Film Opening costumes, actors and props
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The main characters Steve and Pete will wear suits and ties to appear formal and important, fitting spy genre conventions. They will also have earpieces to communicate secretly, as spies often do. Actors Nathan and Joey were chosen for their ability to look smart in suits and have the right personality and attitude for undercover spies. Props will include a knife, phone, earpiece, memory stick, and office key.
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Costumes, actors and props
The document discusses costumes, actors, and props for a media coursework project. It describes that the main characters Steve and Pete will wear suits and ties to appear formal and fit genre conventions of undercover spies. Nathan and George are chosen to play the roles as they can dress smartly and have the right personality. Props include a knife to build tension, an earpiece to make the characters appear important and communicate secretly, and a shirt with fake blood to create tension and fit the chosen genre.
Group genre activity
The group created a sci-fi film scene where the main character, a teenage girl, transforms into an alien whose movements are controlled by the chief alien. When a pizza delivery person arrives, the possessed girl drags them inside and eats them. The group aimed to include typical sci-fi conventions like alien possession. They crafted the character and setting to relate to average teenagers. Attachments include a photo of the group working, their script, and a basic storyboard outlining each scene.
Question 2
The document discusses the production's portrayal of various stereotypes regarding class, race, age, gender, and sexuality in films. Regarding class, the house used in filming contradicted the working class setting intended. For race, white actors were used as the primary audience. The actor chosen for age did not fully portray the intended immaturity of a young person widowed. Gender stereotypes were somewhat challenged by portraying the male as vulnerable and the female as stronger. The production used heterosexual characters for their mainstream appeal but attempted to challenge norms of relationships and success.
Evaulation 7
1) The document reflects on a preliminary task of filming a scene between two characters, Milly and her art teacher, discussing her work.
2) It notes that the actors, both being young, were not ideally suited for the roles given the characters' ages. The location was also noisy and busy, detracting from the intended setting of an evening art class.
3) In moving to the full project, skills like planning, directing, tracking, continuity, and sound checking were improved upon. Areas that could be changed if refilming the preliminary scene included casting older actors for the roles, changing the art teacher character to male, reducing unnecessary shots, filming at night, and choosing a quieter location
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This document summarizes how different social groups are represented in the media product "The Vengeance." It discusses the representation of the interrogator, victim, and villain characters.
The female interrogator is depicted as strong, independent, opinionated, and self-confident. She wears formal office clothing and speaks confidently to intimidate suspects. Scenes focus on her body language and facial expressions to show her dominance.
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Question 2
The document discusses the representation of characters in a film opening. Each character's clothing and appearance establishes their social class and role to the audience. Some characters fulfill stereotypes about their race or gender, while others break stereotypes, such as using female characters to conduct torture instead of only male characters. The bosses are portrayed as superior through their body language and positioning looking down on tortured characters. Different characters represent different social classes through costume, behavior, and how they are framed in shots.
Opening sequence conventions
The document discusses conventions for thriller opening sequences. It notes that openings often introduce characters and an antagonistic force within the first three minutes to set up mystery. They also establish a dilemma to encourage interpretation. The response discusses an opening they created, introducing two antagonists and a mystery around a message from the main character's father. While most thrillers use action, they break convention by showing the character performing normal tasks to generate greater intrigue for the audience.
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Costumes, actors and props
The document discusses costumes, actors, and props for a media coursework project. It describes that the main characters Steve and Pete will wear suits and ties to appear formal and fit genre conventions of undercover spies. Nathan and George are chosen to play the roles as they can dress smartly and have the right personality. Props include a knife to build tension, an earpiece to make the characters appear important and communicate secretly, and a shirt with fake blood to create tension and fit the chosen genre.
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Question 2
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Evaulation 7
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Question 2
The document discusses the representation of characters in a film opening. Each character's clothing and appearance establishes their social class and role to the audience. Some characters fulfill stereotypes about their race or gender, while others break stereotypes, such as using female characters to conduct torture instead of only male characters. The bosses are portrayed as superior through their body language and positioning looking down on tortured characters. Different characters represent different social classes through costume, behavior, and how they are framed in shots.
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This document summarizes how different social groups are represented in the media product "The Vengeance". It discusses the representation of three main characters - the Interrogator, Victim, and Villain.
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The Victim is portrayed as a vulnerable, naive, and feminine female worker, drawing from films where innocent female victims are attacked. Her floral dress emphasizes her innocence compared to other characters' formal dark clothing. Her
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This document summarizes how different social groups are represented in the media product "The Vengeance." It discusses the representation of the interrogator, victim, and villain characters.
The female interrogator is depicted as strong, independent, opinionated, and self-confident. She wears formal office clothing and speaks confidently to intimidate suspects. Camera angles focus on her dominance in interrogations.
The female victim is portrayed as vulnerable, naive, and feminine. She wears a pretty floral dress to emphasize her innocence. She speaks with stress to show pressure and build tension. Camera angles make her seem inferior and watched.
The male villain is shown as dominant, sly, and ruthless. He wears dark casual clothes
Evaluation Question 2
The document discusses the representation of characters in media and how it influences audience expectations. It provides examples of characters represented in the opening sequence of a thriller film being analyzed. The photographer character is represented as mysterious through close-ups and a rugged appearance hiding their identity. The model is vulnerable as stereotypical but the audience does not expect to see her future of being strangled. Another character from the film Se7en is compared, who slices their own skin to hide fingerprints, suggesting they are antagonistic and hiding a dark secret. A character from Taxi Driver of a young vulnerable prostitute is also examined, which challenges expectations of the thriller genre. In conclusion, representation is important for audiences to identify characters' personalities and states.
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Film Opening Script
Two men, Steve and Pete, break into an office at night to investigate the suspicious death of an employee. They find an encrypted file on the computer and copy it onto a memory stick. Later, Pete is found murdered in his home by Steve. A mysterious man calls Steve and claims responsibility, threatening to kill Steve's wife Martha if he doesn't return the memory stick. Steve vows to find and stop the killer, even if it puts his family in danger.
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This document summarizes how different social groups are represented in the media product "The Vengeance." It discusses the representation of the interrogator, victim, and villain characters.
The female interrogator is depicted as strong, independent, opinionated, and self-confident. She wears formal office clothing and speaks confidently to intimidate suspects. Camera angles focus on her dominance in interrogations.
The female victim is portrayed as vulnerable, naive, and feminine. She wears a pretty floral dress to emphasize her innocence. She speaks with stress to show pressure and build tension. Camera angles make her seem inferior and watched.
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The document summarizes how the media product represents the character type in its film. The character is a female investigator played by the author who explores an empty church alone, challenging conventions by having a sole protagonist. Her business-like outfit and neutral camera angles portray her as independent yet create mystery around her intentions. Unsettling sounds match her growing nerves as she explores. Close-ups of her touching religious items and being possessed behind the altar suggest a disrespectful or possessed nature that wasn't clear before. The character is compared to protagonists from other horror films, showing how she maintains more ambiguity around her motives and whether she is hero, victim, or villain.
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Casting Shots
Joshua Parkinson decided to play the main role in the opening sequence due to his acting experience and qualifications. As no other actors were available or willing to work for free, he was the best choice. The costumes for the main role were styled after Matthew McConaughey's character in True Detective, with a white button-up shirt, loose dark blue tie, black work trousers, and black work shoes to portray a dominant yet relaxed presence.
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The document discusses how the media product uses and develops conventions of the social realism genre. It examines how the opening sequence meets several conventions, including having a low budget, using unknown actors, filming on location, and using typical camera shots and movements. However, it also challenges some conventions, such as using mostly non-diegetic sound rather than diegetic sound. The document also explores how the opening sequence meets conventions for its form, such as credit order, and how it uses color symbolism to represent the character's emotions.
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The document analyzes the opening sequence of the film "Bullet Boy" through its use of sound, mise-en-scene, characters, and cinematography. Soft piano music plays during emotional moments and stops for dialogue to emphasize words. The main character wears a tracksuit indicating his working-class background. Quick cuts are used when someone is discovered in the car's boot, moving the plot forward in a realistic style typical of social realism films. The sequence establishes the main character's release from prison and reconnection with his friend and brother set against the backdrop of their working-class community.
Mise-en-scene planning
For their opening sequence, the filmmakers have chosen Stephanie to play the main character because she fits the age, gender, personality, and background needed. They will use everyday clothing like jeans and tops to keep the costumes simple and relatable. The location will be an abandoned area to start the sequence in an original way and build tension. Props will include a photo of a couple and a newspaper article to hint at the story and create mystery. Lighting will change from dim interior lighting to create unease, to bright exterior lighting to symbolize exposure.
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The document provides an analysis of the opening sequence of the 2009 film "The Box". It summarizes that the sequence introduces the two main characters as a couple living in Virginia in 1976 through text screens and shots. It establishes that they have an average income through depictions of their bedroom and suggests the male character has a well-paying job through shots of him waking up early and dropping his child off at a nice school.
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The document provides information about the target audience for a media product. The primary audience is described as middle-upper class adults aged 30-50 who enjoy new ideas and having their views challenged. The secondary audience is similar but younger, aged 21-29. Feedback was received from both audience groups who enjoyed the plot but had some criticisms, like wanting more background on the main character and thinking the music was too dramatic. While a 12A certificate was initially chosen, reevaluating to a 15 certificate would allow deeper exploration of themes like depression and satisfy the mature target audience better.
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Question 1 media studies evaluation mark final
The document discusses how the media product uses conventions of horror films. It creates the opening two minutes of a horror film set in modern-day Surrey. It uses stock narratives, characters, and settings common to the genre. These include an innocent family, a possessed child antagonist, and ordinary suburban settings. The narrative combines elements of mystery and a normal family. Video cameras are used to make it seem more realistic. Negative space is utilized but wasn't entirely effective at startling viewers so a "sting" was added to draw attention.
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Film Opening Script
Two men, Steve and Pete, break into an office at night to investigate the suspicious death of an employee. They find an encrypted file on the computer and copy it onto a memory stick. Later, Pete is found murdered in his home by Steve. A mysterious man calls Steve and claims responsibility, threatening to kill Steve's wife Martha if he doesn't return the memory stick. Steve vows to find and stop the killer, even if it puts his family in danger.
Film Opening Production schedule
This production schedule outlines the tasks, locations, crew, equipment, and timeline needed to produce a film opening. It includes pre-production tasks like research, script/storyboard development, location scouting, and scheduling. Production will involve filming scenes at an industrial park, alleyway, and house over multiple days in December and January. Post-production will consist of editing the clips together between January and February, adding effects, and receiving feedback before submitting the final film opening. The schedule provides details for each stage of production to plan shooting and ensure timely completion of the project.
Production schedule
This document contains a production schedule for a film project that includes pre-production, production, and post-production tasks from October 2016 to January 2017. The pre-production tasks involve genre research, developing initial ideas and scripts, storyboarding, determining target audiences, and planning costumes, props, locations, shots, and schedules. Production will film scenes on two days in the forest and at a house. Post-production will focus on editing scenes over two days. All tasks are assigned to the same individual and will take place at the filmmaker's school or locations in the New Forest.
Film Opening Recce
Oliver Booth is choosing locations to film scenes for the opening of his action film. He selects a dark alley that is spooky and fits the genre conventions. This is where the main character Steve will run to check on his friend Pete. Another location is Pete's house, where Steve finds the door already opened. The final key location is inside Pete's house, where Steve discovers Pete lying on the floor with a stab wound, revealing he has been murdered. This is the most emotional part of the opening.
Shot List
This document provides details on 15 shots planned for a short film. Shot 1 is a close up that pans downwards, showing a man writing a letter in an office. Shot 2 zooms into the sealed envelope. Shots 3 and 4 establish the man posting the letter outside and driving away. Shot 5 uses zooms and over the shoulder shots to show dialogue in a train station ticket office. Shots 8, 10 and 14 use high angle CCTV-like views of the train station. Voice over of the letter's contents continues throughout multiple shots. The ending implies the man does not actually board the train, though the shots make it seem that way, with the CCTV shots going fuzzy.
Script
Oscar cautiously walks down a bare corridor appearing confused about how he got there. He enters a door and sits opposite Rowan, who was expecting him. Rowan reveals to Oscar that he is in a dream. The scene then cuts to Rowan asleep in a chair, waking up confused and realizing it was just a weird dream.
Tracked floor plan
This floorplan document outlines shots for a film set in a train station and office. It details the locations of stairs, train tracks, benches and desks in the station, and two camera shots - one high-angled near the stairs mimicking a CCTV view, and one tracking a train passing on the platform. For the office scene, it describes an over-the-shoulder shot of an actor writing a letter at a desk, with a close up of the letter also planned.
Shot list
The document is a shot list for a film or video containing 19 shots. It provides details for each shot such as the shot type, camera movement, location, and sound. The shots depict a girl having a strange encounter with a mysterious man in the woods who gives her a scroll and asks for her help, saying the world is in danger. She takes the scroll and shows it to her friends, saying the man needs her help to find something to save mankind.
Film Opening Shotlist
The shot list documents 21 scenes involving two mysterious men infiltrating an abandoned office at night to steal encrypted files from a computer. The camera follows the men as they use a key to unlock the door, search the office, access the computer, download the encrypted files onto a memory stick, and exit the building. Once in his car, one of the men is able to open the encrypted file on his computer and sees a document with employee names, some crossed out and one circled. He then tries to call the other man but it goes to voicemail.
Location recce
This document discusses location options for filming a movie scene. It describes Brockenhurst train station, noting that the dark and edgy atmosphere during evening hours will fit well with the film. The old platforms and ticket office create a good film setting. Photos also show the covered platforms inside the station have an old feel. Signage will be changed to enhance the atmosphere, and even during daylight the station seems dark enough for the desired effect. A post box surrounded by trees is also considered for its mysterious look in keeping with the film's theme of hidden identity.
Script
Johnathan writes a letter to Susan explaining that he has to leave town suddenly and cannot see her or put her life in danger. He places the letter in a post box and takes a train, hoping to protect Susan from unspecified threats. On the train platform, Johnathan tells Susan not to look for him or contact him through calls or texts as that could put them both at risk. He says he has to go away for an unknown period of time but hopes Susan will be happy, even if she finds someone new, and asks her not to forget about him, signing off with "All my love."
Pre production
The document outlines costumes and props needed for an inspector character in a production. The inspector will wear a long jacket, jeans or cargo trousers, smart shoes, and a watch to portray the organized and professional nature of a police inspector. Props include a cup of tea to create relatability, a flashlight for comedic effect, and a hat to emphasize the inspector's characteristics.
Production schedule
The production schedule outlines the following:
1) Filming will take place on January 8th at different times of day to suit lighting conditions, with most filming in the morning and afternoon. Costumes will include normal clothes along with vampire accessories later.
2) Props like cutlery, plates, and drinks are already available on location so none need purchasing. Equipment includes a camera, tripod, and microphone.
3) Four actors - Luca, Lily, Abi, and Tom - will be needed. Post-production work like editing and color grading will take place during lessons the following weeks.
Shot list
The document is a shot list for a film that contains 24 shots. It describes the camera shots, type of camera movement, location, and sound details for each shot. The shots include close-ups, establishing shots, match on action shots, and two person shots in various locations like the dining table, garden, kitchen, bedroom and Snails Lane. The sounds range from natural ambient noises to music that is scary, daunting, funny or dramatic depending on the scene. Character dialogue is included for some of the shot reverse shot scenes.
Floor plans
This floor plan document contains layouts for two key scenes in a film. The first scene takes place in a kitchen where a mother and daughter have an argument, which causes the daughter to leave. The second scene shows the daughter unconscious in a forest. The floor plans include camera positioning for both scenes - for the kitchen, cameras will be level with and over the shoulder of the actors, and for the forest, the camera will be directly above the unconscious actor on the ground.
Pp script
The main character, a girl, has an argument with her mother that leads her to pack her bags and run away into the forest. While in the forest, she is chased and beaten by unknown people who leave her unconscious. The girl wakes up injured in the forest, with flashbacks showing the argument with her mother that caused her to run, being chased, and finally being overpowered and knocked out by her attackers. She is too injured to stand and searches for her bag in a frightened state as the film begins.
Costumes, actors, props
The costumes include a black outfit for the girl to show she is not fussed with appearances, jeans and a dressing gown for the mum to portray a homely person, and all black for the man to keep his identity hidden as he chases the girl. The actors chosen are Gina the 15-year-old girl for the main role, Gina's actual mum to play the mum for an authentic argument, and Gina's brother Matt to play the murderer due to his drama experience. The props include a rucksack, torch, bag of coins, and newspaper.
Shot types
The document describes 19 shots from a film depicting a girl's flashbacks. Shot 1 shows the girl unconscious on the forest floor injured. Shot 2 zooms in on her wounded eye. Shot 3 shows her running away from home. Shot 4 shows her lying on the ground having her first flashback to the kitchen at home where she argues with her mother in shots 5-8. She runs upstairs and packs a bag, then leaves in shots 10-12. Her mother shouts for her to return in shot 13. Later flashes show her being chased and injured in the forest.
Production schedule
This document outlines the pre-production, production, and post-production tasks and schedule for a student film project from November 2016 to March 2017. It includes tasks like research, script/storyboard development, location scouting, filming, and editing. Filming will take place in a forest and house with a crew of 1-3 people. Props include a rucksack, coins, torch, and newspaper. Post-production editing will be done in the media classroom using Premiere Pro software. Evaluation questions will be completed throughout February and March 2017.
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The document provides details about the film pitch for a thriller film called "Nina". The protagonist Nina has undergone a medical experiment that has given her superhuman strength. People are now after her and she must train to fight back. The film takes inspiration from HANNA. Locations would include wooded areas and abandoned buildings nearby. Friends of the filmmaker would star and the film aims to subvert expectations of female protagonists in thrillers. The summary discusses conventions like shots, sounds and narrative devices that would be used.
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The document discusses how different social groups and characters are represented in a media product described as a film. It summarizes the representation of several key character types:
The hero is a detective portrayed through his clothing, posture, and close-ups showing emotion to convey his role in law enforcement and a past trauma. The villain is intentionally left unnamed and has their face concealed, following thriller conventions to build mystery. Victims include an innocent young girl meant to elicit empathy, and an older victim whose resemblance to the girl helps the audience understand the hero's motivation. A head of police is represented as stressed but dedicated through his disheveled appearance and focused work.
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The document discusses the costumes, props, and actors for a film opening scene about a gang/crime.
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Few props will be used: a fake gun, rope, fake blood, a chair for the victim, and a notepad/pen.
Several actors are described who will play the roles of the suspects and victim. Their suitability is discussed in terms of reliability, ability to understand character roles, and acting skills to portray the intended emotions and messages.
Turtles completed
This document discusses the design and animation of several cartoon characters. It notes that the turtle character has a proportionally smaller head than body with colors that do not clash. Its main feature is its expressive face that shows emotions suited for children. Other characters, like the Pokemon, have rounded shapes associated with being nice characters. Some characters stand on two legs like humans to relate to older teenage audiences and have features suggesting they want to fight or are protagonists and strong. The animation styles suit the target audiences and programs.
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This document outlines the plans for a thriller film opening titled "Hidden Oak". It will target teenagers aged 15-18 and have an R16 rating. The opening aims to create mystery and confusion by showing fragmented scenes that are slowly pieced together. Iconography like shadows and low key lighting will be used. The plot involves a psychotic kidnapper holding a girl named Sarah captive in his isolated home. Practical filming can be done safely at a group member's property that resembles an isolated forest setting.
Evaluation Question #1
The media product challenges some thriller conventions through the characters while also following others. Specifically, the head detective Banks is a unconventional character as a female in a typically male role, and the influence of the elephant game is less serious than typical thriller influences. However, the protagonist detective Hunter fits typical thriller conventions. Some aspects could be improved, such as making the elephant's presence clearer and adding more movement to the titles for suspense. Overall, challenging some conventions and following others provides variety while still appealing to thriller fans.
Evaluation Question #1
The media product challenges some thriller conventions through the characters while also following others. Specifically, the head detective Banks is a unconventional character as a female in a typically male role, and the influence of the elephant game is less serious than typical thriller influences. However, the protagonist detective Hunter fits typical thriller conventions. Some aspects could be improved, such as making the elephant's presence clearer and adding more movement to the titles for suspense. Overall, challenging some conventions and following others makes for a unique product that can attract a wide audience.
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This document discusses how gender is typically represented in paranormal horror films and how the filmmakers have represented gender in their own film "The Hellion". Males are usually depicted as strong, brave "jocks" while females are weak and vulnerable. The filmmakers dressed one male character in a varsity jacket to depict him as strong and another in "cool" clothing to make him persuasive. A female character is dressed in nerdy clothing with glasses to depict her as the cynical role, going against expectations when she plays the ouija board. The document aims to show how the film conforms to genre conventions around gender representation.
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This is my PowerPoint for my Evaluation on my groups Teaser Trailer called 'The Long Awakening' for my A2 Media coursework.
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The document discusses a student group's thriller film project where they aimed to both challenge and follow genre conventions. They challenged conventions through unconventional lighting and color in the opening sequence. They followed conventions through camera movements that created tension. The group represented teenagers as irresponsible through a character who acts as a "ring leader" without considering consequences. Through the project, the student learned about filmmaking techniques, the process of film distribution, and gained knowledge on shots, sounds, and rules to construct an effective opening sequence.
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My film is a thriller defined by its dark poster and magazine cover featuring mysterious imagery. The trailer establishes the thriller genre through fast pacing, tension-building music and camerawork. It follows the protagonist Nina versus pursuing government forces. Nina disrupts the story's equilibrium and must establish a new one. Key themes include loss of childhood and portrayals of females. The target audience is young females who may connect with the young female protagonist, with young males also a potential audience.
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Film Opening costumes, actors and props
- 1. Costumes Main characters (Steve and Pete): Theywill be wearingasuitand tie because itwouldshow thattheyare veryformal and showsthat theyare in some waysimportant.Also,itfitswell withthe genre conventions because undercoverspiesnormally wearsuitsasitmakesthemlookmore normal and smart. Theywill alsohave anearpiece because itwouldmake itlooklike theyare importantorthey are doingsomethingsecret.Again,thisfitswell withthe genreconventionsof action/spy filmsbecause undercoverspiesnormallyhave some formof earpiece tocommunicate with. Actors: Steve Bennet= Nathan – I have chosenNathanbecause he isveryformal andlikestolooksmart whenhe can. Also,Ithinkhe’sgotthe rightattitude andpersonalitytopull of beinganundercover spy. Pete Langley = Joey – I have chosenJoeyas well because he toocandressnice and smart whenhe wantsto and he has a good personalityandattitude thatwouldfitthe role well.Also,Joeyand Nathanare goodfriendssoI thinktheywouldworkwell togetherinthe roles. Props: Knife Phone Earpiece Memorystick Key(office)