This document provides a summary of Hernando Claros' experience and qualifications as a lighting design specialist. It details that he has over 26 years of experience creating lighting designs for over 180 productions including ballet, dance, theater, music, and film in 27 countries. It lists his educational background including a Master of Fine Arts in Production Design and degrees in Graphic Design and Arts Management. It also provides an extensive list of over 150 specific lighting design projects he has worked on for ballet companies, theaters, music performances, and more since 1991.
This document provides a summary of Hernando Claros' experience and qualifications as a lighting design specialist. It details that he has over 25 years of experience creating over 180 lighting designs and 3,500 performances for ballet, dance, theater, music and other performances in 27 countries. He holds both undergraduate and graduate degrees related to graphic design and arts management. The bulk of the document then provides a detailed list of his professional lighting design work for various performances from 1991 to the present.
Rama Vaidyanathan
Rani Khanam is a renowned exponent of Kathak dance. She
received her initial training from Guru Shri Ram Narayan Ji and
later from Guru Shri Birju Maharaj. She has performed exten-
sively in India and abroad. She has received many prestigious
awards including the Sangeet Natak Akademi Award. She is
currently the Principal of Kalashram, the dance institution
founded by Guru Birju Maharaj in Delhi. She is also a visiting
faculty at the School of Performing Arts, Ambedkar University,
Delhi.
RAHUL ACHARYA
Rahul Ach
Circle of Life Theatre will be performing The Elephant Man directed by Allison Bergman from May 1st to 17th at the Brava Theater in San Francisco. The play is based on the real-life story of Joseph Merrick, who was disfigured but highly intelligent. The cast includes both disabled and non-disabled actors. Tickets can be purchased on their website.
Christine Kerber is a member of the International Dance Council and has over 18 years of experience as a choreographer and director for Royal Caribbean Cruise Lines. She has extensive experience in genres such as jazz, modern, ballroom, and tango. Kerber continues to teach, choreograph, and perform around the world.
The Royal Winnipeg Ballet will perform at Jacob's Pillow August 1-5, marking their first return since debuting nearly 50 years ago in 1964. The engagement will feature works by choreographers Peter Quanz, Mark Godden, and Mauricio Wainrot. Additionally, Jonah Bokaer will present the US premiere of his evening-length work Curtain, featuring set design by Daniel Arsham, August 1-5 in the Doris Duke Theatre. A number of free related events are also announced.
Esta entrevista fue realizada en el marco del curso especial de inglés GCBA en la Sociedad Hebraica Argentina, por la alumna Raquel Nahum, 2013.
Blog CURSOS ESPECIALES EN SHA:
http://cursosespecialesgcbaensha.blogspot.com.ar/
There are a lot of creative bus stops around the country. We managed to snap a few. We would have had more, but most bus stops were full of people. We received a lot of very negative vibes from the locals for the disparity in wealth. We didn't want to exacerbate it by whipping out our camera to take photos of people standing around waiting for a bus.
This presentation is an addendum to A Ride Through Cuba - Transport in Cuba from the Perspective of a US Transportation Planner. I am also including some additional bus vehicle photos that were not in the original presentation. See the original presentation for commentary on the transportation system of Cuba.
All photos were taken during a bicycle trip through Cuba in April and May 2015.
Carolina Soler is an artistic director, choreographer, and dancer who founded the tango company Estampas Porteñas in 1996. She has toured extensively with Estampas Porteñas, performing in over 50 cities across 20 countries on 5 continents. Soler has also had a successful career as a ballet dancer, performing as a soloist and prima ballerina with the Teatro Colón ballet company. She remains an active dancer, choreographer, and artistic director.
This document provides a summary of Hernando Claros' experience and qualifications as a lighting design specialist. It details that he has over 25 years of experience creating over 180 lighting designs and 3,500 performances for ballet, dance, theater, music and other performances in 27 countries. He holds both undergraduate and graduate degrees related to graphic design and arts management. The bulk of the document then provides a detailed list of his professional lighting design work for various performances from 1991 to the present.
Rama Vaidyanathan
Rani Khanam is a renowned exponent of Kathak dance. She
received her initial training from Guru Shri Ram Narayan Ji and
later from Guru Shri Birju Maharaj. She has performed exten-
sively in India and abroad. She has received many prestigious
awards including the Sangeet Natak Akademi Award. She is
currently the Principal of Kalashram, the dance institution
founded by Guru Birju Maharaj in Delhi. She is also a visiting
faculty at the School of Performing Arts, Ambedkar University,
Delhi.
RAHUL ACHARYA
Rahul Ach
Circle of Life Theatre will be performing The Elephant Man directed by Allison Bergman from May 1st to 17th at the Brava Theater in San Francisco. The play is based on the real-life story of Joseph Merrick, who was disfigured but highly intelligent. The cast includes both disabled and non-disabled actors. Tickets can be purchased on their website.
Christine Kerber is a member of the International Dance Council and has over 18 years of experience as a choreographer and director for Royal Caribbean Cruise Lines. She has extensive experience in genres such as jazz, modern, ballroom, and tango. Kerber continues to teach, choreograph, and perform around the world.
The Royal Winnipeg Ballet will perform at Jacob's Pillow August 1-5, marking their first return since debuting nearly 50 years ago in 1964. The engagement will feature works by choreographers Peter Quanz, Mark Godden, and Mauricio Wainrot. Additionally, Jonah Bokaer will present the US premiere of his evening-length work Curtain, featuring set design by Daniel Arsham, August 1-5 in the Doris Duke Theatre. A number of free related events are also announced.
Esta entrevista fue realizada en el marco del curso especial de inglés GCBA en la Sociedad Hebraica Argentina, por la alumna Raquel Nahum, 2013.
Blog CURSOS ESPECIALES EN SHA:
http://cursosespecialesgcbaensha.blogspot.com.ar/
There are a lot of creative bus stops around the country. We managed to snap a few. We would have had more, but most bus stops were full of people. We received a lot of very negative vibes from the locals for the disparity in wealth. We didn't want to exacerbate it by whipping out our camera to take photos of people standing around waiting for a bus.
This presentation is an addendum to A Ride Through Cuba - Transport in Cuba from the Perspective of a US Transportation Planner. I am also including some additional bus vehicle photos that were not in the original presentation. See the original presentation for commentary on the transportation system of Cuba.
All photos were taken during a bicycle trip through Cuba in April and May 2015.
Carolina Soler is an artistic director, choreographer, and dancer who founded the tango company Estampas Porteñas in 1996. She has toured extensively with Estampas Porteñas, performing in over 50 cities across 20 countries on 5 continents. Soler has also had a successful career as a ballet dancer, performing as a soloist and prima ballerina with the Teatro Colón ballet company. She remains an active dancer, choreographer, and artistic director.
Jamie J McCoy is a professional dancer and choreographer with over 45 years of experience in ballet, character, pas de deux, and men's ballet. She has taught at numerous universities and dance schools across the United States and has performed with companies such as the Virginia Ballet Company, San Francisco Ballet, and American Ballet Theatre. Due to a back injury in 1991, she shifted her focus to instruction and choreography. She is highly skilled in both classical and original choreography.
Ballet is a theatrical dance that combines a formal dance technique with other artistic elements like music, costumes, and staging. Some key styles discussed are classical ballet, romantic ballet, neoclassical ballet, and contemporary ballet. Philippine ballet incorporates local folktales and epics from other regions through works like Lola Basyang and Rama Hari. Major ballet companies in the Philippines include Ballet Manila, Ballet Philippines, and Philippine Ballet Theater.
Ballet has been part of Portland's cultural heritage since the 1930s. In 1989, two ballet companies merged to form Oregon Ballet Theatre (OBT) under Artistic Director James Canfield. Over 25 years, OBT has grown to become a prominent part of Portland's arts scene through performances, outreach programs, and adapting to economic changes while maintaining high artistic standards. Interviewees discuss OBT's role in the community, efforts to make ballet accessible to the public, and the company's evolution under Canfield and subsequent Artistic Director Christopher Stowell.
This document provides a summary of qualifications and work experience for Maikel David Reyes, a flutist from New Jersey with 17 years of experience teaching flute. He has worked with various youth orchestras and musical groups in Venezuela and the US, and has performed in concerts, events, and religious services. His education includes training in flute, music theory, and industrial fields.
Journey to Discover the Best Dancer in the World.pptxcontactdemostop
Embark on a captivating quest to unveil the enigmatic realm of dance excellence and discover who holds the title of the best dancer in the world. Delve into the mesmerizing performances, breathtaking techniques, and groundbreaking innovations that define the pinnacle of dance mastery. Join us as we celebrate the artistry, passion, and sheer brilliance of the world's most exceptional dancers, each leaving an indelible mark on the global stage.
Iñaki Urlezaga is an Argentinian classical dancer, choreographer, and director. He was the first dancer of the Argentinian Theatre of La Plata and the Teatro Colón in Buenos Aires. He was also the principal dancer of the Royal Ballet of London for 11 years. As a choreographer, he has created numerous ballets including Sylvia, Floralis, Chopin Tales, The Nutcracker, and La Traviata. Throughout his career, Urlezaga has danced in major theaters around the world and founded his own company, Ballet Concert, with which he has toured internationally. The document provides details on his performances, awards received, and career highlights as both a dancer and
Maria Jose Badano is an Uruguayan soprano who has performed leading roles in operas across North and South America. She received her bachelor's degree in music from Escuela Universitaria de Música in Uruguay and has since studied at the Cleveland Institute of Music and the University of Miami. She has won awards for her performances, including third place in the 2015 Classical Singer Competition in Chicago.
Bettina Dalcanale is an Italian-Brazilian ballet dancer trained in Brazil and France. She danced as a principal dancer for Guaira Theater Ballet in Brazil from 1978-1982 and was then hired as a first soloist for the Municipal Theater of Rio de Janeiro, where she danced for over 30 years until 2013. She has represented Brazil in several international ballet competitions and was known for her longilineal body and lyricism in romantic roles.
- Long Zhao has over 15 years of experience teaching ballet from beginner to professional levels and over 20 years of experience performing as a principal dancer around the world.
- He has a MFA in Dance and Choreography from New York University and BFAs in Modern Dance and Ballet Instruction.
- Zhao has extensive teaching experience at universities and ballet schools in the US, Hong Kong, China, and Thailand and has choreographed numerous pieces that have been performed internationally.
Manuel Calzada is a composer, arranger, and performer. He holds a PhD in Composition from UCLA and has taught at several universities. As a composer, his works span orchestral, chamber, choral, and film/TV genres. He has received commissions from organizations like the Puerto Rico Symphony Orchestra. Calzada also works as an arranger and producer for pop artists. Additionally, he has experience as a percussionist, performing with ensembles such as the Puerto Rico Symphony Orchestra.
Elizabeth Kimery has extensive experience as a stage director, vocal instructor, and choral director. She holds a Master's degree in opera production from USC and a Bachelor's degree in music from San Diego State University. She has directed over 30 productions for various universities and organizations. Kimery also has a background as a professional opera singer in Germany and the United States.
Tatiana Hassam is a dancer, choreographer and teacher. She holds an MFA in Dance from Temple University and has over 15 years of experience teaching, choreographing and performing internationally. Her areas of expertise include jazz dance, ballet, salsa and musical theater.
The document appears to be a program for a ballet performance that includes 7 scenes. It provides biographical information about the artistic director Alyona Yakovleva who is trained in the Vaganova method and has experience teaching and choreographing ballet in Russia, Korea, and the United States. Each scene features different poems and music used for choreography by Yakovleva and others to explore themes of love, longing, passion, and the human experience.
The Carmen Project is a large collaborative production of Bizet's opera Carmen involving multiple performing arts groups in San Luis Obispo County. It brings together the San Luis Obispo Symphony, Civic Ballet of San Luis Obispo, Cuesta College Chorus, and Central Coast Children's Choir. The opera will be conducted by Brian Asher Alhadeff and stage directed by Ross Halper. It represents Alhadeff's vision of collaboration between arts organizations in the region.
The document describes "Bridges", a contemporary dance show created by three renowned choreographers featuring three distinct pieces. It will be performed by the National Opera and Ballet of Sofia and National School of Dance Art. Each piece is described in 1-2 sentences, including the choreographer, year, inspiration and storyline. Funding will be sought from cultural institutions, diplomatic missions, sponsorship programs and companies.
The document discusses different types of traditional and modern dances from around the world, including their cultural significance and origins. It describes dances like the legong dance of Bali, which is performed by trained young women, and Kecak, a Balinese musical drama. It also covers topics like dance as a form of religious worship, gender expression, cultural identity, and how dances can fuse cultural influences or represent modern choreography.
This document outlines the learning objectives, content, and activities for a quarter course on 20th and 21st century multimedia forms such as opera, musical plays, and ballet. Students are expected to demonstrate understanding of characteristic features and relationships between music, technology, and media in these forms. Performance standards include singing selections and creating original works using media. Learning topics include Philippine and Broadway opera, ballet, and musical plays. The course culminates in a student performance assessment of excerpts from Philippine and Broadway musical works.
Marion Elizabeth Gabriella La Gorce Grahek was born in 1996 in Malibu, California. From 2009-2013, she performed solo roles with the Malibu Coast Chamber Ballet such as the featured role in "The Pied Piper of Hamelin". From 2007-2013, she performed solo roles in The Nutcracker with the Malibu Civic Ballet Company including the lead Spanish, Marzipan, and Angel roles. She has also performed with the Malibu Concert Ballet Company and Pacific Northwest Ballet. Her training includes the RAD program and summer intensives.
The document discusses the history and evolution of modern dance from the 15th century to present day. It covers early pioneers like Isadora Duncan who broke from classical ballet conventions. Modern dance emphasized expression and fluid movement over rigid forms. Later innovators like Martha Graham, Merce Cunningham, and Twyla Tharp further developed modern techniques and incorporated elements from other genres like ballet, jazz, and world cultures. The document also provides examples of seminal modern dance works and influential companies that helped establish modern dance as a distinct artistic discipline.
Fonts play a crucial role in both User Interface (UI) and User Experience (UX) design. They affect readability, accessibility, aesthetics, and overall user perception.
Jamie J McCoy is a professional dancer and choreographer with over 45 years of experience in ballet, character, pas de deux, and men's ballet. She has taught at numerous universities and dance schools across the United States and has performed with companies such as the Virginia Ballet Company, San Francisco Ballet, and American Ballet Theatre. Due to a back injury in 1991, she shifted her focus to instruction and choreography. She is highly skilled in both classical and original choreography.
Ballet is a theatrical dance that combines a formal dance technique with other artistic elements like music, costumes, and staging. Some key styles discussed are classical ballet, romantic ballet, neoclassical ballet, and contemporary ballet. Philippine ballet incorporates local folktales and epics from other regions through works like Lola Basyang and Rama Hari. Major ballet companies in the Philippines include Ballet Manila, Ballet Philippines, and Philippine Ballet Theater.
Ballet has been part of Portland's cultural heritage since the 1930s. In 1989, two ballet companies merged to form Oregon Ballet Theatre (OBT) under Artistic Director James Canfield. Over 25 years, OBT has grown to become a prominent part of Portland's arts scene through performances, outreach programs, and adapting to economic changes while maintaining high artistic standards. Interviewees discuss OBT's role in the community, efforts to make ballet accessible to the public, and the company's evolution under Canfield and subsequent Artistic Director Christopher Stowell.
This document provides a summary of qualifications and work experience for Maikel David Reyes, a flutist from New Jersey with 17 years of experience teaching flute. He has worked with various youth orchestras and musical groups in Venezuela and the US, and has performed in concerts, events, and religious services. His education includes training in flute, music theory, and industrial fields.
Journey to Discover the Best Dancer in the World.pptxcontactdemostop
Embark on a captivating quest to unveil the enigmatic realm of dance excellence and discover who holds the title of the best dancer in the world. Delve into the mesmerizing performances, breathtaking techniques, and groundbreaking innovations that define the pinnacle of dance mastery. Join us as we celebrate the artistry, passion, and sheer brilliance of the world's most exceptional dancers, each leaving an indelible mark on the global stage.
Iñaki Urlezaga is an Argentinian classical dancer, choreographer, and director. He was the first dancer of the Argentinian Theatre of La Plata and the Teatro Colón in Buenos Aires. He was also the principal dancer of the Royal Ballet of London for 11 years. As a choreographer, he has created numerous ballets including Sylvia, Floralis, Chopin Tales, The Nutcracker, and La Traviata. Throughout his career, Urlezaga has danced in major theaters around the world and founded his own company, Ballet Concert, with which he has toured internationally. The document provides details on his performances, awards received, and career highlights as both a dancer and
Maria Jose Badano is an Uruguayan soprano who has performed leading roles in operas across North and South America. She received her bachelor's degree in music from Escuela Universitaria de Música in Uruguay and has since studied at the Cleveland Institute of Music and the University of Miami. She has won awards for her performances, including third place in the 2015 Classical Singer Competition in Chicago.
Bettina Dalcanale is an Italian-Brazilian ballet dancer trained in Brazil and France. She danced as a principal dancer for Guaira Theater Ballet in Brazil from 1978-1982 and was then hired as a first soloist for the Municipal Theater of Rio de Janeiro, where she danced for over 30 years until 2013. She has represented Brazil in several international ballet competitions and was known for her longilineal body and lyricism in romantic roles.
- Long Zhao has over 15 years of experience teaching ballet from beginner to professional levels and over 20 years of experience performing as a principal dancer around the world.
- He has a MFA in Dance and Choreography from New York University and BFAs in Modern Dance and Ballet Instruction.
- Zhao has extensive teaching experience at universities and ballet schools in the US, Hong Kong, China, and Thailand and has choreographed numerous pieces that have been performed internationally.
Manuel Calzada is a composer, arranger, and performer. He holds a PhD in Composition from UCLA and has taught at several universities. As a composer, his works span orchestral, chamber, choral, and film/TV genres. He has received commissions from organizations like the Puerto Rico Symphony Orchestra. Calzada also works as an arranger and producer for pop artists. Additionally, he has experience as a percussionist, performing with ensembles such as the Puerto Rico Symphony Orchestra.
Elizabeth Kimery has extensive experience as a stage director, vocal instructor, and choral director. She holds a Master's degree in opera production from USC and a Bachelor's degree in music from San Diego State University. She has directed over 30 productions for various universities and organizations. Kimery also has a background as a professional opera singer in Germany and the United States.
Tatiana Hassam is a dancer, choreographer and teacher. She holds an MFA in Dance from Temple University and has over 15 years of experience teaching, choreographing and performing internationally. Her areas of expertise include jazz dance, ballet, salsa and musical theater.
The document appears to be a program for a ballet performance that includes 7 scenes. It provides biographical information about the artistic director Alyona Yakovleva who is trained in the Vaganova method and has experience teaching and choreographing ballet in Russia, Korea, and the United States. Each scene features different poems and music used for choreography by Yakovleva and others to explore themes of love, longing, passion, and the human experience.
The Carmen Project is a large collaborative production of Bizet's opera Carmen involving multiple performing arts groups in San Luis Obispo County. It brings together the San Luis Obispo Symphony, Civic Ballet of San Luis Obispo, Cuesta College Chorus, and Central Coast Children's Choir. The opera will be conducted by Brian Asher Alhadeff and stage directed by Ross Halper. It represents Alhadeff's vision of collaboration between arts organizations in the region.
The document describes "Bridges", a contemporary dance show created by three renowned choreographers featuring three distinct pieces. It will be performed by the National Opera and Ballet of Sofia and National School of Dance Art. Each piece is described in 1-2 sentences, including the choreographer, year, inspiration and storyline. Funding will be sought from cultural institutions, diplomatic missions, sponsorship programs and companies.
The document discusses different types of traditional and modern dances from around the world, including their cultural significance and origins. It describes dances like the legong dance of Bali, which is performed by trained young women, and Kecak, a Balinese musical drama. It also covers topics like dance as a form of religious worship, gender expression, cultural identity, and how dances can fuse cultural influences or represent modern choreography.
This document outlines the learning objectives, content, and activities for a quarter course on 20th and 21st century multimedia forms such as opera, musical plays, and ballet. Students are expected to demonstrate understanding of characteristic features and relationships between music, technology, and media in these forms. Performance standards include singing selections and creating original works using media. Learning topics include Philippine and Broadway opera, ballet, and musical plays. The course culminates in a student performance assessment of excerpts from Philippine and Broadway musical works.
Marion Elizabeth Gabriella La Gorce Grahek was born in 1996 in Malibu, California. From 2009-2013, she performed solo roles with the Malibu Coast Chamber Ballet such as the featured role in "The Pied Piper of Hamelin". From 2007-2013, she performed solo roles in The Nutcracker with the Malibu Civic Ballet Company including the lead Spanish, Marzipan, and Angel roles. She has also performed with the Malibu Concert Ballet Company and Pacific Northwest Ballet. Her training includes the RAD program and summer intensives.
The document discusses the history and evolution of modern dance from the 15th century to present day. It covers early pioneers like Isadora Duncan who broke from classical ballet conventions. Modern dance emphasized expression and fluid movement over rigid forms. Later innovators like Martha Graham, Merce Cunningham, and Twyla Tharp further developed modern techniques and incorporated elements from other genres like ballet, jazz, and world cultures. The document also provides examples of seminal modern dance works and influential companies that helped establish modern dance as a distinct artistic discipline.
Fonts play a crucial role in both User Interface (UI) and User Experience (UX) design. They affect readability, accessibility, aesthetics, and overall user perception.
Connect Conference 2022: Passive House - Economic and Environmental Solution...TE Studio
Passive House: The Economic and Environmental Solution for Sustainable Real Estate. Lecture by Tim Eian of TE Studio Passive House Design in November 2022 in Minneapolis.
- The Built Environment
- Let's imagine the perfect building
- The Passive House standard
- Why Passive House targets
- Clean Energy Plans?!
- How does Passive House compare and fit in?
- The business case for Passive House real estate
- Tools to quantify the value of Passive House
- What can I do?
- Resources
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H claros, cv 1.29.18
1. HERNANDO CLAROS
LIGHTING, PROJECTIONS & SCENIC DESIGNS
hernandoclarosdesigns@gmail.com www.hernandoclarosdesigns.com
1
As a lighting design specialist, I have most notably worked for the Colombian Ballet Company, Cali Ballet Company, Santiago of Cali
Ballet Company, and the Colombian Institute of Classical Ballet commonly referred to as, "Incolballet.” Throughout my 26-year-career, I
have created over 180 lighting designs, around 3,500 performances for more than 30 groups including ballet troupes, dance, theater,
puppetry, opera, classical, contemporary, folk and pop music, cabaret, circus, television, and film. My work has been featured in
27 countries throughout Americas, Europe, Asia and Africa allowing me to demonstrate my ability to work in multidisciplinary and
multicultural contexts. I hold my undergraduate degree in Graphic Design, and graduate degree in Arts Management with lighting design
experience through national and international courses, seminars and workshops.
EDUCATION.
Master of Fine Arts in Production Design, Michigan State University 2016
Program Specialization in Fine Arts Management, Instituto Departamental de Bellas Artes, Cali, Colombia 2002
Bachelor of Arts in Graphic Design, Instituto Departamental de Bellas Artes, Cali, Colombia 2000
Classical Ballet Dancer, Instituto Colombiano de Ballet Clásico INCOLBALLET Cali, Colombia 1991
PROFESSIONAL & MFA STUDENT EXPERIENCE The lists below represent a selection of work done over the past 26 years.
LIGHTING DESIGN, TECHNICAL DIRECTOR & LIGHTING DIRECTOR. International Tours. 1992 - 2016
Birth of Color, Hungary 2016
XIV Subud World Congress, Mexico, 2014
International Festival of Ballet of Cali, Colombia, 2006-2012.
Colombian Ballet Company, Russia, The Netherlands, Belgium, Germany, Spain, Portugal, Dominican Republic, El Salvador,
Honduras, Guatemala, Panama, Ecuador, Venezuela, Uruguay, 2000-2012.
Incolballet, Ecuador, Venezuela, Panama, Peru, United States, 1999-2012.
Ballet de Cali, France, Italy, Spain, Portugal, Switzerland, Panama, Guatemala, Cuba, Puerto Rico, Dominican Republic, Jamaica,
Peru, Ecuador, Venezuela, Chile, 1992-1999.
Titirindeba, Pakistan, 1993.
IX Subud World Congress, Colombia, 1993
LIGHTING DESIGN. 1991 – 2017
A Turnpike Sunset, Asheville bluegrass group Buncombe Turnpike. Directed by Mary Ann Heinen, Asheville N.C. 2018
Pack of Lies, The Autumn Players. Directed by Roselynn Katz. Theatre, Asheville N.C. 2017
The Lion King Jr, Bravo Performing Arts. Directed by Tina Reynolds. Musical, Oak Park, IL 2017
Temple, Michigan State University. Directed by Gabriel Barre, Associate Direction/Choreography Jennifer Paulson-Lee. Musical, 2016
Birth of Color, Budapest Contemporary Arts Festival. Directed by Honora Foah. Opera, 2016 World Premier
Punk Rock, Department of Theatre Michigan State University. Directed by Rob Roznowski. Theater, 2016
Colombian Folk Dance Opening Night, Subud Americas Gathering. Cali, Colombia. Choreography by Zulay Vargas. Dance, 2016
Macbeth, Department of Theatre Michigan State University. Directed by Ann Folino White. Theater,2015
Invierno, The American Shakespeare Collective. Directed by Tommy Gomez. Theater, Lansing MI 2015
60/50 Theatre Project, Department of Theatre Michigan State University. Directed by Christina Traister. Theatre, 2014 World Premier
Opening ceremony, XIV Subud World Congress. Puebla, Mexico. 2014
Creativity in Captivity, XIV Subud World Congress. Puebla, Mexico. Directed by Honora Foah. Opera, 2014
Classical Concert String Sextet, XIV Subud World Congress. Puebla, Mexico. Directed by Csaba Erdelyi. Music, 2014
Fashionation, XIV Subud World Congress. Puebla, Mexico. Coordinated by Sandra Rosete Hidalgo. Fashion, 2014
Jazz Concert, XIV Subud World Congress. Puebla, Mexico. Coordinated by Roland Fraval. Music, 2014
The Serpent Lady, Department of Theatre Michigan State University. Directed by Daniel Smith. Theater, 2014
Dance Concert, D.O.T. Michigan State University Artistic director Heather Vaughan-Southard. Dance, 2014 World Premier
Colombia en su salsa, Ensálsate. Choreography by Edwin Chica. Cabaret, 2013 World Premier
The World Games Cali, Colombian Ballet Company. Artistic director Gloria Castro. Dance, 2013
Magic and Realism, College of Arts and Letters Michigan State University. Directed by Joni Starr. Theater, 2013
Salsa and New York, Ensálsate. Artistic director Edwin Chica. Cabaret, 2013 World Premier
Almond Seeds, Colombian Ballet Company. Choreography by Ivan Perez. Dance, 2012 World Premier
Salsa and World Dance II, Ensálsate. Artistic director Edwin Chica. Cabaret, 2012 World Premier
La Negra Fina, Mama Julia Music. Directed by Juaquin Salsedo. Music Concert, 2012 World Premier
Golden Memories, Colombian Ballet Company. Choreography by Anabelle Lopez Ochoa. Neo - Classical Ballet, 2011 World Premier
Salsa and World Dance, Ensálsate. Choreography by Edwin Chica. Cabaret, 2011 World Premier
For Ray, Colombian Ballet Company. Choreography by Daniel González. Dance, 2010 World Premier
Fantasy Horse, Foundation Vallecaucana Against Epilepsy. Artistic director Isabel Doronsoro. Musical, 2010 World Premier
Songs of Americas, Voices Ensemble, Directed by Carolina Romero. Music Concert, 2010
Mirages, Colombian Ballet Company. Choreography by Yanis Pikieris. Neo - Classical Ballet, 2010 World Premier
Our Waltzes, Colombian Ballet Company. Choreography by Vicente Nebrada. Neo - Classical Ballet, 2010
2. HERNANDO CLAROS
LIGHTING, PROJECTIONS & SCENIC DESIGNS
hernandoclarosdesigns@gmail.com www.hernandoclarosdesigns.com
2
Ding Dong Dang, Grove Foundation. Directed by Jorge Muñoz. Musical, 2009 World Premier
Tangueandonos, Colombian Ballet Company. Choreography by Jorge Amarante. Dance, 2009 World Premier
Losing you, Colombian Ballet Company. Choreography by Jorge Amarante. Dance, 2009 World Premier
The Sierra Nevada Eliseo Reclus, Proartes/Any Productions. Directed by Enrique Lozano. Theatre, 2009 World Premier
Love and Distant Lands, Antonio Maria Valencia Choir. Directed by Carolina Romero. Music Concert, 2009
Seeking the Sky, Grove Foundation. Directed by Victor Enriquez. Musical, 2008 World Premier
Christmas Concert, Antonio Maria Valencia Choir. Directed by Carolina Romero. Music Concert, 2008
30th
Anniversary Gala Carmina Burana, Incolballet. Artistic director Gloria Castro. Dance, 2008
Giselle Act II, Colombian Ballet Company. Choreography by Gonzalo Galguera. Neo - Classical Ballet, 2008
Carmen, Music School of Cali Fine Arts. Artistic director Francisco Vergara. Opera, 2007
The Club Puppets, Theatre School of Cali Fine Arts. Directed by Fener Castaño. Theatre/Puppet, 2007
Ex Nihilo, Colombian Ballet Company. Choreography by Meredith Rainey. Neo - Classic Ballet, 2007 World Premier
Reflections of Light, Colombian Ballet Company. Choreography by Meredith Rainey. Neo - Classical Ballet, 2007 World Premier
Guaqueando, Plan International. Directed by Jorge Munoz. Musical, 2006 World Premier
A Christmas Carol, Grove Foundation. Directed by Victor H. Enríquez. Musical, 2006
Cali Gives Memory, Colombian Ballet Company. Choreography by Gonzalo Galguera. Neo - Classical Ballet, 2006 World Premier
Works Children's, Incolballet. Directed by Jorge Holovatuck. Theatre, 2006
Poetic Works, Colombian Ballet Company. Choreography by Patrick de Bana. Dance, 2005 World Premier
Nutcracker, Incolballet/Philharmonic Orchestra of the valley. Choreography by Elena Cala. Conductor Paul Dury. Ballet, 2005
L'Elisir D'Amore, Music School of Cali Fine Arts. Artistic director Francisco Vergara. Opera, 2005
Lucia di Lammermoor, Music School of Cali Fine Arts. Artistic director Francisco Vergara. Opera, 2005
Alice in Wonderland, Theatre School of Cali Fine Arts. Directed by Fener Castano. Theatre, 2004
Open Couple, Prometeatro. Directed by Fener Castaño. Theatre, 2004
The Menu, Theatre School of Cali Fine Arts. Directed by Guillermo Piedrahita. Theatre, 2003
Tribute Ruquita Velasco, Titirindeba. Directed by Ricardo Vivas. Pueppets, 2003
My Neighborhood Promised Land, International Plan/Cali Fine Arts. Directed by Jorge Muñoz. Musical, 2002 World Premier
Traveling Colombia, Yurumangui. Choreography by Fanny Eidelman. Folklore Dance, 2002 World Premier
Luisa Fernanda, Hispanic Foundation. Artistic director Alejandro Rocca. Operetta, 2002
Cali Exposhow, Fenalco Valle del Cauca. Producer by Tony Marquez. Fashion Show, 2002
No Need to Talk With Anyone, Theatre School of Cali Fine Arts. Directed by Fernando Vidal. Theatre, 2002 World Premier
Carmina Burana, Proartes/Ballet Santiago de Cali. Choreography by Ivan Tenorio. Dance, 2002
The Street of The Great Occasion, Theatre School of Cali Fine Arts. Directed by Fernando Vidal. Theatre, 2001 World Premier
Grade Lines Dreams Ballet Santiago de Cali. Choreography by Patricia Gil. Dance, 2001 World Premier
Fantasy Jazz, Ballet Santiago de Cali. Choreography by Fabiola Ariza. Neo - Classical Ballet, 2001 World Premier
Circus for All, Circus Foundation/Valley Symphony Orchestra. Directed Hector Cobo, Conductor Paul Dury. 2000 World Premier
Nutcracker, Incolballet/Valley Symphony Orchestra. Choreography by Rene de Cardenas, Conductor Franceco Beli. 2000
Perhaps the Sunset, Theatre School of Cali Fine Arts. Directed by Fernando Vidal. Theatre, 2000 World Premier
Elegy, Ballet Santiago de Cali. Choreography by Jairo Lastre. Dance, 2000 World Premier
Macbeth, Theatre School of Cali Fine Arts. Directed by Guillermo Piedrahita. Theatre, 2000
Ballet Santiago de Cali Gala, Ballet Santiago de Cali. Artistic director Alicia Cajiao. Dance, 1999
The Party, Theatre School of Cali Fine Arts. Directed by Juan C. Agudelo. Theater of silence, 1999 World Premier
City Project, Theatre School of Cali Fine Arts. Directed by Victor H. Enriquez. Theatre, 1999 World Premier
Epur if Moure, Incolballet. Choreography by Rene de Cardenas. Dance, 1999 World Premier
Incolballet 20th
Anniversary Gala, Incolballet. Artistic director Gloria Castro. Ballet / Dance, 1998
Felines, Ballet de Cali. Choreography by Alberto Mendez. Neo - Classical Ballet, 1998 World Premier
The Wall, Ballet de Cali. Choreography by Patricia Gil. Cesar Cuenca. Dance, 1998 World Premier
Metamorphosis of a Worm in Love, Titirindeba. Directed by Ricardo Vivas. Puppets , 1997 World Premier
New Version Yimboro, Ballet de Cali. Choreography by Gustavo Herrera. Dance, 1997
White City, Visual art School of Cali Fine Arts. Directed by Liliana Villegas. Performance, 1997
The Sea, University of Valley. Directed by Mauricio Domenicce, 1997, Theatre
10th
Anniversary Gala Barrio Ballet, Ballet de Cali. Choreography by Gustavo Herrera. Dance, 1996
L'Intuition of the Invisible, Ballet de Cali. Choreography by Ivan Favier. Dance, 1996 World Premier
King of Selfishness, Titirindeba. Directed by Jorge Muñoz. Puppets, 1996
Video Mate, Titirindeba. Directed by Ricardo Vivas. Theatre/Puppets, 1995 World Premier
The Romance of Ivory and Ebony, Titirindeba. Directed by Sara Muñoz. Puppets, 1995 World Premier
The Match, Ballet de Cali. Choreography by Rodolfo Rivas. Dance, 1994 World Premier
Mambo to Our Way, Ballet de Cali. Choreography by Gloria Castro. Neo - Classical Ballet, 1994 World Premier
Calima Dream, Titirindeba. Directed by Jorge Muñoz. Puppets/Chinese Shadows, 1994 World Premier
3. HERNANDO CLAROS
LIGHTING, PROJECTIONS & SCENIC DESIGNS
hernandoclarosdesigns@gmail.com www.hernandoclarosdesigns.com
3
15th
Anniversary Incolballet Gala Swan Lake, Incolballet/Valley Symphony Orchestra. Choreography by Jose Fina Mendez,
Conductor Dimitri Manolov. 1993
Quincas Berrido Water, Institute of Popular Culture Cali. Directed by Fernando Vidal. Theatre, 1992
Song of Whales, Ballet de Cali. Choreography by Adriana Miranda. Dance, 1991 World Premier
Since 1991 to 2012 I was the Lighting Designer of Incolballet for different productions including Sleeping Beauty, Nutcracker, Don
Quixote, Paquita, Coppelia, Romeo and Juliet, Les Sylphides, Giselle, Swan Lake, La Bayadere, Carmen.
LIGHTING DESIGN, LIGHTING DIRECTOR. Concerts & Corporate Events. 1999 - 2014
Concerts
Opening III Petronio Alvarez Festival. Open air theater the crystals. Bahia group, Colombian folk fusion Music, 1999 World Premier
Fair of Cali, Pascual Guerrero Stadium, Artists. Carlos Vives, Gilberto Santa Rosa, Oscar D’ León, Tito Rojas. Latin music, 2002
Fair of Cali, Pascual Guerrero Stadium, Artists. Hombres G, Fito Páez, Enrique Bumburi, Aterciopelados, Bacilos. Rock music, 2002
Gilberto Santa Rosa Symphonic, Corferías Pavilion, Bogotá. Salsa music, 2003
Summer Festival Cali, Pascual Guerrero Stadium, Artists. Kraken, Vilma Palma, Prisioneros. Rock music, 2003
Celia Cruz Tribute, Pascual Guerrero Stadium Cali, Artists. I. Miranda, C.Feliciano, Víctor Manuel, Oscar D’ León, G. Santa Rosa, 2003
Fito Páez, Jorge Isaacs Theatre, Cali. Rock music, 2003
Alex Campos, Pescado Fresco, Rojo. El Campin Stadium, Bogotá. Song message music, 2003
Molotov & Cafeta Cuba, Pascual Guerrero Stadium, Cali. Rock music, 2003
Vilma Palma, La Libertad Stadium, Pasto. Rock music, 2003
Juan Gabriel Pascual Guerrero Stadium, Cali 2003
Marcos Witt & Alex Campos El Campin Stadium, Bogotá. Song message, 2003
Fair of Cali, Convention Center Alferez Real. Artists. Son de Cali, Elvis Crespo, Gilberto Santa Rosa, Jorge Celedón. Latin music 2003
Fair of Cali, Pascual Guerrero Stadium, Artists. Rubén Blades, Gilberto Santa Rosa, Elvis Crespo, Son de Cali, etc. Latin music 2003
Concert Bella Vista stadium, Sudakaya, La Traba, Proyecto uno, Juan Fernando Velascos. Ambato Ecuador 2004
Corporate Events
Miss Cali Election. Municipa theatre (Cali) 2002
Cali Expo show, Convention Center Alferez Real. 2002
Colgate Palmolive Hernán Ramírez Villegas Stadium, Pereira. 2003
Miss Valley Election, Open air theater the crystals (Cali), 2004
Colombina Cali Country Club. Colombian Ballet Company Incolballet. 2005
Colgate Palmolive, Bullring La Macarena, Bogota. Ensalsate 2012
Porvenir Theatre Pablo Tobon Uribe, Medellin. Ensalsate 2013
Fashionation, 2014 Convention Center Puebla Mexico, XIV Subud World Congress, 2014
DIRECTOR OF PHOTOGRAPHY. 1992 - 2010
Maria, Colombian Ballet Company. Choreography by Jack Broquet. Dance, Gala 1st
centenary State of Valley, 2010
Breathing and Dying, Culture and Tourism Secretary Cali. Directed by Magda Hernández. Short Film, 2006
San Antonio, Any productions. Directed by Fernando Vidal - Enrique Lozano. Long Footage, 2005
Miss Valley Election, HOG Productions. Producer by Harold Ordoñez. Reign, 2004
Miss Cali Election, Coffee Productions. Producer by Carlos Trujillo. Reign, 2002
Mono Núñez Festival, Funmusica Directed by Gustavo Rengifo. Colombian Folk Music, 1992-2002
PROJECTIONS DESIGN 2014 - 2016
Pride and Prejudice, Department of Theatre Michigan State University. Directed by Daniel Smith. Theatre, 2016
60/50 Theatre Project, Department of Theatre Michigan State University. Directed by Christina Traister. Theatre, 2014 World Premier
Dance Concert, D. of Theatre Michigan State University. Artistic director Heather Vaughan- Southard. Dance, 2014 World Premier
SCENIC DESIGN 2014 - 2016
The Groundling, Summer Circle Theatre 56th
Season. Directed by Rob Roznowski. Theatre, 2016
Baltimore, Department of Theatre Michigan State University. Directed by Joni Starr. Theatre, 2015 World Premier
An Adult Evening of Shel Silverstein, Summer Circle Theatre 55th
Season. Directed by Paige Conway. Theater, 2015
What I Did Last Summer, Summer Circle Theatre 54th
Season. Directed by Lynn Lammers. Theater, 2014
SOUND DESIGN. 2017-2018
A Turnpike Sunset, Asheville bluegrass group Buncombe Turnpike. Directed by Mary Ann Heinen, Asheville N.C. 2018
Pack of Lies, The Autumn Players. Directed by Roselynn Katz. Theatre, Asheville N.C. 2017
AWARDS.
The Lansing State Journal, Thespie Award for Best Media Design - Pride and Prejudice 2016
4. HERNANDO CLAROS
LIGHTING, PROJECTIONS & SCENIC DESIGNS
hernandoclarosdesigns@gmail.com www.hernandoclarosdesigns.com
4
PROPERTY MASTER. 2014 - 2016
The Groundling, Summer Circle Theatre 56th
Season. Directed by Rob Roznowski. Theatre, 2016
Baltimore, Department of Theatre Michigan State University. Directed by Joni Starr. Theatre, 2015 World Premier
Mr. Burns, a post-electric play, Summer Circle Theatre 55th
Season. Directed by Rob Roznowski. Theater, 2015
The Book of Liz, Summer Circle Theatre 55th
Season. Directed by Ann Folino White. Theater, 2015
The American Plan, Summer Circle Theatre 55th
Season. Directed by Mark Colson. Theater, 2015
The Tail of Peter Rabbit, Summer Circle Theatre 55th
Season. Directed by Deric Mcnish. Theater, 2015
An Adult Evening of Shel Silverstein, Summer Circle Theatre 55th
Season. Directed by Paige Conway. Theater, 2015
The Summer Circle, Summer Circle Theatre 54th
Season. Directed by Rob Roznowski. Theater, 2014
Detroit, Summer Circle Theatre 54th
Season. Directed by Mark Colson. Theater, 2014
Ruthless! Summer Circle Theatre 54th
Season. Directed by Deric Mcnish. Theater, 2014
The Weird, Summer Circle Theatre 54th
Season. Directed by Sarah Goeke. Theater, 2014
ASSISTANT LIGHTING DESIGNER. 1993 - 2008
Barber Act I Traviata Act III, Proartes/Theatre City of Cali. Raúl Osorio. Opera, 2008
Il Pagilcci Gala 80th
anniversary, Theatre City of Cali, Proartes/Theatre City of Cali. Raúl Osorio. Opera, 2007
Notes bullfighting arena Gala, Proartes/Valley Philharmonic Orchestra. Raúl Osorio. Operetta, 2004
Cosi Fan Tutte I act, Proartes/Fine Arts Cali. Raúl Osorio. Opera, 2004
Coffee Cantata. Serva Padrona. Proartes/Theatre City of Cali. Raúl Osorio. Opera, 2001
Let, Colombo French Alliance. Marleng Lopera. Theatre, 2000
Mangrove Rite, Proartes/Incolballet/Valley Symphony Orchestra. Álvaro Tobón. Dance, 1999
Rainbow, Maria Sanford. Diego Montoya. Musical, 1993
PROJECTIONS ENGINEER. 2014 - 2016
Freshman Showcase, Department of Theatre Michigan State University. Directed by Daniel Smith. 2016
Hispanic Theatre Project, College of Arts and Letters Michigan State University. Directed by Nicolas Buenaventura. 2014
SOUND ENGINEER. 2016-2018
A Turnpike Sunset, Asheville bluegrass group Buncombe Turnpike. Directed by Mary Ann Heinen, Asheville N.C. 2018
Pack of Lies, The Autumn Players. Directed by Roselynn Katz. Theatre, Asheville N.C. 2017
Xtigone, Department of Theatre Michigan State University. Directed by Shondrika Moss- Bouldin. 2016
PAINT CHARGE. 2016
The Groundling, Summer Circle Theatre 56th
Season. Directed by Rob Roznowski. Theatre, 2016
And Away We Go, Department of Theatre Michigan State University. Directed by Ann Folino White. 2016
MASTER ELECTRICIAN. 2013 – 2015
60/50 Theatre Project, Department of Theatre Michigan State University. Directed by Christina Traister. 2014
Dance Concert, D. of Theatre Michigan State University. Artistic director Heather Vaughan- Southard. 2014
Baltimore, Department of Theatre Michigan State University. Directed by Joni Starr. 2015
Macbeth, Department of Theatre Michigan State University. Directed by Ann Folino White.2015
The Serpent Lady, Department of Theatre Michigan State University. Directed by Daniel Smith. 2014
Xanadu, Department of Theatre Michigan State University. Directed by Rob Roznowski. 2013
Land of the Dead, Department of Theatre Michigan State University. Directed by Christina Traister. 2013
Widows, Department of Theatre Michigan State University. Directed by Ann Folino White. 2013
CARPENTER & PAINTER. Scene Shop Technician. 2013 - 2016
Pride and Prejudice, Department of Theatre Michigan State University. Directed by Daniel Smith. 2016
Grease, Department of Theatre Michigan State University. Directed and Choreographed by Brad Willcuts. 2016
A Grand Night for Singing, Summer Circle Theatre 56th
Season. Directed by Brad Willcuts. 2016
The Groundling, Summer Circle Theatre 56th
Season. Directed by Rob Roznowski. 2016
Fallen Angels, Summer Circle Theatre 56th
Season. Directed by Ann Folino White. 2016
Mr. Marmalade, Summer Circle Theatre 56th
Season. Directors: Matt Greenbaum and Karen Vance. 2016
Stage Door, Department of Theatre Michigan State University. Directed by Rob Roznowski. 2015
Bug, Department of Theatre Michigan State University. Directed by Rob Roznowski. 2015
Hair, Department of Theatre Michigan State University. Directed by Deric McNish, Choreographed by Kellyn Uhl. 2015
Mr. Burns, a post-electric play, Summer Circle Theatre 55th
Season. Directed by Rob Roznowski. 2015
The Book of Liz, Summer Circle Theatre 55th
Season. Directed by Ann Folino White. 2015
The American Plan, Summer Circle Theatre 55th
Season. Directed by Mark Colson. 2015
The Tail of Peter Rabbit, Summer Circle Theatre 55th
Season. Directed by Deric McNish. 2015
An Adult Evening of Shel Silverstein, Summer Circle Theatre 55th
Season. Directed by Paige Conway. 2015
5. HERNANDO CLAROS
LIGHTING, PROJECTIONS & SCENIC DESIGNS
hernandoclarosdesigns@gmail.com www.hernandoclarosdesigns.com
5
A Room with a View, Opera Michigan State University. 2015
Handel’s Xerxes, Opera Michigan State University e. 2015
Carrie the musical, Department of Theatre Michigan State University. Directed and Choreographed by Joe Barros.2014
Les Liaisons Dangereuses, Department of Theatre Michigan State University. Directed by Daniel Smith. 2014
Cyrano de Bergerac, Department of Theatre Michigan State University. Directed by Edward Daranyi. 2014
Peter Pan, Department of Theatre Michigan State University. Directed by Rob Roznowski. 2014
What I Did Last Summer, Summer Circle Theatre 54th
Season. Directed by Lynn Lammer. 2014
The Summer Circle, Summer Circle Theatre 54th
Season. Directed by Rob Roznowski. 2014
Detroit, Summer Circle Theatre 54th
Season. Directed by Mark Colson. Theater. 2014
Ruthless! Summer Circle Theatre 54th
Season. Directed by Deric Mcnish. 2014
The Weird, Summer Circle Theatre 54th
Season. Directed by Sarah Goeke. 2014
Cosi fan tutte, Opera Michigan State University. 2014
The Magic Flute, Opera Michigan State University. 2013
Xanadu, Department of Theatre Michigan State University. Directed by Rob Roznowski. 2013
Land of the Dead, Department of Theatre Michigan State University. Directed by Christina Traister. 2013
COSTUME Shop Technician 2016 - 2017
The Tempest, Department of Theatre Michigan State University. Directed by Deric McNish. Theatre, 2016
Punk Rock, Department of Theatre State University. Directed by Rob Roznowski. Theatre, 2016
Urinetown, Department of Theatre Michigan State University. Directed & Choreographed by Brad Willcuts. Musical 2017
GRAPHIC DESIGNER & PHOTOGRAPHER. 2000 - 2013
For 13 years for the following groups of artists and cultural organizations: Incolballet, Ballet de Cali, School of Music of Fine Arts Cali,
Performing Arts Faculty of Fine Arts Cali, Ballet Santiago de Cali Foundation, Proartes, Prometeatro, College of Arts and Letters
Michigan State University.
TEACHING EXPERIENCE. 1997 - 2016
Graduate Assistant at Michigan State University, 2013 – 2016
Mentorship Introduction to Technical Theatre, Department of Theatre of Michigan State University, 2013 –2016.
Lighting Mentor, Punk Rock, Department of Theatre of Michigan State University, 2016.
Lighting Mentor, Dance Concert, Department of Theatre of Michigan State University, 2014.
Workshop "The stage and the intervention of the light." Plan International. Fine Arts Cali, in Suarez Cauca, 2006.
Workshop "The stage and the intervention of the light." Fine Arts Cali, in Sarmiento Theatre Tulúa Valle, 2005.
Workshop "The stage and the intervention of the light." Plan International. Fine Arts Cali, 2003.
Workshop Basic Stage Lighting. Corporation for Culture. Jorge Isaacs Theatre, 1997-1998.
ADDITIONAL TRAINING. 1990 - 2015
Theatre in London, Study Abroad (Michigan State University) Summer 2015.
Organization & communication of arts festivals. Colombia, Marisa de León (Mexican) and Silvia Pelaez (Mexican).
Workshop in Stage Production. Colombia, Gustavo Schraier (Argentinean) 2012.
Lighting in different theatrical genres. Colombia, Carlos Repilado (Cuban) 2009.
Cinematography for short films. Colombia, Rodrigo Ramos (Colombian) 2005.
Stage Direction Workshop Colombia, Tito Ochoa (Costa Rican) 2001.
Lighting Contemporary Dance II, France, Francois Michell (French) 1998.
Lighting Contemporary Dance, Colombia, Marc Oliviero (French).
Seminar artistic production in theater. Colombia, Roberto Hidalgo (Cuban) 1997.
Stage Lighting. Colombia, Ken Kaczynski (American) 1992.
Basis of Illumination. Cuba, Carlos Hernandez (Cuban) 1991.
Basis of Illumination for Classic Ballet. Colombia, Diego Montoya (Colombian) 1990.
SKILLS.
• Software: Vector works, Capture Argo, Adobe Photoshop, Adobe After Effects, Adobe Premiere, Google Sketch up, Corel,
Qlab, Dataton Watchout, Isadora, Mad mapper, Adobe Audition, Logic, Audacity, Wave Pad Sound Editor, Mix Pad Multitrack
Mixing Software, basic AutoCAD, basic 3D Studio Max, Excel, Power Point, Word.
• Languages: English (fluent), Spanish (fluent), French (beginner), Italian (beginner)
• Lighting consoles: Express 24/48 and Smart Fade 1248 (ETC), ION and GIO (Launch Eos Family ETC), Innovator
(Colortran) Perl and Tiger Touch (Avolites), Whole hog 2 (High end Systems), GrandMA1 (MA lighting), Light Palette Classic
(Strand lighting)
• Sound consoles: CFX20 MK & 1604-VL23 (MACKIE), 1202 – VL23 (PREMIUM LINE), XENYX 1002 (BEHRINGER)
basics Digidesign Venue DigiCo SD9T.