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Case Study: Westerns
 Throughout the history of cinema; The Western is probably the most
 loved and most hated of all genres.
 For lovers of high art it can be seen as naïve and repetitive.
 For lovers of popular culture it is direct, fun and energetic.

          Typically American in form, the Western concentrates its
          subject matter on the history of the USA, specifically in the
          post-Civil War period.

               The Western has gained and secured popularity
               with audiences in and outside of the States not
               because of any historical truth but through its power
               as a myth.
                       IDEOLOGY: A mythology has to have an
                       ideology or motivating function.
                       e.g. A feminist reading of the Western would
                       find the genre patriarchal.
                       (and even in some cases misogynistic)
The first classic Western is
                        considered to be: The Great Train
                        Robbery (1903) dir. Edwin S.
                        Porter
                        The film certainly has the
                        iconography and signifying features
                        of the genre:
                        Trains, horses, saloon, guns etc.

However, there is
much missing in
terms of stock
characters and star
images.
After this film, the
genre established
itself within the
setting of post-Civil
War, American
frontier.
John Ford
Although the Western picked up in increasing popularity
throughout the 1920s and 1930s – they were still not considered
as quality pictures.

They were cheaply and quickly
made and their appeal (largely
due to male audiences) were the
gunfights, chase scenes and
scenery.

John Ford insisted on continuing
to direct Westerns and his
commitment legitimised the genre
and made: Stagecoach which is
now considered a classic.

The film was actually marketed as
a melodrama rather than a
Western as it focuses more on
people rather than gunfights.

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Film gen1d

  • 1. Case Study: Westerns Throughout the history of cinema; The Western is probably the most loved and most hated of all genres. For lovers of high art it can be seen as naïve and repetitive. For lovers of popular culture it is direct, fun and energetic. Typically American in form, the Western concentrates its subject matter on the history of the USA, specifically in the post-Civil War period. The Western has gained and secured popularity with audiences in and outside of the States not because of any historical truth but through its power as a myth. IDEOLOGY: A mythology has to have an ideology or motivating function. e.g. A feminist reading of the Western would find the genre patriarchal. (and even in some cases misogynistic)
  • 2. The first classic Western is considered to be: The Great Train Robbery (1903) dir. Edwin S. Porter The film certainly has the iconography and signifying features of the genre: Trains, horses, saloon, guns etc. However, there is much missing in terms of stock characters and star images. After this film, the genre established itself within the setting of post-Civil War, American frontier.
  • 3. John Ford Although the Western picked up in increasing popularity throughout the 1920s and 1930s – they were still not considered as quality pictures. They were cheaply and quickly made and their appeal (largely due to male audiences) were the gunfights, chase scenes and scenery. John Ford insisted on continuing to direct Westerns and his commitment legitimised the genre and made: Stagecoach which is now considered a classic. The film was actually marketed as a melodrama rather than a Western as it focuses more on people rather than gunfights.