The document provides information for foreign film crews filming in Vietnam, including:
- Film permits must be obtained 10 days in advance from the Foreign Press Center and include daily fees even if filming less than a full day. A government film officer must accompany crews to ensure compliance.
- Film fixers can help arrange logistics like locations, transportation, equipment rentals, translations and handle small payments. Their roles include supporting permit applications, making arrangements and adapting to changes.
- In addition to permit and officer fees, crews must pay the officer's food, accommodation and transportation. Officers observe filming and help with local authorities, while fixers directly assist crews.
The document provides details on the production plan for a short film centered around seasonal affective disorder (SAD). Key points:
- The film will launch on March 11th 2018 to give enough time for high-quality production and because winter weather may keep people indoors and looking for entertainment.
- A variety of equipment like cameras, tripods, SD cards, computers, headphones, and software will be used to film, store footage, and edit the film. Props, costumes, makeup, and potential hiring costs are outlined in the budget.
- Legal and ethical considerations like content ratings, copyright of footage and assets, and permissions are addressed to avoid any issues. Contingency plans are in
In what ways does your media products use (1)[2]PriscillaAidoo
The document discusses how the filmmakers of a trailer incorporated conventions from real media products into their trailer. They used dramatic diegetic music at the beginning to grip viewers, similar to other trailers. They dressed their actors in gritty clothing stereotypical of working-class backgrounds. They filmed in Thamesmead, London which has a high African-Caribbean population to establish the characters' backgrounds. They included an aggressive scene, a character to feel sorry for, and a gripping scene with fast cuts to captivate audiences, as is common in trailers. The filmmakers challenged some conventions by having an all-female cast instead of the usual gang males.
The production plan document provides details on the film project including:
- The selected launch date of March 11th, 2018 to give enough time to complete the film to a high standard and target audiences who will have more free time during winter.
- The equipment needed such as cameras, tripods, SD cards, computers, headphones, and software like Adobe programs.
- Plans for casting including using a teenage female as the main character and possibly friends as extras. Costumes and colorful makeup may need to be purchased.
- A low budget of around £60 is planned which may be used for props, costumes, makeup, and parking fees for filming locations.
- Contingency plans are in place if issues
1) The document discusses the locations, Ringwood Park and outside the author's house, that will be used to film a short film.
2) Hazards like slopes, play equipment, sticks and rocks are identified at each location and control measures are proposed like marking areas and removing hazards.
3) A risk assessment is presented covering potential risks like slipping, tripping and getting hit by a car at the locations, and how each risk will be controlled.
The production plan outlines the filmmaker's launch date of March 11th, 2018. This date was chosen to give enough time to complete the film to a high standard and to target audiences who will have more free time in late winter. The document then lists the equipment needed to film, such as a camera, tripod, SD cards, computer, headphones, and software like Adobe programs. Permission slips will be obtained for underage actors. Contingency plans include alternatives if weather, actors, or equipment issues arise. The cast and crew consists of one main actress, Amy Hill, and assistance from the filmmaker's sister to hold equipment during filming.
The document summarizes a short film production called "The Masterpiece" that will combine elements of silent films from the 1920s with a featurette documenting the production. The silent film part will have exaggerated comedy and mystery elements. The featurette will include interviews and behind-the-scenes footage that show comedic production blunders. Various film techniques like nonlinear narrative, camera shots, lighting, editing style and character archetypes from both genres will be used and combined to entertain the audience.
The document summarizes a short film production called "The Masterpiece" that will combine elements of silent films from the 1920s with a featurette documenting the production. The silent film is a comedy/mystery about the theft of a painting. The featurette will include interviews and behind-the-scenes footage shot during production. Various film techniques and conventions from genres like documentaries, parodies, and dramas will be used to bring humor to both the silent film and featurette elements.
Our film uses conventions of the thriller genre including suspense, tension between good and evil, isolated locations, weapons, and tense music. We keep the murderer's identity ambiguous through close-ups of their eyes to generate suspense and possible plot twists. We develop the binary opposition of villain versus victim by portraying the murderer as dominant and dangerous and the victim as vulnerable and innocent. We also incorporate unanswered questions to compel viewers and create anticipation, though we imply rather than explicitly show graphic violence.
The document provides details on the production plan for a short film centered around seasonal affective disorder (SAD). Key points:
- The film will launch on March 11th 2018 to give enough time for high-quality production and because winter weather may keep people indoors and looking for entertainment.
- A variety of equipment like cameras, tripods, SD cards, computers, headphones, and software will be used to film, store footage, and edit the film. Props, costumes, makeup, and potential hiring costs are outlined in the budget.
- Legal and ethical considerations like content ratings, copyright of footage and assets, and permissions are addressed to avoid any issues. Contingency plans are in
In what ways does your media products use (1)[2]PriscillaAidoo
The document discusses how the filmmakers of a trailer incorporated conventions from real media products into their trailer. They used dramatic diegetic music at the beginning to grip viewers, similar to other trailers. They dressed their actors in gritty clothing stereotypical of working-class backgrounds. They filmed in Thamesmead, London which has a high African-Caribbean population to establish the characters' backgrounds. They included an aggressive scene, a character to feel sorry for, and a gripping scene with fast cuts to captivate audiences, as is common in trailers. The filmmakers challenged some conventions by having an all-female cast instead of the usual gang males.
The production plan document provides details on the film project including:
- The selected launch date of March 11th, 2018 to give enough time to complete the film to a high standard and target audiences who will have more free time during winter.
- The equipment needed such as cameras, tripods, SD cards, computers, headphones, and software like Adobe programs.
- Plans for casting including using a teenage female as the main character and possibly friends as extras. Costumes and colorful makeup may need to be purchased.
- A low budget of around £60 is planned which may be used for props, costumes, makeup, and parking fees for filming locations.
- Contingency plans are in place if issues
1) The document discusses the locations, Ringwood Park and outside the author's house, that will be used to film a short film.
2) Hazards like slopes, play equipment, sticks and rocks are identified at each location and control measures are proposed like marking areas and removing hazards.
3) A risk assessment is presented covering potential risks like slipping, tripping and getting hit by a car at the locations, and how each risk will be controlled.
The production plan outlines the filmmaker's launch date of March 11th, 2018. This date was chosen to give enough time to complete the film to a high standard and to target audiences who will have more free time in late winter. The document then lists the equipment needed to film, such as a camera, tripod, SD cards, computer, headphones, and software like Adobe programs. Permission slips will be obtained for underage actors. Contingency plans include alternatives if weather, actors, or equipment issues arise. The cast and crew consists of one main actress, Amy Hill, and assistance from the filmmaker's sister to hold equipment during filming.
The document summarizes a short film production called "The Masterpiece" that will combine elements of silent films from the 1920s with a featurette documenting the production. The silent film part will have exaggerated comedy and mystery elements. The featurette will include interviews and behind-the-scenes footage that show comedic production blunders. Various film techniques like nonlinear narrative, camera shots, lighting, editing style and character archetypes from both genres will be used and combined to entertain the audience.
The document summarizes a short film production called "The Masterpiece" that will combine elements of silent films from the 1920s with a featurette documenting the production. The silent film is a comedy/mystery about the theft of a painting. The featurette will include interviews and behind-the-scenes footage shot during production. Various film techniques and conventions from genres like documentaries, parodies, and dramas will be used to bring humor to both the silent film and featurette elements.
Our film uses conventions of the thriller genre including suspense, tension between good and evil, isolated locations, weapons, and tense music. We keep the murderer's identity ambiguous through close-ups of their eyes to generate suspense and possible plot twists. We develop the binary opposition of villain versus victim by portraying the murderer as dominant and dangerous and the victim as vulnerable and innocent. We also incorporate unanswered questions to compel viewers and create anticipation, though we imply rather than explicitly show graphic violence.
Film production involves five main stages: development, pre-production, production, post-production, and distribution. In the development stage, a script is written and story elements are planned. Pre-production involves preparations like hiring crew, selecting locations, and building sets. During production, the raw film elements are recorded. In post-production, the film is edited, sound and visual effects are added. Finally, in distribution, the film is screened for buyers and distributed to audiences through theaters or home media.
There were many technical and creative roles involved in filming the Luther clip, including cast, crew, and use of specialized equipment and props. The cast and crew ensured actor safety by securing wires and cables on the set. Specialist equipment like technical lighting was used to best light the set. Appropriate props and costumes, like police uniforms, were needed so the scene made sense to audiences.
This document provides details on the production plan for a short film. It includes information on the cast and crew, equipment needs and budget. The main characters are described along with who will play each role. Friends and family members will take on acting roles. A variety of equipment will be rented from the local school to film scenes, including a camera, tripod, stabilizer and lighting. A budget of £185 is outlined to cover equipment rental, travel, refreshments, props and contingencies. A production schedule is given with filming taking place from January 6th to February 6th after pre-production in December. Contingency plans are also detailed to address potential issues like bad weather, unavailable locations or equipment failure. The film
The document outlines several potential issues with filming the documentary:
1) Scheduling filming around all actors' availability.
2) Finding a location to film scenes of the band playing a gig.
3) Dealing with unpredictable weather affecting filming schedules.
4) Ensuring enough and properly functioning equipment to complete filming.
5) Preparing for possible accidents or injuries during filming.
The document discusses how the filmmakers incorporated elements from real media products into their film trailer. They filmed in the same location used in the TV series "Misfits". They also used similar lighting, camera shots, and scenes to convey character personalities as other films in their genre. The trailer's location shots and use of "based on a true story" were meant to make the setting feel familiar and draw in audiences, just as was done in the TV drama "My Murder". While challenging some conventions by using an all-female cast, the trailer overall shares more similarities in its stylistic elements to other real media products than differences.
This document outlines many of the roles and jobs involved in film production from pre-production through post-production. It includes roles such as producers, directors, casting directors, location managers, set decorators, costume designers, cinematographers, grips, sound designers, visual effects supervisors, editors, and more. Many jobs have assistants or others who work closely with them. Directors and editors often work together between production and post-production to achieve the director's vision.
Evaluation question 1- improved
In what ways does your media product use, develop or challenge forms and conventions of real media products?
IMPROVED VERSION.
This production plan outlines the props, costumes, cast, crew, budget, and filming schedule for a film. It will be a low-budget production utilizing available items and focusing on key scenes. Props include a fake gun, chairs, and fake blood. The main characters are described along with potential cast members. Contingency plans address challenges like delays, technical issues, or restricted content. The setting may be changed from the 1930s to present day to ease filming logistics.
This document provides a production plan for a short film about mental illness. Key details include:
- The film will launch on March 11th 2018 to give time to complete it to a high standard. March is seen as a good time as the weather is poorer so people will want entertainment.
- Equipment needed includes cameras, tripods, SD cards, computers, headphones, and software like Adobe Premiere and Audition. Sound effects, a studio logo, and musical score will also be used.
- Permission slips will be obtained for any actors under 18. Legal ownership of footage, logos and music will be considered.
- The film will likely be rated 12A due to its
This document outlines a proposal for a short film about a college girl who feels dejected and loses confidence in her life. She discovers her paper airplane can travel through time and uses it to communicate with her younger self, receiving an encouraging message. The proposal includes an outline of the story, estimated costs, intended locations, target audience, roles needed, and the film's unique aspects. It also discusses potential sources of financing including private funds, sponsors, television companies, film studios, national film funds, and crowdfunding. Deadlines, facilities, personnel, materials, and clearances are important considerations.
This document provides an overview of the pre-production planning for a short thriller film called "Absent Minded." It will be about 1 minute long and have a budget of £25-30. The film will require 3 actors, makeup, props, costumes, catering, and equipment. Shooting will take place over 1 day at a single indoor location that has stairs and is dimly lit. Pre-production tasks include securing permissions, equipment booking, location scouting, risk assessment, and creating a production schedule with deadlines.
While a large percentage of entertainment is filmed on soundstages in Culver City, Hollywood, Los Angeles and the San Fernando Valley, the images you see on movie and television screens don’t all come from studio lots. From natural landscapes to historical landmarks, from public spaces to private homes, the entertainment industry is always looking for unique locations.
Pre-production involves extensive planning to prepare for a film production. This includes securing financing, hiring crew members, acquiring necessary equipment and facilities, selecting filming locations, creating scripts and storyboards, and developing shooting schedules. Extensive paperwork and adherence to regulations and codes of practice are also required for legal compliance, health and safety, acquiring permissions and managing risk. The goal of pre-production is to thoroughly plan every aspect of production to ensure a smooth and efficient shoot that meets budgetary, timeline and legal obligations.
Pre-production involves crucial planning requirements like financing, timescales, equipment, locations, personnel, and legal/regulatory compliance. Financing is needed to pay for costs and requires securing funding sources like private investors or public grants. Thorough planning of timescales and equipment availability is also important to efficiently execute filming on schedule and achieve the intended production quality. Locations, personnel such as makeup artists, and additional materials like props also require consideration during pre-production. The purposes of pre-production include ensuring legal and regulatory adherence, health and safety of cast and crew, improving the project through feedback, and facilitating information sharing across the production team.
Pre-production is vital for organizing a film production and ensuring all crew members understand their roles and goals. It provides clarity on the filming process and schedule, which is important both for the crew and any clients. Pre-production planning helps improve the overall quality of the final production. Film finance involves determining a film's potential value based on expected revenue to help secure funding. Sources of funding can come from government grants, tax relief, crowdfunding, investors providing equity or debt financing. A detailed budget and planning of equipment, facilities, locations, personnel and materials is required. Regulations around clearances, health and safety, and age ratings must also be followed.
Financing is crucial in pre-production to pay for equipment, cast, and crew. Private funding comes from investors and producers based on an approved film pitch, but they will want a percentage of earnings. Public funding comes from sources like taxes and lottery funds, but has limited budgets.
Timescales and planning are vital in pre-production to stay on schedule and avoid issues during production. Equipment availability must be considered for desired quality and look. Locations must be secured and suit the genre. Personnel like makeup artists, stunt crews, and location managers are important to coordinate. Props and adherence to codes and regulations are also essential pre-production elements.
This document provides an overview of different job roles in the TV and film industry, dividing them into creative and non-creative categories including management, editorial, technical, research, financial, organizational, and administrative. It then discusses some specific jobs in more depth, including production accounting, casting director, camera operator, and film director. Production accounting involves managing budgets, payroll, and closing out financial records. Casting directors find actors and negotiate contracts. Camera operators implement camera shots as directed. Film directors are responsible for overseeing all artistic and technical aspects of a production from pre-production through post-production.
The document discusses several key aspects of pre-production for a moving image production, including financing, timescale, facilities, locations, personnel, additional materials, and codes of practice/regulations. Financing covers the many costs involved such as costumes, equipment rentals, transportation, and soundtracks. The timescale discusses the importance of scheduling and managing time spent at locations. Facilities explores buying vs renting equipment. Locations requires securing permission and scouting appropriate spots. Personnel may include specialists like stunt crews. Additional materials to consider include scripts, storyboards, and visual effects. Finally, codes of practice ensure safety, legal rights, and fair compensation for all involved.
During the budget session of 2024-25, the finance minister, Nirmala Sitharaman, introduced the “solar Rooftop scheme,” also known as “PM Surya Ghar Muft Bijli Yojana.” It is a subsidy offered to those who wish to put up solar panels in their homes using domestic power systems. Additionally, adopting photovoltaic technology at home allows you to lower your monthly electricity expenses. Today in this blog we will talk all about what is the PM Surya Ghar Muft Bijli Yojana. How does it work? Who is eligible for this yojana and all the other things related to this scheme?
Presentation by Herman Kienhuis (Curiosity VC) on Investing in AI for ABS Alu...Herman Kienhuis
Presentation by Herman Kienhuis (Curiosity VC) on developments in AI, the venture capital investment landscape and Curiosity VC's approach to investing, at the alumni event of Amsterdam Business School (University of Amsterdam) on June 13, 2024 in Amsterdam.
Film production involves five main stages: development, pre-production, production, post-production, and distribution. In the development stage, a script is written and story elements are planned. Pre-production involves preparations like hiring crew, selecting locations, and building sets. During production, the raw film elements are recorded. In post-production, the film is edited, sound and visual effects are added. Finally, in distribution, the film is screened for buyers and distributed to audiences through theaters or home media.
There were many technical and creative roles involved in filming the Luther clip, including cast, crew, and use of specialized equipment and props. The cast and crew ensured actor safety by securing wires and cables on the set. Specialist equipment like technical lighting was used to best light the set. Appropriate props and costumes, like police uniforms, were needed so the scene made sense to audiences.
This document provides details on the production plan for a short film. It includes information on the cast and crew, equipment needs and budget. The main characters are described along with who will play each role. Friends and family members will take on acting roles. A variety of equipment will be rented from the local school to film scenes, including a camera, tripod, stabilizer and lighting. A budget of £185 is outlined to cover equipment rental, travel, refreshments, props and contingencies. A production schedule is given with filming taking place from January 6th to February 6th after pre-production in December. Contingency plans are also detailed to address potential issues like bad weather, unavailable locations or equipment failure. The film
The document outlines several potential issues with filming the documentary:
1) Scheduling filming around all actors' availability.
2) Finding a location to film scenes of the band playing a gig.
3) Dealing with unpredictable weather affecting filming schedules.
4) Ensuring enough and properly functioning equipment to complete filming.
5) Preparing for possible accidents or injuries during filming.
The document discusses how the filmmakers incorporated elements from real media products into their film trailer. They filmed in the same location used in the TV series "Misfits". They also used similar lighting, camera shots, and scenes to convey character personalities as other films in their genre. The trailer's location shots and use of "based on a true story" were meant to make the setting feel familiar and draw in audiences, just as was done in the TV drama "My Murder". While challenging some conventions by using an all-female cast, the trailer overall shares more similarities in its stylistic elements to other real media products than differences.
This document outlines many of the roles and jobs involved in film production from pre-production through post-production. It includes roles such as producers, directors, casting directors, location managers, set decorators, costume designers, cinematographers, grips, sound designers, visual effects supervisors, editors, and more. Many jobs have assistants or others who work closely with them. Directors and editors often work together between production and post-production to achieve the director's vision.
Evaluation question 1- improved
In what ways does your media product use, develop or challenge forms and conventions of real media products?
IMPROVED VERSION.
This production plan outlines the props, costumes, cast, crew, budget, and filming schedule for a film. It will be a low-budget production utilizing available items and focusing on key scenes. Props include a fake gun, chairs, and fake blood. The main characters are described along with potential cast members. Contingency plans address challenges like delays, technical issues, or restricted content. The setting may be changed from the 1930s to present day to ease filming logistics.
This document provides a production plan for a short film about mental illness. Key details include:
- The film will launch on March 11th 2018 to give time to complete it to a high standard. March is seen as a good time as the weather is poorer so people will want entertainment.
- Equipment needed includes cameras, tripods, SD cards, computers, headphones, and software like Adobe Premiere and Audition. Sound effects, a studio logo, and musical score will also be used.
- Permission slips will be obtained for any actors under 18. Legal ownership of footage, logos and music will be considered.
- The film will likely be rated 12A due to its
This document outlines a proposal for a short film about a college girl who feels dejected and loses confidence in her life. She discovers her paper airplane can travel through time and uses it to communicate with her younger self, receiving an encouraging message. The proposal includes an outline of the story, estimated costs, intended locations, target audience, roles needed, and the film's unique aspects. It also discusses potential sources of financing including private funds, sponsors, television companies, film studios, national film funds, and crowdfunding. Deadlines, facilities, personnel, materials, and clearances are important considerations.
This document provides an overview of the pre-production planning for a short thriller film called "Absent Minded." It will be about 1 minute long and have a budget of £25-30. The film will require 3 actors, makeup, props, costumes, catering, and equipment. Shooting will take place over 1 day at a single indoor location that has stairs and is dimly lit. Pre-production tasks include securing permissions, equipment booking, location scouting, risk assessment, and creating a production schedule with deadlines.
While a large percentage of entertainment is filmed on soundstages in Culver City, Hollywood, Los Angeles and the San Fernando Valley, the images you see on movie and television screens don’t all come from studio lots. From natural landscapes to historical landmarks, from public spaces to private homes, the entertainment industry is always looking for unique locations.
Pre-production involves extensive planning to prepare for a film production. This includes securing financing, hiring crew members, acquiring necessary equipment and facilities, selecting filming locations, creating scripts and storyboards, and developing shooting schedules. Extensive paperwork and adherence to regulations and codes of practice are also required for legal compliance, health and safety, acquiring permissions and managing risk. The goal of pre-production is to thoroughly plan every aspect of production to ensure a smooth and efficient shoot that meets budgetary, timeline and legal obligations.
Pre-production involves crucial planning requirements like financing, timescales, equipment, locations, personnel, and legal/regulatory compliance. Financing is needed to pay for costs and requires securing funding sources like private investors or public grants. Thorough planning of timescales and equipment availability is also important to efficiently execute filming on schedule and achieve the intended production quality. Locations, personnel such as makeup artists, and additional materials like props also require consideration during pre-production. The purposes of pre-production include ensuring legal and regulatory adherence, health and safety of cast and crew, improving the project through feedback, and facilitating information sharing across the production team.
Pre-production is vital for organizing a film production and ensuring all crew members understand their roles and goals. It provides clarity on the filming process and schedule, which is important both for the crew and any clients. Pre-production planning helps improve the overall quality of the final production. Film finance involves determining a film's potential value based on expected revenue to help secure funding. Sources of funding can come from government grants, tax relief, crowdfunding, investors providing equity or debt financing. A detailed budget and planning of equipment, facilities, locations, personnel and materials is required. Regulations around clearances, health and safety, and age ratings must also be followed.
Financing is crucial in pre-production to pay for equipment, cast, and crew. Private funding comes from investors and producers based on an approved film pitch, but they will want a percentage of earnings. Public funding comes from sources like taxes and lottery funds, but has limited budgets.
Timescales and planning are vital in pre-production to stay on schedule and avoid issues during production. Equipment availability must be considered for desired quality and look. Locations must be secured and suit the genre. Personnel like makeup artists, stunt crews, and location managers are important to coordinate. Props and adherence to codes and regulations are also essential pre-production elements.
This document provides an overview of different job roles in the TV and film industry, dividing them into creative and non-creative categories including management, editorial, technical, research, financial, organizational, and administrative. It then discusses some specific jobs in more depth, including production accounting, casting director, camera operator, and film director. Production accounting involves managing budgets, payroll, and closing out financial records. Casting directors find actors and negotiate contracts. Camera operators implement camera shots as directed. Film directors are responsible for overseeing all artistic and technical aspects of a production from pre-production through post-production.
The document discusses several key aspects of pre-production for a moving image production, including financing, timescale, facilities, locations, personnel, additional materials, and codes of practice/regulations. Financing covers the many costs involved such as costumes, equipment rentals, transportation, and soundtracks. The timescale discusses the importance of scheduling and managing time spent at locations. Facilities explores buying vs renting equipment. Locations requires securing permission and scouting appropriate spots. Personnel may include specialists like stunt crews. Additional materials to consider include scripts, storyboards, and visual effects. Finally, codes of practice ensure safety, legal rights, and fair compensation for all involved.
Similar to Filming in vietnam as a foreign filming crew (9)
During the budget session of 2024-25, the finance minister, Nirmala Sitharaman, introduced the “solar Rooftop scheme,” also known as “PM Surya Ghar Muft Bijli Yojana.” It is a subsidy offered to those who wish to put up solar panels in their homes using domestic power systems. Additionally, adopting photovoltaic technology at home allows you to lower your monthly electricity expenses. Today in this blog we will talk all about what is the PM Surya Ghar Muft Bijli Yojana. How does it work? Who is eligible for this yojana and all the other things related to this scheme?
Presentation by Herman Kienhuis (Curiosity VC) on Investing in AI for ABS Alu...Herman Kienhuis
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SATTA MATKA DPBOSS KALYAN MATKA RESULTS KALYAN CHART KALYAN MATKA MATKA RESULT KALYAN MATKA TIPS SATTA MATKA MATKA COM MATKA PANA JODI TODAY BATTA SATKA MATKA PATTI JODI NUMBER MATKA RESULTS MATKA CHART MATKA JODI SATTA COM INDIA SATTA MATKA MATKA TIPS MATKA WAPKA ALL MATKA RESULT LIVE ONLINE MATKA RESULT KALYAN MATKA RESULT DPBOSS MATKA 143 MAIN MATKA KALYAN MATKA RESULTS KALYAN CHART
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Cover Story - China's Investment Leader - Dr. Alyce SUmsthrill
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1. Filming in Vietnam as a foreign filming crew
You/your company plan to come to Vietnam to film and there are lots of things you
want to know before coming, such as: film permit, rules and regulations, common
practices, expenses …
Below I want to share about filming in Vietnam from my personal experiences
working with 7 filming crews (from USA, UK, Canada, Poland, Singapore, Hong Kong
and Germany) since Dec 2016 together with/as a replacement of one of the best
fixers in Vietnam.
First, disclaimer, I only had chance to work with advertisement/documentary
filming, not entertainment filming, so I have no experience with entertainment
filming.
1. Film permit:
By law, all press activities need to be registered and monitored by Press authority in
Vietnam, in which, you need to apply for press visa and press permit at least 10 days
in advance to Foreign Press Center (FPC): http://www.presscenter.org.vn/
When you apply for film permit, you need to provide information of: people who are
coming, filming program and location, list of equipments, interview questions,
publication and broadcasting plan …
Film permit fee is daily shooting fee, that means if there is a day you plan to film
only 15 minutes, you still need to pay for the whole day. And if there is a day at first
you didn’t plan to film (for example, you want to use the last day for resting and
shopping), but later you decided to film, depend on the content, the film officer will
decide if you can film and you need to pay for filming that day.
Film permit fee doesn’t include drone permit fee. If you want to use drone, you need
to apply for drone permit with separate fee.
2. Film officer:
Film officer or film commissioner or government minder are term we use to address
an officer from FPC accompany the filming crew in the whole time of the filming trip.
His presence is mandatory by law. He is assigned by FRC and his name is listed in
film permit. You need to pay for his per diem, food, accommodation and
transportation (separately with film permit).
His roles are:
2. + observe and manage the filming crew to film within the content they’ve registered.
(For political reason, to make sure that they don’t make a bad image or include
wrong content about Vietnam).
On filming site, film officer also can tell you where you can film and where you can’t.
+ helping and supporting filming crew with local authorities.
Having film permit doesn’t mean that anywhere you go, you will be accommodated
by local authorities and they would make it easy for you to film. Most of the time, it
looks like the film officer just standing there observing you, doing nothing and
sometime speaking on phone, but his phone calls are to speak with local authorities.
And if the local authorities are onsite, normally the film officer speak with them the
most, explaining about the filming crew.
Normally, there should be only 1 or 2 or 3 people of local authority are onsite (or
better – none), but there was a case at Ha Tinh province, we had 10 or more people
from different departments of local authorities were onsite. Their presences are
usually harmless unless you do something not right.
What to pay for a film officer? His per diem, plus his food, accommodation and
transportation.
Normally, payment for film permit and per diem of film officer are made to film
fixer. And film fixer will make it to FRC. FRC is an independent financial organization
under Ministry of Foreign Affairs. They are provided an office, furniture and some
fixed expenses, but other expenses such as salaries for staffs or activities of
themselves, they need to pay from what they can collect. So film officer can’t totally
earn his per diem.
About paying for his food, accommodation and transportation. It really depends on
preferences and set up of filming crew. Some filming crew decide that local crew
stay in the same hotel and eat together with them, so they will just pay for
everything. Some filming crew prefer to eat and live separately, and they would
come and pay for hotel of local team by credit card, and give payment for food to
film fixer, OR sometime they just give payment for both hotel and food to film fixer.
About transportation, normally only need to be mentioned if there is flight involved.
All film officers are based in Hanoi, so if filming elsewhere, filming crew need to pay
for his transportation to come.
You can’t choose film officer to work with (you also don’t know all of them to
choose), but an experienced film fixer who have worked with lots of film officers will
make things easier. Generally speaking, film officers are supportive if you do the
right thing.
3. Film fixer:
3. Theoretically speaking, film officer also can play the role of film fixer. He also can
speak both English and Vietnamese and also can arrange things. But practically, the
person who come with the role of manage and observe the filming team isn’t
suitable with the role of serving the filming team at the same time. You could easily
tell film fixer to run errands for you, but you couldn’t really tell the film officer to do
that.
So, what’re roles of film fixer?
+ Supporting with registration of film permit and drone permit (if any). Normally
when you work with fixer, you need to work with fixer only, and fixer would work
with FPC.
+ Preparation for filming scene:
- scouting locations: rural-looking place, busy motorbike driving street, identify
current address from old address, …
- speaking with people in advance to prepare for filming. For example, if you want to
film at a restaurant, you need to speak with the restaurant in advance to ask their
permission to film and setting up scene, so they can prepare in advance. Sometime it
would involve extra payment if needed.
+ Arrange transportation: normally car, but sometime also boat (for example, if you
want to film a boat tour on Ha Long bay). For filming crew, as having a lot of
equipment, you would like to have a car with open space at the back (have the
chairs folded or removed), so you can take or put in your equipment easily. Some
filming crews are big (like 20 people or more) and you would like to have a truck to
carry all luggage and equipment, rather than put them in a van. However, due to
traffic law in Vietnam, all of these are usually not possible. (Ask me for further
explanation).
Film fixer will also try to arrange driver(s) with experiences working with filming
crews, since working with filming crew is different with working with tourist
groups, however, we can’t promise anything. Film fixer usually doesn’t own cars nor
drivers for filming. We would sign contract with car service company to provide
car(s) with driver(s), and they arrange for us drivers who are available.
Drivers are usually experienced working with tourist groups more than filming
crews. With tourist groups, there is usually fixed schedule for pick up and drop off.
With filming crew, it’s not like that, filming time can be estimated, but doesn’t really
happen exactly as schedule.
A driver with experience working with filming crew would be much easier to work
with. Sometime car would be an object for filming, or filming would happen inside
the car or through car window, and driver need to adjust with that. For example,
when we filmed langurs, we told the driver to drive slowly and silent in the forest.
4. When we detect langurs, we told the driver to stop and turned off the engine,
everyone kept silent and only the cameraman and camera assistant approach closer
to the langurs to film.
+ Translation for interview. Help to arrange filming scenes, communicating with all
related people.
+ Help to rent extra equipment which filming crew didn’t bring with them. Help to
hire extra people if needed (sound man, person who help to carry things
+ Asking for signature for release forms.
+ Give food recommendations: filming crew doesn’t always have time to research
about food, so fixer usually need to give food recommendation based on preferences
and budget of the filming crew. These usually aren’t stated, but fixer need to ask or
observe or use experiences to recommend. Some filming crews have people prefer
different things: a person doesn’t eat pork, another doesn’t eat beef, another doesn’t
eat spicy, … some filming crews prefer open space over closed space. Though filming
crew comes to film and not to eat, giving filming crew good experiences is one part
of work of fixer.
+ Researching information online. Giving information about weather, traffic, …
+ Help to make small payments. Due to credit card and foreign currencies aren’t
widely accepted everywhere, filming crew from abroad may not have VND or small
changes all the time, fixer can help to make small payments and filming crew will
reimburse afterward. Sometime fixer also help to gather bills and put into excel file.
+ All around no name tasks: help to buy USB, batteries, things …
+ When filming crew need to split into 2 teams, normally film officer would go with
the team which have more chance to meet local authorities (such as shooting beauty
shots/city shots), while fixer goes with the team which need more speaking and
arrangements.
+ Adapt with changes: the work of the fixer would be easier if everything stays as
planned but most of the time, it doesn’t. Changes can happen because of many
reasons:
- Things don’t happen as planned: flight delayed, queue up at the airport take much
longer than expected, weather change, member(s) of filming crew got sick and
couldn’t work …
- Director/creative team change their mind.
- Some VIP/stars aren’t easy to work with.
5. Last minute plans and ideas are always hard to deal with and arrange, but anyway, a
fixer always need to be aware of those and make the best out of the circumstance.
4. Others:
+ When your team arrives at the airport, normally film fixer & officer will come to
meet and pick up you of course. But please note that Noi Bai airport is no longer
allow people with signboard to stand in door of arrival hall, must stand outdoor. So I
usually write name of the filming crew on a half of A4 paper (A5) and try to stand
indoor.
+ Sim card with 3G: must buy at airport to avoid registration (wasting time).
+ Exchanging money at airport is also recommended for rate and convenience.
+ Airport is usually not allowed to film, specially when it’s closer to National Holiday
when airport is crowded and reach to highest security level. (You can stay in the car
and film via the window, though).
+ Cash withdrawal is limited to 2 million VND/time, with withdrawal fee is 50,000
VND/time.
+ Weather is unpredictable, and forecast isn’t usually precise, so if you have option 2
in case it rains, please include in the filming schedule.
Anyway, filming is intensive. What audiences watch for an hour may take one week
to film. However, filming is still a joyful and interesting experience. It tells stories.
(to be updated)
1) Definition: Fixer here means to support press-related activities in:
research, contact, communicate, interpret, apply for visa, permit, arrange schedule,
transportation, arrange equipment, people like sound man/drone operator, etc
upon to the demand of the correspondent/journalist/production firm.
Correspondent/journalist can be professional or semi-professional.
2) Legal basis of press activities in Vietnam:
Decree no 88/2012/ND-CP and Circular no 84/TTLB.