Kunstwerken voor het afscheid van een geliefd mens of dier. Een tastbare herinnering, een getuigenis, een uiting van liefde en verbinding.
Co-d\'-art is een coöperatie van Galerie Donkersvoort en Coda-Uitvaarten met medewerking van tientallen internationale professionele beeldend kunstenaars en vormgevers.
Pursuant Webinar: Creating a Culture of PhilanthropyPursuant
It’s time to break down the walls of dysfunction and transform your program and development departments into a healthy, thriving, unified force that creates a true culture of philanthropy within your organization.
In this presentation, Pursuant Vice President of Training, Rachel Muir, explains how your organization can break down the walls between programs and development to create a culture of philanthropy throughout your entire organization.
In this presentation, you'll learn:
- Front-line stories about how one nonprofit conquered the organizational challenges that were hindering a true culture of philanthropy
- A new perspective on what the program and development departments really want
- 10 ways to create a culture of philanthropy and help make feuding teams more harmonious
- Tips to empower your organization’s decision making
To watch a replay of the webinar with audio, visit: http://www.pursuant.com/fundraising-resources/creating-culture-philanthropy-breaking-walls/
Kunstwerken voor het afscheid van een geliefd mens of dier. Een tastbare herinnering, een getuigenis, een uiting van liefde en verbinding.
Co-d\'-art is een coöperatie van Galerie Donkersvoort en Coda-Uitvaarten met medewerking van tientallen internationale professionele beeldend kunstenaars en vormgevers.
Pursuant Webinar: Creating a Culture of PhilanthropyPursuant
It’s time to break down the walls of dysfunction and transform your program and development departments into a healthy, thriving, unified force that creates a true culture of philanthropy within your organization.
In this presentation, Pursuant Vice President of Training, Rachel Muir, explains how your organization can break down the walls between programs and development to create a culture of philanthropy throughout your entire organization.
In this presentation, you'll learn:
- Front-line stories about how one nonprofit conquered the organizational challenges that were hindering a true culture of philanthropy
- A new perspective on what the program and development departments really want
- 10 ways to create a culture of philanthropy and help make feuding teams more harmonious
- Tips to empower your organization’s decision making
To watch a replay of the webinar with audio, visit: http://www.pursuant.com/fundraising-resources/creating-culture-philanthropy-breaking-walls/
Wachten kan aangenamer worden zodat het niet als een tijdsverspilling gezien wordt. En wat is er beter om het wachten aangenaam te maken dan een vleugje cultuur? En niet zomaar cultuur, maar een brede waaier aan culturele aanbiedingen.
Design, performance (dans of toneel), muziek, literatuur (poëzie of proza) en circusanimatie voor de kleine kinderen, moeten het wachten op verscheidene plaatsen aangenamer maken. Deze vormen van cultuur worden ingeschakeld om het wachten aangenamer te maken. Toch moet hierbij een kanttekening geplaatst worden.
Gespreid over 5 dagen, op 5 verschillende locaties, brengen we verschillende cultuurvormen. Deze hebben allemaal iets te maken met het thema "wachten".
Een week op voorhand begint er al een fototentoonstelling, doorheen de hele stad. Deze moet het publiek al wat nieuwsgierig maken, en vormt de link tussen de verschillende locaties.
Op iedere locatie krijgt het publiek een klein cultuurcadeautje, met de vermelding van de site en de naam van de kunstenaar. Op deze manier zorgen we voor duurzaamheid, gesprekken en naambekendheid voor de kunstenaar.
Door: Veerle Breugelmans, Mariet Van Bosch, Annick Van den Eynde en Marianne Boelaers
Joost van Santen Lichtkunst - Projects with daylight artjoostvansanten2
Project with daylight art in architecture.
In many cases, light art refers to a form of visual art that uses artificial light as a central means. That's how it says in Wikipedia. But there are more forms of light art. This publication describes projects with the sun as a light source. Very little has been published about this form of light art. In my long career I have explored and applied the many possibilities of using day and sunlight art, especially in the more unknown area of working with diffuse light.
Changing images of sun projections follow natural processes. They lead to awareness that the light comes from outer space. This is the core of my work.
My projects with sunlight
Sunlight projections follow the movement of the sun and move slowly in space. These movements are so slow that you do not see the movement itself. When you visit such a project, you see it in one moment. You see parts of the project, a colored glass window or a light sculpture, as a static image. Five minutes later the project looks completely different. The work of art develops over time. To understand the project you have to know that you are only seeing one stage and that it is more than that one image.
My projects with diffused light
When the sun doesn't shine I see an almost infinite number of grays and color nuances. In this beautiful 'Dutch Light' no direct light source can be distinguished. The light, which scatters in all directions, shows limitless color transitions with an astonishing range of mixed colors that I can look at for a long time. In my work I use the expressive power of these many color nuances of diffuse light.
I didn't learn anything at school about that elusive diffuse light. It was always about light with a direct light source that travels in a straight line.
In light modules, small objects, I investigate how diffuse light behaves and what visual experiences it produces. The results of those experiments can be found in my work. As early as 1981, I published an article in Leonardo, an international magazine for art and science, 'Light Modules: Pictorial artworks produced by daylight projected onto a translucent screen'.
Lost projects
Works of visual art in architecture are vulnerable. Sometimes maintenance is not a priority and the work can no longer be saved after 20 years. During renovations and demolition, art is often treated negligently. As a result, a number of my works have disappeared over the years.
It is not a Dutch problem. In 1981 I visited Otto Piene, director of the Institute of Advanced Visual Studies at MIT in Cambridge USA. He gave me a list of light artworks throughout the country, about twenty. I went to visit them but only found two works that worked. The rest did not work or could no longer be found.
This publication
This publication is important to me because an overview has not previously been published in the Netherlands about daylight art.
Wachten kan aangenamer worden zodat het niet als een tijdsverspilling gezien wordt. En wat is er beter om het wachten aangenaam te maken dan een vleugje cultuur? En niet zomaar cultuur, maar een brede waaier aan culturele aanbiedingen.
Design, performance (dans of toneel), muziek, literatuur (poëzie of proza) en circusanimatie voor de kleine kinderen, moeten het wachten op verscheidene plaatsen aangenamer maken. Deze vormen van cultuur worden ingeschakeld om het wachten aangenamer te maken. Toch moet hierbij een kanttekening geplaatst worden.
Gespreid over 5 dagen, op 5 verschillende locaties, brengen we verschillende cultuurvormen. Deze hebben allemaal iets te maken met het thema "wachten".
Een week op voorhand begint er al een fototentoonstelling, doorheen de hele stad. Deze moet het publiek al wat nieuwsgierig maken, en vormt de link tussen de verschillende locaties.
Op iedere locatie krijgt het publiek een klein cultuurcadeautje, met de vermelding van de site en de naam van de kunstenaar. Op deze manier zorgen we voor duurzaamheid, gesprekken en naambekendheid voor de kunstenaar.
Door: Veerle Breugelmans, Mariet Van Bosch, Annick Van den Eynde en Marianne Boelaers
Joost van Santen Lichtkunst - Projects with daylight artjoostvansanten2
Project with daylight art in architecture.
In many cases, light art refers to a form of visual art that uses artificial light as a central means. That's how it says in Wikipedia. But there are more forms of light art. This publication describes projects with the sun as a light source. Very little has been published about this form of light art. In my long career I have explored and applied the many possibilities of using day and sunlight art, especially in the more unknown area of working with diffuse light.
Changing images of sun projections follow natural processes. They lead to awareness that the light comes from outer space. This is the core of my work.
My projects with sunlight
Sunlight projections follow the movement of the sun and move slowly in space. These movements are so slow that you do not see the movement itself. When you visit such a project, you see it in one moment. You see parts of the project, a colored glass window or a light sculpture, as a static image. Five minutes later the project looks completely different. The work of art develops over time. To understand the project you have to know that you are only seeing one stage and that it is more than that one image.
My projects with diffused light
When the sun doesn't shine I see an almost infinite number of grays and color nuances. In this beautiful 'Dutch Light' no direct light source can be distinguished. The light, which scatters in all directions, shows limitless color transitions with an astonishing range of mixed colors that I can look at for a long time. In my work I use the expressive power of these many color nuances of diffuse light.
I didn't learn anything at school about that elusive diffuse light. It was always about light with a direct light source that travels in a straight line.
In light modules, small objects, I investigate how diffuse light behaves and what visual experiences it produces. The results of those experiments can be found in my work. As early as 1981, I published an article in Leonardo, an international magazine for art and science, 'Light Modules: Pictorial artworks produced by daylight projected onto a translucent screen'.
Lost projects
Works of visual art in architecture are vulnerable. Sometimes maintenance is not a priority and the work can no longer be saved after 20 years. During renovations and demolition, art is often treated negligently. As a result, a number of my works have disappeared over the years.
It is not a Dutch problem. In 1981 I visited Otto Piene, director of the Institute of Advanced Visual Studies at MIT in Cambridge USA. He gave me a list of light artworks throughout the country, about twenty. I went to visit them but only found two works that worked. The rest did not work or could no longer be found.
This publication
This publication is important to me because an overview has not previously been published in the Netherlands about daylight art.