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FILM DISTRIBUTION
What is a film distributor?

A distributor is an independent company, a company or rarely an individual which
acts with the top/final agent. I a distributor is working with a theatrical exhibitor, the
distributor secures a written contract stipulating the amount of the gross ticket sales
to be paid to the distributor by the exhibitor after first deducting a ‘floor’, which is
called a ‘’house allowance’’, collects the amount due, audits the exhibitor’s ticket
sales as necessary to ensure the gross reported by the exhibitor is accurate, secures
the distributor’s share of these proceeds, and transmits the remainder to the
production company.
The film distributor must also ensure that there are enough film prints struck to
service all contracted exhibitors on the contract-based opening day, ensure their
physical delivery to the theater by the opening day, monitor exhibitors to make sure
the film is in fact shown in the particular theatre with the minimum number of seats
and show times, and ensure the prints' return to the distributor's office or other
storage resource also on the contract-based return date.
INCEPTION      WARNER BROS          Budget: $200,000,000
                                    Gross:
                                    $800,00,000


AVATAR         FOX                  Budget:230,000,000
                                    Gross: $760,507,625


FORREST GUMP   PARAMOUNT PICTURES   Budget: $55,000,000
                                    Gross: $677,387,716


DARK KNIGHT    WARNER BROS          Budget: $185,000,000
                                    Gross: $533,345,358


TITANTIC       PARAMOUNT PICTURES   Budget: $110,000,000
                                    Gross: $600,788,188

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Film distribution

  • 1. FILM DISTRIBUTION What is a film distributor? A distributor is an independent company, a company or rarely an individual which acts with the top/final agent. I a distributor is working with a theatrical exhibitor, the distributor secures a written contract stipulating the amount of the gross ticket sales to be paid to the distributor by the exhibitor after first deducting a ‘floor’, which is called a ‘’house allowance’’, collects the amount due, audits the exhibitor’s ticket sales as necessary to ensure the gross reported by the exhibitor is accurate, secures the distributor’s share of these proceeds, and transmits the remainder to the production company. The film distributor must also ensure that there are enough film prints struck to service all contracted exhibitors on the contract-based opening day, ensure their physical delivery to the theater by the opening day, monitor exhibitors to make sure the film is in fact shown in the particular theatre with the minimum number of seats and show times, and ensure the prints' return to the distributor's office or other storage resource also on the contract-based return date.
  • 2. INCEPTION WARNER BROS Budget: $200,000,000 Gross: $800,00,000 AVATAR FOX Budget:230,000,000 Gross: $760,507,625 FORREST GUMP PARAMOUNT PICTURES Budget: $55,000,000 Gross: $677,387,716 DARK KNIGHT WARNER BROS Budget: $185,000,000 Gross: $533,345,358 TITANTIC PARAMOUNT PICTURES Budget: $110,000,000 Gross: $600,788,188