Framed – film review
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The film review summarizes the psychological thriller "Framed" in which the protagonist James is framed for the murder of his daughter and goes on the run to clear his name while grieving her loss. Scenes of high suspense keep audiences on the edge of their seat as James lashes out at potential allies and enemies alike. Though it has a non-A-list cast, impressive acting carries the film and camera work in a Danny Boyle style adds visual interest throughout the complex plot.
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Character profiles
The document discusses the main characters in a film trailer. The protagonist is an 11-year-old girl who is abducted and murdered in the woods by the antagonist. However, her spirit returns to haunt her murderer. The antagonist is a man who kills children out of jealousy after his wife leaves him. The girl is portrayed as innocent to gain the audience's sympathy. The antagonist is meant to seem sinister and instill a sense of hatred and suspicion in the audience.
Genre research 2
The document discusses genre theory and the horror genre specifically. It outlines Steve Neale's view that genres consist of both films and audience expectations. It also discusses how genres help audiences understand events and characters. The document then examines common codes and conventions of horror films, such as isolated settings, mysterious villains, vulnerable young victims, and graphic violence/death. Finally, it provides a synopsis and analysis of the opening scene of the film "Saw," highlighting how it establishes common horror elements through music, cinematography, characters, and sounds.
Thriller media proposal
A girl is walking alone in the park at night when it starts raining. She gets a mysterious call from her friend asking to meet, but when she arrives no one is there. She is kidnapped by a man who has been stalking her and taking her pictures. When she wakes up tied up, she sees her photos and notes on the walls and starts to piece together who took her. It is revealed to be a man she previously rejected who is punishing her.
Evaluation question 2
The document discusses how different film techniques are used to portray differences in class, status, age, and race. Class and status are portrayed as distinct, with characters of lower class sometimes having higher status, as seen in films like "Ill Manors." Age is also used to indicate status, with younger characters shot from above in a way that makes them seem insecure and of lower importance. Mise-en-scene elements like a bloodied bat are used to suggest the underground world's reliance on violence over discussion. Race is highlighted through editing that favors white male characters over black protagonists, showing how racial power dynamics can still be at play even when a minority has the leading role.
Q2 evaluation
Class and status are different, as shown in films like "Ill Manors" where cockney drug addicts have high status over others through violence and intimidation, despite their low class. Age also determines status, as the young girl is shot from above, clutching a teddy bear to show her insecurity and lack of importance. While violence gives characters status amongst each other, their status is still low compared to more educated people, as implied by the bloodied bat that represents settling disputes through violence rather than discussion.
Codes and Conventions of Horror genre
The document discusses various codes and conventions of the horror genre. It outlines that horror films aim to unsettle audiences and cause fear through darkness, discomforting situations, and disturbing themes. It also describes common horror subgenres like psychological, supernatural, and zombie horror. Additionally, it notes stereotypes frequently seen in horror films, like deaths in the past affecting the present, females or children as victims, and males rescuing them. Locations are often isolated houses or woods to make characters feel vulnerable. Typical camera shots and music are also discussed, as well as common character archetypes like villains and victims. Finally, it examines common props and how theories like Todorov's equilibrium and Propp's narrative roles apply to horror
Evaluation question 2
The document discusses how class, status, age, and race are portrayed through techniques in film. Class and status are different, as seen in films where cockney drug addicts have high status over educated characters. Age is also shown through status, as a young girl clutching a teddy bear is filmed from a higher camera angle, looking up at characters. Violence, though not shown directly, is used to convey the low status of criminal underworlds compared to educated society. Race is highlighted by the blurred face of the black protagonist, still giving more screen time to the white male and showing where true power lies.
10 5 films task
The document provides summaries for 5 films: Something Borrowed, Harry Potter and the Deathly Hallows: Part 2, Seven Pounds, The Curious Case of Benjamin Button, and Love & Other Drugs. For each film, the director, release date, plot, and analysis of how it meets the conventions of a drama film are given. Inspiring still shots are also discussed, including high angle shot, over the shoulder shot, close up shot, and low angle shot.
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Character profiles
The document discusses the main characters in a film trailer. The protagonist is an 11-year-old girl who is abducted and murdered in the woods by the antagonist. However, her spirit returns to haunt her murderer. The antagonist is a man who kills children out of jealousy after his wife leaves him. The girl is portrayed as innocent to gain the audience's sympathy. The antagonist is meant to seem sinister and instill a sense of hatred and suspicion in the audience.
Genre research 2
The document discusses genre theory and the horror genre specifically. It outlines Steve Neale's view that genres consist of both films and audience expectations. It also discusses how genres help audiences understand events and characters. The document then examines common codes and conventions of horror films, such as isolated settings, mysterious villains, vulnerable young victims, and graphic violence/death. Finally, it provides a synopsis and analysis of the opening scene of the film "Saw," highlighting how it establishes common horror elements through music, cinematography, characters, and sounds.
Thriller media proposal
A girl is walking alone in the park at night when it starts raining. She gets a mysterious call from her friend asking to meet, but when she arrives no one is there. She is kidnapped by a man who has been stalking her and taking her pictures. When she wakes up tied up, she sees her photos and notes on the walls and starts to piece together who took her. It is revealed to be a man she previously rejected who is punishing her.
Evaluation question 2
The document discusses how different film techniques are used to portray differences in class, status, age, and race. Class and status are portrayed as distinct, with characters of lower class sometimes having higher status, as seen in films like "Ill Manors." Age is also used to indicate status, with younger characters shot from above in a way that makes them seem insecure and of lower importance. Mise-en-scene elements like a bloodied bat are used to suggest the underground world's reliance on violence over discussion. Race is highlighted through editing that favors white male characters over black protagonists, showing how racial power dynamics can still be at play even when a minority has the leading role.
Q2 evaluation
Class and status are different, as shown in films like "Ill Manors" where cockney drug addicts have high status over others through violence and intimidation, despite their low class. Age also determines status, as the young girl is shot from above, clutching a teddy bear to show her insecurity and lack of importance. While violence gives characters status amongst each other, their status is still low compared to more educated people, as implied by the bloodied bat that represents settling disputes through violence rather than discussion.
Codes and Conventions of Horror genre
The document discusses various codes and conventions of the horror genre. It outlines that horror films aim to unsettle audiences and cause fear through darkness, discomforting situations, and disturbing themes. It also describes common horror subgenres like psychological, supernatural, and zombie horror. Additionally, it notes stereotypes frequently seen in horror films, like deaths in the past affecting the present, females or children as victims, and males rescuing them. Locations are often isolated houses or woods to make characters feel vulnerable. Typical camera shots and music are also discussed, as well as common character archetypes like villains and victims. Finally, it examines common props and how theories like Todorov's equilibrium and Propp's narrative roles apply to horror
Evaluation question 2
The document discusses how class, status, age, and race are portrayed through techniques in film. Class and status are different, as seen in films where cockney drug addicts have high status over educated characters. Age is also shown through status, as a young girl clutching a teddy bear is filmed from a higher camera angle, looking up at characters. Violence, though not shown directly, is used to convey the low status of criminal underworlds compared to educated society. Race is highlighted by the blurred face of the black protagonist, still giving more screen time to the white male and showing where true power lies.
10 5 films task
The document provides summaries for 5 films: Something Borrowed, Harry Potter and the Deathly Hallows: Part 2, Seven Pounds, The Curious Case of Benjamin Button, and Love & Other Drugs. For each film, the director, release date, plot, and analysis of how it meets the conventions of a drama film are given. Inspiring still shots are also discussed, including high angle shot, over the shoulder shot, close up shot, and low angle shot.
First Pitch Presentation
This document outlines a plot for a horror film involving two main characters: Madeline, a young orphan girl who is introverted and doesn't fit in, and a supernatural demon. The film would open with Madeline in her room holding a doll that plays a creepy lullaby. The main conflict is Madeline's fight between her good and evil sides, as she was sacrificed to the demon as a child. Flashbacks would reveal Madeline's disturbing backstory and drive the horror of the story. The climax occurs when Madeline becomes fully possessed by the demon. The film ends with Madeline succumbing to her evil side, illustrated by her holding a knife with a murderous look as she throws it at a family
Cabin in the woods
This document discusses the representation of women in the film The Cabin in the Woods. It analyzes the characters of Dana and Jules based on Jeremy Tunstall's four character roles for women (domestic, sexual, consumer, marital) and Carol Clover's "Final Girl" theory. Jules embodies the sexual role through her body language and clothing. Dana displays domestic traits as she cares for others. Dana is also the "Final Girl" as she survives to the end and fights back against threats. The document examines how Jules undergoes physical and mental transformations throughout the film to fulfill the archetype of the "dumb blonde" character. It analyzes how the film exemplifies Laura Mulvey's "Male
Cabin in the woods
This document discusses the representation of women in the film The Cabin in the Woods. It analyzes the characters of Dana and Jules based on Jeremy Tunstall's four character roles for women (domestic, sexual, consumer, marital) and Carol Clover's "Final Girl" theory. Jules exhibits sexual characteristics while Dana displays both sexual and domestic traits. Dana fulfills the role of the "Final Girl" through her actions and survival until the end of the film. The document also examines how camera angles and shots in certain scenes exemplify Mulvey's Male Gaze theory and make the audience voyeurs. While the women are sometimes objectified for the pleasure of men, Dana serves as a capable female lead who sub
Cabin in the woods
This document discusses the representation of women in the film The Cabin in the Woods. It analyzes the characters of Dana and Jules based on Jeremy Tunstall's four character roles for women (domestic, sexual, consumer, marital) and Carol Clover's "Final Girl" theory. Jules exhibits sexual characteristics through her body language and clothing. Dana displays some domestic traits as she cares for others. Dana also fits the "Final Girl" archetype as the last surviving character who fights back against threats. The document examines how Jules undergoes physical and mental transformations throughout the film that cause her to become a horror archetype. It analyzes the use of the male gaze and how audiences are made voyeurs during a
Cabin in the woods
This document discusses the representation of women in the film The Cabin in the Woods. It analyzes the characters of Dana and Jules based on Jeremy Tunstall's four character roles for women (domestic, sexual, consumer, marital) and Carol Clover's "Final Girl" theory. For Jules, it examines her mental and physical transformations throughout the film that cause her to become a horror archetype. It also discusses how Mulvey's Male Gaze theory is exemplified in certain scenes. Overall, it analyzes how women are portrayed in the film, specifically whether they are objectified or serve another purpose.
Genre research
This document discusses genre theory and the genre of horror films. It provides definitions of genre from various genre theorists and examines how genres establish expectations in viewers. It also analyzes the opening scene of the horror film "Saw" to demonstrate how it establishes conventions of the genre through its use of music, settings, characters, and graphic violence.
Research and planning
The document discusses four films - Snow White and the Huntsman, Alice in Wonderland, Taken, and The Grinch - in terms of analyzing conventions of the fantasy genre. It provides details on elements of Snow White and the Huntsman that remain loyal to the original fairy tale, including the themes of beauty, good defeating evil, and Snow White's famous line to the mirror. For Alice in Wonderland, it notes how the film remains loyal to the source material by falling into the rabbit hole to enter Wonderland. Key is keeping the sense of "magic" and mainly using fictional fantasy characters.
Character profiles
Danni committed suicide at a young age after experiencing an abusive relationship, as portrayed by bruises on her arm. This sets up the narrative for the film about main character Tay, who discovers Danni's dead body at their flat. Tay is introduced as an aggressive working class woman arguing on the phone with her struggling boyfriend. A minor character, Dan, briefly interacts with Tay after accidentally bumping into her, and tries to calm her down, further illustrating her angry personality.
Describing films
The document defines and provides brief descriptions of various film genres:
1) Action films involve violence, fighting, stunts and chases.
2) Horror films aim to provoke fear for entertainment through nightmares and terror.
3) Adventure films revolve around protagonists conquering and exploring to retrieve people or treasure.
4) Science fiction stories depict imagined future scientific developments and their effects on people and society.
5) Romantic films focus on the passionate love and affection between main characters as their relationship develops through dating, courtship or marriage.
6) Thrillers elicit strong emotions like excitement and suspense to thrill audiences.
Conventions in Horror Films
The document discusses common conventions in horror films. It summarizes that horror films are often set in isolated locations away from help, such as woods or abandoned buildings, which are sometimes said to be haunted. It also notes common character archetypes like the final girl protagonist who survives. Additionally, it outlines common iconography such as the colors black and red or murder weapons like knives and axes. Finally, it describes the typical narrative structure involving an initial state of equilibrium that is disrupted by threatening events throughout the film.
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The protagonist in a thriller is an ordinary person who is thrust into an extraordinary dangerous situation. They have no special combat or survival skills but must rely on their instincts and intelligence to stay alive. While their primary goal is self-preservation, over the course of the story they discover that stopping the larger threat or conspiracy is the only way to save themselves and society.
Evaluation q1
The document discusses how the media product uses conventions of real horror films. It incorporates the fear of being alone during a disaster, using long shots to show isolation as in "I Am Legend." It also draws on the fear and distrust of others in "The Road." Survival relies on using all available resources, building suspense. Close-ups are used to show power dynamics during fights. While a thriller/horror, it has elements of action and adventure genres through fighting and chase sequences shot dynamically.
Powerpoint question 1
The document discusses how the student's media product uses and develops conventions of real thriller/horror genre films. It analyzes elements like character archetypes, typical plot events, narrative structure, credits, music, lighting, pacing and limited dialogue to build suspense. The opening sequence aims to grasp the tone and set up mystery in line with conventions seen in films like "Seven".
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The document discusses several common conventions in slasher films. It describes the trope of the "final girl", who is typically the last survivor and is portrayed as pure in contrast to her promiscuous friends who are killed. It also discusses the antagonist monster/killer who is often concealed and portrayed as inhumanly strong. Other common tropes mentioned are the group of attractive friends who are punished for their vices, isolated locations like woods and abandoned buildings that feel close to home, and a benefactor character who guides the final girl. The document also discusses how German Expressionism and Film Noir influenced horror filmmaking through their use of lighting, shadows, and sense of paranoia.
Our pitch
1. The opening sequence introduces two main characters, one played by Josie who is an ex-investigator, and one played by Chris who has developed a plot for a terrorist attack against the west.
2. The sequence shows the ex-investigator discovering the terrorist plot and attempting to flee, leading to a chase through the woods where she is captured.
3. The film would then follow a colleague of the ex-investigator as he tries to find out why she was murdered by the terrorist, facing a difficult and disturbing investigation hampered by a corrupt justice system.
Cabin in the woods blog
Women are largely objectified in The Cabin in the Woods. Jules is portrayed as a "slut" through her revealing clothing, promiscuous behavior, and dumb blonde persona, which are all manipulated by the male scientists for entertainment. In contrast, Dana exhibits more traditionally masculine traits like physical strength and a willingness to fight rather than cry for help. While she avoids overt sexualization, Dana is still subject to the male gaze through scenes where she is unaware of being watched changing clothes. Overall, the film depicts women primarily as objects for the male scientists' pleasure and manipulation rather than as fully dimensional characters.
Cabin in the woods
Women are largely objectified in The Cabin in the Woods. Jules is portrayed as a "slut" through her revealing clothing, promiscuous behavior, and dumb blonde persona, which are all manipulated by the male scientists for entertainment. Dana subverts expectations as the more sensible and self-reliant "final girl," fighting to survive without relying on masculinity or sexuality. While Jules is sexualized and controlled, Dana exhibits agency and strength uncommon in horror film heroines.
Conventions of a thriller film
The document discusses the conventions of thriller films, including that they typically involve a protagonist battling an antagonist to restore peace, with the protagonist usually being a brave male who saves an innocent female. It also notes that the antagonist can take various mysterious forms and dresses according to the plot, while characters' costumes are used to convey traits like strength for males and vulnerability for females. Additionally, the themes of thrillers often relate to societal fears.
LO1
The document discusses how to analyze film genres. It provides 7 key areas for analysis: codes and conventions, location, characters, iconography, recurring themes, ideological message, and narrative. It then analyzes the thriller film "Disturbia" based on these 7 areas and how it adheres to thriller conventions. Finally, it discusses the concept of an "auteur" director and analyzes whether the film "Cowboys and Aliens" fits this description based on how it combines genres.
English 2: Compare and contrast essay (Assignment 1)
- The document compares and contrasts the horror films "Dark Water" and "Ouija".
- "Dark Water" takes place in a dilapidated apartment building and features the character of Dahlia Williams and her daughter, while "Ouija" involves teenagers contacting spirits through a ouija board in various locations.
- Both films use isolated settings and psychological horror techniques effectively, but differ in their use of flashbacks, visions, and storylines.
Locked up
The film "Locked Up" is a thriller about 8 prisoners held in isolated shacks in the forest. The film focuses on Shack 13, whose 4 inhabitants - Blair, Stanley, Ash, and Bella - begin experiencing strange events after playing a mysterious board game. Meanwhile, in Shack 7, Liana works to escape and save her sister Blair. The film explores how the game curses Shack 13's prisoners with increasing violence and horror as consequences for playing. By the end, the film questions whether Liana will be reunited with Blair after all the pain inflicted by the game.
Locked up
The film "Locked Up" is a thriller about 8 prisoners held in isolated shacks in the forest. The film focuses on Shack 13, whose occupants unwisely decide to play a mysterious board game, unaware that it will curse them. As strange events begin occurring, one prisoner, Liana, works to save her sister Blair from the shack's effects and escape. The film explores the consequences of the characters' actions and the costs of meddling with forces beyond their control.
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First Pitch Presentation
This document outlines a plot for a horror film involving two main characters: Madeline, a young orphan girl who is introverted and doesn't fit in, and a supernatural demon. The film would open with Madeline in her room holding a doll that plays a creepy lullaby. The main conflict is Madeline's fight between her good and evil sides, as she was sacrificed to the demon as a child. Flashbacks would reveal Madeline's disturbing backstory and drive the horror of the story. The climax occurs when Madeline becomes fully possessed by the demon. The film ends with Madeline succumbing to her evil side, illustrated by her holding a knife with a murderous look as she throws it at a family
Cabin in the woods
This document discusses the representation of women in the film The Cabin in the Woods. It analyzes the characters of Dana and Jules based on Jeremy Tunstall's four character roles for women (domestic, sexual, consumer, marital) and Carol Clover's "Final Girl" theory. Jules embodies the sexual role through her body language and clothing. Dana displays domestic traits as she cares for others. Dana is also the "Final Girl" as she survives to the end and fights back against threats. The document examines how Jules undergoes physical and mental transformations throughout the film to fulfill the archetype of the "dumb blonde" character. It analyzes how the film exemplifies Laura Mulvey's "Male
Cabin in the woods
This document discusses the representation of women in the film The Cabin in the Woods. It analyzes the characters of Dana and Jules based on Jeremy Tunstall's four character roles for women (domestic, sexual, consumer, marital) and Carol Clover's "Final Girl" theory. Jules exhibits sexual characteristics while Dana displays both sexual and domestic traits. Dana fulfills the role of the "Final Girl" through her actions and survival until the end of the film. The document also examines how camera angles and shots in certain scenes exemplify Mulvey's Male Gaze theory and make the audience voyeurs. While the women are sometimes objectified for the pleasure of men, Dana serves as a capable female lead who sub
Cabin in the woods
This document discusses the representation of women in the film The Cabin in the Woods. It analyzes the characters of Dana and Jules based on Jeremy Tunstall's four character roles for women (domestic, sexual, consumer, marital) and Carol Clover's "Final Girl" theory. Jules exhibits sexual characteristics through her body language and clothing. Dana displays some domestic traits as she cares for others. Dana also fits the "Final Girl" archetype as the last surviving character who fights back against threats. The document examines how Jules undergoes physical and mental transformations throughout the film that cause her to become a horror archetype. It analyzes the use of the male gaze and how audiences are made voyeurs during a
Cabin in the woods
This document discusses the representation of women in the film The Cabin in the Woods. It analyzes the characters of Dana and Jules based on Jeremy Tunstall's four character roles for women (domestic, sexual, consumer, marital) and Carol Clover's "Final Girl" theory. For Jules, it examines her mental and physical transformations throughout the film that cause her to become a horror archetype. It also discusses how Mulvey's Male Gaze theory is exemplified in certain scenes. Overall, it analyzes how women are portrayed in the film, specifically whether they are objectified or serve another purpose.
Genre research
This document discusses genre theory and the genre of horror films. It provides definitions of genre from various genre theorists and examines how genres establish expectations in viewers. It also analyzes the opening scene of the horror film "Saw" to demonstrate how it establishes conventions of the genre through its use of music, settings, characters, and graphic violence.
Research and planning
The document discusses four films - Snow White and the Huntsman, Alice in Wonderland, Taken, and The Grinch - in terms of analyzing conventions of the fantasy genre. It provides details on elements of Snow White and the Huntsman that remain loyal to the original fairy tale, including the themes of beauty, good defeating evil, and Snow White's famous line to the mirror. For Alice in Wonderland, it notes how the film remains loyal to the source material by falling into the rabbit hole to enter Wonderland. Key is keeping the sense of "magic" and mainly using fictional fantasy characters.
Character profiles
Danni committed suicide at a young age after experiencing an abusive relationship, as portrayed by bruises on her arm. This sets up the narrative for the film about main character Tay, who discovers Danni's dead body at their flat. Tay is introduced as an aggressive working class woman arguing on the phone with her struggling boyfriend. A minor character, Dan, briefly interacts with Tay after accidentally bumping into her, and tries to calm her down, further illustrating her angry personality.
Describing films
The document defines and provides brief descriptions of various film genres:
1) Action films involve violence, fighting, stunts and chases.
2) Horror films aim to provoke fear for entertainment through nightmares and terror.
3) Adventure films revolve around protagonists conquering and exploring to retrieve people or treasure.
4) Science fiction stories depict imagined future scientific developments and their effects on people and society.
5) Romantic films focus on the passionate love and affection between main characters as their relationship develops through dating, courtship or marriage.
6) Thrillers elicit strong emotions like excitement and suspense to thrill audiences.
Conventions in Horror Films
The document discusses common conventions in horror films. It summarizes that horror films are often set in isolated locations away from help, such as woods or abandoned buildings, which are sometimes said to be haunted. It also notes common character archetypes like the final girl protagonist who survives. Additionally, it outlines common iconography such as the colors black and red or murder weapons like knives and axes. Finally, it describes the typical narrative structure involving an initial state of equilibrium that is disrupted by threatening events throughout the film.
an
The protagonist in a thriller is an ordinary person who is thrust into an extraordinary dangerous situation. They have no special combat or survival skills but must rely on their instincts and intelligence to stay alive. While their primary goal is self-preservation, over the course of the story they discover that stopping the larger threat or conspiracy is the only way to save themselves and society.
Evaluation q1
The document discusses how the media product uses conventions of real horror films. It incorporates the fear of being alone during a disaster, using long shots to show isolation as in "I Am Legend." It also draws on the fear and distrust of others in "The Road." Survival relies on using all available resources, building suspense. Close-ups are used to show power dynamics during fights. While a thriller/horror, it has elements of action and adventure genres through fighting and chase sequences shot dynamically.
Powerpoint question 1
The document discusses how the student's media product uses and develops conventions of real thriller/horror genre films. It analyzes elements like character archetypes, typical plot events, narrative structure, credits, music, lighting, pacing and limited dialogue to build suspense. The opening sequence aims to grasp the tone and set up mystery in line with conventions seen in films like "Seven".
Med
The document discusses several common conventions in slasher films. It describes the trope of the "final girl", who is typically the last survivor and is portrayed as pure in contrast to her promiscuous friends who are killed. It also discusses the antagonist monster/killer who is often concealed and portrayed as inhumanly strong. Other common tropes mentioned are the group of attractive friends who are punished for their vices, isolated locations like woods and abandoned buildings that feel close to home, and a benefactor character who guides the final girl. The document also discusses how German Expressionism and Film Noir influenced horror filmmaking through their use of lighting, shadows, and sense of paranoia.
Our pitch
1. The opening sequence introduces two main characters, one played by Josie who is an ex-investigator, and one played by Chris who has developed a plot for a terrorist attack against the west.
2. The sequence shows the ex-investigator discovering the terrorist plot and attempting to flee, leading to a chase through the woods where she is captured.
3. The film would then follow a colleague of the ex-investigator as he tries to find out why she was murdered by the terrorist, facing a difficult and disturbing investigation hampered by a corrupt justice system.
Cabin in the woods blog
Women are largely objectified in The Cabin in the Woods. Jules is portrayed as a "slut" through her revealing clothing, promiscuous behavior, and dumb blonde persona, which are all manipulated by the male scientists for entertainment. In contrast, Dana exhibits more traditionally masculine traits like physical strength and a willingness to fight rather than cry for help. While she avoids overt sexualization, Dana is still subject to the male gaze through scenes where she is unaware of being watched changing clothes. Overall, the film depicts women primarily as objects for the male scientists' pleasure and manipulation rather than as fully dimensional characters.
Cabin in the woods
Women are largely objectified in The Cabin in the Woods. Jules is portrayed as a "slut" through her revealing clothing, promiscuous behavior, and dumb blonde persona, which are all manipulated by the male scientists for entertainment. Dana subverts expectations as the more sensible and self-reliant "final girl," fighting to survive without relying on masculinity or sexuality. While Jules is sexualized and controlled, Dana exhibits agency and strength uncommon in horror film heroines.
Conventions of a thriller film
The document discusses the conventions of thriller films, including that they typically involve a protagonist battling an antagonist to restore peace, with the protagonist usually being a brave male who saves an innocent female. It also notes that the antagonist can take various mysterious forms and dresses according to the plot, while characters' costumes are used to convey traits like strength for males and vulnerability for females. Additionally, the themes of thrillers often relate to societal fears.
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Similar to Framed – film review
LO1
The document discusses how to analyze film genres. It provides 7 key areas for analysis: codes and conventions, location, characters, iconography, recurring themes, ideological message, and narrative. It then analyzes the thriller film "Disturbia" based on these 7 areas and how it adheres to thriller conventions. Finally, it discusses the concept of an "auteur" director and analyzes whether the film "Cowboys and Aliens" fits this description based on how it combines genres.
English 2: Compare and contrast essay (Assignment 1)
- The document compares and contrasts the horror films "Dark Water" and "Ouija".
- "Dark Water" takes place in a dilapidated apartment building and features the character of Dahlia Williams and her daughter, while "Ouija" involves teenagers contacting spirits through a ouija board in various locations.
- Both films use isolated settings and psychological horror techniques effectively, but differ in their use of flashbacks, visions, and storylines.
Locked up
The film "Locked Up" is a thriller about 8 prisoners held in isolated shacks in the forest. The film focuses on Shack 13, whose 4 inhabitants - Blair, Stanley, Ash, and Bella - begin experiencing strange events after playing a mysterious board game. Meanwhile, in Shack 7, Liana works to escape and save her sister Blair. The film explores how the game curses Shack 13's prisoners with increasing violence and horror as consequences for playing. By the end, the film questions whether Liana will be reunited with Blair after all the pain inflicted by the game.
Locked up
The film "Locked Up" is a thriller about 8 prisoners held in isolated shacks in the forest. The film focuses on Shack 13, whose occupants unwisely decide to play a mysterious board game, unaware that it will curse them. As strange events begin occurring, one prisoner, Liana, works to save her sister Blair from the shack's effects and escape. The film explores the consequences of the characters' actions and the costs of meddling with forces beyond their control.
Locked up
The film "Locked Up" is a thriller about 8 prisoners held in isolated shacks in the woods. The film focuses on Shack 13, whose occupants unwisely decide to play a mysterious board game, unaware that it will curse them. As strange events begin occurring, one prisoner, Liana, works to save her sister Blair from the shack's effects and escape. The film explores themes of fate, trust, and the consequences of others' actions through its suspenseful narrative and isolated setting.
Memento analysis
Leonard Shelby suffers from anterograde amnesia and uses tattoos and notes to investigate his wife's murder. He meets Natalie, who manipulates him due to his condition. It's revealed that Leonard's wife survived and he conditioned himself to believe she died. Leonard had already killed his actual attacker but forgot. The film uses nonlinear editing and stylistic techniques common in film noir to represent Leonard's confusion and unreliable memory.
Kiddulthood
The film Kidulthood follows a conventional narrative structure with a beginning, middle, and end. In the beginning, we are introduced to the characters including Sam, who is established as the villain. The middle of the film shows increasing violence and conflict, including a teenage girl becoming pregnant. At the end, the pregnant girl's baby's father is tragically killed by Sam in a revenge attack, providing closure to the story.
Research of slasher movie tropes
The document discusses several common character archetypes and conventions in slasher movies:
- The Jock is often seen as the false hero who fails to save the group. The Stoner provides comic relief. The Token Minority and Promiscuous Girl are often the first killed. The Main Male and Final Girl are the most sympathetic and often the last surviving.
- Common locations include haunted houses, cabins, and woods. The Killer wears a mask and uses weapons to dominate victims. A group of friends is formed that gets killed one by one.
- German Expressionist films used symbolism and shadows to add atmosphere and deeper meanings that still influence horror films today.
Evaluation - social groups
The document is a response evaluating how a student film represents different social groups through its characters and storyline. In three sentences:
The film challenges gender stereotypes by portraying the female secret agent Monroe as tough and able to defeat male attackers. While the male robbers represent traditional masculine traits, they are unexpectedly overpowered by Monroe. The short film does not explicitly represent or challenge stereotypes of age, class, sexuality or ethnicity as it focuses only on the opening action sequence.
5 horror films
This document summarizes and reviews 5 horror thriller films: Nightmare on Elm Street, Drag Me to Hell, The Orphan, Devil, and Insidious. For each film, it discusses key plot points and what aspects made each film scary. It notes that Nightmare on Elm Street and Drag Me to Hell feature main characters seeking revenge, while The Orphan and Insidious involve possessed children. It also points out similarities between Devil and Drag Me to Hell in having evil old women as main characters. Overall, the document analyzes and compares these 5 horror films.
5 horror films
This document summarizes and reviews 5 horror thriller films: Nightmare on Elm Street, Drag Me to Hell, The Orphan, Devil, and Insidious. For each film, it provides a brief plot summary and highlights the scariest parts, such as Freddy Krueger's frightening kills in Nightmare on Elm Street or the demonic possession in Insidious. It concludes that Nightmare on Elm Street, Drag Me to Hell, and Devil feature revenge-seeking main characters, while The Orphan and Insidious both involve possessed children. Drag Me to Hell and Devil also share an evil old woman as the main antagonist.
Brick (2005 Film) Analysis
Analysis of the 2005 neo-noir film Brick for A2 media studies (covers ideas of; character, setting, camera, sound, editing, narrative theory).
Genre theory assignment
The document discusses genre theory and analyzes several films through this lens. It defines genre theory as categorizing films based on their storyline or plot elements. Common genres mentioned include romantic comedies, musicals, action films, crime dramas, teen comedies, and horror. The document also discusses several genre theorists and their perspectives on repetition, expectations, and differences within genres. It then analyzes the films Leon, Mean Girls, and Napoleon Dynamite, examining their genre classifications and how they adhere to or subvert genre conventions. The concept of the auteur director is also introduced through the examples of James Cameron and Tim Burton.
Copyof whenweanalysefilm.docx
This document discusses several films and whether they adhere to genre conventions or break them as auteur films. It provides examples of Leon by Luc Besson and Quantum of Solace by Marc Forster. While Quantum of Solace sticks to James Bond conventions, Leon breaks them by featuring an immigrant male lead and his relationship with a 12-year-old girl. Mean Girls also sticks to teen film conventions, while Napoleon Dynamite breaks them through its unconventional characters and storyline. Pulp Fiction by Quentin Tarantino is discussed as breaking conventions through its nonlinear narrative, violence used for comedy, and development of likeable characters who also commit immoral acts.
Evaluation question2 pp
The document discusses how various social groups are represented in thriller films. It notes that females are often portrayed as damsels in distress requiring male rescue, though some films subvert this by showing powerful female survivors. It analyzes the portrayal of gender in the described film opening. It also discusses how thrillers often depict males as both protagonists and antagonists. Ethnic minorities are frequently represented as threats or criminals. Disabilities are sometimes used to increase victim vulnerability in thrillers. The film opening in the document does not include physical disabilities so as not to challenge thriller conventions.
Film analysis
Shutter Island uses common thriller conventions to create tension and unease. Narrow corridors and dark spaces make the protagonist feel trapped in the asylum. Non-diegetic sounds, like dripping water and screams, increase tension as the protagonist searches a cell block alone with only a torch. A key plot point questions the protagonist's own identity, revealing he may be a patient imagining his true identity. These techniques immerse viewers in the protagonist's plight and uncertainty.
Trapped under
The document summarizes a horror-mystery film called "Trapped Under". It follows a group of American teenagers on a school trip who get trapped in the woods after a collapse. They begin turning on each other as some students are killed by an unknown murderer. In the end, only two students survive and escape, though it's hinted the killer may still be alive. The document outlines characters, potential motives, and reveals the killer is the protagonist's best friend who wants attention. It also provides production details like budget, cast including Wes Craven as director and genre information to pitch the film as a profitable investment for its target demographic.
Let The Right One In
1) Let The Right One In is a horror film with elements of romance that subverts some genre conventions by not having the evil creature defeated and even having it help the protagonist.
2) The film uses editing techniques like blank screens, snow falling, and toggling between characters to build tension and develop empathy for the characters. Faster cuts are used during tense scenes while slower cuts show graphic actions.
3) The target audience of the film is broader than a typical Western horror audience by being Swedish and having a more subtle horror and a romance subplot to appeal to more than just those seeking to be revolted.
Presentation1
The document summarizes key elements of a student film project. It explains that they used a female hero/victim to follow thriller genre conventions. They cast a male as the villain, also following conventions. The sequence ends with the hero screaming after leaving a house, leaving the audience unsure if she lives or dies. The document compares their victim character "Jayne" to the victim in "Taken," as normal girls who have done nothing wrong. They chose Jayne for the main role as her age will attract teenage viewers who may see themselves vulnerable in a similar situation.
Pitch Presentation
A woman wakes up each day with no memory of her past. She is being used by a man for biological experiments without her knowledge. Another man is trying to save her, but she is unsure whether to trust him or the man experimenting on her. Through flashbacks and clues, she pieces together the truth and works with the other man to kill the one experimenting on her. They fall in love in the process.
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English 2: Compare and contrast essay (Assignment 1)
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The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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3:国家专业人才认证中心颁发入库证书
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Introduction
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Framed – film review
- 1. Framed – Film Review. Jade Donno ‘Framed’ is an excellent example of a psychological thriller. It fits the genre perfectly with its complex story line and lonely protagonist. The story follows the protagonist (James) running away from a murder he has been framed for. The murder is of his daughter; so not only do people think he has murdered his daughter; he is also suffering from grief. People try to help him but he lashes out and we as an audience are left in suspense trying to work out who is against him and who is trying to help him. With scenes of high suspense the film fits both genders but could be seen as ‘boring’ for younger viewers. I think that this film would be more appropriate for people aged 21 and above. The soundtrack holds the suspense for the audience as it is minimalistic and simple and makes all the difference to the film as the viewers are on the edge of their seat waiting for something to happen. As it being a Warner bros. film I expected to see some high profile actors. It was disappointing at first to see the non-A list cast but the impressive acting from ……. Impressed me and for anyone who watches it, will be impressed as well. The camera shots were beautiful and had a certain Danny Boyle style to them. There was a good variation of camera shots making it more interesting for the viewer. Overall the film was very impressive and I expect to see many more good things from Neko Bus productions.