The document provides details about artworks from the Galleria Palatina located within the Pitti Palace in Florence, Italy. It includes descriptions of over 50 paintings, with artists such as Raphael, Titian, Bronzino, Botticelli, and more represented. The paintings are part of the Medici collections housed in the palace, which also contains opulent interior decorations from the 16th and 17th centuries.
big and small, lined and soft, round and angular
of felt or velvet
adorned with fur, embroidery, gorgeous bird feathers, ribbons, stones according to the owner’s fortune
grands et petits, doublés et doux, ronds et angulaires,
en feutre ou en velours,
ornés de fourrure, broderies, plumes d'oiseaux magnifiques, de rubans, pierreries selon la fortune du propriétaire ...
Recognised as the most beautiful woman in the Mediterranean civilisations, hers was the face that launched a thousand ships and inspired the legends ...
Rückenfigur ... back figure in paintings.ppsxguimera
Wanderer above the Sea of Fog is perhaps the most iconic Rückenfigur in German Romantic painting …
Rückenfigur, the back-figure is a pictorial theme with significant power.
Rückenfigur ... back figure in paintings
Rückenfigur ... figure de dos dans la peinture.ppsxguimera
Le Voyageur contemplant une mer de nuages est probablement la Rückenfigur la plus emblématique de la peinture romantique allemande ...
Rückenfigur, la figure de dos est un thème pictural d'une grande puissance.
Has been depicted
in mythological and religious paintings, in still life, vanities, allegories, in the genre painting.
From Caravaggio and Rubens to Millet, through Vermeer, Delacroix, Manet, Moreau …
Panier en osier dans la peinture européenne.ppsxguimera
A été représenté
dans les peintures mythologiques et religieuses, les natures mortes, vanités, allégories, dans la peinture de genre.
Du Caravage et Rubens à Millet, en passant par Vermeer, Delacroix, Manet, Moreau ...
The Art of Rain_The beauty of rain in paintings..ppsxguimera
The beauty of rain in paintings.
expected or feared, delicate or stormy, metaphorical or very real, the rain has often entered the imagination of artists ...
L’art de la pluie_La beauté de la pluie dans la peinture..ppsxguimera
La beauté de la pluie dans la peinture.
espérée ou redoutée, fine ou orageuse, métaphorique ou bien réelle, la pluie s’est souvent invitée dans l’imaginaire des artistes ...
Medea and the beautiful Argonaut,
the first human Cain
Romulus and Remus nursed by the same she-wolf,
Vulcan who loves Venus who loves Mars
Eve and the Apple of the Tree of Temptation
and
the most human of emotions that inspired the painters
La jalousie dans la peinture européenne.ppsxguimera
Médée et le bel Argonaute,
le premier humain Caïn
Romulus et Remus nourris au sein de la même louve,
Vulcain qui aime Vénus qui aime Mars
Ève et la pomme de l'arbre de la tentation
et
la plus humaine des émotions qui a inspiré les peintres
créatures mi-hommes, mi-chevaux, habitant les forêts et les montagnes
violents et sauvages, avec une morale brutale, et un amour immodéré pour le vin et les femmes
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
11. ALLORI, Cristofano
Judith with the Head of Holofernes
1615-17
Oil on canvas, 139 x 116 cm
Galleria Palatina (Palazzo Pitti), Florence
12. ALLORI, Cristofano
Judith with the Head of Holofernes
1615-17
Oil on canvas, 139 x 116 cm
Galleria Palatina (Palazzo Pitti), Florence
13. RUBENS, Peter Paul
The Consequences of War
1637-38
Oil on canvas, 206 x 342 cm
Galleria Palatina (Palazzo Pitti), Florence
14. RUBENS, Peter Paul
The Consequences of War (detail)
1637-38
Oil on canvas, 206 x 342 cm
Galleria Palatina (Palazzo Pitti), Florence
15. RUBENS, Peter Paul
The Consequences of War (detail)
1637-38
Oil on canvas, 206 x 342 cm
Galleria Palatina (Palazzo Pitti), Florence
16. RUBENS, Peter Paul
The Consequences of War (detail)
1637-38
Oil on canvas, 206 x 342 cm
Galleria Palatina (Palazzo Pitti), Florence
17. LIPPI, Fra Filippo
Madonna with the Child and Scenes from
the Life of St Anne
1452
Oil on panel, diameter 135 cm
Galleria Palatina (Palazzo Pitti), Florence
18. LIPPI, Fra Filippo
Madonna with the Child and Scenes from
the Life of St Anne (detail)
1452
Oil on panel
Galleria Palatina (Palazzo Pitti), Florence
19. LIPPI, Fra Filippo
Madonna with the Child and Scenes from
the Life of St Anne (detail)
1452
Oil on panel
Galleria Palatina (Palazzo Pitti), Florence
20. PERUGINO, Pietro
The Mourning of the Dead Christ
(Deposition)
1495
Oil on panel, 214 x 195 cm
Galleria Palatina (Palazzo Pitti), Florence
21. PERUGINO, Pietro
The Mourning of the Dead Christ (detail)
1495
Oil on panel
Galleria Palatina (Palazzo Pitti), Florence
22. ANDREA DEL SARTO
Pietà with Saints
1523-24
Oil on wood, 239 x 199 cm
Galleria Palatina (Palazzo Pitti), Florence
23. ANDREA DEL SARTO
Pietà with Saints (detail)
1523-24
Oil on wood
Galleria Palatina (Palazzo Pitti), Florence
24. DYCK, Sir Anthony van
Portrait of Cardinal Guido Bentivoglio
c. 1625
Oil on canvas, 195 x 147 cm
Galleria Palatina (Palazzo Pitti), Florence
25. DYCK, Sir Anthony van
Portrait of Cardinal Guido Bentivoglio
(detail)
c. 1625
Oil on canvas, 195 x 147 cm
Galleria Palatina (Palazzo Pitti), Florence
26. RUBENS, Peter Paul
The Four Philosophers
1611-12
Oil on canvas, 164 x 139 cm
Galleria Palatina (Palazzo Pitti), Florence
27. RUBENS, Peter Paul
The Four Philosophers (detail)
1611-12
Oil on canvas, 164 x 139 cm
Galleria Palatina (Palazzo Pitti), Florence
28. ANDREA DEL SARTO
Assumption of the Virgin
1526-29
Oil on wood, 236 x 205 cm
Galleria Palatina (Palazzo Pitti), Florence
29. ANDREA DEL SARTO
Assumption of the Virgin (detail)
1526-29
Oil on wood
Galleria Palatina (Palazzo Pitti), Florence
43. TIZIANO Vecellio
La Bella (detail)
1536
Oil on canvas, 89 x 76 cm
Galleria Palatina (Palazzo Pitti), Florence
44. VASARI, Giorgio
Portrait of Duke Alessandro de' Medici
1534
Oil on canvas
Galleria Palatina (Palazzo Pitti), Florence
45. VASARI, Giorgio
Portrait of Duke Alessandro de' Medici
(detail)
1534
Oil on canvas
Galleria Palatina (Palazzo Pitti), Florence
46. RAFFAELLO Sanzio
Portrait of Maddalena Doni
1506
Oil on panel, 63 x 45 cm
Galleria Palatina (Palazzo Pitti), Florenc
47. RAFFAELLO Sanzio
Portrait of Maddalena Doni (detail)
1506
Oil on panel, 63 x 45 cm
Galleria Palatina (Palazzo Pitti), Florenc
48. RAFFAELLO Sanzio
Portrait of Maddalena Doni (detail)
1506
Oil on panel, 63 x 45 cm
Galleria Palatina (Palazzo Pitti), Florenc
49. cast Galleria Palatina (Palazzo Pitti),
Florence: Picture Gallery, The Masterpieces
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RAFFAELLO Sanzio
Portrait of
Maddalena Doni
1506
Galleria Palatina
(Palazzo Pitti),
Florenc
50. The Pitti Palace was originally built as a palace for Luca Pitti, a wealthy rival of
the Medici.
It was probably begun in the 1450s, so the traditional attribution of its design
to Brunelleschi (who died in 1446) is unlikely; it has also been attributed to
Alberti. It remained unfinished until it was acquired in 1549 by Duke Cosimo I,
who made it the Medici residence and had it enlarged by Ammanati. Most of
the present vast structure dates from the 16th and 17th centuries. The interior
includes opulent decoration by Pietro da Cortona.
The Pitti Gallery on the upper floor in the left wing contains about 500
masterpieces from the Medici collections which rival those of its sister
institution, the Uffizi.