Hip Hop Culture Timeline
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The document lists the development of various dance styles from the early 20th century to the early 21st century, including Cakewalk from the 1920s, The Lockers from the 1970s, Electric Boogalos from the 1970s, Breaking from the 1980s, and Krumping from the 2000s. It then provides citations for various sources on the history and culture of dance.
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Also by Glenn C. Altschuler
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PIVOTAL MOMENTS
IN AMERICAN HISTORY
Series Editors
David Hackett Fischer
James M. McPherson
James T. Patterson
Brown v. Board of Education:
A Civil Rights Milestone and Its Troubled Legacy
Maury Klein
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The Crash of 1929
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This page intentionally left blank
GLENN C. ALTSCDULER
HOW
ROCK 'N' ROLL
CHANGED AMERICA
OXFORD
UNIVERSITY PRESS
2 0 0 3
OXTORD
UNIVERSITY PRESS
Oxford New York
Auckland Bangkok Buenos Aires Cape Town Chennai
Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata
Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi
Sao Paulo Shanghai Taipei Tokyo Toronto
Copyright © 2003 by Glenn C. Altschuler
Published by Oxford University Press, Inc.
198 Madison Avenue, New York, New York 10016
www.oup.com
Oxford is a registered trademark of Oxford University Press
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
electronic, mechanical, photocopying, recording, or otherwise,
without the prior permission of Oxford University Press.
Library of Congress Cataloging-in-Publication Data
Altschuler, Glenn C.
All shook up : how rock 'n' roll changed America / Glenn C. Altschuler.
p. cm.— (Pivotal moments in American history)
Includes bibliographical references (p. ) and index.
ISBN 0-19-513943-7
Rock music—Social aspects—United States.
Rock music—United States—History and criticism.
I. Title. II. Series.
ML3534 .A465 2003
781.66'0973-dc21
2003001214
1 3 5 7 9 8 6 4 2
Printed in the United States of America
on acid-free paper
To Jed, voluntary brother,
and to Rob, ceremonial son
This page intentionally left blank
CONTENTS
Editors' Note xi
Acknowledgments xiii
1 "ALL SHOOK OP" 3
Popular Music and American Culture, 1945-1955
2 "BROWN-EYED HANDSOME MAN" 35
R o c k ' o ' R o l l and Race
3 "GREAT BALLS OF FIRE" 67
Rock'n'Roll and Sexuality
4 "YAKETY YAK, DON'T TALK BACK" 99
Rock 'n' Roll and Generational Conflict
5 "ROLL OVER BEETHOVEN, TELL TCHAIKOVSKY THE NEWS" 131
Rock'n'Roll and the Pop Culture Wars
6 "THE DAY THE MUSIC DIED" 161
Rock'n'Roll's Lull and Revival
EPILOGUE: "BORN IN THE USA" 185
The Persistent Power of Rock'n' Roll
Notes 193
Index 213
ix
This page intentionally left blank
EDITORS' NOTE
This volume is part of a series called Pivotal Moments in American
History. E ...
Also by Glenn C. Altschuler Rude Republic America.docx
Also by Glenn C. Altschuler
Rude Republic: Americans and Their Politics
in the Nineteenth Century (with Stuart M. Blumin)
Changing Channels: America in TV Guide
(with David I. Grossvogel)
Revivalism, Social Conscience, and Community
in the Burned-Over District
(with Jan Saltzgaber)
Better Than Second Best: Love and Work in the Life of Helen Magill
Race, Ethnicity, and Class in American Social Thought, 1865-1919
Andrew D. White—Educator, Historian, Diplomat
PIVOTAL MOMENTS
IN AMERICAN HISTORY
Series Editors
David Hackett Fischer
James M. McPherson
James T. Patterson
Brown v. Board of Education:
A Civil Rights Milestone and Its Troubled Legacy
Maury Klein
Rainbow's End:
The Crash of 1929
James M. McPherson
Crossroads of Freedom:
Antietam
This page intentionally left blank
GLENN C. ALTSCDULER
HOW
ROCK 'N' ROLL
CHANGED AMERICA
OXFORD
UNIVERSITY PRESS
2 0 0 3
OXTORD
UNIVERSITY PRESS
Oxford New York
Auckland Bangkok Buenos Aires Cape Town Chennai
Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata
Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi
Sao Paulo Shanghai Taipei Tokyo Toronto
Copyright © 2003 by Glenn C. Altschuler
Published by Oxford University Press, Inc.
198 Madison Avenue, New York, New York 10016
www.oup.com
Oxford is a registered trademark of Oxford University Press
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
electronic, mechanical, photocopying, recording, or otherwise,
without the prior permission of Oxford University Press.
Library of Congress Cataloging-in-Publication Data
Altschuler, Glenn C.
All shook up : how rock 'n' roll changed America / Glenn C. Altschuler.
p. cm.— (Pivotal moments in American history)
Includes bibliographical references (p. ) and index.
ISBN 0-19-513943-7
Rock music—Social aspects—United States.
Rock music—United States—History and criticism.
I. Title. II. Series.
ML3534 .A465 2003
781.66'0973-dc21
2003001214
1 3 5 7 9 8 6 4 2
Printed in the United States of America
on acid-free paper
To Jed, voluntary brother,
and to Rob, ceremonial son
This page intentionally left blank
CONTENTS
Editors' Note xi
Acknowledgments xiii
1 "ALL SHOOK OP" 3
Popular Music and American Culture, 1945-1955
2 "BROWN-EYED HANDSOME MAN" 35
R o c k ' o ' R o l l and Race
3 "GREAT BALLS OF FIRE" 67
Rock'n'Roll and Sexuality
4 "YAKETY YAK, DON'T TALK BACK" 99
Rock 'n' Roll and Generational Conflict
5 "ROLL OVER BEETHOVEN, TELL TCHAIKOVSKY THE NEWS" 131
Rock'n'Roll and the Pop Culture Wars
6 "THE DAY THE MUSIC DIED" 161
Rock'n'Roll's Lull and Revival
EPILOGUE: "BORN IN THE USA" 185
The Persistent Power of Rock'n' Roll
Notes 193
Index 213
ix
This page intentionally left blank
EDITORS' NOTE
This volume is part of a series called Pivotal Moments in American
History. E ...
American Culture Reflected through the Music Industry
An analysis of how the music industry and media has influenced social evolution throughout American history throughout the 20th and 21st century.
(New opportunities) Drawing from this weeks reading, lecture
(New opportunities): Drawing from this week's reading, lectures, listening, and the Etta James
interview, describe the relationship between white and African-American artists during the
post-War era. This will take the form of two parts.
Identify and discuss one practice in the music industry that allows for new opportunities for black
artists during this period. Second, do the same with one practice that hinders the opportunities
for economic success by black artists.
For both parts, use at least 3 examples to demonstrate your point: experiences by individual
artists, efforts by specific members of the music industry (DJs, record labels, producers),
changes and trends in audiences during this time, or any other relevant information. Your goal is
to fully DESCRIBE and EXPLAIN one way in which new opportunities exist and one way in
which barriers remain.
~[)[email protected][email protected]
HISTORIES
SECOND EDITION
David Brackett
McGill University
New York Oxford
OXFORD UNIVERSITY PRESS
2009
University Press, Inc., publishes works that further Oxford University's
'e of excellence in research, scholarship, and education.
New York
d Cape Town Dar es Salaam Hong Kong Karachi
Jmpur Madrid Melbourne Mexico City Nairobi
Ihi Shanghai l~lipei Toronto
icE'S in
la Austria Brazil Chile Czech Republic France Greece
lla Hungarv Haly Japan Poland Portugal Singapore
)rea Switzerland Thaibnd Turkey Ukraine Vietnam
;ht © 2005, 2009 by Oxford University Press, Inc.
·d by Oxford University Press, Inc.
ison Avenue. New York, New York 10016
V\Vw.oup.com
s a registered trademark of Oxford University Press
s reserved. No part of this publication may be reproduced,
I a retrieval system, or transmitted, in any form or by any means,
ic, mechanical, photocopying, recording, or otherwise,
the prior permission of Oxford University Press.
of Congress Cataloging-in-Publication Data
, David .
.Jp, rock, and soul reader: histories and debates / David Brackett.-2nd ed.
m.
les bibliographical references, discography, and index.
n8-0-19-536593-1 (pbk.)
'ular music-United States-History and criticism. r. Title.
77.B68200R
fN-de22
2008035590
gn by Cathleen Elliott
numl1 er: 9 8 7 6 5 4 3 2
n the United StatE'S of America
:ree paper
CONTENTS
Preface / XI
PART 1 BEFORE 1950
1. Irving Berlin in Tin Pan Alley / 1
Charles Hamm, "Irving Berlin and the Crucible of God," from 1ru;11:3
Berlin: Songs from the Melting Pot: The Formative Years, 1907-1914 j 2
2. Technology, the Dawn of Modern Popular Music, and the
"King of Jazz" / 10
Paul Whiteman and Mary Margaret Iv1cBride, "On Wax" / 11
3. Big Band Swing Music: Race and Power in the Music Business ( 14
Marvin Freedman, "Black Music's on Top; White Jazz Stagnant" / 15
Irving Kolodin, "The Dance Band Business: A Study
in Black and White" / 18
4. Solo Pop Singers and New Forms of Fandom / 21
Bing Crosby (as told to Pete Martin), fr ...
BECOMING MODERN AMERICA IN THE 1920S PRIMARY SOURCE COL.docx
BECOMING MODERN: AMERICA IN THE 1920S
PRIMARY SOURCE COLLECTION
*
Radio—is it “a blessing or a curse?” It is “virtually useless,” “just another disintegrating toy.” It is “a Tremendous
Contribution,” “the only means of instantaneous communication yet devised by man.” Radio “will elect the next
president”; its listeners comprise “an organization that in days to come will be the most powerful in the world.”
However one judged radio as it grew from a “helpless youngster” into a “husky adolescence” in the 1920s, one thing
was clear—“There it is, up in the air, absolutely free, waiting for you to pull it down with the aid of electricity.” The
vast array of opinion on radio’s value and future is apparent in this excerpted commentary from the decade.
Radio broadcasting is spectacular and amusing but
virtually useless. It is difficult to make out a convincing case
for the value of listening to the material now served out by
the American broadcasters. Even if the quality of this
material be improved, as it undoubtedly will be, one must still question whether the home
amusement thus so easily provided will sufficiently raise the level of public culture to be worth
what it costs in time and money and the diversion of human effort. It is quite possible to argue,
indeed, that the very ease with which information or what-not reaches one by radio makes it just so
much the less valuable. In educational matters, as in commerce, men usually value things by what
they cost. Culture painlessly acquired is likely to be lost as painlessly—and as promptly.
Is the whole radio excitement to result, then, in nothing but a further debauching [morally
corrupting] of the American mind in the direction of still lazier cravings for sensationalism? I
believe not. There are at least two directions, quite different ones, in which radio has already
proved its utility and its right to
survive. One of these is its practical
service as a means of communica-
tion. The other is its effect, contin-
ually growing more evident, in
stimulating the revival of that
exceedingly useful and desirable
creature, the amateur scientist.
*
National Humanities Center, AMERICA IN CLASS
®
, 2012: americainclass.org/. Punctuation modernized for clarity. Articles in The United American, The Talking Machine World,
and Moving Picture Age in online collection Prosperity and Thrift: The Coolidge Era and the Consumer Economy, 1921-1929 (Library of Congress). Search in process for
copyright holder of Forum content. Photograph above: “The shut-in’s Sunday service,” March 28, 1923, Clark Music Co.; courtesy of the Library of Congress, Prints &
Photographs Division. Complete image credits at americainclass.org/ sources/becomingmodern/imagecredits.htm.
O N T E M P O R A R Y
O M M E N T A RY HE WENTIES T T C IN
E. E. Free .
Ruth Suckow Intro ppt c dargan
Ruth Suckow was an American author from Iowa known as a "realistic regionalist" for her depictions of small town and farm life in Iowa in the early 20th century. She was married for 30 years to Ferner Nuhn, who supported her writing career. Together they split their time between New York City, where Suckow wrote, and Iowa, where they had connections to the art community in Cedar Falls. Suckow published several short story collections and novels set in Iowa between 1924-1959 that captured the people and landscapes of small Midwestern communities.
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Brokeback mountain定稿
The document provides an outline for the short story "Brokeback Mountain" by Annie Proulx. It includes biographical information about the author, a synopsis of the plot which follows two cowboys, Ennis and Jack, who have a secret romantic relationship in 1963 Wyoming. It describes the main characters of Ennis and Jack and how they complement each other. It also analyzes some of the symbolism in the story, such as the disparity between the plains and the mountain and how this relates to the characters' relationship.
1000 man march slide show
The document shows photos from a 1000 Man March event in Mount Vernon, NY on November 19th, 2011. The march started downtown and featured appearances from local celebrity Jeff Redd. The event also included a turkey giveaway where Brenda L. Crump and her family were winners. The 1000 Man March was organized by Grass Roots Connections and involved marching to the beat of one drum with 4 Men of Purpose and Mount Vernon Peace Keepers.
The woodstock music & art fair
Woodstock was a famous music festival held in August 1969 in Bethel, New York that attracted nearly half a million people. It featured iconic artists like Jimi Hendrix, The Who, and Janis Joplin performing over the course of three days and became a symbol of the counterculture movement and ideals of peace and love that defined the 1960s era. Though only expected to draw 60,000 people, over 500,000 attendees gathered on a farm in upstate New York to experience the legendary festival.
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This document lists the evolution of breakdancing styles from the 1920s to 2000, including cakewalk in the 1920s, the Lockers in the 1970s, Electric Boogaloos in the 1970s, breaking in the 1980s, and krumping in 2000. It also provides citations for sources on the history and culture of dance forms such as breakdancing.
Sfbay quiz jan2015
The document provides a quiz with questions on various topics including news, people, technology, history, music, science, art, literature and more. Each question is followed by an answer or additional context. The questions test knowledge on diverse subjects from the obituary of someone to the etymology of words to famous works of art, movies, books and inventions. The quiz covers both trivial and important information to test general knowledge.
Art In Everyday Life Syllabus Spring 2016
This document provides information about an undergraduate course titled "Art in Everyday Life" taught in the spring of 2016. The course will examine art and aesthetics from a sociological perspective, considering how art relates to social and political realms. Topics will include the autonomy and politics of art, high and popular culture, and images in visual culture. Assignments include papers, presentations, and experiential exercises. The course will address art in public spaces, subcultures, advertising, and controversies over artworks. Readings and class meetings will explore these issues through theoretical frameworks and case studies.
La Meri PP
The "La Meri" Collection documents the life and career of renowned dancer, choreographer, teacher, and poet Russell Meriwether Hughes, who performed under the stage name "La Meri". The collection includes correspondence, programs, photographs, articles, and books chronicling La Meri's performances and teachings around the world from the early 1900s through the 1980s. It provides insight into her influence on dance and preservation of cultural forms through her work establishing schools and festivals. The collection is housed at the San Antonio Public Library and open for research.
Counter-Narratives of Race, Resistance, and Language Learning in College Clas...
Counter-Narratives of Race, Resistance, and Language Learning in College Clas...John Jay College of Criminal Justice/CUNY
This document provides primers and background information on black migration, culture, and information in the early-to-mid 20th century United States. It includes timelines and details on the Great Migration of black Americans from the South to northern cities between 1910-1930 to escape racism and violence. It also outlines the growth of black cultural productions and creative works in this era in areas like literature, music, and visual art. Additionally, it lists the founding dates of influential black newspapers that provided information and a voice for the black community.Also by Glenn C. Altschuler Rude Republic America
Also by Glenn C. Altschuler
Rude Republic: Americans and Their Politics
in the Nineteenth Century (with Stuart M. Blumin)
Changing Channels: America in TV Guide
(with David I. Grossvogel)
Revivalism, Social Conscience, and Community
in the Burned-Over District
(with Jan Saltzgaber)
Better Than Second Best: Love and Work in the Life of Helen Magill
Race, Ethnicity, and Class in American Social Thought, 1865-1919
Andrew D. White—Educator, Historian, Diplomat
PIVOTAL MOMENTS
IN AMERICAN HISTORY
Series Editors
David Hackett Fischer
James M. McPherson
James T. Patterson
Brown v. Board of Education:
A Civil Rights Milestone and Its Troubled Legacy
Maury Klein
Rainbow's End:
The Crash of 1929
James M. McPherson
Crossroads of Freedom:
Antietam
This page intentionally left blank
GLENN C. ALTSCDULER
HOW
ROCK 'N' ROLL
CHANGED AMERICA
OXFORD
UNIVERSITY PRESS
2 0 0 3
OXTORD
UNIVERSITY PRESS
Oxford New York
Auckland Bangkok Buenos Aires Cape Town Chennai
Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata
Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi
Sao Paulo Shanghai Taipei Tokyo Toronto
Copyright © 2003 by Glenn C. Altschuler
Published by Oxford University Press, Inc.
198 Madison Avenue, New York, New York 10016
www.oup.com
Oxford is a registered trademark of Oxford University Press
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
electronic, mechanical, photocopying, recording, or otherwise,
without the prior permission of Oxford University Press.
Library of Congress Cataloging-in-Publication Data
Altschuler, Glenn C.
All shook up : how rock 'n' roll changed America / Glenn C. Altschuler.
p. cm.— (Pivotal moments in American history)
Includes bibliographical references (p. ) and index.
ISBN 0-19-513943-7
Rock music—Social aspects—United States.
Rock music—United States—History and criticism.
I. Title. II. Series.
ML3534 .A465 2003
781.66'0973-dc21
2003001214
1 3 5 7 9 8 6 4 2
Printed in the United States of America
on acid-free paper
To Jed, voluntary brother,
and to Rob, ceremonial son
This page intentionally left blank
CONTENTS
Editors' Note xi
Acknowledgments xiii
1 "ALL SHOOK OP" 3
Popular Music and American Culture, 1945-1955
2 "BROWN-EYED HANDSOME MAN" 35
R o c k ' o ' R o l l and Race
3 "GREAT BALLS OF FIRE" 67
Rock'n'Roll and Sexuality
4 "YAKETY YAK, DON'T TALK BACK" 99
Rock 'n' Roll and Generational Conflict
5 "ROLL OVER BEETHOVEN, TELL TCHAIKOVSKY THE NEWS" 131
Rock'n'Roll and the Pop Culture Wars
6 "THE DAY THE MUSIC DIED" 161
Rock'n'Roll's Lull and Revival
EPILOGUE: "BORN IN THE USA" 185
The Persistent Power of Rock'n' Roll
Notes 193
Index 213
ix
This page intentionally left blank
EDITORS' NOTE
This volume is part of a series called Pivotal Moments in American
History. E ...
Also by Glenn C. Altschuler Rude Republic America.docx
Also by Glenn C. Altschuler
Rude Republic: Americans and Their Politics
in the Nineteenth Century (with Stuart M. Blumin)
Changing Channels: America in TV Guide
(with David I. Grossvogel)
Revivalism, Social Conscience, and Community
in the Burned-Over District
(with Jan Saltzgaber)
Better Than Second Best: Love and Work in the Life of Helen Magill
Race, Ethnicity, and Class in American Social Thought, 1865-1919
Andrew D. White—Educator, Historian, Diplomat
PIVOTAL MOMENTS
IN AMERICAN HISTORY
Series Editors
David Hackett Fischer
James M. McPherson
James T. Patterson
Brown v. Board of Education:
A Civil Rights Milestone and Its Troubled Legacy
Maury Klein
Rainbow's End:
The Crash of 1929
James M. McPherson
Crossroads of Freedom:
Antietam
This page intentionally left blank
GLENN C. ALTSCDULER
HOW
ROCK 'N' ROLL
CHANGED AMERICA
OXFORD
UNIVERSITY PRESS
2 0 0 3
OXTORD
UNIVERSITY PRESS
Oxford New York
Auckland Bangkok Buenos Aires Cape Town Chennai
Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata
Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi
Sao Paulo Shanghai Taipei Tokyo Toronto
Copyright © 2003 by Glenn C. Altschuler
Published by Oxford University Press, Inc.
198 Madison Avenue, New York, New York 10016
www.oup.com
Oxford is a registered trademark of Oxford University Press
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
electronic, mechanical, photocopying, recording, or otherwise,
without the prior permission of Oxford University Press.
Library of Congress Cataloging-in-Publication Data
Altschuler, Glenn C.
All shook up : how rock 'n' roll changed America / Glenn C. Altschuler.
p. cm.— (Pivotal moments in American history)
Includes bibliographical references (p. ) and index.
ISBN 0-19-513943-7
Rock music—Social aspects—United States.
Rock music—United States—History and criticism.
I. Title. II. Series.
ML3534 .A465 2003
781.66'0973-dc21
2003001214
1 3 5 7 9 8 6 4 2
Printed in the United States of America
on acid-free paper
To Jed, voluntary brother,
and to Rob, ceremonial son
This page intentionally left blank
CONTENTS
Editors' Note xi
Acknowledgments xiii
1 "ALL SHOOK OP" 3
Popular Music and American Culture, 1945-1955
2 "BROWN-EYED HANDSOME MAN" 35
R o c k ' o ' R o l l and Race
3 "GREAT BALLS OF FIRE" 67
Rock'n'Roll and Sexuality
4 "YAKETY YAK, DON'T TALK BACK" 99
Rock 'n' Roll and Generational Conflict
5 "ROLL OVER BEETHOVEN, TELL TCHAIKOVSKY THE NEWS" 131
Rock'n'Roll and the Pop Culture Wars
6 "THE DAY THE MUSIC DIED" 161
Rock'n'Roll's Lull and Revival
EPILOGUE: "BORN IN THE USA" 185
The Persistent Power of Rock'n' Roll
Notes 193
Index 213
ix
This page intentionally left blank
EDITORS' NOTE
This volume is part of a series called Pivotal Moments in American
History. E ...
American Culture Reflected through the Music Industry
An analysis of how the music industry and media has influenced social evolution throughout American history throughout the 20th and 21st century.
(New opportunities) Drawing from this weeks reading, lecture
(New opportunities): Drawing from this week's reading, lectures, listening, and the Etta James
interview, describe the relationship between white and African-American artists during the
post-War era. This will take the form of two parts.
Identify and discuss one practice in the music industry that allows for new opportunities for black
artists during this period. Second, do the same with one practice that hinders the opportunities
for economic success by black artists.
For both parts, use at least 3 examples to demonstrate your point: experiences by individual
artists, efforts by specific members of the music industry (DJs, record labels, producers),
changes and trends in audiences during this time, or any other relevant information. Your goal is
to fully DESCRIBE and EXPLAIN one way in which new opportunities exist and one way in
which barriers remain.
~[)[email protected][email protected]
HISTORIES
SECOND EDITION
David Brackett
McGill University
New York Oxford
OXFORD UNIVERSITY PRESS
2009
University Press, Inc., publishes works that further Oxford University's
'e of excellence in research, scholarship, and education.
New York
d Cape Town Dar es Salaam Hong Kong Karachi
Jmpur Madrid Melbourne Mexico City Nairobi
Ihi Shanghai l~lipei Toronto
icE'S in
la Austria Brazil Chile Czech Republic France Greece
lla Hungarv Haly Japan Poland Portugal Singapore
)rea Switzerland Thaibnd Turkey Ukraine Vietnam
;ht © 2005, 2009 by Oxford University Press, Inc.
·d by Oxford University Press, Inc.
ison Avenue. New York, New York 10016
V\Vw.oup.com
s a registered trademark of Oxford University Press
s reserved. No part of this publication may be reproduced,
I a retrieval system, or transmitted, in any form or by any means,
ic, mechanical, photocopying, recording, or otherwise,
the prior permission of Oxford University Press.
of Congress Cataloging-in-Publication Data
, David .
.Jp, rock, and soul reader: histories and debates / David Brackett.-2nd ed.
m.
les bibliographical references, discography, and index.
n8-0-19-536593-1 (pbk.)
'ular music-United States-History and criticism. r. Title.
77.B68200R
fN-de22
2008035590
gn by Cathleen Elliott
numl1 er: 9 8 7 6 5 4 3 2
n the United StatE'S of America
:ree paper
CONTENTS
Preface / XI
PART 1 BEFORE 1950
1. Irving Berlin in Tin Pan Alley / 1
Charles Hamm, "Irving Berlin and the Crucible of God," from 1ru;11:3
Berlin: Songs from the Melting Pot: The Formative Years, 1907-1914 j 2
2. Technology, the Dawn of Modern Popular Music, and the
"King of Jazz" / 10
Paul Whiteman and Mary Margaret Iv1cBride, "On Wax" / 11
3. Big Band Swing Music: Race and Power in the Music Business ( 14
Marvin Freedman, "Black Music's on Top; White Jazz Stagnant" / 15
Irving Kolodin, "The Dance Band Business: A Study
in Black and White" / 18
4. Solo Pop Singers and New Forms of Fandom / 21
Bing Crosby (as told to Pete Martin), fr ...
BECOMING MODERN AMERICA IN THE 1920S PRIMARY SOURCE COL.docx
BECOMING MODERN: AMERICA IN THE 1920S
PRIMARY SOURCE COLLECTION
*
Radio—is it “a blessing or a curse?” It is “virtually useless,” “just another disintegrating toy.” It is “a Tremendous
Contribution,” “the only means of instantaneous communication yet devised by man.” Radio “will elect the next
president”; its listeners comprise “an organization that in days to come will be the most powerful in the world.”
However one judged radio as it grew from a “helpless youngster” into a “husky adolescence” in the 1920s, one thing
was clear—“There it is, up in the air, absolutely free, waiting for you to pull it down with the aid of electricity.” The
vast array of opinion on radio’s value and future is apparent in this excerpted commentary from the decade.
Radio broadcasting is spectacular and amusing but
virtually useless. It is difficult to make out a convincing case
for the value of listening to the material now served out by
the American broadcasters. Even if the quality of this
material be improved, as it undoubtedly will be, one must still question whether the home
amusement thus so easily provided will sufficiently raise the level of public culture to be worth
what it costs in time and money and the diversion of human effort. It is quite possible to argue,
indeed, that the very ease with which information or what-not reaches one by radio makes it just so
much the less valuable. In educational matters, as in commerce, men usually value things by what
they cost. Culture painlessly acquired is likely to be lost as painlessly—and as promptly.
Is the whole radio excitement to result, then, in nothing but a further debauching [morally
corrupting] of the American mind in the direction of still lazier cravings for sensationalism? I
believe not. There are at least two directions, quite different ones, in which radio has already
proved its utility and its right to
survive. One of these is its practical
service as a means of communica-
tion. The other is its effect, contin-
ually growing more evident, in
stimulating the revival of that
exceedingly useful and desirable
creature, the amateur scientist.
*
National Humanities Center, AMERICA IN CLASS
®
, 2012: americainclass.org/. Punctuation modernized for clarity. Articles in The United American, The Talking Machine World,
and Moving Picture Age in online collection Prosperity and Thrift: The Coolidge Era and the Consumer Economy, 1921-1929 (Library of Congress). Search in process for
copyright holder of Forum content. Photograph above: “The shut-in’s Sunday service,” March 28, 1923, Clark Music Co.; courtesy of the Library of Congress, Prints &
Photographs Division. Complete image credits at americainclass.org/ sources/becomingmodern/imagecredits.htm.
O N T E M P O R A R Y
O M M E N T A RY HE WENTIES T T C IN
E. E. Free .
Ruth Suckow Intro ppt c dargan
Ruth Suckow was an American author from Iowa known as a "realistic regionalist" for her depictions of small town and farm life in Iowa in the early 20th century. She was married for 30 years to Ferner Nuhn, who supported her writing career. Together they split their time between New York City, where Suckow wrote, and Iowa, where they had connections to the art community in Cedar Falls. Suckow published several short story collections and novels set in Iowa between 1924-1959 that captured the people and landscapes of small Midwestern communities.
Bib picture books for secondary students
List of Picture Books to Share with Secondary Students from the presentation of Carin Barwick at the 2012 KASL, KAECT & KSDE Conference.
A4 - Chapters And Articles In Books
This document provides a list of articles and book chapters about author Thomas Pynchon and his works. It includes over 100 citations with the author's name, article/chapter title, publication information, and in some cases brief summaries or keywords. The citations cover a wide range of topics related to Pynchon's novels including analyses of themes, characters, influences and comparisons to other authors.
1. anoop adithian quiz 2012 final set by captain
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Roaring twenties pp pres
The document provides an overview of life and culture in America during the 1920s. It describes the rapid urbanization and demographic changes of the period. Women gained new freedoms during the 1920s as flappers challenged traditional roles. Prohibition sparked growth in organized crime as gangsters profited from bootlegging. The arts flourished through new media like radio and movies.
I. Thoureau's Seach for Place, II> "Men of Concord" Illustrated by N. C. Wyet...
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PHMF_catalog_digital-print
The Second Annual Prospect Heights Music & Arts Festival is a 5-day multi-venue event from July 15-19, 2015 in Brooklyn, NY. It features over 75 Brooklyn bands and musicians across various music genres. In addition to live music, there are art exhibitions, workshops, and a panel discussion on supporting affordable and culturally diverse neighborhoods. The festival is organized by The Way Station and sponsored by Sixpoint Brewery to celebrate Brooklyn's musicians, artists, and culture.
Annotated Bibliographic Pathfinder: Minstrel Show
Research & Reference Tool:
Minstrel Show: A popular stage entertainment featuring comic dialogue, song, and dance in highly conventionalized patterns, performed by a troupe of actors, traditionally comprising two end men and a chorus in blackface and an interlocutor: developed in the U.S. in the early and mid-19th century.
The Great Gatsby novel represented The JAZZ AGE
Kishan Jadav submitted a paper on the topic of how The Great Gatsby novel represented The Jazz Age. The Jazz Age was the period from 1918-1929 which followed World War 1 and was characterized by jazz music, dancing, alcohol, and social/sexual freedom. Francis Scott Fitzgerald's novel The Great Gatsby provides an evocative portrayal of this era through its focus on lavish parties, jazz music, and changing gender roles exemplified by the "flapper" woman. Specifically, the novel depicted the jazz clubs, music, dancing, drinking, and freer attitudes towards relationships that defined The Jazz Age in the 1920s.
Weekly reader compressed 2 28-14
This document provides a summary of the February 27, 2014 issue of the Winter Weekly Reader. It lists upcoming meetings for the Plano Rotary Club, including speakers on hypnosis, the TV show Shark Tank, and the state of the city. It also provides the February birthdays of Rotary club members and recognizes Myrtle Hightower as the 2013 Plano Citizen of the Year. The bulk of the document summarizes the Black History Month program featuring speakers on civil rights and the accomplishments of Black pilots, computer scientists, and others. It recognizes guests and visiting Rotarians who attended.
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Hip Hop Culture Timeline
- 6. Citations “Breakdancing History.” Breakdancing Ninja. N.p., n.d. Web. 12 Feb. 2014. Fletcher, Tom. 100 Years of the Negro in Show Business. New York: Da Capo, 1984. Print. Heckscher, Jurretta Jordan. All the Mazes of the Dance: Black Dancing, Culture, and Identity in the Greater Chesapeake World from the Early Eighteenth Century to the Civil War. N.p.: n.p., 2000. Print. Jackson, Irene V. More than Dancing: Essays on Afro-American Music and Musicians. Westport, CT: Greenwood, 1985. Print. Love, Bridget H. KRUMP: The New Spiritual in Afrocentric Rhetoric. N.p.: n.p., 2007. Print. Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Poputlar Culture. Urbana: University of Illinois, 1999. Print. Malnig, Julie. Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader. Urbana: University of Illinois, 2009. Print. Minton, Sandra Cerny. Choreography: A Basic Approach Using Improvisation. Champaign, IL: Human Kinetics, 1997. Print. Newton, Michael. Gangsters Encyclopedia. London: Collins & Brown, 2007. Print. Peek, Philip M., and Kwesi Yankah. African Folklore: An Encyclopedia. New York: Routledge, 2004. Print. Ross, Frank Russell. Soul Dancing!: The Essential African American Cultural Dance Book. Reston, VA: National Dance Association, 2010. Print. Schloss, Joseph Glenn. Foundation: B-boys, B-girls, and Hip-hop Culture in New York. Oxford: Oxford UP, 2009. Print. Stearns, Marshall Winslow., and Jean Stearns. Jazz Dance; the Story of American Vernacular Dance. New York: Macmillan, 1968. Print. Thomas, Richard. 2006 European Workshop on Design & Semantics of Form & Movement on October 26, 2006 in Eindhoven, the Netherlands. Eindhoven: Beal Institute for Strategic Creativity, 2006. 12. Print. Tufnell, Miranda, and Chris Crickmay. Body, Space, Image: Notes towards Improvisation and Performance. London: Dance, 1993. Print.