This is a draft of the public presentation I want to give to the Baltimore community on the significance of 2216 Druid Hill Avenue. I would like to develop this into something for Maryland Colleges and Universities.
Why druid hill avenue is important in american music history [autosaved]Peter Brooks
This document discusses the historical significance of 2216 Druid Hill Avenue in Baltimore, Maryland. It was the childhood home of Cab Calloway and Blanche Calloway, two pioneering African American musicians. Cab Calloway lived there from ages 11-15, a formative time when he began developing his musical talents. The house represents an important place where early styles of African American music like swing and bebop took shape, eventually influencing genres such as rock and roll and hip hop. Saving the house could turn it into an educational cultural center honoring the musical legacy that began there.
The document provides information about the hippie movement and culture in the 1960s-70s. It discusses how the hippie movement started from different subcultures coming together in the mid-1960s. It also describes the hippie trail that many traveled overland cheaply from Europe to India between the 1950s-70s. Finally, it includes an interview with a woman who traveled overland from the UK to Afghanistan in 1968 along the hippie trail for 3 months on a converted ambulance with others.
This document is a magazine issue from January 4, 2014 focusing on music. It contains articles about the past, present, and future of music. There are reviews of recent albums, interviews with artists like Nile Rodgers, and features examining topics like banned music and controversies. The issue also previews what may be in store for the music world in 2014, discussing possibilities like tours from artists like Daft Punk and Bowie, the growth of Spotify, and music festivals.
This document appears to be a slideshow presentation that lists influential female hip hop artists from A to P. Each letter of the alphabet is associated with a notable woman in hip hop music, including artists like Aaliyah, Beyonce, Eve, Fantasia, Ivy Queen, and Pink. The slideshow provides a who's who of impactful female figures in the genre in a alphabetical format from A to P.
My Great Great Grandmother Maria Christina, Great Great Grandfather George Conrad and their 'Baby Butz' are buried at Block 8, Lot 85. Their daughter and my Great Grandmother Susanna Katharina and Great Grandfather Johann Balthasar are buried at Block 13, Lot 262. Because I have family at this historic cemetery, we plan to participate in the Friends Society. Visit: http://friendsofriversidecemetery.org/
Jonathan swift is one of the multitudes of brilliant writers that hail from t...Puntel Petronela
Jonathan Swift is one of Ireland's most renowned satirists. Born in Dublin in 1667, he was educated at Kilkenny School and Trinity College before becoming an assistant to Sir William Temple. During this time, he began writing about the social issues he witnessed. His most famous work, Gulliver's Travels, was published in 1726 and uses satire to critique politics, society, and human nature by chronicling the voyages of Lemuel Gulliver. Gulliver encounters tiny Lilliputians, giant Brobdingnags, and rational horses as a way to comment on European civilization. Swift's work made him one of England's most prominent social commentators.
Beyoncé uses her music videos to convey powerful messages about black history, pride, and empowerment. Her videos for "Formation" and "Lemonade" highlight issues like police brutality and black oppression. Songs like "Brown Skin Girl" celebrate black beauty and fight against unrealistic standards. Throughout her career, Beyoncé has brought attention to important aspects of black history and culture through her art in order to inspire and motivate black communities around the world.
Beyoncé uses her music videos to convey powerful messages about black history, culture, and empowerment. Through videos like Formation, Lemonade, and Brown Skin Girl, she celebrates black beauty and highlights issues like police brutality and oppression faced by black communities. Her videos pay homage to African roots and showcase styles like braided cornrows to inspire pride in black identity and resilience against racism. Beyoncé's art strives to motivate and empower black men and women.
Why druid hill avenue is important in american music history [autosaved]Peter Brooks
This document discusses the historical significance of 2216 Druid Hill Avenue in Baltimore, Maryland. It was the childhood home of Cab Calloway and Blanche Calloway, two pioneering African American musicians. Cab Calloway lived there from ages 11-15, a formative time when he began developing his musical talents. The house represents an important place where early styles of African American music like swing and bebop took shape, eventually influencing genres such as rock and roll and hip hop. Saving the house could turn it into an educational cultural center honoring the musical legacy that began there.
The document provides information about the hippie movement and culture in the 1960s-70s. It discusses how the hippie movement started from different subcultures coming together in the mid-1960s. It also describes the hippie trail that many traveled overland cheaply from Europe to India between the 1950s-70s. Finally, it includes an interview with a woman who traveled overland from the UK to Afghanistan in 1968 along the hippie trail for 3 months on a converted ambulance with others.
This document is a magazine issue from January 4, 2014 focusing on music. It contains articles about the past, present, and future of music. There are reviews of recent albums, interviews with artists like Nile Rodgers, and features examining topics like banned music and controversies. The issue also previews what may be in store for the music world in 2014, discussing possibilities like tours from artists like Daft Punk and Bowie, the growth of Spotify, and music festivals.
This document appears to be a slideshow presentation that lists influential female hip hop artists from A to P. Each letter of the alphabet is associated with a notable woman in hip hop music, including artists like Aaliyah, Beyonce, Eve, Fantasia, Ivy Queen, and Pink. The slideshow provides a who's who of impactful female figures in the genre in a alphabetical format from A to P.
My Great Great Grandmother Maria Christina, Great Great Grandfather George Conrad and their 'Baby Butz' are buried at Block 8, Lot 85. Their daughter and my Great Grandmother Susanna Katharina and Great Grandfather Johann Balthasar are buried at Block 13, Lot 262. Because I have family at this historic cemetery, we plan to participate in the Friends Society. Visit: http://friendsofriversidecemetery.org/
Jonathan swift is one of the multitudes of brilliant writers that hail from t...Puntel Petronela
Jonathan Swift is one of Ireland's most renowned satirists. Born in Dublin in 1667, he was educated at Kilkenny School and Trinity College before becoming an assistant to Sir William Temple. During this time, he began writing about the social issues he witnessed. His most famous work, Gulliver's Travels, was published in 1726 and uses satire to critique politics, society, and human nature by chronicling the voyages of Lemuel Gulliver. Gulliver encounters tiny Lilliputians, giant Brobdingnags, and rational horses as a way to comment on European civilization. Swift's work made him one of England's most prominent social commentators.
Beyoncé uses her music videos to convey powerful messages about black history, pride, and empowerment. Her videos for "Formation" and "Lemonade" highlight issues like police brutality and black oppression. Songs like "Brown Skin Girl" celebrate black beauty and fight against unrealistic standards. Throughout her career, Beyoncé has brought attention to important aspects of black history and culture through her art in order to inspire and motivate black communities around the world.
Beyoncé uses her music videos to convey powerful messages about black history, culture, and empowerment. Through videos like Formation, Lemonade, and Brown Skin Girl, she celebrates black beauty and highlights issues like police brutality and oppression faced by black communities. Her videos pay homage to African roots and showcase styles like braided cornrows to inspire pride in black identity and resilience against racism. Beyoncé's art strives to motivate and empower black men and women.
Fans of American Jazz Greats, Blanche and Cab Calloway, Petition to Save thei...Anita Lane
Fans and Family seek to preserve the home of internationally renowned American jazz singer/songwriter Cab Calloway, whose childhood residence sits just two blocks outside the designated Arts and Entertainment District.
The passage discusses prohibition in the United States during the 1920s and how it led to the rise of infamous gangster Al Capone, who made millions smuggling liquor. It also provides context on the Harlem Renaissance and mentions poet Langston Hughes and his poem "The Negro Speaks of Rivers." Additionally, it discusses preacher Billy Sunday who traveled the US in the 1920s preaching fundamentalist beliefs, as well as women of the 1920s called "flappers" who rejected traditional lifestyles. Finally, it notes how jazz music became enormously popular during the Jazz Age of the 1920s, showing famous jazz musician Louis Armstrong.
The document provides an overview of a presentation by several students on a proposed "Black Entertainment Network". It summarizes sections on Black athletes presented by Saihou and Micah focusing on historical racial injustices and how athletes like Jackie Robinson and Colin Kaepernick fought back; Black actors/actresses presented by Johnny discussing oppressive early roles and modern changes; culture presented by Khrys focusing on graffiti artist Cornbread and Jean-Michel Basquiat; and Black music presented by Alyssa and Arjan covering genres from gospel and blues to rap and their social impacts. The presentation aims to showcase influential Black figures and forms of cultural expression.
Liz Mandeville offers fun and informative workshops on blues music history, the contributions of women, an introduction to blues music, and songwriting. She has a BA in Music from Columbia College Chicago and experience touring and performing blues music. Her workshops draw from her academic study of blues history as well as her experience as a performer and songwriter to engage and educate attendees.
Liz Mandeville is a musician and educator who gives workshops on blues music history and songwriting. She has a BA in Music from Columbia College Chicago. Her workshops cover: 1) the history of blues music from its origins to modern fusion genres, 2) the contributions of women to blues music throughout its development, 3) an introduction to blues music styles and techniques for listeners, and 4) the process of writing songs and pursuing songwriting as a career.
Liz Mandeville offers fun and informative workshops on the history and appreciation of blues music. Her four workshop topics are: 1) History of the Blues, 2) Women's Contributions to the Blues, 3) Blues Music 101, and 4) Song Writing for Fun and Profit. Liz has a BA in Music from Columbia College Chicago and experience touring with her band and performing in Chicago blues clubs. She is passionate about blues history and uses her musical skills and knowledge gained from extensive research to engage audiences in workshops that entertain and educate about the origins and evolution of blues music over time.
Liz Mandeville offers fun and informative workshops on the history and appreciation of blues music. Her four workshop topics are: 1) History of the Blues, 2) Women's Contributions to the Blues, 3) Blues Music 101, and 4) Song Writing for Fun and Profit. Liz has a BA in Music from Columbia College Chicago and experience touring and performing blues music in Chicago clubs. She uses her musical expertise and enthusiasm to teach about the origins and evolution of blues styles over time.
The document discusses the origins and evolution of African American music from slavery through the development of blues and rock and roll. It describes how slaves used music to cope with the horrors of the slave trade and bond over their shared culture. Work songs, religious songs, and recreational music became integral to slave culture in the U.S. This early music eventually influenced genres like gospel, jazz, blues, and rock. The document profiles influential artists like Muddy Waters, Bo Diddley, and B.B. King who helped develop blues and move the genre to an electrified Chicago sound that paved the way for rock and roll.
Page 255 8.1 objeCTives• Basic knowledge of the histor.docxsmile790243
This document provides an overview of objectives and key terms related to popular music styles in the United States. It discusses the origins and development of popular styles like ragtime, blues, and jazz. Specifically, it describes how ragtime originated from syncopated piano music in the 1890s, with Scott Joplin being an influential composer. It also explains that the blues developed from work songs and spirituals, utilizing characteristic chord progressions, scales, and the "bending" of notes. The document emphasizes that New Orleans was a melting pot where African and European musical traditions blended to give rise to early jazz.
- Black popular music from the 1920s-1970s, including jazz, gospel, blues, and rhythm and blues, greatly influenced the development of rock and roll. However, black musical styles often existed separately from the mainstream pop market.
- In the 1950s, some black musical performers like Chuck Berry began to achieve mainstream success, and white musicians covering black songs also helped expose black music to broader audiences. However, questions remain about cultural appropriation within the music industry.
This document provides an overview of the birth and first wave of rock and roll music from the mid-1950s. It discusses how rock and roll emerged from the blending of country and R&B styles and became mainstream with artists like Elvis Presley. The rise of rock and roll coincided with new technologies, changing youth culture after World War II, and the crossover success of early R&B artists. Pioneering musicians like Chuck Berry and Little Richard helped establish rock and roll as a new musical genre and form of cultural expression.
32315 1 Origins of Rock ‘n’ Roll • Three musica.docxtamicawaysmith
3/23/15
1
Origins of Rock ‘n’ Roll
• Three musical ancestors of Rock
– Country & Western
• Grand Ole Opry and image
• Controversial subjects in lyrics
– Rhythm & Blues
• 12-bar Blues, insistent rhythm, shout-style vocals
• Hokum, Boogie-woogie, Electric guitar
– Pop music
• Strong connection to jazz (Big Band Swing)
• Simple, catchy melodies
• 1950: all three coexisted in separate
markets
– Billboard magazine tracks sales of popular
music
– Separate charts for each genre
• By 1954, markets began to merge
• Crossovers: a crossover hit originates in
one market, but also succeeds in another
– “Earth Angel”—R&B song, made the pop
charts
– “Tennessee Waltz,” “Heartbreak Hotel”—
C&W hits, on pop charts
• Covers: an artist’s version of someone
else’s song
– “Earth Angel”—original by The Penguins
(R&B), covered by the Crew Cuts (Pop)
3/23/15
2
Emergence of Youth Culture
• Prior to 1950s, entertainment industry aimed
at adults
• Mid-’50s: identifiable youth culture
– Movies present images of rebellious youths
• Rebel Without a Cause, Blackboard Jungle
• New role models, dress code, slang, hairstyles
• Black leather jacket, upturned shirt collar, slicked
back hair (“ducktail” or “d.a.”)
• Record companies realize teens have
disposable income
Bill Haley and The Comets
• Haley’s band started with C&W, began
covering R&B songs
– “Shake, Rattle, and Roll” orig. by Joe Turner
– “Rock Around the Clock” orig. by Sonny Dae
• Featured on soundtrack to Blackboard Jungle
• Two months at #1 on pop charts (1955)
• Haley, born in 1927, too old to be the new
face of youth culture
• Laid foundation for Rockabilly
– R&B material, with C&W sound
Elvis Presley (1935-’77)
l Raised
in
poor
family
from
Mississippi
– Elvis
absorbed
a
variety
of
musical
influences
l R&B,
gospel,
C&W,
bluegrass,
pop
l Discovered
while
making
a
recording
for
his
mom
– Memphis
Recording
Service
and
Sun
Records
l Right
voice
at
the
right
Cme
l White
singer
with
a
black
sound
3/23/15
3
Sun Records
• Memphis, Tennessee
• Sam Phillips, founder
– Appreciated talents of R&B musicians
– Began recording them even before he started
his own label
• Brings the music to a wider audience
• Sun Records credited with discovering
Elvis
– “Hound Dog” (1957)
Importance of Elvis
l Flexible,
invenCve
vocal
style
– Always
sounds
like
himself
l Wide
popular
appeal,
crossover
success
– Records
on
country,
pop,
and
R&B
charts
l Huge
commercial
success
– Sold
over
500
Million
records
by
the
Cme
of
his
death
Mainstream Rock ‘n’ Roll
l (DJ Alan Freed, coined the term “Rock ‘n’ Roll”)
• Heavily influenced by R&B
– Little Ric ...
Jazz originated in New Orleans in the late 19th century as a fusion of African, European, and Caribbean musical influences. New Orleans was a diverse port city with a distinct culture that allowed slaves to retain elements of their culture, contributing to the development of jazz. Early jazz combined elements of marching band music and dance music into an improvised polyphonic style. Important early jazz musicians like Buddy Bolden and Jelly Roll Morton helped establish jazz in New Orleans before it spread to other cities during the Great Migration. The first jazz recordings in 1917 by the Original Dixieland Jazz Band helped popularize the genre on a national level.
The document provides an overview of the origins and development of Cuban rap music, known as "Rap Cubano". It discusses how rap first emerged in Cuba in the early 1990s during the "Special Period" following the fall of the Soviet Union, when the country experienced widespread poverty and shortages. Young Cubans began freestyling and improvising rap music on street corners to creatively express themselves and debate the challenges of the time. The roots of Cuban rap can be traced back to traditional "cabildos" and Afro-Cuban music. The article profiles some early Cuban rappers and discusses how rap provided an outlet for questioning and critiquing social issues during a period of crisis.
This document provides an overview of the early development of rock and roll music in the 1950s, focusing on key artists like Elvis Presley, Buddy Holly, and Carl Perkins. It summarizes Elvis Presley's rise to fame in the 1950s through hits like "That's All Right" and "Heartbreak Hotel" which helped establish rock and roll as a popular new music genre. It also discusses Buddy Holly's influential style which combined elements of country, R&B, and pop music, and his tragic death in a 1959 plane crash which marked a significant moment in rock history.
This document provides an overview of the history and genres of country music. It discusses the origins of country music in the folk music traditions of European immigrants. It outlines several genres of country music including honky tonk, rockabilly, the Nashville sound, outlaw country, and alt-country. Key developments included the popularity of country music radio programs in the 1930s-40s and the rise of the Nashville sound in the 1950s-60s which brought country to a wider audience. The document also provides examples of influential artists within several country music genres.
This document provides an overview of the history and development of country music. It discusses major historical periods and themes including bluegrass, the Nashville sound, outlaw country, and the 1990s country boom. Early country music drew from English and Irish folk traditions and was seen as "white" music separate from blues. Key developments included the Grand Ole Opry radio show in Nashville, the bluegrass style of Bill Monroe, and outlaw country as a reaction against the Nashville sound. Country music is still centered in Nashville but has faced tensions balancing commercial success with its perceived outsider status.
The 1960s brought significant cultural changes from the 1950s, with music playing a central role. Fashion became more colorful, mini skirts and tight clothing became popular. Racism declined and more Black artists found success in the music industry. Rock and roll music promoted themes of free thinking, rebellion, and sexuality that contrasted with the traditional values presented in 1950s music. The 1960s saw the rise of new genres like hip hop and a rejection of stereotypes as artists like Elton John and David Bowie broke barriers.
This document provides an overview of popular music in the United States during the 1960s. It discusses the rise of rock music and its development into different styles and genres during this transformative decade. The summary explores the emergence of teen idols, the girl groups produced by Phil Spector, the folk music revival on college campuses, and the transition of rhythm and blues into a softer "sweet soul" sound by artists like Sam Cooke. Overall, the document analyzes how the music industry exerted more control over artists during this period while also catering to new teenage audiences and developing new popular styles.
Blanche Calloway revisited after discovery of her childhood home at 2216 Druid Hill Avenue.
I learned so much about my aunt just by visiting this home. It made her history come alive for me. It was such an incredible experience. I felt I had to share it with others.
Unfortunately the city of Baltimore is going to demolish the home in just a few days.
I wanted to get this history out before it was too late!
Fans of American Jazz Greats, Blanche and Cab Calloway, Petition to Save thei...Anita Lane
Fans and Family seek to preserve the home of internationally renowned American jazz singer/songwriter Cab Calloway, whose childhood residence sits just two blocks outside the designated Arts and Entertainment District.
The passage discusses prohibition in the United States during the 1920s and how it led to the rise of infamous gangster Al Capone, who made millions smuggling liquor. It also provides context on the Harlem Renaissance and mentions poet Langston Hughes and his poem "The Negro Speaks of Rivers." Additionally, it discusses preacher Billy Sunday who traveled the US in the 1920s preaching fundamentalist beliefs, as well as women of the 1920s called "flappers" who rejected traditional lifestyles. Finally, it notes how jazz music became enormously popular during the Jazz Age of the 1920s, showing famous jazz musician Louis Armstrong.
The document provides an overview of a presentation by several students on a proposed "Black Entertainment Network". It summarizes sections on Black athletes presented by Saihou and Micah focusing on historical racial injustices and how athletes like Jackie Robinson and Colin Kaepernick fought back; Black actors/actresses presented by Johnny discussing oppressive early roles and modern changes; culture presented by Khrys focusing on graffiti artist Cornbread and Jean-Michel Basquiat; and Black music presented by Alyssa and Arjan covering genres from gospel and blues to rap and their social impacts. The presentation aims to showcase influential Black figures and forms of cultural expression.
Liz Mandeville offers fun and informative workshops on blues music history, the contributions of women, an introduction to blues music, and songwriting. She has a BA in Music from Columbia College Chicago and experience touring and performing blues music. Her workshops draw from her academic study of blues history as well as her experience as a performer and songwriter to engage and educate attendees.
Liz Mandeville is a musician and educator who gives workshops on blues music history and songwriting. She has a BA in Music from Columbia College Chicago. Her workshops cover: 1) the history of blues music from its origins to modern fusion genres, 2) the contributions of women to blues music throughout its development, 3) an introduction to blues music styles and techniques for listeners, and 4) the process of writing songs and pursuing songwriting as a career.
Liz Mandeville offers fun and informative workshops on the history and appreciation of blues music. Her four workshop topics are: 1) History of the Blues, 2) Women's Contributions to the Blues, 3) Blues Music 101, and 4) Song Writing for Fun and Profit. Liz has a BA in Music from Columbia College Chicago and experience touring with her band and performing in Chicago blues clubs. She is passionate about blues history and uses her musical skills and knowledge gained from extensive research to engage audiences in workshops that entertain and educate about the origins and evolution of blues music over time.
Liz Mandeville offers fun and informative workshops on the history and appreciation of blues music. Her four workshop topics are: 1) History of the Blues, 2) Women's Contributions to the Blues, 3) Blues Music 101, and 4) Song Writing for Fun and Profit. Liz has a BA in Music from Columbia College Chicago and experience touring and performing blues music in Chicago clubs. She uses her musical expertise and enthusiasm to teach about the origins and evolution of blues styles over time.
The document discusses the origins and evolution of African American music from slavery through the development of blues and rock and roll. It describes how slaves used music to cope with the horrors of the slave trade and bond over their shared culture. Work songs, religious songs, and recreational music became integral to slave culture in the U.S. This early music eventually influenced genres like gospel, jazz, blues, and rock. The document profiles influential artists like Muddy Waters, Bo Diddley, and B.B. King who helped develop blues and move the genre to an electrified Chicago sound that paved the way for rock and roll.
Page 255 8.1 objeCTives• Basic knowledge of the histor.docxsmile790243
This document provides an overview of objectives and key terms related to popular music styles in the United States. It discusses the origins and development of popular styles like ragtime, blues, and jazz. Specifically, it describes how ragtime originated from syncopated piano music in the 1890s, with Scott Joplin being an influential composer. It also explains that the blues developed from work songs and spirituals, utilizing characteristic chord progressions, scales, and the "bending" of notes. The document emphasizes that New Orleans was a melting pot where African and European musical traditions blended to give rise to early jazz.
- Black popular music from the 1920s-1970s, including jazz, gospel, blues, and rhythm and blues, greatly influenced the development of rock and roll. However, black musical styles often existed separately from the mainstream pop market.
- In the 1950s, some black musical performers like Chuck Berry began to achieve mainstream success, and white musicians covering black songs also helped expose black music to broader audiences. However, questions remain about cultural appropriation within the music industry.
This document provides an overview of the birth and first wave of rock and roll music from the mid-1950s. It discusses how rock and roll emerged from the blending of country and R&B styles and became mainstream with artists like Elvis Presley. The rise of rock and roll coincided with new technologies, changing youth culture after World War II, and the crossover success of early R&B artists. Pioneering musicians like Chuck Berry and Little Richard helped establish rock and roll as a new musical genre and form of cultural expression.
32315 1 Origins of Rock ‘n’ Roll • Three musica.docxtamicawaysmith
3/23/15
1
Origins of Rock ‘n’ Roll
• Three musical ancestors of Rock
– Country & Western
• Grand Ole Opry and image
• Controversial subjects in lyrics
– Rhythm & Blues
• 12-bar Blues, insistent rhythm, shout-style vocals
• Hokum, Boogie-woogie, Electric guitar
– Pop music
• Strong connection to jazz (Big Band Swing)
• Simple, catchy melodies
• 1950: all three coexisted in separate
markets
– Billboard magazine tracks sales of popular
music
– Separate charts for each genre
• By 1954, markets began to merge
• Crossovers: a crossover hit originates in
one market, but also succeeds in another
– “Earth Angel”—R&B song, made the pop
charts
– “Tennessee Waltz,” “Heartbreak Hotel”—
C&W hits, on pop charts
• Covers: an artist’s version of someone
else’s song
– “Earth Angel”—original by The Penguins
(R&B), covered by the Crew Cuts (Pop)
3/23/15
2
Emergence of Youth Culture
• Prior to 1950s, entertainment industry aimed
at adults
• Mid-’50s: identifiable youth culture
– Movies present images of rebellious youths
• Rebel Without a Cause, Blackboard Jungle
• New role models, dress code, slang, hairstyles
• Black leather jacket, upturned shirt collar, slicked
back hair (“ducktail” or “d.a.”)
• Record companies realize teens have
disposable income
Bill Haley and The Comets
• Haley’s band started with C&W, began
covering R&B songs
– “Shake, Rattle, and Roll” orig. by Joe Turner
– “Rock Around the Clock” orig. by Sonny Dae
• Featured on soundtrack to Blackboard Jungle
• Two months at #1 on pop charts (1955)
• Haley, born in 1927, too old to be the new
face of youth culture
• Laid foundation for Rockabilly
– R&B material, with C&W sound
Elvis Presley (1935-’77)
l Raised
in
poor
family
from
Mississippi
– Elvis
absorbed
a
variety
of
musical
influences
l R&B,
gospel,
C&W,
bluegrass,
pop
l Discovered
while
making
a
recording
for
his
mom
– Memphis
Recording
Service
and
Sun
Records
l Right
voice
at
the
right
Cme
l White
singer
with
a
black
sound
3/23/15
3
Sun Records
• Memphis, Tennessee
• Sam Phillips, founder
– Appreciated talents of R&B musicians
– Began recording them even before he started
his own label
• Brings the music to a wider audience
• Sun Records credited with discovering
Elvis
– “Hound Dog” (1957)
Importance of Elvis
l Flexible,
invenCve
vocal
style
– Always
sounds
like
himself
l Wide
popular
appeal,
crossover
success
– Records
on
country,
pop,
and
R&B
charts
l Huge
commercial
success
– Sold
over
500
Million
records
by
the
Cme
of
his
death
Mainstream Rock ‘n’ Roll
l (DJ Alan Freed, coined the term “Rock ‘n’ Roll”)
• Heavily influenced by R&B
– Little Ric ...
Jazz originated in New Orleans in the late 19th century as a fusion of African, European, and Caribbean musical influences. New Orleans was a diverse port city with a distinct culture that allowed slaves to retain elements of their culture, contributing to the development of jazz. Early jazz combined elements of marching band music and dance music into an improvised polyphonic style. Important early jazz musicians like Buddy Bolden and Jelly Roll Morton helped establish jazz in New Orleans before it spread to other cities during the Great Migration. The first jazz recordings in 1917 by the Original Dixieland Jazz Band helped popularize the genre on a national level.
The document provides an overview of the origins and development of Cuban rap music, known as "Rap Cubano". It discusses how rap first emerged in Cuba in the early 1990s during the "Special Period" following the fall of the Soviet Union, when the country experienced widespread poverty and shortages. Young Cubans began freestyling and improvising rap music on street corners to creatively express themselves and debate the challenges of the time. The roots of Cuban rap can be traced back to traditional "cabildos" and Afro-Cuban music. The article profiles some early Cuban rappers and discusses how rap provided an outlet for questioning and critiquing social issues during a period of crisis.
This document provides an overview of the early development of rock and roll music in the 1950s, focusing on key artists like Elvis Presley, Buddy Holly, and Carl Perkins. It summarizes Elvis Presley's rise to fame in the 1950s through hits like "That's All Right" and "Heartbreak Hotel" which helped establish rock and roll as a popular new music genre. It also discusses Buddy Holly's influential style which combined elements of country, R&B, and pop music, and his tragic death in a 1959 plane crash which marked a significant moment in rock history.
This document provides an overview of the history and genres of country music. It discusses the origins of country music in the folk music traditions of European immigrants. It outlines several genres of country music including honky tonk, rockabilly, the Nashville sound, outlaw country, and alt-country. Key developments included the popularity of country music radio programs in the 1930s-40s and the rise of the Nashville sound in the 1950s-60s which brought country to a wider audience. The document also provides examples of influential artists within several country music genres.
This document provides an overview of the history and development of country music. It discusses major historical periods and themes including bluegrass, the Nashville sound, outlaw country, and the 1990s country boom. Early country music drew from English and Irish folk traditions and was seen as "white" music separate from blues. Key developments included the Grand Ole Opry radio show in Nashville, the bluegrass style of Bill Monroe, and outlaw country as a reaction against the Nashville sound. Country music is still centered in Nashville but has faced tensions balancing commercial success with its perceived outsider status.
The 1960s brought significant cultural changes from the 1950s, with music playing a central role. Fashion became more colorful, mini skirts and tight clothing became popular. Racism declined and more Black artists found success in the music industry. Rock and roll music promoted themes of free thinking, rebellion, and sexuality that contrasted with the traditional values presented in 1950s music. The 1960s saw the rise of new genres like hip hop and a rejection of stereotypes as artists like Elton John and David Bowie broke barriers.
This document provides an overview of popular music in the United States during the 1960s. It discusses the rise of rock music and its development into different styles and genres during this transformative decade. The summary explores the emergence of teen idols, the girl groups produced by Phil Spector, the folk music revival on college campuses, and the transition of rhythm and blues into a softer "sweet soul" sound by artists like Sam Cooke. Overall, the document analyzes how the music industry exerted more control over artists during this period while also catering to new teenage audiences and developing new popular styles.
Similar to How can Baltimore best profit from its role in music history? (20)
Blanche Calloway revisited after discovery of her childhood home at 2216 Druid Hill Avenue.
I learned so much about my aunt just by visiting this home. It made her history come alive for me. It was such an incredible experience. I felt I had to share it with others.
Unfortunately the city of Baltimore is going to demolish the home in just a few days.
I wanted to get this history out before it was too late!
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How can Baltimore best profit from its role in music history?
1. One reason why Druid Hill
Avenue is important in
American history.
2216 Druid Hill Avenue
2. Home to two American trialblazers
Cabell Calloway III
resident from 1920-24
Blanche Calloway,
resident 1920-21?
3. Not really remembered in any signifcant way,
most people have no idea who she is and her
role in shaping American music and history. Gave
up entertainment industry to serve God.
Made her professional debut in the Eubie Blake musical
“Shuffle Along.”
Introduced her brother to Louis Armstrong who gave
Cab his first job.
Also helped Chick Webb, Cozy Cole, and Ben Webster.
One of the first female African American band leaders.
First female to lead an all male big band on tour.
“Blanche had a very good way of entertaining, she was
wild and wiry in certain things and very sensitive in
others. Although Cab may not say this himself…his
sister taught him everything he knew about
performing.” Earl “Fatha” Hines
Blanche Calloway, a woman ahead of her time.
4. “King of Swing” & “King of HideHo”
– not many artists get this title,
almost no one has it bestowed
upon them twice.
Left Baltimore in 1926 and in 3 years had taken
over at the Cotton Club, the number one
entertainment venue in America at that time,
enjoyed 5-year run before European tour.
The first African-American to write a dictionary
and to sell one million records with “Minnie the
Moocher” First African-American to have own
radio show regularly and internationally.
Became a world class, Grammy award winning
musician whose career spanned 70 years.
“Entertaining is my way of expressing godliness.”
“During the 30s and 40s there wasn’t a city or
town where we played that we didn’t break
attendance records in nightclubs and theaters.”
Cab Calloway: A Legacy Baltimore Can Be Proud of …
5. How important was Cab Calloway in music history?
Here he is at 80 years old reflecting on his career.
6.
7. Video, play to see
the evidence.
Cab Calloway was America’s foremost multiculturalist. In
this 1944 video you see the beginnings of rock and roll.
8. What does that have to do with
Druid Hill Avenue?
Wasn’t Cab Calloway was born in Rochester, NY?
9. “I really don’t remember Rochester
very well…My earliest memories are
of the years when we moved back
to Baltimore, I was about 11 years
old then and we lived with my
grandmother Calloway.” “
She was very strict. She did not allow them to play
with other kids and he was in church all day every
Sunday.
Blanche runs away sometime around this time 1918-
1921
Father dies in 1919 and in 1920 his mother moved
the family out of the Calloway home to her mother’s
house.
10. At 2216 Druid Hill Avenue.
• Lives there with his grandmother (Reed), mother, sister Bernice and
brother Elmer.
• “Eldest” man of the house, responsible for the family.
• John Nelson Fortune, soon becomes Cab’s step-father.
• When he is caught by his mom playing “craps” on a Sunday morning, on
North Avenue Cab is sent to reform school in 1923.
• He returns and begins slipping back into the lifestyle disapproved by his
family and they move to Wilson Park in 1924.
11. “when we moved to my grandmother Reed’s house everything
changed. The atmosphere there was loose and open and free. All
of a sudden mama, who I believe had been hemmed in as much as
we kids in my grandmother Calloway’s house, came alive. We would
spend the eveings sitting and talking and reading and eating. There
was laughter and the house was filled with noises and good smells.”
—Cab Calloway
2216 Druid Hill Avenue.
12. 2216 Druid Hill Avenue: Where the Blanche
and Cab Calloway Legacy Takes Shape …
“Those years between 11-15, when I was wild and independent and
wouldn’t listen to anyone…during those years I began to appreciate
the value of money, because money meant independence…I was a
part of a gang of guys who were basically young hustlers. We had
two interests – making money and having a good time.”
—Cab Calloway
13. Cab Calloway and the meaning of money.
Cab Calloway is a man who worked non-stop his entire life
from age 11 up to 87. That fire was lit within him at 2216
Druid Hill Avenue while there he worked as a:
• Newspaper delivery boy
• Horse walker at Pimlico
• Bus/boy waiter at Hotel Restaurant
• Elevator operator
14. Sober, rebellious, religious,
compassionate, insightful,
strategic, strong, in control,
fun. Grew up under the
influence of Grandma
Calloway.
Cab Calloway and the concept of “good time.”
15. Became two totally different people partly because he was
molded by the experience of living at 2216 DHA
Happy go lucky, athletic,
competitive, adventurous,
determined, perfectionist, street
smart, “hustler.” Loved horses
and gambling. Grew up, under
influence of Grandma Reed.
Sober, rebellious, religious,
compassionate, insightful,
strategic, strong, in control,
fun. Grew up under the
influence of Grandma
Calloway.
16. Talk about a good time, Cab Calloway even fielded a baseball team.
17. In addition to improvised melodies, Cab Calloway was really the first to popularize a
distinctly urban intensity or tension to the music which helped young people identify
themselves as cool, or powerful or knowledgeable or hip.
This really became the foundation of rock and roll – music as a form of identity, and
inclusion, which formed the basis of American entertainment for almost a century.
18. This house binds 90+ years of African American music.
Swing -> Be Bop -> Hip Hop
Cab and Blanc he Calloway lived
at 2216 Druid Hill Avenue. It
was while he lived here that Cab
Calloway began to figure out
how he would make a living by
singing about the life and people
he met using a c oded language
understood by Afric an-
Americ ans. His style emphasized
c all and response and
improvised melodies.
Cab Calloway gave Dizzy Gillespie
his first job. Dizzy later went on the
bec ome the king of Be Bop Jazz. In
fac t, he left the Cab Calloway
Orc hestra to do his own thing. Be
Bop used new melodies, beats and
improvisation. Be Bop music ians
started “ freestyling,” taking
improvisation to an entirely new
level – not with words but with
instruments.
Whic h lead to Hip Hop. Even though
hip hop is very different from swing,
many of the things like the subjec t, the
improvisation of melodies, the c all and
response, and even the persona of
Hip Hop artists really started with Cab
Calloway. Hip Hop c ombines the
improvisation of Be Bop with words to
tell the story of blac k life today.
1920s-40s
“I am going to sing about
life in the ghetto.”
1950s-1970s
“I am going to show the
power of the black mind.”
1980s-today
“I am going to sing about the
ghetto and show the power of
the black mind.”
19. Significance of this house and Cab Calloway:
• Fondest childhood memories, strongest childhood bonds.
• Place where he could be free, similar lifestyle as Louis Armstrong and Count Basie.
• Lived and learned about the sportin’ life place where he forged his personality.
• Much of his choreography seems to come from area.
• Walking distance to the avenue where he learned percussion from Chick Webb.
• His and Blanche’s success as musicians prove the power of the Avenue as an
important Arts and Entertainment District.
• Tells the story of a unique time and place and is one of the few authentic places
with some integrity left from the pre-WW2 golden age for African-Americans in
Baltimore.
• Provides a window into 90+ years of African-American music history.
• This tension between entertaining, making money, telling stories, political
commentary and making people dance foundation of both rock and roll, rap, and
hip hop. It stems from Druid Hill Avenue was the first place where that energy was
captured it, translated it and Cab Calloway was the first to make a living from it.
• Like Mozart, at its essence Cab’s is a form of children’s music.
21. A legacy is a gift.
And this one has the power to shape history.
22. So then, why save the house?
Why not just tear it down and build something different?
23. What you have already lost:
Keep tearing down people’s homes is telling the world that they are not that important to you
24. Why save the house?
The Pyramids are the single most visited destination in the world with 14.7 million visitors a
year. On one the last remaining wonders of the world.
25. Why save the house?
The Taj Mahal in India sees up to 70,000 visitors a day. Part of its draw is its authenticity. You
often hear people say “there is nothing like the real thing.”
26. Why save the house?
In all the best neighborhoods in America, they don’t tear down houses.
The old houses in fact are what make them attractive and charming.
Martha’s Vineyard,
Massachusetts
Berkeley, California Georgetown,
Washington, DC
27. Why save the house?
Cab Calloway really belonged to the world.
28. Why save the house?
• Money is in preservation, people find them attractive
• Authenticity once lost can never be regained, regret only goes one way.
• People like to explore and there is a sense that their being brought into a
unique and authentic location will provide clues or insights into the
meaning of life.
• An authentic experience helps us to become better, stronger, more
empathetic and resilient human beings because we have a glimpse or
fuller understanding of the lives of great people who live before us.
• Becomes a source of pride and inspiration for the community, especially
young ones and travelers.
• Reminder of a city’s past culture and complexity.
• Intrincsic value that grows over time.
31. Potential future outcomes:
John Coltrane’s home Dix Hills, NY, location of
yearly Jazz concert, saved by the community.
Birthplace of Nina Simone, Tryon, N.C.
preserved, but no programming yet.
33. Your potential should you save the location.
David Ireland’s home in San
Francisco, is like the Eubie Blake
Center. Art gallery, training and
performance.
34. Your potential should you save the location.
Louis Armstrong’s Home Museum
in Queens New York. 12,000
visitors a year. $23 million to open.
$1.9 million expansion last year.
Funded by state of NY.
35. Your potential should you save the location.
The New Orleans Jazz Museum, 35,000 visitors a year. $4 million recent addition for performance center alone.
$425,000/yr marketing budget. Funded by Federal Government, NPS.
36. Your potential should you save the location.
Home of Elvis Presley, Memphis, TN, 600,000 visitors a year. $45 million
visitors center. $92 million Guest House. $1.9 million/yr in marketing.
37. Potential one stop artist production studio:
The technology is now available such than artist could pay a 5 figure fee, come to Baltimore and get everything they
Might possibly need to begin their career done in one location over 3 days.
Music recording, production and photography
Music performance, audition and collaboration
Useful for interviews, panel discussions
Clothing, fashion &
accessories, merch
production, swag,
t-shirts, etc.
All literature, copy
writing, press releases
with website and
social media
TV Production, interviews,
music videos rehearsal
space and promotional
clips
Booking first gigs,
generating media and
advertising, ticket
sales from 2216 DHA.
Everything an artist
would need to go on
tour - product,
distribution, and
marketing done for
them in one location.
38. Interpretive Center
Like Williamsburg, a throw back to an earlier era. Recreate the
pre WWII African-American Jazz experience and pay homage to
all the greats from one location. Include things like Arabbers,
Barber Shops, Churches and Juke Joints to make a one of a kind
experience.
A street lined with demonstrations, gift
shops, eateries, little museums,
performances, etc. that would pay homage to
black entrepreneurship, newspapers,
innovations, discoveries and
accomplishments
39. Shockoe Harbor, Richmond, VA.
The second busiest slave market in the
United States between 1830 and 1865,
350,000 human beings sold here.
Transformed into
an $91.5 million
international
center for the
truth and
reconciliation in
slavery and
human
trafficking.
Brought attention
and fundraising from
as far away as
Ethiopia.
Potential
UNESCO World
Heritage site.
A place where families from all over
the world, bring their children to
talk about drugs. Cab made a nice
living singing about drugs, but he
never used them. The turning point
in the war on drugs, both careers
represent an effective answer to
their influence.