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    Dreamgirls: The Evolution of the
        Female Figure in Advertising
                       Jared Bellot
+


     “Advertising is as old as Humanity:
    indeed, much older; for what are the flaunting
    colours of the flowers but so many invitations to
    the bees to come and "buy our product".
    Everything is already there: the striking
    forms, the brilliant hews, even the "conditioning
    of the customer".... Advertising might be defined
    as any device which first arrests the attention of
    the passer-by and then induces him to accept a
    mutually advantageous exchange.”
                                  - James Laver
+Excerpt from Harper's Weekly Advertising Page
                                                     1876

                           It was not until the late 1800‟s that
                           advertising began to emerge in the
                           American sphere as a distinguishable
                           and identifiable public
                           phenomenon, fueled by the
                           development of a national market and
                           mass production/mass consumptions
                           models which led to the need for
                           mass marketing. These early
                           advertisements were quite different in
                           appearance than the modern
                           advertising campaigns that we are
                           familiar with today and resembled
                           more of the „Classified‟ sections of
                           newspapers today. However the early
                           imaginings of American advertising
                           laid down the foundation for the future
                           evolution of the advertising industry.
+   NABISCO – „Sweet Memory‟ Advertisement
                                                   1905

             Advertisements function within a
      larger consumer focused culture, and
                as such communicate to their
              viewership using a language of
                   consumption which places
     advertisements as the centerpieces of
        a public, communal experience, one
         which is ruled by commercial wants
                and desires. Advertisements
           simultaneously influence a greater
              social culture (including gender
       roles, class differences, etc.) and are
    influenced by the society in which they
                  exist. The role of women in
           advertisements, therefore, is often
        linked to the feminine aspects of the
               public sphere – the home, the
                                    family, etc.
+
    Kellogg‟s – „Grandmother‟ Advertisement
                                       1934
                        As the advertising industry
                        grew, people had to be turned into
                        consumers and taught how to listen
                        to and understand commercial
                        advertisement, and consumers had
                        to be willing to accept self interest
                        persuasion instead of more
                        objective forms of information about
                        goods. Companies were forced to
                        showcase their distinctive products
                        and promised real or imagined
                        advantages over rival brands or
                        unbranded goods. As such, it was
                        very important for these brands to
                        keep up with the modern and
                        associate themselves with the „new‟
                        in society. In this
                        advertisement, Kellogg‟s posits
                        itself as a cereal for a
                        new, progressive woman, distinct in
                        appearance and attitude than
                        women of earlier generations and
                        asserts that a “change to crispness”
                        will allow for existence in this
                        modern social sphere.
+
    Lux Soap – „Rita Hayworth‟ Advertisement
                                        1940
      Like the textual shift that occurred in
        American advertisements over the
      course of the twentieth century, from
          information providing to attention
       grabbing, so too did the layouts and
           imagery used in Advertisements
                undergo a similar shift. The
        connection between language and
         imagery in advertisements moves
                 from the visual facet of the
     advertisement complementing textual
          element to visual aspect drawing
                   consumers to the text. In
       advertisements such as this one for
                Lux Soap, the push towards
            sensational imagery (here, Rita
     Hayworth, a sex symbol of her time is
     photographed in the shower), and the
     exploitation of the human (notably the
                    female) body is made by
    advertisements capitalizing on the fact
                              that “sex sells.”
+
          Coca-Cola – „Yes Girl‟ Advertisement
                                          1946
    Advertising brands allow for products to transcend their mere physical incarcerations
    to manifest into an all-encompassing persona. Brands allow for companies to
    transcend beyond their mere physical products and come to signify our
    understanding of the relationship between the consumption of the physical product
    and the actualization of the hopes and dreams that the product promotes. Especially
    strong brands (such as Coca-Cola, pictured below), are able to operate on
    simple, iconic, sensationalist images, such as the Coca-Cola „Yes Girl,‟ a famous
    advertising campaign developed by the Coca-Cola company in the late 1940‟s
    utilizing branding, sensational imagery, and the sexual exploitation of the female
    body.
+
    Tupperware – „Dreams‟ Advertisement
                                   1955
                            Advertising is about
          desires, aspirations, and values. It
          names them, describes them, and
                 offers satisfaction through the
                 purchase and consumption of
                       consumer goods. In this
        way, advertising functions on a level
         of dreams. Advertising campaigns
          offer an idealized version of reality
      and offer society a chance to buy into
                this imagined landscape. The
        commercial market place, like other
           spheres of our social and cultural
    life, provides a forum where ideas and
        information flourish and serves as a
     forum for the middle class to speak to
             itself. As such, core “American”
                 beliefs, or tropes, such as the
       happy, middle class housewife of the
     1950‟s who wanted noting more in life
    then to spend time with her family, are
                      frequently represented in
                    advertisements of the time.
+
    Avon– „Shades of Beauty’
              Advertisement
                       1975
           Advertisements often serve as the
           voice for larger than life businesses
           and companies. With the decline of
           small, family owned, local stores, and
           the rise of a global commercial
           market, consumers were no longer
           able to form close and long lasting
           bonds with the individuals who sold
           them goods. Companies combated
           this shift by using their advertisements
           to address the consumer directly
           (using pronouns such as „you‟ or „we‟)
           and by positioning themselves as
           friends and advocates of consumers.
           As seen in this Avon
           advertisement, companies would offer
           advice, beauty secrets and other
           helpful tips to make the consumer the
           best individual that they could
           possibly be.
+
                              Nike – Women's Basketball
                                         Advertisement
                                                   1980
    Advertisements, at all times must exist
             increasingly in the present day.
      Because the successes and failures
          of advertising campaigns are so
             closely tied to their ability to be
            heard, seen and understood by
                 consumers on a plethora of
            levels, ads must always remain
      relevant to the modern moment. As
               such, portrayal of society as it
       develops is very closely mirrored in
      commercial advertisements. In this
       advertisement, Nike acknowledges
              the changing role of women in
                 society, from homemaker to
    equal, independent member of society
       and molds their campaigns to meet
       the perceived needs and desires of
                             this new woman.
+


       This work is licensed under the Creative Commons Attribution
        3.0 United States License. To view a copy of this license, visit
        http://creativecommons.org/licenses/by/3.0/us/ or send a letter
        to Creative Commons, 444 Castro Street, Suite 900, Mountain
        View, California, 94041, USA.

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Dreamgirls: The Evolution of the Female Figure in Advertising, by Jared Bellot

  • 1. + Dreamgirls: The Evolution of the Female Figure in Advertising Jared Bellot
  • 2. + “Advertising is as old as Humanity: indeed, much older; for what are the flaunting colours of the flowers but so many invitations to the bees to come and "buy our product". Everything is already there: the striking forms, the brilliant hews, even the "conditioning of the customer".... Advertising might be defined as any device which first arrests the attention of the passer-by and then induces him to accept a mutually advantageous exchange.” - James Laver
  • 3. +Excerpt from Harper's Weekly Advertising Page 1876 It was not until the late 1800‟s that advertising began to emerge in the American sphere as a distinguishable and identifiable public phenomenon, fueled by the development of a national market and mass production/mass consumptions models which led to the need for mass marketing. These early advertisements were quite different in appearance than the modern advertising campaigns that we are familiar with today and resembled more of the „Classified‟ sections of newspapers today. However the early imaginings of American advertising laid down the foundation for the future evolution of the advertising industry.
  • 4. + NABISCO – „Sweet Memory‟ Advertisement 1905 Advertisements function within a larger consumer focused culture, and as such communicate to their viewership using a language of consumption which places advertisements as the centerpieces of a public, communal experience, one which is ruled by commercial wants and desires. Advertisements simultaneously influence a greater social culture (including gender roles, class differences, etc.) and are influenced by the society in which they exist. The role of women in advertisements, therefore, is often linked to the feminine aspects of the public sphere – the home, the family, etc.
  • 5. + Kellogg‟s – „Grandmother‟ Advertisement 1934 As the advertising industry grew, people had to be turned into consumers and taught how to listen to and understand commercial advertisement, and consumers had to be willing to accept self interest persuasion instead of more objective forms of information about goods. Companies were forced to showcase their distinctive products and promised real or imagined advantages over rival brands or unbranded goods. As such, it was very important for these brands to keep up with the modern and associate themselves with the „new‟ in society. In this advertisement, Kellogg‟s posits itself as a cereal for a new, progressive woman, distinct in appearance and attitude than women of earlier generations and asserts that a “change to crispness” will allow for existence in this modern social sphere.
  • 6. + Lux Soap – „Rita Hayworth‟ Advertisement 1940 Like the textual shift that occurred in American advertisements over the course of the twentieth century, from information providing to attention grabbing, so too did the layouts and imagery used in Advertisements undergo a similar shift. The connection between language and imagery in advertisements moves from the visual facet of the advertisement complementing textual element to visual aspect drawing consumers to the text. In advertisements such as this one for Lux Soap, the push towards sensational imagery (here, Rita Hayworth, a sex symbol of her time is photographed in the shower), and the exploitation of the human (notably the female) body is made by advertisements capitalizing on the fact that “sex sells.”
  • 7. + Coca-Cola – „Yes Girl‟ Advertisement 1946 Advertising brands allow for products to transcend their mere physical incarcerations to manifest into an all-encompassing persona. Brands allow for companies to transcend beyond their mere physical products and come to signify our understanding of the relationship between the consumption of the physical product and the actualization of the hopes and dreams that the product promotes. Especially strong brands (such as Coca-Cola, pictured below), are able to operate on simple, iconic, sensationalist images, such as the Coca-Cola „Yes Girl,‟ a famous advertising campaign developed by the Coca-Cola company in the late 1940‟s utilizing branding, sensational imagery, and the sexual exploitation of the female body.
  • 8. + Tupperware – „Dreams‟ Advertisement 1955 Advertising is about desires, aspirations, and values. It names them, describes them, and offers satisfaction through the purchase and consumption of consumer goods. In this way, advertising functions on a level of dreams. Advertising campaigns offer an idealized version of reality and offer society a chance to buy into this imagined landscape. The commercial market place, like other spheres of our social and cultural life, provides a forum where ideas and information flourish and serves as a forum for the middle class to speak to itself. As such, core “American” beliefs, or tropes, such as the happy, middle class housewife of the 1950‟s who wanted noting more in life then to spend time with her family, are frequently represented in advertisements of the time.
  • 9. + Avon– „Shades of Beauty’ Advertisement 1975 Advertisements often serve as the voice for larger than life businesses and companies. With the decline of small, family owned, local stores, and the rise of a global commercial market, consumers were no longer able to form close and long lasting bonds with the individuals who sold them goods. Companies combated this shift by using their advertisements to address the consumer directly (using pronouns such as „you‟ or „we‟) and by positioning themselves as friends and advocates of consumers. As seen in this Avon advertisement, companies would offer advice, beauty secrets and other helpful tips to make the consumer the best individual that they could possibly be.
  • 10. + Nike – Women's Basketball Advertisement 1980 Advertisements, at all times must exist increasingly in the present day. Because the successes and failures of advertising campaigns are so closely tied to their ability to be heard, seen and understood by consumers on a plethora of levels, ads must always remain relevant to the modern moment. As such, portrayal of society as it develops is very closely mirrored in commercial advertisements. In this advertisement, Nike acknowledges the changing role of women in society, from homemaker to equal, independent member of society and molds their campaigns to meet the perceived needs and desires of this new woman.
  • 11. +  This work is licensed under the Creative Commons Attribution 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/us/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA.

Editor's Notes

  1. De Vries, Leonard, Victorian Advertisements. (London: William Clowes and Sons Limited, 1968).
  2. Marchand, Roland. Advertising the American Dream: Making Way for Modernity, 1920-1940. Berkeley: University of California, 1985. Print.
  3. Schudson, Michael. Advertising, the Uneasy Persuasion: Its Dubious Impact on American Society. New York: Basic, 1984. Print.
  4. Marchand, Roland. Advertising the American Dream: Making Way for Modernity, 1920-1940. Berkeley: University of California, 1985. Print.
  5. Strasser, Susan. Satisfaction Guaranteed: the Making of the American Mass Market. New York: Pantheon, 1989. Print.
  6. Danesi, Marcel. Brands. New York: Routledge, 2006. Print.
  7. Danesi, Marcel. Brands. New York: Routledge, 2006. Print.
  8. Marchand, Roland. Advertising the American Dream: Making Way for Modernity, 1920-1940. Berkeley: University of California, 1985. Print.
  9. Strasser, Susan. Satisfaction Guaranteed: the Making of the American Mass Market. New York: Pantheon, 1989. Print.