This article describes briefly the animation of Consciousness known as 'agni'; how agni is animated in us, active in us; the three principle aspects of 'agni' has been explained.
This is a revised and`expanded version of the article 'Agni' published earlier. This article also describes the 'agnihotra' as mentioned in Chandogya Upanishad. Agni is the Universal Consciousness in action and also known as praaNagni or the illuminated, burning Universal Life. The first hymn of Rik veda and some names of Agni have also been explained.
The description of agnihotra explains how we are nourished and nurtured along with the entire universe in our daily living.
Quotes from Upanishad---vaak and three forms of agnidebkumar_lahiri
In this article, three forms of agni have been explained, along with the role of vaak, the consort of agni and the materialization of the universe. Significance of the personalities of Sita and Damayanti explained. Quotes from Upanishads with original texts and translation provided.
Gayatri--the mother of Vedas and Gods--English translation of the Twelfth Par...debkumar_lahiri
This is Twelfth part of the Third chapter of Chandogya Upanishad in English with the original texts, meanings, etymology and inner meanings.
In this part of the Upanishads, in the background of the goddess Gayatri, it has been described how the divinity and the physical universe are held in the Universal Consciousness who has created the three fundamental spaces.
Gayatri, who is the mother of gods, has been identified with Vaak. The entire universe is created from Vaak or from the words of the Consciousness.
There are two fundamental directions or two fundamental space; internal and external, internal sky and external sky. Upanishad has said that these two spaces are the same. These two spaces are controlled by a third space called antara hridaya aakaasha or also mentioned as dahara aakaasha elsewhere in Upanishad.
The seers have stated that they have seen the creation and annihilation of universe from this third space.
Brihadaranyaka Upanishad First Chapter, Second Brahmin (Second part) in Engli...debkumar_lahiri
This is an English translation of Second Brahmin of First Chapter of Brihadaranyaka Upanishad, with original texts, word by word meaning, etymological meaning and an explanation (following the teachings of Vedic Sages).
This portion of the Upanishad describes the creation of the Universe from the Negative (Death) aspect of the Universal consciousness, creation of time and creatures, physicalizing, expansion of the universe and collapse, the mysteries of Ashvamedha Yajna or rituals of Horse Sacrifice.
This is following the First Chapter, which has been already published.
Soma, Gandharva, and the other divine beings in the Universal Consciousness.debkumar_lahiri
This is a presentation on the divinity of the Universal Consciousness and describes various divine aspects of the Consciousness including Soma, Indra, Vayu, Sarasvati, Agni, Gandharvas, Apsaras and other divine entities. It explains the significance of senses like olfactory sense,vision, hearing and touch. Various references from Upanishads and Vedas are cited along with the meanings of various Vedic words.
This article describes the goddess Gayatri(gaayatrI) as She is celebrated in the Vedas.It explains the various Vedic terms and the implications. It also demonstrates the divinity of the Sanskrit language.
This article describes briefly the animation of Consciousness known as 'agni'; how agni is animated in us, active in us; the three principle aspects of 'agni' has been explained.
This is a revised and`expanded version of the article 'Agni' published earlier. This article also describes the 'agnihotra' as mentioned in Chandogya Upanishad. Agni is the Universal Consciousness in action and also known as praaNagni or the illuminated, burning Universal Life. The first hymn of Rik veda and some names of Agni have also been explained.
The description of agnihotra explains how we are nourished and nurtured along with the entire universe in our daily living.
Quotes from Upanishad---vaak and three forms of agnidebkumar_lahiri
In this article, three forms of agni have been explained, along with the role of vaak, the consort of agni and the materialization of the universe. Significance of the personalities of Sita and Damayanti explained. Quotes from Upanishads with original texts and translation provided.
Gayatri--the mother of Vedas and Gods--English translation of the Twelfth Par...debkumar_lahiri
This is Twelfth part of the Third chapter of Chandogya Upanishad in English with the original texts, meanings, etymology and inner meanings.
In this part of the Upanishads, in the background of the goddess Gayatri, it has been described how the divinity and the physical universe are held in the Universal Consciousness who has created the three fundamental spaces.
Gayatri, who is the mother of gods, has been identified with Vaak. The entire universe is created from Vaak or from the words of the Consciousness.
There are two fundamental directions or two fundamental space; internal and external, internal sky and external sky. Upanishad has said that these two spaces are the same. These two spaces are controlled by a third space called antara hridaya aakaasha or also mentioned as dahara aakaasha elsewhere in Upanishad.
The seers have stated that they have seen the creation and annihilation of universe from this third space.
Brihadaranyaka Upanishad First Chapter, Second Brahmin (Second part) in Engli...debkumar_lahiri
This is an English translation of Second Brahmin of First Chapter of Brihadaranyaka Upanishad, with original texts, word by word meaning, etymological meaning and an explanation (following the teachings of Vedic Sages).
This portion of the Upanishad describes the creation of the Universe from the Negative (Death) aspect of the Universal consciousness, creation of time and creatures, physicalizing, expansion of the universe and collapse, the mysteries of Ashvamedha Yajna or rituals of Horse Sacrifice.
This is following the First Chapter, which has been already published.
Soma, Gandharva, and the other divine beings in the Universal Consciousness.debkumar_lahiri
This is a presentation on the divinity of the Universal Consciousness and describes various divine aspects of the Consciousness including Soma, Indra, Vayu, Sarasvati, Agni, Gandharvas, Apsaras and other divine entities. It explains the significance of senses like olfactory sense,vision, hearing and touch. Various references from Upanishads and Vedas are cited along with the meanings of various Vedic words.
This article describes the goddess Gayatri(gaayatrI) as She is celebrated in the Vedas.It explains the various Vedic terms and the implications. It also demonstrates the divinity of the Sanskrit language.
This is a narration on the first hymn of Rik Veda, with original text , meaning and etymology. It describes the self illuminated, all manifesting Universal Consciousness and the invocation by the seers.
Vedas the universal eye of Consciousness, Indra and the Golden Motherdebkumar_lahiri
This is an article on the Vedas. The significance of the four Vedas, the revelation of Universal Consciousness as creation has been described following the knowledge preached by the Seers.In this context is described the king of the heaven Indra and his golden mother.The relation between the Creator, deities and the creatures, evolution to the supreme form has been described as told by the Seers.
Vedic deities Naasatya, Dadhikraa, Vishvadevaa, Rudra, and the sense of smell.debkumar_lahiri
This document explains the significance of the Vdic deities Naasatya, also known as Ashvin, who are the divine twins. This document also describes the divine horse/serpent Dadhikra and the group of deities called Vishvadevaa. The references are taken from Rik Veda and Brihadaranyaka Upanishad. The siginificance of the ol olafactory sense has also been discussed.
The number of consciousness and the deities ---Zero, One and One and halfdebkumar_lahiri
This article describes the numbers as they are in the Universal Consciousness. This has been written with reference to the Upanishads.
As words are the expression of the Consciousness so are the numbers. Each number represents a character or personality of the Universal Consciousness and each numbers plays a role in the creation. The present article is on Zero, One and One and half. The significance of the words 'Number', 'Count' and the state beyond sequence or counting are also explained. A hymn on the 'self praising Soul' by Vaak is also included.
The duality of Universal consciousness, paired Universedebkumar_lahiri
This article describes how is the duality or number two in Universal Consciousness and how it is related to us. This describes the creation of species, the creation of pairs and chromosomes, the creation of loneliness and fear and how divinity is the Universal genealogy. (Reference: Brihadaranyaka and Chandogya Upanishads
Words here tried to describe vaak the goddess of words. vaak splits and radiates, creates the universe, she is the Shakti, she is ambaalika, the little girl running around in the universe. The article also decsribes Guru and the living words, mantra chaitanya, the serpentine horse dadhikra; the word, particle and electricity; the three forms of Shakti, ambaa, ambikaa, ambalikaa; the lessons of sweetness--madhu vidya.
This article describes the conscious entities who are behind the creation. They are called deities or deva. They are the personalities of the universal consciousness or they are the personalities of the Vedas.
The treasures in the Vedas. Soma the nectar of the moon and the mind.--part 1debkumar_lahiri
Soma is the nectar, elixir. It is incessantly flowing. The source is the Moon who is the divine mind also. The mysteries of Soma have been described here following the Upanishads.
Directions and the Deities, Gestures of the Universal Consciousnessdebkumar_lahiri
In this article, the directions or gestures of the Universal Consciousness have been described in the context of the Vedas (Brihadaranyaka Upanishad). The directions are described with the deities in charge of the directives. The time(kala), direction(dik) and space (desha) are described. Also is stated the significance of animal sacrifice and oblation.
Agnihotra (Oblation to Agni the lord of fire) and five forms of Agni or PraaN...debkumar_lahiri
This article explains the significance of the Vedic ritual Agnihotra and the five forms of Praana. The verses from Chandogya and Prashno[panishad have been quoted with meanings and explanations.
The document discusses the eight names of Lord Shiva in Hinduism and their meanings and significance. The eight names are: 1) Kshiti, 2) Jala, 3) Agni, 4) Vaayu, 5) Aakaasha, 6) Dyaus, 7) Bhuumi, and 8) Nila. Each name represents a different form or characteristic of Shiva that relates to creation and control of the universe. For example, Kshiti represents Shiva as the materialized form of everything, and Jala represents Shiva as the divine water from which all physical forms are generated and dissolved.
This areticle tried to describe the mother goddess in the shades of black and white with reference to the Vedas and Tantras. As the Vedas means vid or to know or video or light, similarly Tantra is related to the word 'tamasa' meaning darkness. It is the art of rescuing from darkness by darkness---'tamasa tomosoh trayatey iti tranta'
The bull and the Bel Tree (Wood-Apple Tree) in Vedic rituals—-vaak and the br...debkumar_lahiri
1. The document discusses the relationship between Sanskrit words like vRiSha (bull), vaak (speech), and bilva (wood apple tree) and concepts in Vedic philosophy and human anatomy.
2. vRiSha represents both the bull animal and the activity of raining or spreading life. The wood apple tree represents the universal brain and nervous system.
3. Key parts of the brain like the cerebrum and cerebellum are linked to symbols like the two fruits of the wood apple tree, with the cerebrum relating to interpretation of senses and the cerebellum relating to movement control.
Mysteries of Consciousness as space and air and Goddess Bargabhimaa---Quotes ...debkumar_lahiri
Mysteries of Universal Consciousness as Space and Air have been narrated based on the experience of the sages of Upanishads. Also, the relation of this knowledge with the goddess Bargabhimaa (vargabhiimaa) and Pandava Bhima has been explained. Original texts of Upanishads with meanings and meanings of various Sanskrit words have been mentioned. This article provides insight to the consistency of statements in various Upanishads and the deep-rooted connection of knowledge to history, mythology, and religious practices.
The document discusses consciousness according to Sankhya and Yoga philosophies.
According to Sankhya, consciousness or Purusha is eternal and pure awareness, while Prakriti or nature consists of the three gunas - sattva, rajas, and tamas. The universe evolves from the interaction of Purusha and Prakriti. Yoga philosophy accepts the principles of Sankhya and also recognizes Ishvara or God.
The Mandukya Upanishad describes consciousness as having four states - waking, dreaming, deep sleep, and Turiya - the highest state of pure awareness beyond the other three states.
Prana is energy, vitality, power. Prana is the foundation and essence of all life; the energy and vitality that permeates the entire Universe. Prana flows in everything that exists.
Furthermore, Prana is the connecting link between the material world, consciousness and mind. It is what makes life on the material level possible. Prana regulates all physical functions for example, the breath, the supply of oxygen, digestion, elimination and much more. The function of the human body is much like a transformer, receiving energy from the Universal flow of Prana, distributing that energy, and then eliminating it. If a person or a room has a healthy, harmonious vibration, we say: “There is good Prana here”. Illness, on the other hand, disturbs or blocks the flow of Prana. As we develop the ability to control Prana, we gain harmony and health, of both body and mind. In addition to this, with long and consistent practice an expansion of consciousness is experienced.
Prana is divided into ten main functions:
The five Pranas – Prana, Apana, Udana, Vyana and Samana.
The five Upa-Pranas – Naga, Kurma, Devadatta, Krikala and Dhananjaya.
Durga Puja ( (in Bengali language)---- performed by Rishi Bijoykrishna Chatto...debkumar_lahiri
Description of Durgapuja by Rishi Bijoykrishna Chattopadhyaya, performed in the year 1941. This was recorded by Sarala Devi Chowdhurani. This explains the mysteries of Dura Puja, Ashvamedha Yajna, Som-yaga, and the Vedas.
মহর্ষি বিজয়কৃষ্ণ কৃত দুর্গাপূজা। এই পূজা ১৯৪১ সালের যে পূজা হয় তার বিবরণ, এবং সরলা দেবী চৌধুরাণী দ্বারা সঙ্কলিত। দুর্গাপূজা, অশ্বমেধ যজ্ঞ, সোম-যাগ এবং বেদের রহস্য সকল এই পূজায় বর্ণিত।
ঈশোপনিষদ্ (ঈশ উপনিষদ্) --মূল মন্ত্র, অর্থ এবং নিরুক্ত সহ।(Ishopanishad---Is...debkumar_lahiri
ঈশোপনিষদের মূল মন্ত্র সহ, অন্বয় এবং অর্থ, আর সংক্ষিপ্ত ব্যাখ্যা, সত্য-দ্রষ্টা ঋষিদের উপদেশ অবলম্বন করে প্রকাশ হলো। উপনিষদের অর্থ উপনিষদের মধ্যেই উক্ত হয়েছে, এবং সেই জন্য অন্যান্য উপনিষদ্ থেকে প্রয়োজন মতো মন্ত্র সকল উদ্ধৃত করা হয়েছে। (This is Ishopanishad --Isha Upanishad in Bengali language. Original texts, annotations, meanings, etymologies and explanations are provided following the teachings received from the truth-seers. The meanings of the verses in one Upanishad is available in the other and so wherever applicable the references to the other Upanishads have been made.)
This is a narration on the first hymn of Rik Veda, with original text , meaning and etymology. It describes the self illuminated, all manifesting Universal Consciousness and the invocation by the seers.
Vedas the universal eye of Consciousness, Indra and the Golden Motherdebkumar_lahiri
This is an article on the Vedas. The significance of the four Vedas, the revelation of Universal Consciousness as creation has been described following the knowledge preached by the Seers.In this context is described the king of the heaven Indra and his golden mother.The relation between the Creator, deities and the creatures, evolution to the supreme form has been described as told by the Seers.
Vedic deities Naasatya, Dadhikraa, Vishvadevaa, Rudra, and the sense of smell.debkumar_lahiri
This document explains the significance of the Vdic deities Naasatya, also known as Ashvin, who are the divine twins. This document also describes the divine horse/serpent Dadhikra and the group of deities called Vishvadevaa. The references are taken from Rik Veda and Brihadaranyaka Upanishad. The siginificance of the ol olafactory sense has also been discussed.
The number of consciousness and the deities ---Zero, One and One and halfdebkumar_lahiri
This article describes the numbers as they are in the Universal Consciousness. This has been written with reference to the Upanishads.
As words are the expression of the Consciousness so are the numbers. Each number represents a character or personality of the Universal Consciousness and each numbers plays a role in the creation. The present article is on Zero, One and One and half. The significance of the words 'Number', 'Count' and the state beyond sequence or counting are also explained. A hymn on the 'self praising Soul' by Vaak is also included.
The duality of Universal consciousness, paired Universedebkumar_lahiri
This article describes how is the duality or number two in Universal Consciousness and how it is related to us. This describes the creation of species, the creation of pairs and chromosomes, the creation of loneliness and fear and how divinity is the Universal genealogy. (Reference: Brihadaranyaka and Chandogya Upanishads
Words here tried to describe vaak the goddess of words. vaak splits and radiates, creates the universe, she is the Shakti, she is ambaalika, the little girl running around in the universe. The article also decsribes Guru and the living words, mantra chaitanya, the serpentine horse dadhikra; the word, particle and electricity; the three forms of Shakti, ambaa, ambikaa, ambalikaa; the lessons of sweetness--madhu vidya.
This article describes the conscious entities who are behind the creation. They are called deities or deva. They are the personalities of the universal consciousness or they are the personalities of the Vedas.
The treasures in the Vedas. Soma the nectar of the moon and the mind.--part 1debkumar_lahiri
Soma is the nectar, elixir. It is incessantly flowing. The source is the Moon who is the divine mind also. The mysteries of Soma have been described here following the Upanishads.
Directions and the Deities, Gestures of the Universal Consciousnessdebkumar_lahiri
In this article, the directions or gestures of the Universal Consciousness have been described in the context of the Vedas (Brihadaranyaka Upanishad). The directions are described with the deities in charge of the directives. The time(kala), direction(dik) and space (desha) are described. Also is stated the significance of animal sacrifice and oblation.
Agnihotra (Oblation to Agni the lord of fire) and five forms of Agni or PraaN...debkumar_lahiri
This article explains the significance of the Vedic ritual Agnihotra and the five forms of Praana. The verses from Chandogya and Prashno[panishad have been quoted with meanings and explanations.
The document discusses the eight names of Lord Shiva in Hinduism and their meanings and significance. The eight names are: 1) Kshiti, 2) Jala, 3) Agni, 4) Vaayu, 5) Aakaasha, 6) Dyaus, 7) Bhuumi, and 8) Nila. Each name represents a different form or characteristic of Shiva that relates to creation and control of the universe. For example, Kshiti represents Shiva as the materialized form of everything, and Jala represents Shiva as the divine water from which all physical forms are generated and dissolved.
This areticle tried to describe the mother goddess in the shades of black and white with reference to the Vedas and Tantras. As the Vedas means vid or to know or video or light, similarly Tantra is related to the word 'tamasa' meaning darkness. It is the art of rescuing from darkness by darkness---'tamasa tomosoh trayatey iti tranta'
The bull and the Bel Tree (Wood-Apple Tree) in Vedic rituals—-vaak and the br...debkumar_lahiri
1. The document discusses the relationship between Sanskrit words like vRiSha (bull), vaak (speech), and bilva (wood apple tree) and concepts in Vedic philosophy and human anatomy.
2. vRiSha represents both the bull animal and the activity of raining or spreading life. The wood apple tree represents the universal brain and nervous system.
3. Key parts of the brain like the cerebrum and cerebellum are linked to symbols like the two fruits of the wood apple tree, with the cerebrum relating to interpretation of senses and the cerebellum relating to movement control.
Mysteries of Consciousness as space and air and Goddess Bargabhimaa---Quotes ...debkumar_lahiri
Mysteries of Universal Consciousness as Space and Air have been narrated based on the experience of the sages of Upanishads. Also, the relation of this knowledge with the goddess Bargabhimaa (vargabhiimaa) and Pandava Bhima has been explained. Original texts of Upanishads with meanings and meanings of various Sanskrit words have been mentioned. This article provides insight to the consistency of statements in various Upanishads and the deep-rooted connection of knowledge to history, mythology, and religious practices.
The document discusses consciousness according to Sankhya and Yoga philosophies.
According to Sankhya, consciousness or Purusha is eternal and pure awareness, while Prakriti or nature consists of the three gunas - sattva, rajas, and tamas. The universe evolves from the interaction of Purusha and Prakriti. Yoga philosophy accepts the principles of Sankhya and also recognizes Ishvara or God.
The Mandukya Upanishad describes consciousness as having four states - waking, dreaming, deep sleep, and Turiya - the highest state of pure awareness beyond the other three states.
Prana is energy, vitality, power. Prana is the foundation and essence of all life; the energy and vitality that permeates the entire Universe. Prana flows in everything that exists.
Furthermore, Prana is the connecting link between the material world, consciousness and mind. It is what makes life on the material level possible. Prana regulates all physical functions for example, the breath, the supply of oxygen, digestion, elimination and much more. The function of the human body is much like a transformer, receiving energy from the Universal flow of Prana, distributing that energy, and then eliminating it. If a person or a room has a healthy, harmonious vibration, we say: “There is good Prana here”. Illness, on the other hand, disturbs or blocks the flow of Prana. As we develop the ability to control Prana, we gain harmony and health, of both body and mind. In addition to this, with long and consistent practice an expansion of consciousness is experienced.
Prana is divided into ten main functions:
The five Pranas – Prana, Apana, Udana, Vyana and Samana.
The five Upa-Pranas – Naga, Kurma, Devadatta, Krikala and Dhananjaya.
Similar to Five vital airs,Five aspects of praaNa (20)
Durga Puja ( (in Bengali language)---- performed by Rishi Bijoykrishna Chatto...debkumar_lahiri
Description of Durgapuja by Rishi Bijoykrishna Chattopadhyaya, performed in the year 1941. This was recorded by Sarala Devi Chowdhurani. This explains the mysteries of Dura Puja, Ashvamedha Yajna, Som-yaga, and the Vedas.
মহর্ষি বিজয়কৃষ্ণ কৃত দুর্গাপূজা। এই পূজা ১৯৪১ সালের যে পূজা হয় তার বিবরণ, এবং সরলা দেবী চৌধুরাণী দ্বারা সঙ্কলিত। দুর্গাপূজা, অশ্বমেধ যজ্ঞ, সোম-যাগ এবং বেদের রহস্য সকল এই পূজায় বর্ণিত।
ঈশোপনিষদ্ (ঈশ উপনিষদ্) --মূল মন্ত্র, অর্থ এবং নিরুক্ত সহ।(Ishopanishad---Is...debkumar_lahiri
ঈশোপনিষদের মূল মন্ত্র সহ, অন্বয় এবং অর্থ, আর সংক্ষিপ্ত ব্যাখ্যা, সত্য-দ্রষ্টা ঋষিদের উপদেশ অবলম্বন করে প্রকাশ হলো। উপনিষদের অর্থ উপনিষদের মধ্যেই উক্ত হয়েছে, এবং সেই জন্য অন্যান্য উপনিষদ্ থেকে প্রয়োজন মতো মন্ত্র সকল উদ্ধৃত করা হয়েছে। (This is Ishopanishad --Isha Upanishad in Bengali language. Original texts, annotations, meanings, etymologies and explanations are provided following the teachings received from the truth-seers. The meanings of the verses in one Upanishad is available in the other and so wherever applicable the references to the other Upanishads have been made.)
Consciousness, our physical existence and the related Vedic-Sanskrit words.debkumar_lahiri
This document discusses various Sanskrit words related to consciousness and physical existence. It begins with defining key terms like consciousness, physicality, and the objective of the article. The article then explores specific Sanskrit words for parts of the face like "mukha" meaning mouth, and provides quotes from Upanishads about the manifestation of the face. It aims to explain the significance of each body part and how it relates to consciousness based on Vedic and Upanishadic wisdom.
Vedic Sanskrit words for fingers---fingers, numbers, digits and senses.debkumar_lahiri
This article is about the role of fingers and Consciousness. It also explains the significance of the names of each finger, the fingers and the numerological senses, and the impressions on the palms. Many associated Sanskrit words have been explained with the etymology and meanings.
উপনিষদের বায়ু,আকাশ,এবং সোম --দেবী বর্গভীমা এবং পাণ্ডব ভীম।(An article in Beng...debkumar_lahiri
দেবী বর্গভীমা যিনি বায়ু (বর্গ ) এবং আকাশের অধিষ্ঠাত্রী দেবী তাঁর বিষয়ে এই প্রবন্ধ উপনিষদের পটভূমিকায়। সোম , বায়ু এবং আকাশের বিজ্ঞান,তন্ত্রের বামাচার এবং কয়েকটি পৌরাণিক চরিত্রের তাৎপর্য উল্লেখ করা হয়েছে।উপনিষদের মূল মন্ত্র সকল, অর্থ, এবং অন্যান্য মন্ত্রের উল্লেখ প্রসঙ্গ সহ উক্ত করা হয়েছে। (This is a presentation on the goddess VargabhImaa in the context of the divine air, sky and Soma of Upanishad in Bengali Language. Vaamaachara of Tantra and some mythological characters were explained. Various references and verses of Upanishads have been quoted.)
Sleep, Dream, and state of Wakefulness of the creatures and the creator---th...debkumar_lahiri
This document discusses sleep, dreams, and wakefulness from an Upanishadic perspective. It provides context on key concepts and terms from ancient Sanskrit texts regarding the three states of consciousness. The document explores how sleep, dreams, and wakefulness are described as the three dreams and abodes of the universal consciousness in Upanishads. It examines concepts like soul, self, observer, day, wakefulness, and their relationship to the sun and physical world. References are made to verses from Upanishads on these topics.
বৃহদারণ্যক উপনিষৎ, চতুর্থ অধ্যায়, তৃতীয় ব্রাহ্মণ, মূল অংশ এবং বঙ্গানুবাদ । জা...debkumar_lahiri
বৃহদারণ্যক উপনিষৎ, চতুর্থ অধ্যায়, তৃতীয় ব্রাহ্মণ, মূল অংশ এবং বঙ্গানুবাদ ---- জাগ্রত, স্বপ্ন এবং নিদ্রার বিজ্ঞান---- উপনিষদের মূল, অংশ, শব্দার্থ এবং জাগ্রত, স্বপ্ন এবং নিদ্রার যে চিৎ বিজ্ঞান তা যথাযথ ভাবে এই আলখ্যে ব্যক্ত করা হয়েছে।
Vedic Sanskrit words related to vision, time, motion, controldebkumar_lahiri
This is a presentation on the Vedic Sanskrit words on vision and the eye. The words reveal how the vision of the Universal Consciousness is creating the time and space, i.e. the measurable universe.
বৃহদারাণ্যক উপনিষদ্, চতুর্থ অধ্যায়, প্রথম ব্রাহ্মণ,মূল মন্ত্র, অনুবাদ ও নিরু...debkumar_lahiri
The document discusses the role of eyes in controlling the sleep-wake cycle. It states that eyes play a central role along with circadian rhythms. Melatonin production is regulated by light entering the eyes and signals the body for sleep. The document explains how different parts of the eyes like retina, iris and lens detect light and dark and send signals to the brain. It also mentions research studies that show eyes have a direct impact on sleep regulation and disruptions can lead to sleep problems. In conclusion, the document emphasizes that eyes act as the main circadian Zeitgeber or time giver for the body to maintain internal biological clock.
This article explains the significance of Sanskrit word 'go' meaning 'cow' and the other word related to 'go'. This article will help one to understand why the animal cow is so sacred among the Hindus.
Brihadaranyaka Upanishad, First Chapter Second Brahmin in Bengali (Bangla) la...debkumar_lahiri
In this Upanishad, the sage Yajnavalkya narrated the expansion and contraction of the Universe and its formation from the Universal Consciousness and the mysteries of Ashvamedha yajna. This is written in Bengali (Bangla fonts) with the original texts and meaning.This Upanishad explains the mysteries behind 'ashvamedha yajna'. This is based on the unification of the divinity and mortality as seen by the seers.
বৃহদারণ্যক উপনিষদ, প্রথম অধ্যায়,প্রথম ব্রাহ্মণ, দ্বিতীয় সংস্করণ। (Brihadarany...debkumar_lahiri
এই উপনিষদে অস্বমেধ যজ্ঞের অশ্বের বর্ণনা করা হয়েছে। প্রাণ বা অশ্ব কেমন করে আমাদের মেধা হন, অঙ্গের রস হন আবার আমরা কেমন করে মহাপ্রাণে মেধ্য হয়ে তাঁতে বিলীন হই, তা এই অস্বমেধ যজ্ঞের রহস্য।
Brihadaaranyaka Upanishad, First Chapter First part in English--Ashvamedha an...debkumar_lahiri
This article presents the first part of the first chapter of Brihadaaranyaka Upanishad in English. Original texts, meanings and references have been provided. This presentation also explains the mysteries behind the ritual of animal sacrifices as mentioned by the Rishis (Seers) of the Vedas.
In this Upanishad, the seer has explained how Universal Consciousness is existing in the physical form similar to our body.
Brihadaranyaka Upanishad in Bengali--First Chapter, First Brahmin (বৃহদারণ্যক)debkumar_lahiri
This is a Bengali version of Brihadaranyaka Upanishad, First Chapter, First Brahmin (first part) in Bengali (Bangla language) , with translation and original and brief explanation. This chapter presents the knowledge which is the foundation of ashva medha yajna (horse sacrifice). The seer Yajnavalkya has described how the Universal Consciousness (Universal praaNa) has materialized as the physical universe with the body and limbs and how like a galloping horse, the Consciousness carries us beyond the death , beyond the limitation.
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Kenopanishad (in Bengali language)---Kena Upanishad in Bangla (Bengali)debkumar_lahiri
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Five vital airs,Five aspects of praaNa
1. The five vital airs, the five aspects of praaNa
(The words in italics are ‘ITRANS’ version of Sanskrit word. Refer the English-Sanskrit
dictionary by Monier Williams at http://www.sanskrit-lexicon.uni-koeln.de/monier/ )
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Consciousness and knowledge is same. Some one conscious means that the one is
knowing or feeling. The word knowledge is called “j~naana’. This word is almost
pronounced as ‘jnana’. The word can be broken into ‘j~na + an’. The word ‘j~na’ when
pronounced has a similarity with the word ‘know’. ‘j~na’ means who knows. ‘j~na’ is
the still, immutable soul and ‘an’ is His ‘knowing’. ‘an’ is animation or flow of praaNa
or time. So this is the interpretation of the word ‘knowledge’ by the seers. In every
knowing, every activity, at one end we are still, immutable, as it is and at the other end
we are animated, flowing in time.
We have earlier explained, that ‘praaNa’, meaning Life or Life God is the Universal life
flowing in every thing and is being perceived as life in the living and time (‘kala’) in the
external world. We have also explained that ‘praaNa’ is the active aspect of the
Consciousness who at one end is ‘Inactive, immutable and absolutely one’, the soul of all
of us and because of whose presence in us we can feel our ‘self ‘.
‘praaNa’ as eternity is called ‘mukhya praaNa’ or Principal ‘praaNa’, meaning the
Universal and Eternal Life God. Vedas have also termed ‘mukhya praaNa’ or Principal
‘praaNa’ as ‘udgItha’----meaning who takes us above the death and who is above the
death.
‘praaNa’, animation, who is active in us, whom we are feelings as our dear life, is called
‘madhyama praaNa’. Word ‘madhyama’ means who is in the middle or who is inside.
The Universal consciousness, principal ‘praaNa’ is in us as ‘us’ and regulating every
thing, and is known as ‘madhyama praaNa’. The word ‘madhyama’ also is connected to
the word ‘maadhyama’ meaning medium. Medium means the one who permeates every
thing, who connects everything. These are the communication features of ‘praaNa’ and
physically we see such properties in Air, Electricity etc. This aspect (communicative) of
‘praaNa’ is termed as ‘byaana’ in the text. The functions of nervous system, the action of
neurons are all functionality of ‘byaana’. Our limbs act in unison and are taut because of
this function known as ‘byaana’. Similarly we are connected to every grain of universe
by ‘byaana’.
‘apaana’ is that aspect of ‘praaNa’ by which we remain held or attached. It is the source
of gravity, gravitational force also. When we achieve anything, we get attached to it, we
are held in it. This is why the root word ‘ap’ means ‘water’ and the word ‘aapti’ meaning
‘achievement, accomplishment’ is derived from the root word ‘ap’. We get cooled and
satisfied by ‘ap’ or water. We get cooled and satisfied when we achieve what we desire.
Achieving a thing, a desire, in turn creates a field for us, to which we remain held or
attached. Suppose you have learnt flying kite. When you achieve the skill of flying kite,
2. that becomes a field for you to which you remain held or attached. Thus ‘apaana’ is
there behind every attachment.
As we move into our object or subject of desire, the field of attachment that develops is a
magnetic field. It is called ‘vraja’ in Sanskrit. The word ‘vraja’ generally means
‘movement’ or ‘roaming’. The abode of “Krishna” is also called ‘vraja’. It is similar to
the physical effect which we see as the magnetic field due to electrical current or due to
the motion of a charged particle. (The word ‘vajra’ in Sanskrit means electricity or
thunderbolt.)
We are held in the body by ‘apaana’, similarly we are held by the earth due to ‘apaana’.
(This has been described in Prashna Upanishad. There it is said, ‘the goddess who is in
the earth, she is also holding the ‘apaana’ in the entity’ i.e. what is known as gravity in
the earth, is ‘apaaa’ in the body and thus we are held. (In the texts in several places the
words ‘body’ and ‘earth’ are used as synonyms.)
As we are held by ‘apaana’, ‘apaana’ also controls anything that is no longer necessary
to hold. So the excretions are also controlled by ‘apaana’.
This is why when we expire, we are purged out of the body by ‘apaana’. Thus Vedas
have said, ‘naavou apaano, apaanat mrtiyu’----meaning ‘apaana’ acts from the centre,
from the ‘navel’ and from that action one expires or leaves the body’. On the other hand
we remain attached to mother by umbilical chord connected to the navel. The navel is
also called ‘solar plexus’ and we will discuss this later.
The word praaNa also means, principal animation=pra + an. ‘pra’ means principal as
well as first(prathama). Anything which is first is thus related to this aspect of ‘praaNa’.
Since any action originates from ‘praaNa’, praaNa is the first and in the beginning of
time and is perceived in the realm of ‘oneness and duality’ as the creation begins with
duality. When we know any thing, it is ‘praaNa’ who knows and our knowing is a part of
it. ‘praaNa’ sees without eyes, eyes are sequel to the act of seeing, ‘praaNa’ hears
without ears, ears are the sequel to the acts of listening, ‘praaNa ’touches’ without the
skin, skin and the lips are the sequel to the touch and so on. So, ’praana’ is in the
beginning and at first in all actions.
It is for this reason the first love, the first impression, the first child and the first things
play significant roles in the mind, in the custom and in the rituals. We are conscious and
we are in consciousness, we are part of Universal consciousness or Universal ‘praaNa’.
That’s why anything that happens in our mind or instinct is not trivial. This is why the
practice and customs in societies, the rituals and the instincts may some time reveal very
significant aspects of the eternity. As the ‘praaNa’ flows, as the time flows, everywhere
the impressions and foot prints are left. Reading this is reading Vedas. (‘paden
anuvindaet’ -know by following the steps.)
From the word ‘an’, (which I believe is exactly the same word ‘an’ of animation), of
praaNa (=pra + an) originates the word ‘anna’ meaning ‘food’. The two ‘n’ in the word
‘anna’ represent the escalation of activities of ‘an’ or praaNa. ‘anna’ means that aspect
of ‘praaNa’ by which ‘praaNa’ nourishes us.
3. Vedas have quoted about ‘samaana’ (who is another aspect of ‘praaNa’) as
‘hutam(offered) annam(foods) samaanm (to sameness, to equality)
nayati(leads)’------‘samaana’ leads the offered foods to the ‘sameness’. The word
‘hutam’ means which has been offered as ‘oblation’ and is originating from the primary
word ‘hU’. The word ‘havana’ meaning ‘fire’, ‘fire god’ is also from the word ‘hU’.
When we eat food, we offer oblation to fire god, ‘agni’. ‘ praaNa’ is burning,
illuminating, revealing. ‘praaNa’ is ‘agni’. By ‘praaNa’, by the touch of ‘praaNa’
everything becomes ‘praaNa’. Like if any thing burning in fire becomes part of the fire,
flagrant, similarly by the touch of ‘praaNa’ the foods become our life. ‘praaNa’ is our
warmtth.
Because of ‘praaNa’ in us the food which we eat nourishes us. The foods get in our
system and are assimilated. They become our energy, our power, our vigour, become
same with us. May be the word ‘vigour’ is connected to the word ‘bharga’. bharga
means radiance, radiance of ‘praaNa’, illumination of Life eternal.
Assimilation is the essential thing of creation. We live by assimilation. The food we eat is
brought to evenness with us, they become our part. This bringing to evenness, converting
the foods into our own parts or making them same with us to nourish us, is the action of
‘samaana’. Since ‘samaana’ brings the food in the ‘sameness’ so is called ‘samaana’.
‘sama’ (same) + ‘an’ (animation)= ‘samaana’.
Similarly the creator, the praana, is assimilating us and this is our evolution and in the
process we are becoming inquisitive of our source, of our origin and we are evolving. In
this process one day we will be able to identify us with ‘praaNa’. This is why in
Vedas/Upanishads it has been cited that ‘praaNa’ is our ‘anna’ (food) and also we are
‘anna’ of ‘praaNa’.
But we continue to see evil and good, we continue to taste delicacy and unpalatable food,
smell fragrance and repulsive scent and so on because of duality. However, it is not so in
the Principal ‘praaNa’ where the duality merges into one and every aspect is known as
the activity of ‘praaNa’. If we know ‘praaNa’ we will see how Consciousness is holding
duality in Oneness. This is why ‘praaNa’ is numbered as 1-1/2(one and half) (Note 1).
This is the crescent moon held on the forehead of the mother goddess. When we know
the ‘praaNa’, we are not grieved by anything. We are not disturbed by any kind of
feelings as they then appear with the divine Oneness.
The destination where the time flows, the flowing ‘praaNa’, takes us there and it is called
‘ut(‘ud)’. The word ‘ut’(‘ud’) means ‘up’. This aspect of ‘praaNa’ to lift us up from one
state to the other is ‘udaana’=’ut(ud) + an’. As we stated earlier, when we die, ‘apaana’
purges the body out of us or purges us out of the body, and ‘udaana’ takes us to another
plane.
Thus ‘udaana’ lifts us up and takes us to our destination after our life span ends here. We
go to the destinations as per our disposition in consciousness which is decided by the way
we live throughout the life or the way we ‘feel’ or ‘know’ throughout the life. This is
‘karma’. ‘udaana’ takes us high or low as we live the life.
4. However, it is 'udaana’ who lifts us above the physicality, above mortality. It is because
of ‘udaana’ we look up at the heaven, we long to rise. This is why the ‘praaNa’ is called
‘marut’. ’marut’ means mara (mortality)+ut(ud) (above, up). The air god is called
‘marut’ in the Vedas , as ‘praaNa’, air, lifts us above the death, mortality. This aspect of
‘udaana’ belongs to ‘udgItha’(the name given to the Principal ‘praaNa’, as Principal
‘praaNa’ carries every one beyond mortality.
Every thing we feel, every moment we pass, takes us away along with it. As the air
carries away the scent along with it so the moment carries us away with them. Thus every
moment brings in a novelty, brings in a new person, a new ‘you’, a new ‘me’. When the
stream flows very fast, we can not perceive from outside and it appears to be a still sheet
of water. Similarly we think us as almost stationary and changing gradually. But this is
not the thing. It’s a high speed motion, immense, incredible, to which we are subjected to.
We do not get lost in the oblivion of past. Our past forms are held in ‘praana’ with all the
care and all the love. Every imperfectness we had is nourished toward perfectness and
when we come back again from the plane of ‘ut’(‘ud’) (divinity) to the plane of ‘ap’
(mortality) our past traits, abilities, knowledge become more evolved, more matured.
Thus ‘praaNa’ rears us up and ushers us into divinity.
All these aspects of ‘praaNa’ have been described in Vedas. It is very vividly described
in Prashnopanishad. This Upanishad starts with ‘praSna’ or questions about the origin
because as the creation started, every entity automatically started to question “who am I,
where from am I?”
praaNa is always eager to take us up, in every moment. Thus every moment of us is
regulated. This regulation happens through us without affecting our freedom! None of
our action is happening without the knowledge of ‘praaNa’. Because of Oneness we
think we are acting. However we can see so many actions are happening beyond our
control. ‘praaNa’ is acting out of love. Love, affection, feelings are the crusts over the
‘praaNa’. We grieve since we do not know and when we know we get over all the
sorrows. Our beloved are beloved because of some shade of praaNa that we are able to
sense naturally in them. We live in our body as long as praaNa stays , we leave the body
when praaNa leaves----this has been described as ‘utkramaNa’ in the Vedas. That’s why
Vedas have beseeched ‘ma utkramI’---do not leave. This means ‘when you leave I must
not feel being uprooted, I must not feel life less while leaving!”. If we know ‘praaNa’,
wherever we go we remain in ‘praaNa’, we remain in life eternal. (To be continued in
Part 2)
Note 1. Refer Brihadaranyaka Upanishad, third chapter, 9th
Brahmin, 8th
and 9thMantra.
{This is written from the teachings received from the Seers Shri. Bijoykrishna
Chattopadhaya (1875-1945), and his principle disciple Shri Tridibnath
Bandopadhaya(1923-1994).------Debkumar Lahiri
(you may write to the author at dkldk@rediffmail.com or debkumar.lahiri@gmail.com
for any comments or query)