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IDENTITY
    LEAH HOPE
PLOT SUMMARY
•   A group of 10 strangers
    end up stranded in a
    remote motel, forced by an
    uneasy storm. They are
    prepared to stay the night
    and wait for the rain to
    calm when they discover
    there is an unknown
    murderer present

•   Panic strikes as the blood
    bath begins when, one by
    one they start to
    disappear in brutal and
    mysterious ways
•   They all begin blaming one another as each
    individual is equally suspected for the murders in
    question

•   It is ultimately revealed that each character at the
    motel is a figure of the antagonists multiple-
    personality disorder
INTRODUCING NARRATIVE
             • As the titles appear
             and disappear, an
             individual letter is
             left from each to fade
             alone. The title of the
             film ‘Identity’ is then
             gradually spelt using
             each phonetic.

             • This is a clear and
             unique way of conveying
             the basic premise of
             the narrative: the
             notion of ‘identity’
             and more specifically
             the protagonists.
• Furthermore the camera
zooms and pans across
fictional newspaper
articles, murder
investigation Polaroid's
and case files related to
what appears to be previous
massacres



• Each reveal information
about Malcolm Rivers, the
antagonist, and his past.
This in turn helps the
audience understand the
narrative and foreshadows
future events
• The use of mise-en-scene is particularly successful in
terms of introducing the narrative. In the background,
out of the pull focus, a neuroanatomy sculpture is used
as a prop. This could be seen as a subtle reminder of
the psychological complications embodied in the
antagonist and the problems the psychologist in the
opening sequence is trying to uncover.
INTRODUCING CHARACTER
• The opening sequence effectively utilizes sound as a
way of introducing character. The voice of the
antagonist, Malcolm Rivers, is the first thing to be
heard by the audience

• There are no images nor footage that accompany his
voice thus the audience are focused entirely on the
character and what it is he is saying
ESTABLISH ATMOSPHERE




• The use of lightening throughout the opening sequence
illustrates a threatening and uneasy mood. The room is
particularly dark and is lit using only a side and desk
lamp

• The rain   seen outside the window is constant and
depicts an   uncomfortable tone. Added to this, there is
occasional   lightening which reinforces anxiety and
emphasises   just how dark the room is when it stops
• Whilst going through
evidence there is an over
the shoulder shot of
somebody looking at the
evidence. The over the
shoulder shot helps set the
atmosphere as it looks as if
somebody is standing behind
and watching him. In this
way it prepares the audience
for the suspense aspect of
the thriller.

• In another shot we can see
what evidence the man is
looking at through the
reflection of his glasses.
This is an effective way to
show the evidence as well as
keeping the audience
interested.
AUDIENCES ATTENTION
• The way in which the opening
sequence is edited helps create
interest and curiosity and avoids
tediousness. For example, the
various pieces of evidence are
shown to the audience by flicking
through at a fast pace to the sound
of the tape recorder rewinding

• In this way the audience are not
bored left waiting for the camera
to pan and track along the parts of
Malcolm Rivers past

• Moreover it is interesting that
the sound of the tape rewinding is
used to accompany the portrayal of
earlier events, going back in time
• Another way in which the sequence attempts to attract
and maintain the audiences attention is through sound.
Whilst the recording of the interview is playing
throughout resulting in apprehension, further tension is
created with the use of non-diegetic sound

• The music is in a minor tone and is very eerie which
sets an atmosphere for the audience. It also has an
element of mystery in the music which is building up to
a climax and it makes the audience want to watch and
find out.

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Identity

  • 1. IDENTITY LEAH HOPE
  • 2. PLOT SUMMARY • A group of 10 strangers end up stranded in a remote motel, forced by an uneasy storm. They are prepared to stay the night and wait for the rain to calm when they discover there is an unknown murderer present • Panic strikes as the blood bath begins when, one by one they start to disappear in brutal and mysterious ways
  • 3. They all begin blaming one another as each individual is equally suspected for the murders in question • It is ultimately revealed that each character at the motel is a figure of the antagonists multiple- personality disorder
  • 4. INTRODUCING NARRATIVE • As the titles appear and disappear, an individual letter is left from each to fade alone. The title of the film ‘Identity’ is then gradually spelt using each phonetic. • This is a clear and unique way of conveying the basic premise of the narrative: the notion of ‘identity’ and more specifically the protagonists.
  • 5. • Furthermore the camera zooms and pans across fictional newspaper articles, murder investigation Polaroid's and case files related to what appears to be previous massacres • Each reveal information about Malcolm Rivers, the antagonist, and his past. This in turn helps the audience understand the narrative and foreshadows future events
  • 6. • The use of mise-en-scene is particularly successful in terms of introducing the narrative. In the background, out of the pull focus, a neuroanatomy sculpture is used as a prop. This could be seen as a subtle reminder of the psychological complications embodied in the antagonist and the problems the psychologist in the opening sequence is trying to uncover.
  • 7. INTRODUCING CHARACTER • The opening sequence effectively utilizes sound as a way of introducing character. The voice of the antagonist, Malcolm Rivers, is the first thing to be heard by the audience • There are no images nor footage that accompany his voice thus the audience are focused entirely on the character and what it is he is saying
  • 8. ESTABLISH ATMOSPHERE • The use of lightening throughout the opening sequence illustrates a threatening and uneasy mood. The room is particularly dark and is lit using only a side and desk lamp • The rain seen outside the window is constant and depicts an uncomfortable tone. Added to this, there is occasional lightening which reinforces anxiety and emphasises just how dark the room is when it stops
  • 9. • Whilst going through evidence there is an over the shoulder shot of somebody looking at the evidence. The over the shoulder shot helps set the atmosphere as it looks as if somebody is standing behind and watching him. In this way it prepares the audience for the suspense aspect of the thriller. • In another shot we can see what evidence the man is looking at through the reflection of his glasses. This is an effective way to show the evidence as well as keeping the audience interested.
  • 10. AUDIENCES ATTENTION • The way in which the opening sequence is edited helps create interest and curiosity and avoids tediousness. For example, the various pieces of evidence are shown to the audience by flicking through at a fast pace to the sound of the tape recorder rewinding • In this way the audience are not bored left waiting for the camera to pan and track along the parts of Malcolm Rivers past • Moreover it is interesting that the sound of the tape rewinding is used to accompany the portrayal of earlier events, going back in time
  • 11. • Another way in which the sequence attempts to attract and maintain the audiences attention is through sound. Whilst the recording of the interview is playing throughout resulting in apprehension, further tension is created with the use of non-diegetic sound • The music is in a minor tone and is very eerie which sets an atmosphere for the audience. It also has an element of mystery in the music which is building up to a climax and it makes the audience want to watch and find out.