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                        Thinking Of You

                               by

                         Hannah Butters




Alpha Entertainment © 2011
!                                                               1


    FADE IN.

    INT. BEDROOM - EARLY MORNING.

    MARY (20) awakes from her slumber wearily. She sits down at a
    dressing table and places a crucifix necklace round her neck,
    gazing at a photo of a young man attached to the wooden frame
    of the mirror. She begins to prepare herself for the day
    ahead, applying make up and brushing her hair.

    INT. KITCHEN - LATER THAT MORNING.

    MARY, dressed in a dark floor-length domestic dress, walks
    into the kitchen to find her daughter RUTH (6), also in a lit-
    tle dark dress, standing on a chair throwing ingredients such
    as flour and butter into a mixing bowl. The kitchen is a mess.
    Utensils litter the surfaces and the counter and RUTH’s face
    and apron are all coated in flour. Shocked, MARY, moves to-
    wards RUTH and takes her off the chair, wiping the flour off
    her eyes. She surveys the kitchen, then gives RUTH a hard look
    of disapproval. Grabbing her wrist MARY leads RUTH towards the
    door.

                          MARY
                    [pushing RUTH away]!!    !
                     Go to your room.

    Noticing the time on the clock, MARY rushes round the kitchen,
    putting appliances back into cupboards and shoving used pots,
    pans and utensils into the sink. She starts to wipe the sur-
    faces clean. The door opens slowly. RUTH creeps back into the
    room carrying a box of crayons and a stack of coloured card
    paper. Sitting down at the kitchen table, she begins to ar-
    range and organize the coloured pencils. She shakes the box
    and bits of crayon and rubber shavings fall out. MARY watches
    from the kitchen. RUTH sharpens pencils and brushes the mess
    across the table. Whilst drawing and colouring, she starts
    humming the tune of ‘Happy Birthday’ under her breath. Notic-
    ing this, MARY strides over to her. RUTH is writing the text
    “Happy Birthday”.

                          MARY
                 [uncontrollably shouting] ! !
                     Ruth, he’s dead!

    RUTH stares up at her with eyes welling. She collects up her
    crayons and card and runs out the room crying. MARY returns to
    the sink, harshly scrubbing plates and pans in bubbly water.
!                                                                  2


    EXT. FRONT DOOR - LUNCHTIME

    A middle aged female SOCIAL WORKER, dressed in smart attire,
    rings the doorbell.

    INT. LIVING ROOM - “

    Fresh tea steams from the mugs on the small coffee table in
    the middle of the room. A tray of cakes and finger sandwiches
    lie next to the drinks. The SOCIAL WORKER sits down on the
    sofa opposite MARY and RUTH.

                            SOCIAL WORKER
                     So, how are you managing?

                               MARY
                      [fumbling with her hands] !
                 !    !         Okay.

                          SOCIAL WORKER
                   Good. And how’s little Ruth?
             Is she coping okay?

SOCIAL WORKER smiles at RUTH, who looks down at her hands shyly.

             !        !    !    RUTH!!    !      !
             !        !    !    Yes.


MARY grabs hold of RUTH’s hand and squeezes it lightly.

             !      !    SOCIAL WORKER! !     !
             !      And how much have you have
             you managed to save so far? [she
             scribbles notes on a pad of lined
             paper]

    MARY slowly shakes her head.

                         SOCIAL WORKER
                   Right... well I need to take
             down some notes so would you be able
             to kindly express more on that
             please?

                            MARY
                I’m trying...But I can never
            keep hold of the money.[pause] I can
            only work a few hours [pause] at the
            local shop whilst Ruth...whilst
            Ruth...[pause]is at school...And
!                                                                3


            even then the pay isn’t enough to
            fund two people for a week.

            [trying to find the words] Ruth
            seems to keep ruining her clothes...
            which I can no longer afford to re-
            place. Then there’s food costs and
            the appliance bills [she breaks down
            into tears].

    SOCIAL WORKER hands MARY a hanker-chief as RUTH cuddles up to
    her mother and kissed her cheek.

    OUT. WINCHELSEA BEACH. THE LIFEBOAT HOUSE - EARLY EVENING.

    MARY walks hand in hand with RUTH across a rural landscape un-
    til they reach the wooden lifeboat house. MARY places a bou-
    quet of flowers and a note “thinking of you” along side it. At
    the beach the waves crash onto the shore. RUTH clutches the
    now complete birthday card with a drawing of a her and her Dad
    on the front. MARY walks down to join her and pulls a glass
    bottle from a bag. She hands it to RUTH who rolls up the card
    and places it inside the bottle. She then drops it into the
    waves, and they both watch it drift out to sea as its becomes
    swallowed by the tide. MARY kisses the top of RUTH’s head.

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Hannah butters script draft 2

  • 1. ! Thinking Of You by Hannah Butters Alpha Entertainment © 2011
  • 2. ! 1 FADE IN. INT. BEDROOM - EARLY MORNING. MARY (20) awakes from her slumber wearily. She sits down at a dressing table and places a crucifix necklace round her neck, gazing at a photo of a young man attached to the wooden frame of the mirror. She begins to prepare herself for the day ahead, applying make up and brushing her hair. INT. KITCHEN - LATER THAT MORNING. MARY, dressed in a dark floor-length domestic dress, walks into the kitchen to find her daughter RUTH (6), also in a lit- tle dark dress, standing on a chair throwing ingredients such as flour and butter into a mixing bowl. The kitchen is a mess. Utensils litter the surfaces and the counter and RUTH’s face and apron are all coated in flour. Shocked, MARY, moves to- wards RUTH and takes her off the chair, wiping the flour off her eyes. She surveys the kitchen, then gives RUTH a hard look of disapproval. Grabbing her wrist MARY leads RUTH towards the door. MARY [pushing RUTH away]!! ! Go to your room. Noticing the time on the clock, MARY rushes round the kitchen, putting appliances back into cupboards and shoving used pots, pans and utensils into the sink. She starts to wipe the sur- faces clean. The door opens slowly. RUTH creeps back into the room carrying a box of crayons and a stack of coloured card paper. Sitting down at the kitchen table, she begins to ar- range and organize the coloured pencils. She shakes the box and bits of crayon and rubber shavings fall out. MARY watches from the kitchen. RUTH sharpens pencils and brushes the mess across the table. Whilst drawing and colouring, she starts humming the tune of ‘Happy Birthday’ under her breath. Notic- ing this, MARY strides over to her. RUTH is writing the text “Happy Birthday”. MARY [uncontrollably shouting] ! ! Ruth, he’s dead! RUTH stares up at her with eyes welling. She collects up her crayons and card and runs out the room crying. MARY returns to the sink, harshly scrubbing plates and pans in bubbly water.
  • 3. ! 2 EXT. FRONT DOOR - LUNCHTIME A middle aged female SOCIAL WORKER, dressed in smart attire, rings the doorbell. INT. LIVING ROOM - “ Fresh tea steams from the mugs on the small coffee table in the middle of the room. A tray of cakes and finger sandwiches lie next to the drinks. The SOCIAL WORKER sits down on the sofa opposite MARY and RUTH. SOCIAL WORKER So, how are you managing? MARY [fumbling with her hands] ! ! ! Okay. SOCIAL WORKER Good. And how’s little Ruth? Is she coping okay? SOCIAL WORKER smiles at RUTH, who looks down at her hands shyly. ! ! ! RUTH!! ! ! ! ! ! Yes. MARY grabs hold of RUTH’s hand and squeezes it lightly. ! ! SOCIAL WORKER! ! ! ! And how much have you have you managed to save so far? [she scribbles notes on a pad of lined paper] MARY slowly shakes her head. SOCIAL WORKER Right... well I need to take down some notes so would you be able to kindly express more on that please? MARY I’m trying...But I can never keep hold of the money.[pause] I can only work a few hours [pause] at the local shop whilst Ruth...whilst Ruth...[pause]is at school...And
  • 4. ! 3 even then the pay isn’t enough to fund two people for a week. [trying to find the words] Ruth seems to keep ruining her clothes... which I can no longer afford to re- place. Then there’s food costs and the appliance bills [she breaks down into tears]. SOCIAL WORKER hands MARY a hanker-chief as RUTH cuddles up to her mother and kissed her cheek. OUT. WINCHELSEA BEACH. THE LIFEBOAT HOUSE - EARLY EVENING. MARY walks hand in hand with RUTH across a rural landscape un- til they reach the wooden lifeboat house. MARY places a bou- quet of flowers and a note “thinking of you” along side it. At the beach the waves crash onto the shore. RUTH clutches the now complete birthday card with a drawing of a her and her Dad on the front. MARY walks down to join her and pulls a glass bottle from a bag. She hands it to RUTH who rolls up the card and places it inside the bottle. She then drops it into the waves, and they both watch it drift out to sea as its becomes swallowed by the tide. MARY kisses the top of RUTH’s head.