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PHILIPPINE RED CROSS
SURIGAO DEL SUR CHAPTER
Capitol Hills, Brgy Telaje, Tandag City, Surigao del Sur
Telephone #: (086) 211-3191
Email Add: surigao.sur@redcross.org.ph
Website: www.redcross.org.ph
November 5, 2013
TERESITA TRANQUILAN, CSEE
Schools Division Superintendent
Board of Directors/ Ex Officio Member
Philippine Red Cross
Dear Maam;
Warmest greetings from your Red Cross family.
Respectfully informing you that the Red Cross Action Team ( RCAT ) from the
Philippine Red Cross National Headquarters personnel will conduct a chapter visit on
November 7-9,2013 through the effort of International Committee of Red Cross (
ICRC ). This aims to meet all RCAT143 members, to review RCAT Guidelines, to have
a plan of action for 2014, to present our accomplishment report and others issues
and concerns.
Moreover, we would like to request our trained Disaster Management Service
Team/ nurses from your good office to attend the said event on November 8,2013
from 8:00 am to 5:00 pm:
1. Azote, Isagani A.
2. Evangelio, Ellen Grace M.
3. Princesa, Andresa Imelda C.
4. Pielago, Ethel Joy C.
5. Butiong , Shiela A.
6. Perez, Maria Cristina T.
7. Perez, Aileen M.
Transportation expenses and meals that will be incurred during that day will be
shouldered by the Philippine Red Cross.
Hoping for your most favorable response on this matter. Thank you very much.
Very truly yours,
DARWINA D. LIGAN
OIC/ CSR-DMS
PHILIPPINE RED CROSS
Hip Hop Dance Defined
There is no one definition to describe hip-hop dance. Hip-hop dance is a fusion of street dance
disciplines and cultural interpretations from around the world. A hip-hop dance routine
incorporates the look, music, attitude, posture and street dance style to make it uniquely hip-
hop. The most real routines showcase a variety of hip-hop dance styles, signature moves and
choreography conveying the character and energy of the street.
HIP HOP DANCE CONTEST MECHANICS:
1. ALL PERFORMERS must undergo LEADERSHIP DEVELOPMENT PROGRAM or LDP conducted by Philippine
Red Cross Surigao del Sur Chapter and must have MAAB ID/Insured. Must provide date of the training for
validation and MAAB ID Number upon registration on November 7, 2019.
2. CREW COMPOSITION
Ø There should be 8 to 15 number of performers
Ø 1 Group per municipality. For municipality that has more than 1 schools, RCY Advisers will
agree which school will represent.
Ø Red Cross Youth Adviser is allowed to join the dance contest; other teachers or Assistant
Advisers are prohibited.
3. TIME LIMIT AND SONG CHOICE
Ø Song duration must be 2 minutes to 3 minutes and 30 seconds only.
Ø There is no maximum or minimum number of songs or recordings that may be used in the
routine. The songs may be edited to enhance choreography and personal performance.
Ø The competition music must not contain inappropriate, lewd or offensive language.
4. ATTIRE
Ø Performers can wear their own costumes as long as private areas are covered. Appropriate
under garments must be worn by all crewmembers both male and female, at all times.
Ø Attire may include accessories such as hats, caps, gloves, scarves, jewelry, etc. Removing
pieces of clothing during the performance is permitted. Discarded clothing should be placed
outside the competition area and never thrown off the stage into the audience. Body oils or
other substances applied to the body or clothing that may affect the clean dry surface of the
stage and the safety of fellow competitors are prohibited. Performers may wear jazz shoes,
dance boots, sneakers or athletic sport shoes.
5. PROPS
Props that are not considered an integral part of a performer’s “attire” are prohibited (i.e. canes,
chairs, tambourines, musical instruments). Kneepads, helmets, or any other performing
apparatus to aid in the safety and proper execution of a move is allowed but concealed, when
possible, so as not to detract from the performance or the judges’ concentration on the
performance.
6. MEDICAL ATTENTION
If at any time prior to or during competition a crewmember is ill, injured, or his/her physical or
emotional condition is at risk by participating, he/she may be declared ineligible to compete, or
disqualified from competing further. The competition organizer(s) reserves the right to withdraw
any competitor who appears to have such serious disability or injury or needs medical attention
7. PERFORMANCE ORDER
Ø Performance order will be drawn by the respective Red Cross Youth Advisers.
Ø Dance Performance will be presented simultaneously during the Mr.and Ms Red Cross.
8. USB
Ø ONLY Red Cross Youth Adviser will provide or hand over the USB to the Operator.
PHILIPPINE RED CROSS
SURIGAO DEL SUR CHAPTER
Capitol Hills, Brgy Telaje, Tandag City, Surigao del Sur
Telephone #: (086) 211-3191
Email Add: surigao.sur@redcross.org.ph
Website: www.redcross.org.ph
November 5, 2013
TERESITA TRANQUILAN, CSEE
Schools Division Superintendent
Board of Directors/ Ex Officio Member
Philippine Red Cross
Dear Maam;
Warmest greetings from your Red Cross family.
Respectfully informing you that the Red Cross Action Team ( RCAT ) from the
Philippine Red Cross National Headquarters personnel will conduct a chapter visit on
November 7-9,2013 through the effort of International Committee of Red Cross (
ICRC ). This aims to meet all RCAT143 members, to review RCAT Guidelines, to have
a plan of action for 2014, to present our accomplishment report and others issues
and concerns.
Moreover, we would like to request our trained Disaster Management Service
Team/ nurses from your good office to attend the said event on November 8,2013
from 8:00 am to 5:00 pm:
1. Azote, Isagani A.
2. Evangelio, Ellen Grace M.
3. Princesa, Andresa Imelda C.
4. Pielago, Ethel Joy C.
5. Butiong , Shiela A.
6. Perez, Maria Cristina T.
7. Perez, Aileen M.
Transportation expenses and meals that will be incurred during that day will be
shouldered by the Philippine Red Cross.
Hoping for your most favorable response on this matter. Thank you very much.
Very truly yours,
DARWINA D. LIGAN
OIC/ CSR-DMS
PHILIPPINE RED CROSS
CRITERIA FOR JUDGING
35% CREATIVITY AND CHOREOGRAPHY
Choreographing and presenting your routine in a unique and one of a kind way with signature
moves and combinations of moves that are yours alone. Original ways to go to the floor, getting
up from the floor, transitions, music editing, clothing and a unique look and style that sets you
apart from the other routines. Be special, different and fresh with all aspects of your routine.
20% SHOWMANSHIP, INTENSITY, CONFIDENCE, PROJECTION & PRESENCE
The routine contains dynamic movements from beginning to end by the crew as a whole and as
individuals containing minimal pauses and poses. During featured performances by one or more
members of the crew, the remaining members must continue performing movements that add to
the overall intensity of the routine. Projection of the crewmembers is consistently strong
throughout the entire routine with an uninterrupted display of confidence measured by facial
expression, eye contact and body movement. The crewmembers should perform with enthusiasm,
passion and a “natural” ability to “sell it” on stage.
20% STAGING, SPACING, FORMATIONS AND LEVEL CHANGES
The crew must demonstrate awareness of spacing between the members through a full range of
unique, complicated and challenging formations, interactive partner moves and patterns. The full
use of stage will also be considered. The routine should include three (3) levels of movement
(low/mid/high) utilizing arm, hand, leg, foot, torso, and head movements with transitions that are
creative and unpredictable.
15% STREET PRESENCE/ATTIRE
Street presence is the capability of the crewmembers to demonstrate an authentic and uninhibited
representation of hip- hop dance. Street presence includes attitude, energy, posture and street
style. Clothing and accessories worn should represent and reflect the real character and natural
style of the urban street environment with a unique look that sets the crew apart. Crewmembers
do not have to be dressed identical or similar. Individuality of dress is encouraged. Theatrical
costumes are not typical of the street and are not recommended. Crews may wear stylized clothing
representing their routine’s theme.
10% Entertainment Value/Crowd Appeal
Crewmembers and their routine should connect with the audience and evoke emotional
responses, i.e., excitement, joy, laughter, involvement and /or sense of drama relative to the
style presented. The routine should leave a memorable and lasting impression.

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Hip hop-mechanics

  • 1. PHILIPPINE RED CROSS SURIGAO DEL SUR CHAPTER Capitol Hills, Brgy Telaje, Tandag City, Surigao del Sur Telephone #: (086) 211-3191 Email Add: surigao.sur@redcross.org.ph Website: www.redcross.org.ph November 5, 2013 TERESITA TRANQUILAN, CSEE Schools Division Superintendent Board of Directors/ Ex Officio Member Philippine Red Cross Dear Maam; Warmest greetings from your Red Cross family. Respectfully informing you that the Red Cross Action Team ( RCAT ) from the Philippine Red Cross National Headquarters personnel will conduct a chapter visit on November 7-9,2013 through the effort of International Committee of Red Cross ( ICRC ). This aims to meet all RCAT143 members, to review RCAT Guidelines, to have a plan of action for 2014, to present our accomplishment report and others issues and concerns. Moreover, we would like to request our trained Disaster Management Service Team/ nurses from your good office to attend the said event on November 8,2013 from 8:00 am to 5:00 pm: 1. Azote, Isagani A. 2. Evangelio, Ellen Grace M. 3. Princesa, Andresa Imelda C. 4. Pielago, Ethel Joy C. 5. Butiong , Shiela A. 6. Perez, Maria Cristina T. 7. Perez, Aileen M. Transportation expenses and meals that will be incurred during that day will be shouldered by the Philippine Red Cross. Hoping for your most favorable response on this matter. Thank you very much. Very truly yours, DARWINA D. LIGAN OIC/ CSR-DMS PHILIPPINE RED CROSS Hip Hop Dance Defined There is no one definition to describe hip-hop dance. Hip-hop dance is a fusion of street dance disciplines and cultural interpretations from around the world. A hip-hop dance routine incorporates the look, music, attitude, posture and street dance style to make it uniquely hip- hop. The most real routines showcase a variety of hip-hop dance styles, signature moves and choreography conveying the character and energy of the street. HIP HOP DANCE CONTEST MECHANICS: 1. ALL PERFORMERS must undergo LEADERSHIP DEVELOPMENT PROGRAM or LDP conducted by Philippine Red Cross Surigao del Sur Chapter and must have MAAB ID/Insured. Must provide date of the training for validation and MAAB ID Number upon registration on November 7, 2019. 2. CREW COMPOSITION Ø There should be 8 to 15 number of performers Ø 1 Group per municipality. For municipality that has more than 1 schools, RCY Advisers will agree which school will represent. Ø Red Cross Youth Adviser is allowed to join the dance contest; other teachers or Assistant Advisers are prohibited. 3. TIME LIMIT AND SONG CHOICE Ø Song duration must be 2 minutes to 3 minutes and 30 seconds only. Ø There is no maximum or minimum number of songs or recordings that may be used in the routine. The songs may be edited to enhance choreography and personal performance. Ø The competition music must not contain inappropriate, lewd or offensive language. 4. ATTIRE Ø Performers can wear their own costumes as long as private areas are covered. Appropriate under garments must be worn by all crewmembers both male and female, at all times. Ø Attire may include accessories such as hats, caps, gloves, scarves, jewelry, etc. Removing pieces of clothing during the performance is permitted. Discarded clothing should be placed outside the competition area and never thrown off the stage into the audience. Body oils or other substances applied to the body or clothing that may affect the clean dry surface of the stage and the safety of fellow competitors are prohibited. Performers may wear jazz shoes, dance boots, sneakers or athletic sport shoes. 5. PROPS Props that are not considered an integral part of a performer’s “attire” are prohibited (i.e. canes, chairs, tambourines, musical instruments). Kneepads, helmets, or any other performing apparatus to aid in the safety and proper execution of a move is allowed but concealed, when possible, so as not to detract from the performance or the judges’ concentration on the performance. 6. MEDICAL ATTENTION If at any time prior to or during competition a crewmember is ill, injured, or his/her physical or emotional condition is at risk by participating, he/she may be declared ineligible to compete, or disqualified from competing further. The competition organizer(s) reserves the right to withdraw any competitor who appears to have such serious disability or injury or needs medical attention 7. PERFORMANCE ORDER Ø Performance order will be drawn by the respective Red Cross Youth Advisers. Ø Dance Performance will be presented simultaneously during the Mr.and Ms Red Cross. 8. USB Ø ONLY Red Cross Youth Adviser will provide or hand over the USB to the Operator.
  • 2. PHILIPPINE RED CROSS SURIGAO DEL SUR CHAPTER Capitol Hills, Brgy Telaje, Tandag City, Surigao del Sur Telephone #: (086) 211-3191 Email Add: surigao.sur@redcross.org.ph Website: www.redcross.org.ph November 5, 2013 TERESITA TRANQUILAN, CSEE Schools Division Superintendent Board of Directors/ Ex Officio Member Philippine Red Cross Dear Maam; Warmest greetings from your Red Cross family. Respectfully informing you that the Red Cross Action Team ( RCAT ) from the Philippine Red Cross National Headquarters personnel will conduct a chapter visit on November 7-9,2013 through the effort of International Committee of Red Cross ( ICRC ). This aims to meet all RCAT143 members, to review RCAT Guidelines, to have a plan of action for 2014, to present our accomplishment report and others issues and concerns. Moreover, we would like to request our trained Disaster Management Service Team/ nurses from your good office to attend the said event on November 8,2013 from 8:00 am to 5:00 pm: 1. Azote, Isagani A. 2. Evangelio, Ellen Grace M. 3. Princesa, Andresa Imelda C. 4. Pielago, Ethel Joy C. 5. Butiong , Shiela A. 6. Perez, Maria Cristina T. 7. Perez, Aileen M. Transportation expenses and meals that will be incurred during that day will be shouldered by the Philippine Red Cross. Hoping for your most favorable response on this matter. Thank you very much. Very truly yours, DARWINA D. LIGAN OIC/ CSR-DMS PHILIPPINE RED CROSS CRITERIA FOR JUDGING 35% CREATIVITY AND CHOREOGRAPHY Choreographing and presenting your routine in a unique and one of a kind way with signature moves and combinations of moves that are yours alone. Original ways to go to the floor, getting up from the floor, transitions, music editing, clothing and a unique look and style that sets you apart from the other routines. Be special, different and fresh with all aspects of your routine. 20% SHOWMANSHIP, INTENSITY, CONFIDENCE, PROJECTION & PRESENCE The routine contains dynamic movements from beginning to end by the crew as a whole and as individuals containing minimal pauses and poses. During featured performances by one or more members of the crew, the remaining members must continue performing movements that add to the overall intensity of the routine. Projection of the crewmembers is consistently strong throughout the entire routine with an uninterrupted display of confidence measured by facial expression, eye contact and body movement. The crewmembers should perform with enthusiasm, passion and a “natural” ability to “sell it” on stage. 20% STAGING, SPACING, FORMATIONS AND LEVEL CHANGES The crew must demonstrate awareness of spacing between the members through a full range of unique, complicated and challenging formations, interactive partner moves and patterns. The full use of stage will also be considered. The routine should include three (3) levels of movement (low/mid/high) utilizing arm, hand, leg, foot, torso, and head movements with transitions that are creative and unpredictable. 15% STREET PRESENCE/ATTIRE Street presence is the capability of the crewmembers to demonstrate an authentic and uninhibited representation of hip- hop dance. Street presence includes attitude, energy, posture and street style. Clothing and accessories worn should represent and reflect the real character and natural style of the urban street environment with a unique look that sets the crew apart. Crewmembers do not have to be dressed identical or similar. Individuality of dress is encouraged. Theatrical costumes are not typical of the street and are not recommended. Crews may wear stylized clothing representing their routine’s theme. 10% Entertainment Value/Crowd Appeal Crewmembers and their routine should connect with the audience and evoke emotional responses, i.e., excitement, joy, laughter, involvement and /or sense of drama relative to the style presented. The routine should leave a memorable and lasting impression.