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This 3 sentence document review of the horror film "Insidious" summarizes audience reviews suggesting that effective horror relies on good cinematography, believable effects, and tension building up to startling moments, though too many jumpy parts could undermine the trailer.
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The document discusses a magazine profile for a proposed horror magazine. It would target audiences aged 15-25, with an income bracket of C1-E. A niche independent publishing house would be best suited to publish the horror magazine, as with Shroud Publishing's niche magazine. While a niche audience is ideal given their interest in horror, marketing only through the niche magazine could limit the potential audience for the horror film being promoted. Students and the higher income bracket magazine audience would also be part of the target audience for the horror film trailer.
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Profile
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# Done
The document discusses the relationship between small production companies and major film distributors in the horror genre. It notes that horror films are often produced with small budgets but distributed widely, as was the case with the low-budget Paranormal Activity which was produced for $15,000 but distributed by a major studio. The document argues that this model could work for the author's planned film project, which could have a small production budget enabled by affordable editing software, but still reach a mass audience through distribution.
conventions
The document discusses conventions in horror films and how the author's production of "Paralysis" incorporated both genre and auteur theory. It provides examples of how conventions like lighting, characters, and narrative were followed as well as how some conventions were rejected through the use of focus and optical flares. Overall, the production aimed to balance following genre expectations while also including the directors' original styles and ideas.
Audience sample
The document discusses conducting audience research for an audience response video. It summarizes that the target audience is 15-25 year old students and manual workers interested in film, games, and technology. It then describes taking two audience samples, one of high school students and one with a mix of students and manual workers, to get a broader and more reliable response from the target demographic.
Questionnaire2
The document summarizes feedback from questionnaires about a horror film trailer and promotional materials. For the trailer, respondents felt the villain was shown an appropriate amount but was on screen too long at times. The trailer was suspenseful though some parts lacked clarity. A lack of gore did not negatively impact the trailer. For the poster, respondents liked the dark red and black color scheme and minimal design. Including two settings and the antagonist strengthened the poster. For the magazine, respondents thought the colors conveyed horror but not a magazine. Text looked good but the main title needed a clearer horror font. Including both characters in the magazine effectively promoted the narrative.
Evaluation
This document summarizes the responses to a questionnaire about several horror film marketing products, including a trailer, poster, and magazine. The responses were generally positive about how effectively the products portrayed the horror genre through elements like lighting, color, and mysterious storyline. However, some improvements were noted, such as making the ghost footage in the trailer fit better and using a scarier font for the poster. Overall, the audience seemed engaged by the mysterious and scary tone generated by the marketing materials.
Audience sample
The document discusses taking audience samples for an audience response video. It took two samples - the first from the target audience of 17-18 year old students interested in technology and film from the respondent's school. The second sample included a mix of 17-20 year old students and manual job workers from primarily lower class backgrounds. Taking two samples allowed the respondent to get feedback from a broader range of the target 15-25 year old audience.
Audience sample
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Technologies used during planning and evaluation stages
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Comparing ‘paralysis’ with real texts
The document reviews the conventions of horror films and compares them to the short film "Paralysis". It contains a table listing common horror iconography such as blood, knives/axes, the supernatural, isolation, and anti-religious ideologies. It also discusses how the trailer, poster, and magazine for "Paralysis" meet many conventions of their respective genres, such as using a blue/desaturated color grade, low-key lighting, vulnerable protagonists, mysterious antagonists, and isolated settings. While some conventions were followed, others such as regular focus changes were avoided to allow for the auteur theory.
Evalution - Conventions
The document reviews the conventions of horror films and compares them to the short film "Paralysis". It finds that "Paralysis" meets many common conventions such as its use of iconography like blood and knives, characters like the vulnerable protagonist and supernatural antagonist, and settings like woods and castles. The document also discusses how the trailer, poster, and magazine for "Paralysis" were designed to follow horror conventions through their use of color grading, lighting, shots, sound, and other elements to create a cohesive promotional package for the film.
cast
This document summarizes the casting choices for an upcoming production. It describes the roles that will be filled by Arran, Miss Gregory, Mrs. Loe, Mr. Loe, a nurse, Mr. Berry and several classmates. The selections are meant to provide realism by choosing actors that match the roles either through their jobs, appearances or ages.
Horror audiences research
1) Research shows the typical horror viewer is male aged 15-24, but female attendance has increased and now exceeds males.
2) A market research chart shows the audience is almost evenly split between males and females for supernatural horror films.
3) Another chart shows most horror film viewers are aged 18-24 (48%), with the 14-17 age group also representing a large portion (24%) of the audience.
Autuer genre research
The document discusses genre research and the auteur theory that the directors conducted. It poses the question of whether to follow genre conventions or take a more creative, auteur approach. The directors concluded that they will take a mixed approach, following genre conventions to portray the genre to audiences, but also adding their own "director's signature" to the production to take a more creative angle, though they have not yet decided what exactly that signature will be.
Connotations of ancillary drafts
This document discusses draft poster and magazine cover designs for a horror film. Three drafts of posters and magazine covers are described. The most effective poster draft features a medium close-up of the boy in bed with his teddy, implying vulnerability, with the antagonist lurking in the background wood, connoting isolation and the supernatural. The most effective magazine cover draft also features a medium shot of the boy with direct address and a shadow building intrigue, using low key lighting and a dark background to imply entrapment and the antagonist's presence.
Institutional regulations
The document discusses the British Board of Film Classification's regulations for trailers and advertisements. Strong language is not permitted in trailers below a 15 rating, and only one use is allowed in 15 rated trailers if it is not threatening or aggressive. Trailers are not meant to use horrifying or violent techniques that could psychologically discomfort younger audiences or give them negative impressions. The classification for the film Paralysis will likely not be below 15 since strong threats and menace dominate its trailer.
Connotations of ancillary drafts
The document discusses draft designs for a movie poster and magazine cover. It analyzes how different compositional elements are used to convey meaning and atmosphere. The three poster drafts all feature a vulnerable young boy in direct address with a looming antagonist shadow. This connotes horror and the supernatural. The magazine covers also place the boy in direct address with an antagonist shadow and use masking, vignettes, and rule of thirds placement to imply entrapment and draw attention to create an ominous tone.
scripts
1) The document outlines various scenes and character details for a film script involving a boy named Arran who is experiencing disturbing nightmares and warnings.
2) Key details include Arran having a nightmare and telling his mother, a teacher discussing acid-base reactions in class, Mrs. Loe and Mr. Loe expressing concern over Arran's well-being and nightmares, and Arran stating his nightmares are warnings and "they" are coming.
3) Costume and scheduling notes are also provided for shooting the film.
Cast
Arran, an 11-year-old boy, will play the protagonist due to his youthful appearance allowing him to portray a vulnerable character. Miss Gregory, a teacher, will play the role of a teacher for realism. Mrs. Loe, who looks and acts like a realistic mother, will play the mother. Mr. Loe, who is the required age and looks professional, will play the psychiatrist. A nurse will serve as a backup actor due to her profession and accessibility at the medical room location. Mr. Berry, who is the suitable age and looks the part of an educated professional, will play the doctor.
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Institutional regulations
The document discusses the British Board of Film Classification's regulations for trailers and advertisements. Strong language is not permitted in trailers below a 15 rating, and only one use is allowed in 15 rated trailers if it is not threatening or aggressive. The classification system's main concern is preventing inappropriate or violent content from psychologically affecting younger audiences or injecting them with false concepts.
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# Done
The document discusses the relationship between small production companies and major film distributors in the horror genre. It notes that horror films are often produced with small budgets but distributed widely, as was the case with the low-budget Paranormal Activity which was produced for $15,000 but distributed by a major studio. The document argues that this model could work for the author's planned film project, which could have a small production budget enabled by affordable editing software, but still reach a mass audience through distribution.
conventions
The document discusses conventions in horror films and how the author's production of "Paralysis" incorporated both genre and auteur theory. It provides examples of how conventions like lighting, characters, and narrative were followed as well as how some conventions were rejected through the use of focus and optical flares. Overall, the production aimed to balance following genre expectations while also including the directors' original styles and ideas.
Audience sample
The document discusses conducting audience research for an audience response video. It summarizes that the target audience is 15-25 year old students and manual workers interested in film, games, and technology. It then describes taking two audience samples, one of high school students and one with a mix of students and manual workers, to get a broader and more reliable response from the target demographic.
Questionnaire2
The document summarizes feedback from questionnaires about a horror film trailer and promotional materials. For the trailer, respondents felt the villain was shown an appropriate amount but was on screen too long at times. The trailer was suspenseful though some parts lacked clarity. A lack of gore did not negatively impact the trailer. For the poster, respondents liked the dark red and black color scheme and minimal design. Including two settings and the antagonist strengthened the poster. For the magazine, respondents thought the colors conveyed horror but not a magazine. Text looked good but the main title needed a clearer horror font. Including both characters in the magazine effectively promoted the narrative.
Evaluation
This document summarizes the responses to a questionnaire about several horror film marketing products, including a trailer, poster, and magazine. The responses were generally positive about how effectively the products portrayed the horror genre through elements like lighting, color, and mysterious storyline. However, some improvements were noted, such as making the ghost footage in the trailer fit better and using a scarier font for the poster. Overall, the audience seemed engaged by the mysterious and scary tone generated by the marketing materials.
Audience sample
The document discusses taking audience samples for an audience response video. It took two samples - the first from the target audience of 17-18 year old students interested in technology and film from the respondent's school. The second sample included a mix of 17-20 year old students and manual job workers from primarily lower class backgrounds. Taking two samples allowed the respondent to get feedback from a broader range of the target 15-25 year old audience.
Audience sample
The document discusses two audience samples that were taken to gather feedback for audience response videos. Sample 1 included high school students aged 17-18 who were interested in technology and film. Sample 2 included a mix of students and manual workers aged 17-21 from primarily lower class backgrounds. Taking two samples allowed the response to be more reliable by getting feedback from a broader target audience of 15-25 year old students and manual job workers interested in film, games, and technology.
Technologies used during planning and evaluation stages
This document lists and briefly describes the various technologies and software used at different stages of a project, including PowerPoint, Prezi, Photoshop, Wordpress, Word, YouTube, Canon 550D camera, Sony Vegas video editing software, After Effects, and Camtasia Recorder. It explains how each tool was utilized to effectively showcase planning, research, ideas, filming, editing, and evaluation.
Comparing ‘paralysis’ with real texts
The document reviews the conventions of horror films and compares them to the short film "Paralysis". It contains a table listing common horror iconography such as blood, knives/axes, the supernatural, isolation, and anti-religious ideologies. It also discusses how the trailer, poster, and magazine for "Paralysis" meet many conventions of their respective genres, such as using a blue/desaturated color grade, low-key lighting, vulnerable protagonists, mysterious antagonists, and isolated settings. While some conventions were followed, others such as regular focus changes were avoided to allow for the auteur theory.
Evalution - Conventions
The document reviews the conventions of horror films and compares them to the short film "Paralysis". It finds that "Paralysis" meets many common conventions such as its use of iconography like blood and knives, characters like the vulnerable protagonist and supernatural antagonist, and settings like woods and castles. The document also discusses how the trailer, poster, and magazine for "Paralysis" were designed to follow horror conventions through their use of color grading, lighting, shots, sound, and other elements to create a cohesive promotional package for the film.
cast
This document summarizes the casting choices for an upcoming production. It describes the roles that will be filled by Arran, Miss Gregory, Mrs. Loe, Mr. Loe, a nurse, Mr. Berry and several classmates. The selections are meant to provide realism by choosing actors that match the roles either through their jobs, appearances or ages.
Horror audiences research
1) Research shows the typical horror viewer is male aged 15-24, but female attendance has increased and now exceeds males.
2) A market research chart shows the audience is almost evenly split between males and females for supernatural horror films.
3) Another chart shows most horror film viewers are aged 18-24 (48%), with the 14-17 age group also representing a large portion (24%) of the audience.
Autuer genre research
The document discusses genre research and the auteur theory that the directors conducted. It poses the question of whether to follow genre conventions or take a more creative, auteur approach. The directors concluded that they will take a mixed approach, following genre conventions to portray the genre to audiences, but also adding their own "director's signature" to the production to take a more creative angle, though they have not yet decided what exactly that signature will be.
Connotations of ancillary drafts
This document discusses draft poster and magazine cover designs for a horror film. Three drafts of posters and magazine covers are described. The most effective poster draft features a medium close-up of the boy in bed with his teddy, implying vulnerability, with the antagonist lurking in the background wood, connoting isolation and the supernatural. The most effective magazine cover draft also features a medium shot of the boy with direct address and a shadow building intrigue, using low key lighting and a dark background to imply entrapment and the antagonist's presence.
Institutional regulations
The document discusses the British Board of Film Classification's regulations for trailers and advertisements. Strong language is not permitted in trailers below a 15 rating, and only one use is allowed in 15 rated trailers if it is not threatening or aggressive. Trailers are not meant to use horrifying or violent techniques that could psychologically discomfort younger audiences or give them negative impressions. The classification for the film Paralysis will likely not be below 15 since strong threats and menace dominate its trailer.
Connotations of ancillary drafts
The document discusses draft designs for a movie poster and magazine cover. It analyzes how different compositional elements are used to convey meaning and atmosphere. The three poster drafts all feature a vulnerable young boy in direct address with a looming antagonist shadow. This connotes horror and the supernatural. The magazine covers also place the boy in direct address with an antagonist shadow and use masking, vignettes, and rule of thirds placement to imply entrapment and draw attention to create an ominous tone.
scripts
1) The document outlines various scenes and character details for a film script involving a boy named Arran who is experiencing disturbing nightmares and warnings.
2) Key details include Arran having a nightmare and telling his mother, a teacher discussing acid-base reactions in class, Mrs. Loe and Mr. Loe expressing concern over Arran's well-being and nightmares, and Arran stating his nightmares are warnings and "they" are coming.
3) Costume and scheduling notes are also provided for shooting the film.
Cast
Arran, an 11-year-old boy, will play the protagonist due to his youthful appearance allowing him to portray a vulnerable character. Miss Gregory, a teacher, will play the role of a teacher for realism. Mrs. Loe, who looks and acts like a realistic mother, will play the mother. Mr. Loe, who is the required age and looks professional, will play the psychiatrist. A nurse will serve as a backup actor due to her profession and accessibility at the medical room location. Mr. Berry, who is the suitable age and looks the part of an educated professional, will play the doctor.
Risk assesments
The document discusses a risk assessment for Old Dalby Wood Airfield. The airfield has been unused for many years and there are concerns about its current condition and safety issues that would need to be addressed before it could be used again. An inspection was conducted to evaluate any risks and hazards and make recommendations about any work required to make the airfield safe for general aviation use.
Institutional regulations
The document discusses the British Board of Film Classification's regulations for trailers and advertisements. Strong language is not permitted in trailers below a 15 rating, and only one use is allowed in 15 rated trailers if it is not threatening or aggressive. The classification system's main concern is preventing inappropriate or violent content from psychologically affecting younger audiences or injecting them with false concepts.
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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The Future of Independent Filmmaking Trends and Job Opportunities
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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- 7. CONCLUSION • These audience reviews of Insidious suggest that the most important aspect of a horror to my target audience is cinematography, believable effects, and the tension building up to a sting (however there shouldn’t be too many jumpy parts as it could undermine the trailer).