From Julie Leibrich ‘A Gift of Stories’ 
Jonathan Rodgers, from page 145 
Jonathan says you walk from the light to shadow. When he’s 
depressed he feels he will never walk in the sunshine again. He lets 
everything slide. He searches for the easiest and least painful way 
of suicide. Over time he’s realised that depression is a process and 
if he waits it out it will fade. He never wants a label. His worst 
time was when his grandparents died, he was quite estranged from 
his mother. He got love from his grandparents and had lived with 
them after a time with his mother and stepfather. He first thought 
he was an artist when he experienced depression. He worked hard 
and played hard as a sheep shearer. He had self destructive urges 
such as driving fast and standing on cliff edges. He worked in 
Wellington at a centre which was more than a drop-in for the 
psychiatrically disabled, it was for all the unemployed in the city. He 
began with the dog motif at this place. The marginalised people were 
treated and kicked like dogs, the mongrels of society. He shuns the 
‘better than you’ mentality – ‘I’m a politician or an artist and I’m 
better than you’ (cf Billy Bragg just because you’re better than me 
doesn’t mean I’m lazy.) He did a co-counselling course, and also 
realised that each time he survived an episode he got more resilient. 
He got professional help and realised he had responsibilities to his 
wife and child, it wasn’t just him alone now. He went to Community 
Mental Health but didn’t get the help he wanted – just the offer of 
medication. He realised they couldn’t help him. He gets a lot of joy 
and self esteem from his art work and the dog images. He had his 
first exhibition with Mark Whyte, Mark was a good sounding board. 
The darkness is like a baby screaming for its mother and she never 
comes. Today he looks forward to completing his degree – he’s 
doing an equivalent of writing himself better.

Julie Leibrich (Ed): Jonathan Rodgers

  • 1.
    From Julie Leibrich‘A Gift of Stories’ Jonathan Rodgers, from page 145 Jonathan says you walk from the light to shadow. When he’s depressed he feels he will never walk in the sunshine again. He lets everything slide. He searches for the easiest and least painful way of suicide. Over time he’s realised that depression is a process and if he waits it out it will fade. He never wants a label. His worst time was when his grandparents died, he was quite estranged from his mother. He got love from his grandparents and had lived with them after a time with his mother and stepfather. He first thought he was an artist when he experienced depression. He worked hard and played hard as a sheep shearer. He had self destructive urges such as driving fast and standing on cliff edges. He worked in Wellington at a centre which was more than a drop-in for the psychiatrically disabled, it was for all the unemployed in the city. He began with the dog motif at this place. The marginalised people were treated and kicked like dogs, the mongrels of society. He shuns the ‘better than you’ mentality – ‘I’m a politician or an artist and I’m better than you’ (cf Billy Bragg just because you’re better than me doesn’t mean I’m lazy.) He did a co-counselling course, and also realised that each time he survived an episode he got more resilient. He got professional help and realised he had responsibilities to his wife and child, it wasn’t just him alone now. He went to Community Mental Health but didn’t get the help he wanted – just the offer of medication. He realised they couldn’t help him. He gets a lot of joy and self esteem from his art work and the dog images. He had his first exhibition with Mark Whyte, Mark was a good sounding board. The darkness is like a baby screaming for its mother and she never comes. Today he looks forward to completing his degree – he’s doing an equivalent of writing himself better.