policies regarding attendance, academic honesty, and accommodations. The primary goal is to help students develop active listening skills and gain an understanding and appreciation of classical music through assignments like listening journals, discussions, exams, and a term paper.
This document provides an analysis of the K-12 education program in the Philippines, specifically focusing on its impacts on science and mathematics education. It notes that Philippine education, and science/math education in particular, have historically been weak. The K-12 program aimed to address this by adding two years to basic education. However, the document argues that K-12 fails to address the root causes of weaknesses in science/math education, which include an inadequate curriculum that does not promote scientific thinking, shortcomings in teacher training, and shortages of educational facilities like science laboratories. It provides evidence that performance in science and math remains poor. Therefore, the document concludes that K-12 will not solve the systemic issues facing science and math education
This course covers techniques for teaching jazz improvisation, rehearsing jazz ensembles, organizing a jazz curriculum, and developing a philosophy of jazz education. It will meet on Mondays and Wednesdays from 5-7pm in Music Hall room 340. Students will study pedagogy textbooks, observe local high school jazz bands, conduct the concert or studio jazz band, and write a final paper on their jazz education philosophy. Grades are based on reflections, observations, teaching, and the final paper.
Higher education in Great Britain typically requires A-level exam results in at least 2 subjects and interviews for admission. The academic year runs from October to June, with teaching done through lectures, seminars, tutorials, and laboratories. Degrees include Bachelor's (after 3 years), Master's (after 2 additional years with dissertation), and Doctorate (preparing original theses). Universities differ in history, size, traditions, and methods of instruction. Teaching is done by lecturers, readers, and professors. Other institutions include polytechnics offering degrees and colleges of education for teacher training. The Open University allows independent study for those unable to attend traditional universities.
This document provides information about the University Immersion Program (UIP) at the University of California, Santa Barbara Extension for international students. The UIP offers two study options - Academic Studies, where students take regular UCSB academic courses, and Professional Studies, with courses teaching applicable workplace skills. Students can study at UCSB through the UIP in order to experience college life in the US while earning academic credits that can transfer to other universities or complement their professional goals. The program is offered year-round with courses on the beautiful UCSB campus near Santa Barbara, California.
Higher education in China is highly developed, with over 2000 universities and colleges across the country hosting over 150,000 foreign students annually. China has a 50-year history of attracting foreign students for degrees in various fields like languages, culture, medicine, and engineering. The majority of foreign students are full-fee paying, though some receive Chinese government scholarships, most commonly for bachelor's, master's, and doctoral degrees. China is a popular study destination due to its large land area and varied climates, as well as the high quality and low costs of university programs in fields such as medicine, engineering, and Mandarin Chinese language studies.
Gmu terrorism student syllabus fall 2016 wednesdayJames Feldkamp
This document is a syllabus for a course on the theory and politics of terrorism. It provides information about the instructor, class details, learning outcomes, required readings, assignments, and grading. The course will examine concepts of terrorism through a historical and objective lens. It will study the history of the Middle East and how nation state developments contributed to terrorism. Both domestic and international terrorist groups and tactics will be analyzed. Assignments include quizzes, a team research project and presentation on a terrorist group, and a midterm and final exam.
This document provides the syllabus for a World Music course offered online through Lewis University during the Spring 2020 semester. It outlines the course details including instructor information, learning outcomes, required materials, assignments and assessments. The course is divided into 3 units covering different topics in world music. Students will complete weekly reading assignments, discussion boards, listening journals, exams and a final project. The course aims to help students understand music from a global perspective and critically engage with diverse musical traditions.
This document discusses a research study analyzing the difficulties faced by Form 3 learners in solving equations with fractions. The study was conducted at Emsizini Secondary School in Bulawayo, Zimbabwe. The research aimed to identify the specific challenges learners encounter when working with fractional equations. A pre-test and post-test experimental design was used to collect and analyze data from 30 participating learners. The findings showed that learners struggle most when algebraic terms are in the denominator of fractions or when denominators are linear expressions. The study concluded that routine teaching of fractions is insufficient and recommended more conceptual, child-centered teaching methods with an emphasis on problem solving skills.
This course examines world mythology through comparative analysis and considers how myths are applied in literature and art. It requires multiple writing assignments to demonstrate college-level writing skills. Students will analyze myths from different cultures, compare ancient and modern interpretations, and explore how myths influence contemporary culture. Evaluation is based on class participation, assignments, cultural event reflection, and four exams. The course covers mythologies from Mesopotamia, Egypt, Greece, Norse, Hawaii and major world religions through lectures, films and readings from the required text.
The document summarizes information about the National Talent Search Examination (NTSE) in India. Some key points:
- NTSE is a national scholarship program that aims to identify and nurture talented students in India. Top scoring students receive financial assistance for their education.
- The exam has two stages - stage 1 is conducted by states/UTs, stage 2 is a national level exam for top scorers. Both stages assess mental ability, language skills, and scholastic aptitude.
- Around 4000 students are selected after stage 2 to receive scholarships of Rs. 500 per month to pursue education up to the PhD level in certain fields. Important dates and application process are also outlined.
This summary provides an overview of the World Music course offered in Spring 2023. The asynchronous online course will provide a historical overview of world music and how it is influenced by and influences other cultures. Students will develop an understanding of different cultures through their music. The course aims to improve critical thinking skills. Students will learn to identify music by region, describe genres, review concerts, and critique musical performances. The primary textbook is Soundscapes: Exploring Music In A Changing World and assignments include concert evaluations, listening journals, discussions, and a final project.
This summary provides an overview of the World Music course offered at Lewis University in the Fall 2022 semester. The asynchronous online course will provide a historical overview of world music and how it is influenced by and influences other cultures. Students will develop an understanding of different musical cultures by listening to music from various nations. Assessment will include concert evaluations, listening journals, discussions, and a term paper. The goal is for students to understand vocabulary used to discuss music, identify music by nation, describe genres, and comprehend music reviews. The course aims to foster respect among a community of learners and prepare students to be life-long learners in line with the university's mission.
This document provides an overview of a university course on contemporary social movements. The course will focus on several major social movements and examine them through various social movement theories. It will be taught in a combination of lectures, discussions, activities and films. Students will be evaluated based on class participation, two in-class essay exams, a project proposal, and a final project where they can choose from options like interviewing a movement activist or writing a manifesto. The course aims to help students understand how and why social movements emerge and evolve over time.
This document provides information about a World Music course offered in the Spring 2019 semester. The course is taught online by instructor Joshua Manchester and provides an historical overview of world music while observing how it is ever-changing and influenced by other cultures. The course objectives are to help students understand terminology used to discuss music, identify music by nation, describe music genres, comprehend music reviews, and evaluate musical performances. Assessment includes concert evaluations, exams, a listening journal, discussions, and a term paper. The course utilizes the textbook Soundscapes: Exploring Music In A Changing World and covers topics like music from Africa, India, Brazil, Indonesia, and more through readings, listening assignments, and discussions.
This summary provides an overview of the World Music course offered at Lewis University in the Fall 2019 semester. The course is an online overview of world music genres and their cultural contexts. It is taught by instructor Joshua Manchester and fulfills a general education fine arts requirement. The course objectives are for students to develop skills in listening to, analyzing, and critiquing various styles of world music, and to increase cultural understanding. Topics will include the music of Africa, India, Brazil, Indonesia, and other regions. Assessments include concert reviews, exams, listening journals, discussions, and a final paper. The required textbook is Soundscapes: Exploring Music In A Changing World.
This document provides an overview of an Introduction to Humanities course being offered at Valencia College. The course will explore concepts in art, religion, architecture, music, language, politics, and philosophy through history. Students will critically analyze humanity's cultural and intellectual development. The course objectives, required textbook, evaluation criteria, class schedule, and policies are outlined. Students will be evaluated based on attendance, assignments, exams, and participation. The course will cover topics from prehistoric cave art to modern art movements and examine contributions across civilizations.
This 3-credit course introduces students to the essential concepts, historical evolution, and fundamental nature of the humanities, including art, religion, architecture, music, language, politics, and philosophy. Over the 15-week term, students will explore these topics through lectures, activities, assignments and exams. The course objectives are to understand humanity's artistic and intellectual development, analyze civilizations' contributions to various spheres, learn critical thinking skills, and analyze philosophy's application to today. Students will be evaluated based on attendance, participation, assignments, activities, quizzes, exams, and a recommended textbook.
This document provides an overview of an Introduction to Humanities course being offered at Valencia College. The course will explore concepts in art, religion, architecture, music, language, politics, and philosophy through history. Students will analyze how these concepts continue to impact the contemporary world. The course objectives, recommended textbook, evaluation criteria, class schedule, policies, and COVID guidelines are outlined.
Thyme AdvertisingNameSectionDate1.2.3.4.5.6.7.8.9.
93
HURRICANE IRMA REVISED SYLLABUS 9.21.17History of Civilization I—FALL 2017—3 Credits
WOH 2012 (17844) WF 11:00-11:50 AM NU113
Instruct.Eric J. Hanne, Assoc. Prof of History
Graduate Student Teaching Assistants:Office: AL 152 Phone: 297-3847
Mr. Hunter Altschul ([email protected]) Mr. Colton Babbit
E-Mail: [email protected]
([email protected]) Ms. Nayida Ocasio ([email protected]) Ms. Vanessa Ramsey
([email protected]) Mr. Brad Salzman ([email protected])Hanne’s Office Hrs: W & F 3:30-5:00 p.m.
T.A. Office: AH 2019 Phone:TBA T.A. Office Hours: TBA
COURSE GOALS AND OUTCOMES:
Students taking this course will be introduced not only to the history of a variety of world civilizations dating from the earliest known societies up until the rise of Europe in the sixteenth century, but to the nature of our understanding of said civilizations. The main themes running throughout the lectures will be Cultural Syncretism—the borrowing over time and space between various civilizations and cultures—and Humanity’s Relationship with “the Divine,”—the ways in which humans often have expressed their understanding of the universe around them and their roles in it. Lectures are on Wednesdays and Fridays; the topics for each are found in the attached schedule of class meetings. MondayDiscussion Sections will be led by the Graduate Student Teaching Assistants who have been trained to facilitate discussions of the readings, organize activities related to the topics covered, and work with students on research, writing, and revision. Students successfully completing this course will have: 1) gained a better understanding of the nature and progress of civilizations and cultures over the millennia; 2) learned more about the “historian’s task” regarding historical inquiry, research, and writing; 3) and honed their research and writing skills through completing a series of small projects, culminating in the production of an original piece of historical research.
COURSE REQUIREMENTS:
This course is a Writing Across the Curriculum (W.A.C.) course, and each student will be required to produce 6000 words of written work. The goal of these assignments is to give students the opportunity to work on their writing skills and improve their critical thinking and critical writing abilities. To achieve this goal, students will produce a research paper throughout the term. See the end of the syllabus for a complete breakdown of the project. There will be three non-cumulative exams at set points throughout the term. The last exam will be administered during Finals week (i.e. December 13 10:30-1:00 PM). Finally, students will be graded on their attendance, activities, and participation in their Discussion sections. To receive W.A.C. credit for this course, students must achieve a grade of “C” or better. Assignments, due dates, and percentages of final grade are as follows:
ITEMDUEPERCENT OF GRADE
Document Analysis ...
This course introduces students to physical anthropology through lectures, discussions, films and assignments. The course objectives are to help students understand human cultural heritage and diversity, develop critical thinking skills, and consider issues relating to cultural change. Students will learn about archaeology, the human fossil record, primate evolution and human variation. Assessment includes CD-ROM assignments, exams, writing papers and group work. Topics include hominin taxonomy, the fate of Neanderthals, and human adaptation. The syllabus outlines weekly readings, assignments and a final grade breakdown.
This document provides information about a World Music course offered at Lewis University in the Fall 2020 semester. The course will be taught online by instructor Joshua Manchester and will provide an historical overview of world music while observing how it is ever-changing. The course goals aim to help students understand other cultures through their traditional music and develop critical and creative thinking skills. Students will learn to identify music by nation, describe genres, and critique musical performances. The course will cover music from regions including Africa, India, Brazil, the Caribbean, and more. Assessment will include concert evaluations, exams, listening journals, discussions, and a final project.
This document provides information about an online music appreciation course titled "Music for the Listener". The course is intended for non-music majors to fulfill a fine arts requirement. Key details include the instructor's contact information, a description of student learning outcomes, an outline of course content and assignments, and policies regarding attendance, academic honesty, and accommodations. The primary goal is to help students develop active listening skills and gain an understanding and appreciation of classical music through assignments like listening journals, discussions, exams, and a term paper.
This document provides an analysis of the K-12 education program in the Philippines, specifically focusing on its impacts on science and mathematics education. It notes that Philippine education, and science/math education in particular, have historically been weak. The K-12 program aimed to address this by adding two years to basic education. However, the document argues that K-12 fails to address the root causes of weaknesses in science/math education, which include an inadequate curriculum that does not promote scientific thinking, shortcomings in teacher training, and shortages of educational facilities like science laboratories. It provides evidence that performance in science and math remains poor. Therefore, the document concludes that K-12 will not solve the systemic issues facing science and math education
This course covers techniques for teaching jazz improvisation, rehearsing jazz ensembles, organizing a jazz curriculum, and developing a philosophy of jazz education. It will meet on Mondays and Wednesdays from 5-7pm in Music Hall room 340. Students will study pedagogy textbooks, observe local high school jazz bands, conduct the concert or studio jazz band, and write a final paper on their jazz education philosophy. Grades are based on reflections, observations, teaching, and the final paper.
Higher education in Great Britain typically requires A-level exam results in at least 2 subjects and interviews for admission. The academic year runs from October to June, with teaching done through lectures, seminars, tutorials, and laboratories. Degrees include Bachelor's (after 3 years), Master's (after 2 additional years with dissertation), and Doctorate (preparing original theses). Universities differ in history, size, traditions, and methods of instruction. Teaching is done by lecturers, readers, and professors. Other institutions include polytechnics offering degrees and colleges of education for teacher training. The Open University allows independent study for those unable to attend traditional universities.
This document provides information about the University Immersion Program (UIP) at the University of California, Santa Barbara Extension for international students. The UIP offers two study options - Academic Studies, where students take regular UCSB academic courses, and Professional Studies, with courses teaching applicable workplace skills. Students can study at UCSB through the UIP in order to experience college life in the US while earning academic credits that can transfer to other universities or complement their professional goals. The program is offered year-round with courses on the beautiful UCSB campus near Santa Barbara, California.
Higher education in China is highly developed, with over 2000 universities and colleges across the country hosting over 150,000 foreign students annually. China has a 50-year history of attracting foreign students for degrees in various fields like languages, culture, medicine, and engineering. The majority of foreign students are full-fee paying, though some receive Chinese government scholarships, most commonly for bachelor's, master's, and doctoral degrees. China is a popular study destination due to its large land area and varied climates, as well as the high quality and low costs of university programs in fields such as medicine, engineering, and Mandarin Chinese language studies.
Gmu terrorism student syllabus fall 2016 wednesdayJames Feldkamp
This document is a syllabus for a course on the theory and politics of terrorism. It provides information about the instructor, class details, learning outcomes, required readings, assignments, and grading. The course will examine concepts of terrorism through a historical and objective lens. It will study the history of the Middle East and how nation state developments contributed to terrorism. Both domestic and international terrorist groups and tactics will be analyzed. Assignments include quizzes, a team research project and presentation on a terrorist group, and a midterm and final exam.
This document provides the syllabus for a World Music course offered online through Lewis University during the Spring 2020 semester. It outlines the course details including instructor information, learning outcomes, required materials, assignments and assessments. The course is divided into 3 units covering different topics in world music. Students will complete weekly reading assignments, discussion boards, listening journals, exams and a final project. The course aims to help students understand music from a global perspective and critically engage with diverse musical traditions.
This document discusses a research study analyzing the difficulties faced by Form 3 learners in solving equations with fractions. The study was conducted at Emsizini Secondary School in Bulawayo, Zimbabwe. The research aimed to identify the specific challenges learners encounter when working with fractional equations. A pre-test and post-test experimental design was used to collect and analyze data from 30 participating learners. The findings showed that learners struggle most when algebraic terms are in the denominator of fractions or when denominators are linear expressions. The study concluded that routine teaching of fractions is insufficient and recommended more conceptual, child-centered teaching methods with an emphasis on problem solving skills.
This course examines world mythology through comparative analysis and considers how myths are applied in literature and art. It requires multiple writing assignments to demonstrate college-level writing skills. Students will analyze myths from different cultures, compare ancient and modern interpretations, and explore how myths influence contemporary culture. Evaluation is based on class participation, assignments, cultural event reflection, and four exams. The course covers mythologies from Mesopotamia, Egypt, Greece, Norse, Hawaii and major world religions through lectures, films and readings from the required text.
The document summarizes information about the National Talent Search Examination (NTSE) in India. Some key points:
- NTSE is a national scholarship program that aims to identify and nurture talented students in India. Top scoring students receive financial assistance for their education.
- The exam has two stages - stage 1 is conducted by states/UTs, stage 2 is a national level exam for top scorers. Both stages assess mental ability, language skills, and scholastic aptitude.
- Around 4000 students are selected after stage 2 to receive scholarships of Rs. 500 per month to pursue education up to the PhD level in certain fields. Important dates and application process are also outlined.
This summary provides an overview of the World Music course offered in Spring 2023. The asynchronous online course will provide a historical overview of world music and how it is influenced by and influences other cultures. Students will develop an understanding of different cultures through their music. The course aims to improve critical thinking skills. Students will learn to identify music by region, describe genres, review concerts, and critique musical performances. The primary textbook is Soundscapes: Exploring Music In A Changing World and assignments include concert evaluations, listening journals, discussions, and a final project.
This summary provides an overview of the World Music course offered at Lewis University in the Fall 2022 semester. The asynchronous online course will provide a historical overview of world music and how it is influenced by and influences other cultures. Students will develop an understanding of different musical cultures by listening to music from various nations. Assessment will include concert evaluations, listening journals, discussions, and a term paper. The goal is for students to understand vocabulary used to discuss music, identify music by nation, describe genres, and comprehend music reviews. The course aims to foster respect among a community of learners and prepare students to be life-long learners in line with the university's mission.
This document provides an overview of a university course on contemporary social movements. The course will focus on several major social movements and examine them through various social movement theories. It will be taught in a combination of lectures, discussions, activities and films. Students will be evaluated based on class participation, two in-class essay exams, a project proposal, and a final project where they can choose from options like interviewing a movement activist or writing a manifesto. The course aims to help students understand how and why social movements emerge and evolve over time.
This document provides information about a World Music course offered in the Spring 2019 semester. The course is taught online by instructor Joshua Manchester and provides an historical overview of world music while observing how it is ever-changing and influenced by other cultures. The course objectives are to help students understand terminology used to discuss music, identify music by nation, describe music genres, comprehend music reviews, and evaluate musical performances. Assessment includes concert evaluations, exams, a listening journal, discussions, and a term paper. The course utilizes the textbook Soundscapes: Exploring Music In A Changing World and covers topics like music from Africa, India, Brazil, Indonesia, and more through readings, listening assignments, and discussions.
This summary provides an overview of the World Music course offered at Lewis University in the Fall 2019 semester. The course is an online overview of world music genres and their cultural contexts. It is taught by instructor Joshua Manchester and fulfills a general education fine arts requirement. The course objectives are for students to develop skills in listening to, analyzing, and critiquing various styles of world music, and to increase cultural understanding. Topics will include the music of Africa, India, Brazil, Indonesia, and other regions. Assessments include concert reviews, exams, listening journals, discussions, and a final paper. The required textbook is Soundscapes: Exploring Music In A Changing World.
This document provides an overview of an Introduction to Humanities course being offered at Valencia College. The course will explore concepts in art, religion, architecture, music, language, politics, and philosophy through history. Students will critically analyze humanity's cultural and intellectual development. The course objectives, required textbook, evaluation criteria, class schedule, and policies are outlined. Students will be evaluated based on attendance, assignments, exams, and participation. The course will cover topics from prehistoric cave art to modern art movements and examine contributions across civilizations.
This 3-credit course introduces students to the essential concepts, historical evolution, and fundamental nature of the humanities, including art, religion, architecture, music, language, politics, and philosophy. Over the 15-week term, students will explore these topics through lectures, activities, assignments and exams. The course objectives are to understand humanity's artistic and intellectual development, analyze civilizations' contributions to various spheres, learn critical thinking skills, and analyze philosophy's application to today. Students will be evaluated based on attendance, participation, assignments, activities, quizzes, exams, and a recommended textbook.
This document provides an overview of an Introduction to Humanities course being offered at Valencia College. The course will explore concepts in art, religion, architecture, music, language, politics, and philosophy through history. Students will analyze how these concepts continue to impact the contemporary world. The course objectives, recommended textbook, evaluation criteria, class schedule, policies, and COVID guidelines are outlined.
Thyme AdvertisingNameSectionDate1.2.3.4.5.6.7.8.9.
93
HURRICANE IRMA REVISED SYLLABUS 9.21.17History of Civilization I—FALL 2017—3 Credits
WOH 2012 (17844) WF 11:00-11:50 AM NU113
Instruct.Eric J. Hanne, Assoc. Prof of History
Graduate Student Teaching Assistants:Office: AL 152 Phone: 297-3847
Mr. Hunter Altschul ([email protected]) Mr. Colton Babbit
E-Mail: [email protected]
([email protected]) Ms. Nayida Ocasio ([email protected]) Ms. Vanessa Ramsey
([email protected]) Mr. Brad Salzman ([email protected])Hanne’s Office Hrs: W & F 3:30-5:00 p.m.
T.A. Office: AH 2019 Phone:TBA T.A. Office Hours: TBA
COURSE GOALS AND OUTCOMES:
Students taking this course will be introduced not only to the history of a variety of world civilizations dating from the earliest known societies up until the rise of Europe in the sixteenth century, but to the nature of our understanding of said civilizations. The main themes running throughout the lectures will be Cultural Syncretism—the borrowing over time and space between various civilizations and cultures—and Humanity’s Relationship with “the Divine,”—the ways in which humans often have expressed their understanding of the universe around them and their roles in it. Lectures are on Wednesdays and Fridays; the topics for each are found in the attached schedule of class meetings. MondayDiscussion Sections will be led by the Graduate Student Teaching Assistants who have been trained to facilitate discussions of the readings, organize activities related to the topics covered, and work with students on research, writing, and revision. Students successfully completing this course will have: 1) gained a better understanding of the nature and progress of civilizations and cultures over the millennia; 2) learned more about the “historian’s task” regarding historical inquiry, research, and writing; 3) and honed their research and writing skills through completing a series of small projects, culminating in the production of an original piece of historical research.
COURSE REQUIREMENTS:
This course is a Writing Across the Curriculum (W.A.C.) course, and each student will be required to produce 6000 words of written work. The goal of these assignments is to give students the opportunity to work on their writing skills and improve their critical thinking and critical writing abilities. To achieve this goal, students will produce a research paper throughout the term. See the end of the syllabus for a complete breakdown of the project. There will be three non-cumulative exams at set points throughout the term. The last exam will be administered during Finals week (i.e. December 13 10:30-1:00 PM). Finally, students will be graded on their attendance, activities, and participation in their Discussion sections. To receive W.A.C. credit for this course, students must achieve a grade of “C” or better. Assignments, due dates, and percentages of final grade are as follows:
ITEMDUEPERCENT OF GRADE
Document Analysis ...
This document provides information about a Developmental Psychology course including the course code, instructor details, required textbook, attendance policy, assignments, assessments, and grading scheme. The course will cover lifespan development from prenatal development through late adulthood. It will include lectures, presentations, online discussions, a midterm exam worth 30% of the grade, and a final exam worth 30% of the grade. Students will also complete one presentation and summary worth 20% and participate in online discussion topics worth 20% of their grade. To pass the course, students must achieve a minimum of 50% and meet the program continuance requirements.
This document provides an overview of an Introduction to Humanities course being offered at Valencia College. The course will explore concepts in art, religion, architecture, music, language, politics, and philosophy through history. Students will critically analyze humanity's cultural and intellectual development and learn skills for critical thinking and research. The course will be evaluated based on attendance, participation, assignments, activities, quizzes, exams, and a research paper. It will utilize the textbook Landmarks in Humanities and meet on Tuesdays and Thursdays from 10:00-11:15 AM in Building 8, Room 245.
This syllabus outlines the course Biology 495 (Aquatic Entomology and Water Pollution) which will be taught in the spring 2006 semester. The course will meet on Tuesdays and Thursdays from 8:00-9:20AM for lecture and Tuesdays from 6:00-9:00PM for the laboratory component. The instructor is Dr. Jorge A. Santiago-Blay and his contact information is provided. The course will cover topics related to aquatic insects and their use as indicators of water pollution. Students will be assessed through exams, quizzes, homework, and class participation. Resources and policies are also outlined.
1 History 21B World History Making the Mod.docxmayank272369
1
History 21B: World History
Making the Modern World: Empires, Revolutions, and Globalization, 1450s – 1820s
Prof. Laura J. Mitchell Winter 2016
234 Krieger Hall class meetings: MWF 10:00 – 10:50
[email protected] SSPA 1100
Office hours: Mondays 12–1, Wednesdays 11–12, & by appointment
Teaching Assistants
Monday Sections Wednesday Sections
Mr. Kyle David Ms. Michele Brewster
Office hours: Mondays 1-2 Office hours: Wednesdays 11-12
In 334 Krieger hall In 334 Krieger hall
[email protected][email protected]
How did the world become global? Starting in the 1450s, this course explores how mariners,
merchants, and monarchs connected the globe through faster ships, the exchange of goods, and
colonial governance. Today’s highly interconnected world has a history, including the rise of
global empires, the expansion of export economies, and worldwide political revolutions. As race
became fixed, gender roles shifted, and science described and classified through Western eyes,
human actions made the world modern. Together we will ask how large-scale resistance to
centralized rule and the persistence of people’s everyday lives shaped the changes we now call
globalization and modernity.
Course objectives
Students who complete this class will be able to:
• Explain the difference between primary and secondary sources.
• Use evidence from primary and secondary sources to construct an argument.
• Differentiate between local and global processes; in other words: articulate how scale
changes historical analysis.
• Evaluate similarities and differences; in other words: make historical comparison.
Course Structure
Theme Skills Focus
Part I Empires Using Evidence :: Making Arguments
Part II Globalization Thinking with Scale
Part III Revolutions Making Comparisons
Course Materials
Required Textbook:
Ross E. Dunn & Laura J. Mitchell, Panorama: A World History (New York: McGraw-Hill,
2015), Chapters 16 - 20
E-book version with Connect & Learn Smart subscription
You can also consult a hard copy of the textbook that is available on 2-hour reserve at Langson
Library.
2
Other Reading and Visual Material
Links to relevant websites and to .pdf versions of other course readings are available on the
course Canvas site. You can download the articles, chapters, and excerpts to your computer
and/or print a copy to bring to class.
Course Methodology
Historical analysis Historical analysis requires learning, understanding, and assessing available
evidence and then asserting informed interpretations. Here, historical analysis does not imply a
listing of a series of events, people, or circumstances. Instead, historians conduct careful
investigations and test their assumptions in order to assert an interpretation or an argument about
the past.
Preparation Our class experience will rely on our mutual preparation. I do not expect you to be
experts in all things regarding world history, but I do ...
This 3-sentence summary provides the essential information about the document:
This syllabus addendum outlines the course objectives, requirements, policies, and grading scale for HIS 101 Western Civilization to 1689 taught by Professor Stephen Campbell at Trident Technical College. The course is a survey of Western Civilization from ancient times to 1689 that will develop students' critical thinking skills through exams, quizzes, and writing assignments. Grades will be determined by exams (25%), quizzes (50%), and writing assignments (25%), with letter grades assigned based on total points earned throughout the semester.
This document provides information about a history course covering United States history from pre-Columbian cultures through Reconstruction. It outlines course requirements including weekly readings from the textbook, additional online materials, and discussion questions. Students must complete 3 primary source analysis assignments, 2 exams, and participate in weekly online discussions. The course will be online with communication through Blackboard. Grading will be based on exams, discussions, and the primary source analyses. A schedule of chapters and due dates is provided.
This document outlines the policies for PSCI 3054: American Political Thought at the University of Colorado. The course will survey American political thought from the colonial period to the Obama era, with a focus on political identities and how race, gender, and class have shaped political thinking. Students are expected to complete readings, participate in class, take reading quizzes and exams, and write two papers. The instructor is Anna Daily and her office hours are Tuesdays 3:30-4:30pm and Thursdays 12:30-1:30pm. The document also provides details on attendance, religious observances, disability accommodations, and email policies.
This document provides the syllabus for an Art Appreciation course at Kellogg Community College. The course is a survey of contemporary and traditional visual art themes with an emphasis on communication through various art forms. Students will examine the role of visual art in cultures through history and today. The syllabus outlines the required materials, course content including lectures and activities, attendance policy, grading scale and expectations for participation, assignments, and policies regarding plagiarism and conduct.
This document provides information about an online Religions of the World course at Patrick Henry Community College for the Fall 2013 semester. The 3-credit course examines major world religions and is taught fully online by instructor Hannah Simpson. The course description, objectives, assignments, grading scale, policies, and schedule are outlined in detail. Students will study religions through readings, presentations, discussions, and assessments with a focus on critical thinking and written communication skills.
This document provides guidance on redesigning course syllabi to make them more engaging for students. The traditional black and white text-heavy syllabus is described as intimidating and unengaging for students. Recommendations are given to incorporate color, images, and technology to create a more visually appealing and informative syllabus. Specific suggestions include using Word and PDF to design multi-page syllabi that cover course descriptions, objectives, assignments, grades, policies, and resources on separate pages with headings and text boxes. The redesigned syllabus should be personalized, interactive, and engage students in the course material from the first page. Proper syllabus design is described as taking significant time but providing benefits to student understanding and experience.
Similar to Latin American Cluster Fall 2011 Syllabus (20)
The document summarizes an analysis of a dataset on tooth growth in guinea pigs given different doses of vitamin C through two delivery methods. Some key findings include:
- Tooth growth length increases with higher vitamin C dosage amounts.
- For lower doses of 0.5mg and 1mg, orange juice resulted in greater tooth growth than ascorbic acid.
- For the highest dose of 2mg, there was no difference in tooth growth between the two delivery methods.
This document describes a simulation exercise investigating the distribution of averages of 40 exponential distributions with rate parameter λ=0.2. It generates 40,000 exponential observations, calculates the mean of samples of 40 observations 1000 times, and compares the sample mean and variance to the theoretical values. Graphs of the sample means show that the distribution is approximately normal and centered around the theoretical mean of 1/λ=5, with 95% confidence intervals containing the true value.
This study examines factors that affect interest rates in peer-to-peer lending by analyzing data from 2,500 loans through Lending Club. A multiple regression model related interest rate to four factors: FICO score, monthly income, debt-to-income ratio, and length of employment. The analysis found that all factors except length of employment had a statistically significant relationship with interest rate, though the effects were small. FICO score had the strongest negative relationship, while income and debt-to-income ratio had a positive relationship. This suggests credit risk still impacts interest rates in peer-to-peer lending, as do income levels and debt burdens to a lesser degree.
Data analysis_PredictingActivity_SamsungSensorDataKaren Yang
- The document analyzes data from a study that tracked activity using smartphone sensors to predict activity type based on quantitative measurements.
- It builds random forest and support vector machine (SVM) models on a training data set and finds the random forest model has a lower error rate of 11%, making it the better predictive model.
- Variable importance analysis of the random forest model identifies 11 highly correlated variables as the most important predictors of activity type. Tuning the random forest model to use just these 11 variables results in a 16% error rate on a validation data set.
- Applying the tuned random forest model to a test data set achieves an error rate of 17%, confirming the 11 variables as key predictors of activity type
Rubric oral presentation (4 point scale)Karen Yang
This rubric evaluates oral presentations across several categories:
- Organization: Presentations should have a clear introduction and conclusion with main points identified and supported. Transitions between points should be used.
- Nonverbal communication: Eye contact, gestures, and posture should be appropriate. Visual aids, if used, should enhance the presentation without errors.
- Verbal delivery: Speakers should be confident with controlled volume, pace and tone. Language should be clear without distracting filler words. Pronunciation of terms should be understandable.
- Documentation: All sources should be properly cited both orally and in writing.
ORAL PRESENTATION EVALUATION FORM - UNDERGRADUATEKaren Yang
This oral presentation evaluation form contains criteria in three areas: organization, nonverbal communication, and verbal communication. For organization, presentations are evaluated on whether they clearly introduce a central topic, identify and support main points, use smooth transitions between ideas, and provide a concluding summary. Nonverbal criteria include maintaining eye contact, having appropriate gestures and expressions, and effectively using any visual aids. Verbal criteria focus on having confident delivery, appropriate voice control, and avoiding filler words or slang.
The document summarizes a colloquium seminar on social media trends presented by Karen J Yang. It discusses the major social media platforms and findings from Forrester research on technology usage among different generations. Common responses to social media are reviewed. Emerging trends in areas like business, politics, and new features on platforms like Google+ are also examined. Additional social networking sites are described and questions are posed on effectively opening new social channels. The seminar concludes that the use of social media for business will increase and understanding its productive use is important.
Monitoring and Managing Anomaly Detection on OpenShift.pdfTosin Akinosho
Monitoring and Managing Anomaly Detection on OpenShift
Overview
Dive into the world of anomaly detection on edge devices with our comprehensive hands-on tutorial. This SlideShare presentation will guide you through the entire process, from data collection and model training to edge deployment and real-time monitoring. Perfect for those looking to implement robust anomaly detection systems on resource-constrained IoT/edge devices.
Key Topics Covered
1. Introduction to Anomaly Detection
- Understand the fundamentals of anomaly detection and its importance in identifying unusual behavior or failures in systems.
2. Understanding Edge (IoT)
- Learn about edge computing and IoT, and how they enable real-time data processing and decision-making at the source.
3. What is ArgoCD?
- Discover ArgoCD, a declarative, GitOps continuous delivery tool for Kubernetes, and its role in deploying applications on edge devices.
4. Deployment Using ArgoCD for Edge Devices
- Step-by-step guide on deploying anomaly detection models on edge devices using ArgoCD.
5. Introduction to Apache Kafka and S3
- Explore Apache Kafka for real-time data streaming and Amazon S3 for scalable storage solutions.
6. Viewing Kafka Messages in the Data Lake
- Learn how to view and analyze Kafka messages stored in a data lake for better insights.
7. What is Prometheus?
- Get to know Prometheus, an open-source monitoring and alerting toolkit, and its application in monitoring edge devices.
8. Monitoring Application Metrics with Prometheus
- Detailed instructions on setting up Prometheus to monitor the performance and health of your anomaly detection system.
9. What is Camel K?
- Introduction to Camel K, a lightweight integration framework built on Apache Camel, designed for Kubernetes.
10. Configuring Camel K Integrations for Data Pipelines
- Learn how to configure Camel K for seamless data pipeline integrations in your anomaly detection workflow.
11. What is a Jupyter Notebook?
- Overview of Jupyter Notebooks, an open-source web application for creating and sharing documents with live code, equations, visualizations, and narrative text.
12. Jupyter Notebooks with Code Examples
- Hands-on examples and code snippets in Jupyter Notebooks to help you implement and test anomaly detection models.
Let's Integrate MuleSoft RPA, COMPOSER, APM with AWS IDP along with Slackshyamraj55
Discover the seamless integration of RPA (Robotic Process Automation), COMPOSER, and APM with AWS IDP enhanced with Slack notifications. Explore how these technologies converge to streamline workflows, optimize performance, and ensure secure access, all while leveraging the power of AWS IDP and real-time communication via Slack notifications.
Your One-Stop Shop for Python Success: Top 10 US Python Development Providersakankshawande
Simplify your search for a reliable Python development partner! This list presents the top 10 trusted US providers offering comprehensive Python development services, ensuring your project's success from conception to completion.
Letter and Document Automation for Bonterra Impact Management (fka Social Sol...Jeffrey Haguewood
Sidekick Solutions uses Bonterra Impact Management (fka Social Solutions Apricot) and automation solutions to integrate data for business workflows.
We believe integration and automation are essential to user experience and the promise of efficient work through technology. Automation is the critical ingredient to realizing that full vision. We develop integration products and services for Bonterra Case Management software to support the deployment of automations for a variety of use cases.
This video focuses on automated letter generation for Bonterra Impact Management using Google Workspace or Microsoft 365.
Interested in deploying letter generation automations for Bonterra Impact Management? Contact us at sales@sidekicksolutionsllc.com to discuss next steps.
In the rapidly evolving landscape of technologies, XML continues to play a vital role in structuring, storing, and transporting data across diverse systems. The recent advancements in artificial intelligence (AI) present new methodologies for enhancing XML development workflows, introducing efficiency, automation, and intelligent capabilities. This presentation will outline the scope and perspective of utilizing AI in XML development. The potential benefits and the possible pitfalls will be highlighted, providing a balanced view of the subject.
We will explore the capabilities of AI in understanding XML markup languages and autonomously creating structured XML content. Additionally, we will examine the capacity of AI to enrich plain text with appropriate XML markup. Practical examples and methodological guidelines will be provided to elucidate how AI can be effectively prompted to interpret and generate accurate XML markup.
Further emphasis will be placed on the role of AI in developing XSLT, or schemas such as XSD and Schematron. We will address the techniques and strategies adopted to create prompts for generating code, explaining code, or refactoring the code, and the results achieved.
The discussion will extend to how AI can be used to transform XML content. In particular, the focus will be on the use of AI XPath extension functions in XSLT, Schematron, Schematron Quick Fixes, or for XML content refactoring.
The presentation aims to deliver a comprehensive overview of AI usage in XML development, providing attendees with the necessary knowledge to make informed decisions. Whether you’re at the early stages of adopting AI or considering integrating it in advanced XML development, this presentation will cover all levels of expertise.
By highlighting the potential advantages and challenges of integrating AI with XML development tools and languages, the presentation seeks to inspire thoughtful conversation around the future of XML development. We’ll not only delve into the technical aspects of AI-powered XML development but also discuss practical implications and possible future directions.
Ocean lotus Threat actors project by John Sitima 2024 (1).pptxSitimaJohn
Ocean Lotus cyber threat actors represent a sophisticated, persistent, and politically motivated group that poses a significant risk to organizations and individuals in the Southeast Asian region. Their continuous evolution and adaptability underscore the need for robust cybersecurity measures and international cooperation to identify and mitigate the threats posed by such advanced persistent threat groups.
HCL Notes and Domino License Cost Reduction in the World of DLAUpanagenda
Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-and-domino-license-cost-reduction-in-the-world-of-dlau/
The introduction of DLAU and the CCB & CCX licensing model caused quite a stir in the HCL community. As a Notes and Domino customer, you may have faced challenges with unexpected user counts and license costs. You probably have questions on how this new licensing approach works and how to benefit from it. Most importantly, you likely have budget constraints and want to save money where possible. Don’t worry, we can help with all of this!
We’ll show you how to fix common misconfigurations that cause higher-than-expected user counts, and how to identify accounts which you can deactivate to save money. There are also frequent patterns that can cause unnecessary cost, like using a person document instead of a mail-in for shared mailboxes. We’ll provide examples and solutions for those as well. And naturally we’ll explain the new licensing model.
Join HCL Ambassador Marc Thomas in this webinar with a special guest appearance from Franz Walder. It will give you the tools and know-how to stay on top of what is going on with Domino licensing. You will be able lower your cost through an optimized configuration and keep it low going forward.
These topics will be covered
- Reducing license cost by finding and fixing misconfigurations and superfluous accounts
- How do CCB and CCX licenses really work?
- Understanding the DLAU tool and how to best utilize it
- Tips for common problem areas, like team mailboxes, functional/test users, etc
- Practical examples and best practices to implement right away
How to Interpret Trends in the Kalyan Rajdhani Mix Chart.pdfChart Kalyan
A Mix Chart displays historical data of numbers in a graphical or tabular form. The Kalyan Rajdhani Mix Chart specifically shows the results of a sequence of numbers over different periods.
GraphRAG for Life Science to increase LLM accuracyTomaz Bratanic
GraphRAG for life science domain, where you retriever information from biomedical knowledge graphs using LLMs to increase the accuracy and performance of generated answers
Ivanti’s Patch Tuesday breakdown goes beyond patching your applications and brings you the intelligence and guidance needed to prioritize where to focus your attention first. Catch early analysis on our Ivanti blog, then join industry expert Chris Goettl for the Patch Tuesday Webinar Event. There we’ll do a deep dive into each of the bulletins and give guidance on the risks associated with the newly-identified vulnerabilities.
TrustArc Webinar - 2024 Global Privacy SurveyTrustArc
How does your privacy program stack up against your peers? What challenges are privacy teams tackling and prioritizing in 2024?
In the fifth annual Global Privacy Benchmarks Survey, we asked over 1,800 global privacy professionals and business executives to share their perspectives on the current state of privacy inside and outside of their organizations. This year’s report focused on emerging areas of importance for privacy and compliance professionals, including considerations and implications of Artificial Intelligence (AI) technologies, building brand trust, and different approaches for achieving higher privacy competence scores.
See how organizational priorities and strategic approaches to data security and privacy are evolving around the globe.
This webinar will review:
- The top 10 privacy insights from the fifth annual Global Privacy Benchmarks Survey
- The top challenges for privacy leaders, practitioners, and organizations in 2024
- Key themes to consider in developing and maintaining your privacy program
Skybuffer AI: Advanced Conversational and Generative AI Solution on SAP Busin...Tatiana Kojar
Skybuffer AI, built on the robust SAP Business Technology Platform (SAP BTP), is the latest and most advanced version of our AI development, reaffirming our commitment to delivering top-tier AI solutions. Skybuffer AI harnesses all the innovative capabilities of the SAP BTP in the AI domain, from Conversational AI to cutting-edge Generative AI and Retrieval-Augmented Generation (RAG). It also helps SAP customers safeguard their investments into SAP Conversational AI and ensure a seamless, one-click transition to SAP Business AI.
With Skybuffer AI, various AI models can be integrated into a single communication channel such as Microsoft Teams. This integration empowers business users with insights drawn from SAP backend systems, enterprise documents, and the expansive knowledge of Generative AI. And the best part of it is that it is all managed through our intuitive no-code Action Server interface, requiring no extensive coding knowledge and making the advanced AI accessible to more users.
Best 20 SEO Techniques To Improve Website Visibility In SERPPixlogix Infotech
Boost your website's visibility with proven SEO techniques! Our latest blog dives into essential strategies to enhance your online presence, increase traffic, and rank higher on search engines. From keyword optimization to quality content creation, learn how to make your site stand out in the crowded digital landscape. Discover actionable tips and expert insights to elevate your SEO game.
Skybuffer SAM4U tool for SAP license adoptionTatiana Kojar
Manage and optimize your license adoption and consumption with SAM4U, an SAP free customer software asset management tool.
SAM4U, an SAP complimentary software asset management tool for customers, delivers a detailed and well-structured overview of license inventory and usage with a user-friendly interface. We offer a hosted, cost-effective, and performance-optimized SAM4U setup in the Skybuffer Cloud environment. You retain ownership of the system and data, while we manage the ABAP 7.58 infrastructure, ensuring fixed Total Cost of Ownership (TCO) and exceptional services through the SAP Fiori interface.
Driving Business Innovation: Latest Generative AI Advancements & Success StorySafe Software
Are you ready to revolutionize how you handle data? Join us for a webinar where we’ll bring you up to speed with the latest advancements in Generative AI technology and discover how leveraging FME with tools from giants like Google Gemini, Amazon, and Microsoft OpenAI can supercharge your workflow efficiency.
During the hour, we’ll take you through:
Guest Speaker Segment with Hannah Barrington: Dive into the world of dynamic real estate marketing with Hannah, the Marketing Manager at Workspace Group. Hear firsthand how their team generates engaging descriptions for thousands of office units by integrating diverse data sources—from PDF floorplans to web pages—using FME transformers, like OpenAIVisionConnector and AnthropicVisionConnector. This use case will show you how GenAI can streamline content creation for marketing across the board.
Ollama Use Case: Learn how Scenario Specialist Dmitri Bagh has utilized Ollama within FME to input data, create custom models, and enhance security protocols. This segment will include demos to illustrate the full capabilities of FME in AI-driven processes.
Custom AI Models: Discover how to leverage FME to build personalized AI models using your data. Whether it’s populating a model with local data for added security or integrating public AI tools, find out how FME facilitates a versatile and secure approach to AI.
We’ll wrap up with a live Q&A session where you can engage with our experts on your specific use cases, and learn more about optimizing your data workflows with AI.
This webinar is ideal for professionals seeking to harness the power of AI within their data management systems while ensuring high levels of customization and security. Whether you're a novice or an expert, gain actionable insights and strategies to elevate your data processes. Join us to see how FME and AI can revolutionize how you work with data!
Fueling AI with Great Data with Airbyte WebinarZilliz
This talk will focus on how to collect data from a variety of sources, leveraging this data for RAG and other GenAI use cases, and finally charting your course to productionalization.
1. Accelerated/Evening Programs
Latin American Cluster
Twentieth Century World History HIS-101 (3 credits)
Art & Culture of Latin America ICL-361 (3 credits)
Contemporary Issues in Modern Latin America ICL-362 (3 credits)
SYLLABUS
Fall Quarter 2011
LINDENWOOD UNIVERSITY
St. Charles Campus—Monday night class (6-10pm)
Lindenwood University Cultural Center (LUCC)
400 North Kingshighway St. Charles, MO 63301 Campus Phone: 636 949-4500
North County Campus—Weds. night class (6-10pm)
4500 Washington Ave Florissant, MO 63033 Campus Phone: 314 838-7653
13th Meeting held on Tuesday, Oct. 18th, North Co., Week 4 (6-9pm)
Adjunct Professor
Karen J. Yang, PhD
E-Mail: KYang@lindenwood.edu
Phone: 314-825-7305 (call, text or leave voicemail)
Follow me on twitter: search keywords ―karenjyang twitter‖
To upload your papers to Turnitin.com: Class id# 4380155 Password: password
1
Revision Date: 09/20/2011
2. COURSE INFORMATION
COURSE NUMBERS/SECTION/TITLE
Twentieth Century World History HIS-101 (3 credits)
Art & Culture of Latin America ICL-361 (3 credits)
Contemporary Issues in Modern Latin America ICL-362 (3 credits)
REQUIRED TEXTS
The course books include:
Global Studies, Latin America by Peter Goodwin, 14th edition, 2011;
The Twentieth Century and Beyond by Goff, Moss, Terry Upshur, Schroeder, A Global
History, 7th edition, 2008;
Here’s to You, Jesusa! by Elena Poniatowska, Penguin books, 2002; and
Americas, The Changing Face of Latin America and the Caribbean, by Peter Winn, 3rd
edition, 2006.
Students must have the required textbooks by the second cluster meeting.
COURSE DESCRIPTIONS
This is a broad course that seeks to introduce students to twentieth century world history, art
and culture of Latin America, and contemporary issues of Latin America. We will examine Latin
America’s history, people, and politics as well as explore both art and culture that are unique to
this region. Latin America combines elements of both New and Old World cultures that is
reflected in today’s contemporary societies. Students will learn its historical development and
current issues. Twentieth century global history will also be covered in this course to introduce
students to major events and trends in Europe, the Americas, the Middle East, and Asia during
this century. Contemporary topics will also be covered.
COURSE OBJECTIVES
1. Demonstrate written communication and documentation skills.
2. Demonstrate oral communication skills.
3. Prepare for and participate in every cluster meeting.
4. Demonstrate a knowledge and understanding of the concepts and practices
within each course.
5. Successfully pass quizzes and exams
CONTACTING ME
Please do not hesitate to contact me if you have any questions or concerns. I will do my best to
respond as soon as possible. You may call, text, or leave voicemail on my cell phone (314-825-
7305) or you may send me an email at KYang@lindenwood.edu. You may address me as Dr.
Yang or Professor Yang.
2
Revision Date: 09/20/2011
3. UNIVERSITY POLICIES
EDUCATIONAL POLICY STATEMENT
The LCIE delivery format, developed in 1975, is a unique time-tested learning model for adult
higher education. The model has been lauded by the Higher Learning Commission of the North
Central Association of Colleges and Schools, the organization that accredits all of the major
universities in the nineteen states comprising the upper Midwest. LCIE uses small class sizes
(usually around 12 students per class, 25 maximum for the Capstone Course) and the Socratic
method (the use of questions to develop a potential idea in a student’s mind) of inquiry to
maximize students’ presentation and discussion opportunities during class sessions. This
approach promotes give-and-take among students and personal interaction between students
and their professors.
Because a major objective of this format is the development of student’s knowledge-synthesis
and communication skills, more emphasis normally is placed on written and oral presentation,
class discussion, papers, and projects than on traditional testing. However, as is true of most
higher education programs, it is up to each professor to determine how students are to be
assessed and graded; therefore, quizzes and exams will be used to supplement papers and
presentations as assessments of student mastery.
CLUSTER CANCELLATION POLICY
Decisions regarding cluster cancellation due to weather conditions come from the Provost who
notifies students and faculty via Rave alerts, television and radio announcements, email and
website notices. The decision is made after reviewing weather reports, traffic conditions, and
after consultation with site directors via the Dean of LCIE. Only the Provost has the authority to
cancel clusters due to weather conditions. The only exception to this policy is an emergency,
and, in this case, the LCIE Office Manager must be notified when a cluster is cancelled. In
addition, all canceled clusters must be rescheduled and made up sometime during the term.
ATTENDANCE
LCIE is an accelerated program designed for motivated learners who take responsibility for their
education. It is assumed that a student will not miss any classes. However, recognizing that
LCIE students are working adults, one absence can be compensated for (at the instructor’s
discretion) through additional assigned work. Two absences will result in a grade drop in one,
two, or all three of the cluster courses, depending on the class format and the instructor’s
judgment. Three absences are unacceptable as that represents one-fourth of the class periods.
A student who has missed or will miss three cluster meetings will receive failing grades in the
cluster. The first class (Saturday for graduate students and new undergraduate students and the
first week of classes for returning undergraduate students) and the thirteenth class (arranged by
the instructor) are both considered part of the scheduled coursework and attendance will be
counted accordingly.
In addition, the LCIE attendance policy is structured so that it incorporates tardiness and early
departure from classes as part of overall attendance reporting. Students are expected to arrive
for the beginning of class periods and remain until the instructor terminates the class meeting.
Instructors will monitor and record the names of students who arrive late for class meetings or
3
Revision Date: 09/20/2011
4. who leave classes early. Tardy or early departure absences are cumulative and are counted
according to the LCIE absence reporting policy. Students who accumulate four hours of tardy
or early departure penalties will be assessed one evening’s absence. This policy shall be
strictly enforced and in no cases shall exceptions be allowed.
CLASS PARTICIPATION
All students must read text assignments thoughtfully and prepare to either answer questions or
hold discussions on material from those texts. Students who do not make substantial oral
contributions to cluster discussions will receive a lower grade.
STUDENT CODE OF CONDUCT
LCIE is a program designed for the working adult. As such, it is assumed that classroom and
campus behavior will reflect the professional demeanor that adults demonstrate in a work
environment. The following guidelines are designed to remind students of appropriate behaviors
expected in the classroom.
1. Students are expected to give proper respect to faculty, staff members, and fellow
students. Exchange of ideas is an integral component of learning, and participants must
feel free to share ideas within the classroom setting.
2. Appropriate language is expected. Language chosen to belittle another person or group
or that could be considered hate speech will not be tolerated.
3. In order to not misuse class time and to respect the privacy of class participants,
individual grades will only be discussed before class, during breaks, or after class, at the
discretion of the professor.
4. All students are to be in the cluster on time and to stay for the entire cluster period.
5. Cell phones and pagers should be turned off during class except for emergency services
personnel on call. Text messaging distracts from classroom activity and will not be
tolerated.
6. Smoking is prohibited in all campus buildings and is restricted to specific smoking areas
outside of the buildings.
7. With the exception of computer lab courses, food in the classroom is allowed only with
permission of the instructor. Students are expected to dispose of any trash that they
generate during class.
8. A hostile environment is not conducive to learning, and students who violate this code of
conduct will be referred to the Dean of LCIE and/or the Provost and may be removed
from the cluster and possibly from the University.
LATE PAPERS
Papers are to be turned in on the assigned due date. Students who ignore due dates put
themselves in jeopardy of earning substantially lower grades. Any assignments turned in
AFTER the due date may lose points per day, a letter grade or more.
REWRITING OF PAPERS AND EXTRA CREDIT ASSIGNMENTS
Due to the accelerated nature of this cluster (program), the rewriting of papers or the assigning
of extra credit homework to improve a grade, or grades, is not permitted.
4
Revision Date: 09/20/2011
5. ACADEMIC DISHONESTY
Plagiarism is a form of academic dishonesty and will not be tolerated. Plagiarism is defined as
“the presentation of someone else’s ideas or words as your own. Whether deliberate or
accidental, plagiarism is a serious offense” (Fowler and Aaron 680).
Each of the following is a type of plagiarism and must be avoided in all academic work:
Copying directly from a source without quotations and source citation;
Paraphrasing or summarizing another's idea without attribution;
Changing a sentence’s structure but copying words;
Changing a sentence’s words but copying its basic structure;
Using audio, video or other media sources without acknowledgement;
Submitting a paper written by another student and claiming it as your own;
Using information obtained through interviewing an expert on the subject without
attribution;
Purchasing or downloading a paper from another source and claiming it as your
own;
Collaborating excessively on an essay with another person;
Submitting an essay that was previously written for another class without the
consent of both professors (Plagiarism Defined 1).
Works Cited
Fowler, H. Ramsey, and Aaron, Jane E. The Little, Brown Handbook. New York: Pearson
Longman Press, 2004.
“Plagiarism Defined: Part 3.” Plagiarism Tutorial: Indiana State University Library. 15 June
2004. Indiana State University. 10 June 2005
<panther.indstate.edu/tutorials/plagiarism/defined3.html>.
Academic Honesty Policy – Undergraduate Students
Academic dishonesty is an exceptionally serious offense to oneself and one’s colleagues. The
fabric of a learning community is woven by a bond of trust: the work to which we affix our names
is our own. To act otherwise is to undermine the contract of good faith on which productive
study and the open exchange of ideas is based. Therefore, students wishing to maintain formal
membership in a learning community must display the high level of integrity expected of all its
members. According to Lindenwood University’s Academic Honesty policy, names of students
found guilty of cheating or plagiarizing will be sent to the University Provost. A first offense of
academic dishonesty may result in a lessened or failing grade on the work/test or failure in the
course. A second offense will lead to academic probation and failure of the class, and a third
offense will result in expulsion from the University. Any questions concerning this policy should
be directed to the Provost.
Cheating
Cheating shall be defined by Lindenwood University as “disseminating or receiving answers,
data, or other information by any means other than those expressly permitted by the instructor.
Examples of cheating include, but are not limited to, the following:
5
Revision Date: 09/20/2011
6. a. Copying answers, data, or other information (or allowing others to copy) during an
examination, quiz, or laboratory experiment or on homework or any other academic
exercise.
b. Assuming another individual’s identity or allowing another person to do so on one’s own
behalf for the purpose of fulfilling any academic requirement or in any way enhancing the
student’s grade or academic standing.
c. Using any device, implement, or other form of study aid during an examination, quiz,
laboratory experiment, or any other academic exercise without the faculty member’s
permission.
Source for quotation: http://www.deltacollege.edu/dept/ar/catalog/cat0910/index.htm
Lying/Deception
Deception, in either written or oral form, directed at University personnel by a student for the
purpose of improving his/her own academic standing or that of another student is subject to
disciplinary action as part of the Lindenwood University Academic Integrity policy.
ORAL PRESENTATIONS
As with all oral presentations, the student is expected to be prepared, speak distinctly, organize
ideas, have a clear point which will be developed, and be able to answer questions offered by
the class. READING TO THE CLASS FROM YOUR NOTES IS NOT A PRESENTATION AND
WILL RESULT IN A SIGNIFICANT LOSS OF POINTS IN THIS AREA. The use of
texts/personal examples, visual aids, handouts, tapes, and the like are encouraged.
PROGRAM ASSESSMENT STATEMENT
Assessment is something we do to (a) improve our teaching and learning and (b) meet the
requirements of our accreditation agency, the Higher Learning Commission. Assessment is
different from, and goes beyond, grading students. Assessment measures how well
Lindenwood is achieving its educational objectives, not how well individual students are doing.
Our assessment procedures (a) identify exactly what competencies and content areas we are
teaching (b) measure how well we are teaching these and (c) suggest how we might improve
our approach to teaching to increase students’ mastery of the material and relevant skills.
LCIE uses written and oral presentations, tests, quizzes and/or final examinations and well
defined rating scales to assess performance on important assessment dimensions in each
cluster.
The results of these assessment procedures are included in an annual report that the University
produces, and they are used to improve teaching and learning here. We appreciate everyone’s
cooperation in this positive initiative to improve the quality of education at the University.
STUDENTS WITH SPECIAL NEEDS
If you have a disability that requires reasonable accommodations for participation in this course,
you need to contact Jared Conner, Student Support and Accessibility Coordinator, at 636-949-
4510 or jconner@lindenwood.edu and notify your professor during the first week of class so that
accommodations can be made. Reasonable accommodations will be made to ensure that
disabled students have a fair opportunity to perform at their potential. Students are responsible
6
Revision Date: 09/20/2011
7. for providing the instructor with a Campus Accessibility Faculty Notification Form specifying
classroom accommodations. Your academic advisor can also help with this process.
GRADING SYSTEM
A = Excellent: The student’s work is outstanding, beyond expectations, and
exemplary to the goals of the course. Writing reveals a sound
organizational strategy with clearly developed paragraphs and a unified
thesis. The ideas are engaging and show illuminating insights into the
works being studied. There should be few or no errors in style, diction or
mechanics. Oral presentations are outstandingly informative, well
researched and relevant to the assignment. The presentation is not read but
reveals mastery of the material, supportive examples and very good eye
contact.
B = Superb: The student’s work is above average, proficient, of high quality, and
exceed the goals of the course. Writing is clearly above average but may
reveal problems with the organization of ideas or in the insights expressed.
There will be some errors in style, diction and/or mechanics. Oral
presentations may have many insights and show good mastery of the
material, but may either lack the depth of an outstanding presentation or
reveal a weaker delivery style.
C = Adequate: The student’s work is average, acceptable and satisfactory to the goals of
the course. Writing reveals an understanding of the assignment, but the
insights do not go beyond the obvious and the student does not attempt to
use the text or other sources to prove the ideas expressed. Subject areas
tend to be general and do not address specific detail. There are more
errors in grammar, mechanics, and the like. Presentations cover the
material but are vague, revealing an average mastery of the assigned
material and an average delivery style.
D = Unsatisfactory: The student’s work is inadequate, poor, inferior, and unsatisfactory to the
goals of the course. Writing reveals a poor understanding of the
assignment, is too general and is replete with errors in style, diction and/or
mechanics. Oral presentations are poorly planned and delivered with little
or no thought to the task.
F = Failing: The student has not passed the course. Writing is unacceptable, lacking in
many of the aforementioned skills or does not come close to the page number
requirement.
I = Incomplete: The student has failed to complete the coursework because of exceptional
circumstances beyond the student’s control. An incomplete is not an alternative for the
student who is failing the course or who has excessive absences. An incomplete is not
an option
for the student who has consistently missed or been tardy with assignments. A student
should have attended all cluster meetings to date and should be relatively current with
the assignments in order to qualify for the extension afforded through an incomplete
grade
7
Revision Date: 09/20/2011
8. A grade of “C” or above is necessary to pass Undergraduate Capstone courses. A grade of “B”
or above is necessary to pass Graduate Capstone courses. The grade of “D” is not available for
any Graduate courses.
COURSE POLICIES
SYLLABUS DISCLAIMER
The professor reserves the right to make changes to the syllabus at his/her discretion. Also,
due to circumstances such as Holidays, weather conditions, illness, business travel, and/or time
constraints, at the discretion of the professor, some assignments and/or meeting dates
scheduled in this syllabus may be rescheduled.
CLASSROOM ETIQUETTE
Students are expected to treat everyone with dignity and respect. Please be kind, courteous,
and professional. You are asked to give your full attention when class is in session. Please turn
off your cell phones. Text messaging is not allowed in class and will be grounds for ejection
following a repeat offense after a first warning has been issued. You will be ejected out of the
class if your behavior causes a classroom disruption at the determination of the instructor. The
penalty for ejection will be determined at the instructor’s discretion (from 3% to 10% deduction
of the final grade based on the nature of the offense).
CLASS PREPARATION
Your success in this accelerated cluster course is highly dependent on how well you prepare,
study, and complete assignments. Please refer to the syllabus for instructions.
CLASS PARTICIPATION
Students are expected to have done the reading and writing assignments each week and to
come to class prepared to discuss the materials covered.
SUBMITTING ASSIGNMENTS
Students must upload their 5-page and 10-page papers to turnitin.com by the deadline. A hard
copy paper must be handed in at the start of class at 6pm. If you encounter difficulties, please
seek help as soon as possible. The percentage of similarity should be no more than 25%.
Please check the score before final submission, preferably a couple of days in advance.
LATE ASSIGNMENTS
Students are expected to complete all coursework, oral presentations, and exams during the
term. Only under exceptional emergencies will students be allowed an incomplete grade.
Late Paper Policy. Students must turn in their paper on the designated due date at the
beginning of class, approximately 6pm. Later papers will receive a lowered grade by one letter
grade and must be turned in by the following week in order to be accepted. Please do not send
your paper by email to the instructor as it will not be accepted. A hard copy is required. Papers
will only be accepted up to a week after the due date.
Missed Exam Policy. It is incumbent upon the student to contact the instructor if he or she
misses an exam due to an exceptional emergency. It is also required that he or she commit to a
day and time in which a make-up exam is scheduled. Failure to make contact with the instructor
and to provide valid documentation to justify the absence will result in an F grade for the exam.
8
Revision Date: 09/20/2011
9. Failure to Present an Oral on Time Policy. If a student fails to deliver on an oral presentation
or turn in assignment on time, he or she will receive a lowered grade.
COURSEWORK AND ASSIGNMENTS
13th MEETING
The 13th meeting is an additional class session that falls within the 12-week term. Though the
13th meeting may fall on a different evening than the regular class meetings, it is a mandatory
class session where attendance (participation and contribution) will be taken. Please check your
work schedule and ask for time off in advance, if necessary. You will receive reduced points
for missing this class session. If you are unable to attend the 13th meeting, the make-up
2-page paper assignment is due no later than Week 6.
ORAL PRESENTATIONS (4 oral presentations in total)
For the 4 oral presentations, you are encouraged to use your own notes and handouts.
However, reading word for word from your notes is not acceptable and will result in a lowered
grade. In general, you will be graded based on effort (organization and preparation), content
coverage of main points, eye contact with the audience and completion of task within a
reasonable time.
At times, internet, Wi-Fi access, plug-in speakers, use of PowerPoint, or even the laptop and
projector may not be available so please be prepared to have a back-up plan for your
presentation. You may want to email your document to yourself. Please also save your
PowerPoint document to the compatibility mode, which is Microsoft 1997 to 2003.
ORAL PRESENTATION TYPE 1: 20th Century World History (2 oral presentations in total)
The first type of oral presentation assignment will focus on the 20th Century World History
book. Typically, we will cover 2 chapters from the world history book per class session. As a
discussion leader, student will prepare 3 discussion questions from a single chapter to present
to the class. You will turn in your questions to the instructor the day that we cover the
readings. Please retain your own copy. These questions must reflect your own effort and
originality.
Through random assignment, students will serve as a discussion leader in 2 class
meetings, basing their questions on 2 different chapters from the book. In short, students will
present their 3 questions based on a chapter reading, say chapter 13, and then again later in
the term on a second chapter reading, say chapter 20.
ORAL PRESENTATION TYPE 2: Latin American Country Study Report + short video
segment
The second type of oral presentation assignment is a country report that incorporates both
art & culture and contemporary issues for your country under study. For this report, students will
prepare a 10-minute PowerPoint presentation that focuses on the country. Your presentation
must make use of information from the Global Studies: Latin America book. Additionally, you
may incorporate information (maps, photos, images, facts, audio clip) from outside sources such
as ARTStor. This is a summary presentation, though you are granted creative license to present
the information, using your own personal style and flair. You can make it as fun and creative as
you want but please be tasteful. Be prepared to deliver your oral presentation at the start of
class. You will be timed.
To complement the country report, students will play a video clip that pertains to the
country, incorporating art and cultural elements as well as contemporary issues (travel and
9
Revision Date: 09/20/2011
10. tourism, cityscapes, art & culture, current politics and economics, music and dance, festivals
and holidays, interesting social trends and contemporary issues, indigenous cultures, museums,
architecture, etc). Please use decent and tasteful material that is educational and entertaining.
You can locate video clips at Youtube, National Geographic, the History Channel, or major
newspaper websites with foreign bureaus. Your video clip should be no more than 5 minutes.
Both your country report and video segment should take no more than 15 minutes in total.
ORAL PRESENTATION TYPE 3: Summary of the novel HTYJ + relate to a contemp. issue
The third type of oral presentation assignment is based on providing a main points summary
of the novel Here’s To You, Jesusa! and relating it to a contemporary and/or enduring issue. We
will cover this novel in the second half of the term. Each student will be assigned a portion of the
reading and will present a short summary of it. Your presentation should take no more than 5-7
minutes followed by reflections, comparisons, or reactions to a contemporary and/or enduring
issue. Please turn in a 1-2 page paper with bullet points of your summary. You will be timed so
be mindful of the 5 minute time limit for the summary and the 1-2 minute time limit for
relating what you summarized to a contemporary or enduring issue.
Failure to Present on Time Policy
Timeliness is important. If a student fails to deliver on an oral presentation or turn in assignment
on time, he or she will receive a lowered grade.
First Paper Assignment: Due Week 1
In the text Twentieth Century and Beyond, read pages 1-6 (1900: A Preview of the 20th
Century). Write a 2-page essay relating one of the five events discussed in your reading to
a current event or an aspect of modern-day life. (For example: The first event discussed is
"The Wright Brothers and Science & Technology"; your essay could compare and contrast their
accomplishments with current technological advancements such as the internet, cell phones,
etc.) Feel free to include your own personal response to the reading and examples from your
own experiences. Papers received after week 1 will receive a late paper penalty.
Paper Assignment (5-page paper): Week 5
Students will write a 5-page summary and reaction paper that focuses on one of the two
chapters assigned for week 5 from the 20th Century World History book. This type of paper is a
think piece that reflects on some of the main points covered in the chapter. Your paper must
reflect your own effort and originality.
Your 5-page paper will be based on either chapter 16 or 17. The works cited page must
reference either chapter 16 or 17 from the book. The paper should summarize the main points
briefly as the thrust of the paper should include a main argument or position of your paper,
opinions, reactions, reflective thoughts, and critical analyses. It is best to write in your own
voice. You may want to address some of the take away lessons in a new light. Please use size
12-point font and 1-inch margins all around as well as MLA format for your document. You must
hand in a hard copy paper to class and upload your paper to Turnitin.com. The instructor will
not accept papers that have been emailed. Late papers will not be accepted after Week 6
class session.
Paper Assignment (10-page paper): Week 10
Students will be required to write a 10-page research and reaction paper with Latin American
content based on MLA format and to upload their papers using Turnitin.com. Your paper must
incorporate a Latin American contemporary issue along with art and culture that captures this
contemporary issue in some way. A paper guideline will be handed out to students. A hard
10
Revision Date: 09/20/2011
11. copy is required. The instructor will not accept papers that have been emailed. Your paper
must reflect your own effort and originality. Late papers will not be accepted after Week
11.
Paper Topic Ideas
Past papers have examined the following topics: rainforest destruction and protections,
industrialized agriculture and food production, maternal care, race and racism, youth gangs in
Central America, Latin American immigration to the US and the Dream Act, exploited baseball
players, women in politics, gender roles, Cuba privatizing its economy, Brazilian sugar-based
fuel as alternative to fossil fuel, politics of oil in Venezuela, bilingual education in the US, military
governments and dictatorships, “los desaparecidos” (missing people), class conflict, right-wing
paramilitary groups, left-wing guerrilla groups, indigenous social movements, rural and urban
poverty, US-Mexico war on drugs, Colombian cartels and narco-trafficking, gay marriage in
Latin America, working conditions in maquiladoras (factories), labor movements, microlending,
pros and cons of NAFTA or CAFTA, global business, and technology.
TURNITIN.COM
Students must upload their 5-page and 10-page papers to turnitin.com by the deadline.
A hard copy paper must be handed in at the start of class at 6pm. If you encounter difficulties,
please seek help as soon as possible. The percentage of similarity should be no more than
25%. Please check the score before final submission. This may take 24 hours to update a
new score.
Map Tests: (Latin America) Week 4 and (Europe) Week 8
A Latin America map test covering the countries and federal capitals of North, Central, and
South America will be offered in the first half of the term. Students will be given a study sheet
and practice maps. It is advised that students make flashcards to practice matching the Latin
American countries with their respective capitals and then study their placement on the map.
A second map test will cover the region of Europe and will be held Week 8. For both
tests, study material will be provided that specifies clearly what students are expected to know.
Both map tests will be administered without use of class notes or book materials. Hence, the
tests are “closed book” and students are expected to prepare well.
Exams: Midterm--Week 6 and Final Exam--Week 12
Both the midterm and final exams consist of matching, fill-in-the-blank, true and false, and short
answers that cover the readings, films, and class discussions. You will take them both as
closed book exams. Make-up exams will only be granted to those who have exceptional
emergencies such as a death in the family or a severe illness. Documentation such as a death
certificate or a letter from a doctor must be presented before a make-up exam is permitted.
A study guide for exams will not be provided to the student. The instructor does not
“teach to the test”. Both the midterm and final exams are closed books exams. Students may
wish to form a study group with other students to review class notes, articles, weekly
worksheets, and other handouts.
Assessment Methods. A component of student development includes tests (Latin America and
Europe map tests) and exams (midterm and final exams). These are used to supplement
papers and presentations as assessments of student mastery. Used to assess skills in a
particular discipline, it is a timed, comprehensive review of material. The primary method of
11
Revision Date: 09/20/2011
12. assessment include multiple choice or fill-in-the blank (matching) questions, application
questions, true and false statements, and or short essay questions created by the instructor.
LATIN AMERICAN CLUSTER SCHEDULE
Week 1: Sept. 26 (MONDAY) St. Charles and Sept. 28 (WEDNESDAY) North County
Attendance. 1st paper assignment due in class.
Introduction to the course. Review of syllabus. Sign-up for oral presentations.
Chapter 1: 1900: A Preview of the Twentieth Century in The Twentieth Pages 1-6.
Century and Beyond.
“A View from the South” from Peter Winn’s book, Americas, 2006. Pages 1-7.
“Latin America: Myth and Reality” from Goodwin’s book, Global Studies. Pages 3-6.
Required history reading: Part I Era of Imperialism, Twentieth Century and Beyond, pages 10-
118.
Week 2: Oct. 3 (MONDAY) St. Charles and Oct. 5 (WEDNESDAY) North County
Attendance.
Chapter 2: General Trends Before WWI” in The Twentieth Century. Pages 10-30.
Chapter 5: The Americas in The Twentieth Century. Pages 55-68.
Country presentation on Peru from Goodwin’s book. Video segment. Pages 98-103.
Country presentation on Colombia from Goodwin’s book. Video segment. Pages 83-87.
Country presentation on Haiti from Goodwin’s book. Video segment. Pages 146-149.
“Legacies of Empire” from Peter Winn’s book Americas, 2006. Pages 39-85.
Latin Music USA: Latin Jazz
Test on Syllabus (open notes)
Week 3: Oct. 10 (MONDAY) St. Charles and Oct. 12 (WEDNESDAY) North County
Attendance.
Chapter 7: The Origins of World War I Pages 96-103.
Chapter 8: World War I Pages 105-118.
Country presentation on The Dominican Republic from Goodwin’s book. Pages 140-142.
Video segment.
Country presentation on Cuba from Goodwin’s book. Video segment. Pages 132-136.
Country presentation on Venezuela from Goodwin’s book. Video segment. Pages 110-115.
Country presentation on Nicaragua from Goodwin’s book. Video segment. Pages 44-48.
“Continent on the Move” from Winn’s book Americas, 2006. Pages 214-244.
Latin Music USA: Mambo
Required history reading: Part II Era of Revolution and War, Twentieth Century and Beyond,
pages 124-275.
12
Revision Date: 09/20/2011
13. Week 4: Oct. 17 (MONDAY) St. Charles and Oct. 19 (WEDNESDAY) North County
Attendance.
Chapter 9: General Trends in the Interwar Years Pages 124-137.
Chapter 12: Economic and Social Upheaval in the Americas. Pages 173-189.
Country presentation on El Salvador from Goodwin’s book+ video. Pages 30-34.
Country presentation on Argentina from Goodwin’s book+ video. Pages 61-65.
Country presentation on Chile from Goodwin’s book+ video. Pages 78-82.
“In Women’s Hands” from Peter Winn’s book Americas, 2006. Pages 329-364.
Latin Music USA : Tejano Music
Map Test: Latin America (closed book): 0.5 hour
13th Meeting Week 4: Oct. 18th--Tuesday
Option #1: Film and Discussion at North County at 6pm
Attendance. Bring your own movie snacks. 3 hours.
Norteño music. Los Tigres del Norte (The Tigers of the North)
Week 5: Oct. 24 (MONDAY)St. Charles and Oct. 26 (WEDNESDAY) North County
Attendance. 5-page history paper due at 6pm. Hand in hard copy.
Chapter 16: Dictatorship and Democracy in Europe during the 1930s Pages 228-239.
Chapter 17: Aggression in the 1930s Pages 241-253.
Country presentation on Brazil from Goodwin’s book + video. Pages 70-77.
Country presentation on Guatemala from Goodwin’s book+ video. Pages 36-39.
Country presentation on Mexico from Goodwin’s book+ video. Pages 7-15.
“A Question of Color” from Peter Winn’s book Americas, 2006. Pages 291-322.
Latin Music USA : Chicano Rock
13th Meeting Week 5: Oct. 25th—Tuesday
Option #2: Film and Discussion at St. Charles Campus at 6pm
Attendance. Bring your own movie snacks. 3 hours.
Norteño music. Los Tigres del Norte (The Tigers of the North)
Week 6: Oct. 31 (MONDAY) St. Charles and Nov. 2 (WEDNESDAY) North County
Midterm Exam
Attendance.
Chapter 18: World War II Pages 255-275.
Chapter 19: General Trends Era of the Cold War & the Collapse of Empire Pages 282-302.
Midterm Exam in-class (closed books) : 8-10pm.
Required history reading: Part III Era of Cold War and The Collapse of Empires, Twentieth
Century and Beyond, pages 282-516.
13
Revision Date: 09/20/2011
14. Week 7: Nov. 7 (MONDAY) St. Charles and Nov. 9 (WEDNESDAY) North County
Attendance.
Chapter 20: Postwar Settlements, Europe, and the Early Cold War Pages 304-325.
Chapter 21: The Americas after World War II Pages 326-342.
“Capital Sins” from Peter Winn’s book Americas, 2006. Pages 165-208.
Here’s to You, Jesusa! by Elena Poniatowska. Pages 1-62.
1. Pages 1-20
2. Pages 21-40
3. Pages 41-62
Brazilian Bossa Nova
Week 8: Nov. 14 (MONDAY) St. Charles and Nov. 16 (WEDNESDAY) North County
Europe Map Test
Attendance.
Chapter 25: The Israeli-Palestinian Arab Conflict Pages 397-408.
Chapter 26: Détente and Europe, 1963-1984 Pages 410-426.
“The Magical and the Real” (I) from Peter Winn’s book Americas, 2006. Pages 420-438.
Here’s to You, Jesusa! by Elena Poniatowska. Pages 63-125.
4. Pages 63-83
5. Pages 84-103
6. Pages 104-125
Latin Music USA: Reggaetón
Map Test: Europe (0.5 hour)
Week 9: Nov. 21 (MONDAY) St. Charles and Nov. 23 (WEDNESDAY) North County
Attendance.
Chapter 27: The Americas in the Late Cold War Era Pages 428-443.
“The Magical and the Real” (II) from Peter Winn’s book Americas, 2006. Pages 438-464.
Here’s to You, Jesusa! by Elena Poniatowska. Pages 126-187.
7. Pages 126-146
8. Pages 147-168
9. Pages 169-187
Latin Music USA: Salsa
Required history reading: Part IV The Post-Cold War Period, Twentieth Century and Beyond,
pages 520-569.
Week 10: Nov. 28 (MONDAY) St. Charles and Nov. 30 (WEDNESDAY) North County
10-Page Research Paper due at 6pm.
Attendance.
Chapter 32: The Post-Cold War World Pages 520-531.
Chapter 33: Europe and the Americas in a New Era Pages 533-554.
“The Perils of Progress” from Peter Winn’s book Americas, 2006. Pages 91-122.
Here’s to You, Jesusa! by Elena Poniatowska. Pages 188-237.
10. Pages 188-212
11. Pages 213-237
14
Revision Date: 09/20/2011
15. Latin Music USA: Latin Pop
Week 11: Dec. 5 (MONDAY) St. Charles and Dec. 7 (WEDNESDAY) North County
Attendance.
Chapter 34: Asia, the Middle East, & Africa in a New Era Only pgs. 556-
569.
“North of the Border” from Peter Winn’s book Americas, 2006. Pages 584-632.
Here’s to You, Jesusa! by Elena Poniatowska. Pages 238-303.
12. Pages 238-260
13. Pages 261-282
14. Pages 283-303
Tango NPR’s article “Carlos Gardel: Argentina's Tango Maestro”, September 13, 2010
Gotan Project (neotango=electronic tango)
“The Paradoxes of Latin America” by Mario Vargas Llosa from Goodwin. Pages 165-168.
CLASS DINNER HELD IN CLASS (Sign up sheet will be sent around)
Week 12: Dec. 12 (MONDAY) St. Charles and Dec. 14 (WEDNESDAY) North County
Attendance. Final Exam in-class (closed books).
Be sure to fill out your course evaluations on-line so that you can access your grades. Have a
wonderful break!
How your course grades are determined
The Twentieth Century World History course is calculated separately from the other 2 Latin
American content courses. Grades are based on strict percentage calculations with the
corresponding weight given to each assignment. Students are advised to keep track of
points earned for each assignment so that they can calculate their grades.
LETTER GRADE AND POINT SCALE
A grade: 450-500 points
B grade: 400-449 points
C grade: 350-399 points
D grade: 300-349 points
F grade: below 299 points
Withdrawal from the Cluster
The deadline to withdraw from the course with a WP (withdraw pass) grade is Friday of week
8. Students must go to the appropriate Lindenwood office and officially withdraw. Please contact
your advisor if you have any questions about the withdrawal procedure. Please be sure to attain
verification that your withdrawal has been processed.
15
Revision Date: 09/20/2011
16. LATIN AMERICAN CLUSTER COURSE EVALUATION
1. Twentieth Century World History IHS-101 (3 credits) Here are the components that
factor into your grade calculation for this course:
Total
Twentieth Century Brief description of Points Point %Earned Total %Earned
World History assignment Earned s (grade) Weight * Weight
Written Assignments (28%)
1st Assignment 2-page paper 40 8%
5-page reaction
History Paper paper 50 10%
Latin Am. Map Test closed book 25 5%
Europe Map Test closed book 25 5%
140 28%
Oral Assignments (25%)
3 questions on
History Oral assigned chap.-
Presentation 1 discussion leader 60 12%
3 questions on
History Oral assigned chap.-
Presentation 2 discussion leader 65 13%
125 25%
Attendance and Participation (25%)
12 class meetings participation and
attendance contribution 75 15%
13th meeting-film worksheet and
and discussion participation 50 10%
125 25%
Assessments (22%)
Syllabus Test using syllabus only 10 2%
*Midterm Exam (closed book) 50 10%
*Final Exam (closed book) 50 10%
*no notes allowed for midterm and final
exams 110 22%
Total 500 100%
For Twentieth Century World History IHS-101 (3 credits), your midterm grade is based on the
following assignments completed before week 7. These 6 factors represent 45% of your total
grade:
1. First Assignment (8%)
2. Latin America Map Test (5%)
3. Syllabus Test (2%)
4. 5-page history reaction paper (10%)
5. 13th Meeting (10%)
6. Midterm exam (10%)
17. 2. Art & Culture of Latin America ICL-361 (3 credits) and Contemporary Issues in Modern
Latin America ICL-362 (3 credits) Here are the components that factor into your grade:
Art & Culture of Latin
America (3 credits)
Contemporary Issues of Brief Description Points Total %Earned Total %Earned
LA (3 credits) of assignment Earned Points (grade) Weight * Weight
Written Assignment (28%)
10-page with Latin MLA format,
Amer. content (Art & works cited
Culture and page, and
Contemporary Issues) Turnitin.com 140 28%
140 28%
Oral Assignments (25%)
Latin American country 10 minutes of
report (use Goodwin's PowerPoint + 5
book as a source) minutes video 50 10%
Literature novel, Here's
To You, Jesusa! (1-2 5-7 minutes oral
page bullet points report + relate to
summary of assigned a contemporary
reading) issue 75 15%
125 25%
Attendance and Participation (25%)
12 class meetings participation and
attendance contribution 75 15%
13th meeting-film and worksheet and
discussion participation 50 10%
125 25%
Assessments (22%)
Use syllabus
Syllabus Test only 10 2%
*Midterm Exam (closed book) 50 10%
*Final Exam (closed book) 50 10%
*no notes allowed on midterm and final
exams 110 22%
Total 500 100%
For Art & Culture of Latin America ICL-361 (3 credits) and Contemporary Issues in Modern Latin
America ICL-362 (3 credits), each respectively, your midterm grade is based on the following
assignments completed before week 7. These 4 factors represent 32% of your total grade:
1. Latin American Country Oral Report (10%)
2. Syllabus Test (2%)
3. 13th Meeting (10%)
4. Midterm exam (10%)
17
Revision Date: 09/20/2011