The document summarizes the plot of the film Schindler's List. It describes how the film is set in Krakow, Germany during the Holocaust. Jewish people were discriminated against and forced to relocate by the Nazi regime. Oskar Schindler, a German businessman, worked to save over 1,100 Jewish people from concentration camps by employing them in his factory. The film depicts the hostility faced by Jewish people at the hands of Nazi soldiers and residents.
The document summarizes the plot of several films, including Schindler's List, 3 Idiots, Les Miserables, and The Karate Kid. It discusses the settings, cultural identities, characters, and life lessons depicted in each film. Key events include Oscar Schindler saving Jewish people from the Holocaust, three engineering students overcoming prejudice in India, Jean Valjean starting a new life after serving time as a convict in France, and a boy learning kung fu after moving to China.
1) Wade Wilson started his career as an assassin after leaving the military. He became skilled in plastic surgery and technology to alter his appearance for jobs.
2) Wade later joined the Weapon X program but was expelled after killing a teammate on his first mission. This transformed him into the mercenary known as Deadpool.
3) After several assassin jobs, Deadpool became a mercenary and weapon supplier. He had various adventures and encounters with Wolverine and other heroes and villains.
The document discusses various stock characters that are commonly seen in horror films. It defines a stock character as one that is easily recognizable within a specific genre. Some key stock characters in horror films that are examined include the wanderer, who is often the first to die by wandering off alone; the final girl, who is typically the last surviving character left to confront the killer; the pandora, who takes risks that result in death or survival; the jock, who is self-confident and cocky and often one of the first killed; the pervert, whose sexual motives lead to their downfall; and the popular girl, who is dismissive of smarter characters and usually dies early. Examples are given for each character
Narrative enigmas in trailers katia martinskatiamartins96
The document analyzes the narrative conventions, structure, and enigmas presented in the trailers for three horror/comedy films: Warm Bodies, Zombieland, and Jennifer's Body. For each film, it discusses the horror and comedy elements shown in the trailer, the protagonist(s) and their journey, and important questions left unanswered to intrigue audiences. Overall, the document seeks to understand how these trailers engage audiences by establishing narratives but leaving certain details ambiguous.
Lila experiences backstabbing from her former best friend Jessica and a group of popular girls in high school. The popular girls convince Jessica to help them kill Lila, which she does by hiding her body. When the girls think Lila is dead, her body unexpectedly reappears as she seeks revenge against those who killed her. The film explores themes of teenage betrayal, murder, and supernatural revenge in the slasher film genre.
Freddy Krueger, Candyman, and Esther are well-known killers from horror films that follow some common conventions. Freddy Krueger uses a gloved razor hand to kill in dreams. Candyman appears if his name is said five times in a mirror and kills with a hook for a hand. Esther poses as a child but is actually a grown woman who uses manipulation to kill without obvious weapons. While they follow conventions as serial killers with troubled pasts, Esther subverts expectations by appearing as a child rather than the usual middle-aged man and hiding her deadly nature under an innocent guise.
This document discusses the common stock characters that are often seen in slasher horror films. It describes the main stock character types including the popular girl, the final girl, the pandora, the wanderer, the jock, and the pervert. For each character type, it provides examples from well-known horror movies that feature characters fitting that particular stock character mold.
The document outlines several common stock characters that are often seen in horror films. The wanderer is typically the first victim who wanders off and gets killed for being curious and naive. The popular girl is attractive but mean-spirited and often friends with the final girl, meeting an early demise. The jock is athletic and tries to protect others but ultimately fails when battling the antagonist. The final girl is the sole survivor and protagonist whose fear and bravery the audience experiences. Pandora's curiosity opens dangerous possibilities as they sometimes turn out to be the hidden killer. The pervert is a sexually-motivated outcast focused on lust rather than self-preservation, leading to their demise.
The document summarizes the plot of several films, including Schindler's List, 3 Idiots, Les Miserables, and The Karate Kid. It discusses the settings, cultural identities, characters, and life lessons depicted in each film. Key events include Oscar Schindler saving Jewish people from the Holocaust, three engineering students overcoming prejudice in India, Jean Valjean starting a new life after serving time as a convict in France, and a boy learning kung fu after moving to China.
1) Wade Wilson started his career as an assassin after leaving the military. He became skilled in plastic surgery and technology to alter his appearance for jobs.
2) Wade later joined the Weapon X program but was expelled after killing a teammate on his first mission. This transformed him into the mercenary known as Deadpool.
3) After several assassin jobs, Deadpool became a mercenary and weapon supplier. He had various adventures and encounters with Wolverine and other heroes and villains.
The document discusses various stock characters that are commonly seen in horror films. It defines a stock character as one that is easily recognizable within a specific genre. Some key stock characters in horror films that are examined include the wanderer, who is often the first to die by wandering off alone; the final girl, who is typically the last surviving character left to confront the killer; the pandora, who takes risks that result in death or survival; the jock, who is self-confident and cocky and often one of the first killed; the pervert, whose sexual motives lead to their downfall; and the popular girl, who is dismissive of smarter characters and usually dies early. Examples are given for each character
Narrative enigmas in trailers katia martinskatiamartins96
The document analyzes the narrative conventions, structure, and enigmas presented in the trailers for three horror/comedy films: Warm Bodies, Zombieland, and Jennifer's Body. For each film, it discusses the horror and comedy elements shown in the trailer, the protagonist(s) and their journey, and important questions left unanswered to intrigue audiences. Overall, the document seeks to understand how these trailers engage audiences by establishing narratives but leaving certain details ambiguous.
Lila experiences backstabbing from her former best friend Jessica and a group of popular girls in high school. The popular girls convince Jessica to help them kill Lila, which she does by hiding her body. When the girls think Lila is dead, her body unexpectedly reappears as she seeks revenge against those who killed her. The film explores themes of teenage betrayal, murder, and supernatural revenge in the slasher film genre.
Freddy Krueger, Candyman, and Esther are well-known killers from horror films that follow some common conventions. Freddy Krueger uses a gloved razor hand to kill in dreams. Candyman appears if his name is said five times in a mirror and kills with a hook for a hand. Esther poses as a child but is actually a grown woman who uses manipulation to kill without obvious weapons. While they follow conventions as serial killers with troubled pasts, Esther subverts expectations by appearing as a child rather than the usual middle-aged man and hiding her deadly nature under an innocent guise.
This document discusses the common stock characters that are often seen in slasher horror films. It describes the main stock character types including the popular girl, the final girl, the pandora, the wanderer, the jock, and the pervert. For each character type, it provides examples from well-known horror movies that feature characters fitting that particular stock character mold.
The document outlines several common stock characters that are often seen in horror films. The wanderer is typically the first victim who wanders off and gets killed for being curious and naive. The popular girl is attractive but mean-spirited and often friends with the final girl, meeting an early demise. The jock is athletic and tries to protect others but ultimately fails when battling the antagonist. The final girl is the sole survivor and protagonist whose fear and bravery the audience experiences. Pandora's curiosity opens dangerous possibilities as they sometimes turn out to be the hidden killer. The pervert is a sexually-motivated outcast focused on lust rather than self-preservation, leading to their demise.
How does your film opening represent particular socialTheFro223
The document analyzes the representation of characters in horror films based on location, ethnicity, gender, and age. It describes the setting of the film as a lab, implying the characters are educated scientists rather than working class. It notes that white female characters are typically strong and determined professionals like scientists or doctors, while the white female in this film seems more relaxed and talkative than driven. The black male character follows a common trope of being the first to make a mistake and get killed, acting as a heroic sacrifice. Men are usually portrayed as dominant and willing to fight threats, though the male character here is distracted by his work. Main female leads in horror tend to be determined teenagers but this character is laidback and survives by
The document discusses research into common stock characters in horror movies. It identifies 6 main types: The Wanderer, The Popular Girl, The Final Girl, The Jock, The Pervert, and The Pandora. For each type, it provides examples of characters from movies that exemplify the characteristics of that stock character, such as being curious, attractive, intelligent, a leader, sexually frustrated, or appearing innocent but turning out to be the killer. The document concludes that identifying these stock character types will help in creating own's own horror movie characters that fit genre conventions.
Danny Ocean is the charismatic leader of a group of skilled thieves and con artists in the Ocean's movies. He is experienced in various cons and schemes. As the leader, he knows each member's skills and how to utilize their talents for complex heists. Despite being a criminal, Danny adheres to an ethical code of not harming others and only stealing from those who deserve it.
The document summarizes reported statements from famous people about their personal lives and reviews of the movie Spider-Man 2. It provides examples of changing direct quotes to reported speech and reviews of the movie to reported statements using was/wasn't and were/weren't. The full document is then provided for reference.
The document analyzes film narrative theories and applies them to the film "Before I Go to Sleep." It summarizes Todorov's, Propp's, and Levi-Strauss's theories and identifies the narrative structures they see in the film. The document concludes that Todorov's theory of narrative equilibrium, disruption, recognition, repair, and return to equilibrium best describes the plot of the film. It also discusses potential applications of Propp's character archetypes to the author's own thriller film.
Stock characters are fictional characters based on common stereotypes. There are several common stock characters in horror films, including the wanderer, popular girl, jock, final girl, pandora, and pervert. The wanderer is often the first to die, as they wander off alone. The popular girl is attractive but unintelligent. The jock is a muscular male athlete. The final girl is a loner who survives to the end to face the killer. The pervert meets their demise due to sexual desires. Pandora characters take risks that result in death or survival.
This document discusses representations of different groups in horror films. It notes that males are often portrayed as heroic protagonists but also as villains, while females are usually shown as the "weaker" gender. A common trope is the "final girl" who is the last survivor. Regarding age, children are typically endangered while needing rescue, and older characters tend to be evil antagonists providing wisdom before being killed. Nationality, religion, sexual orientation and ethnicity are also mentioned as representations that can be positive or negative depending on the film's context.
The document discusses common stock characters that are instantly recognizable in the horror genre of films. It identifies and provides examples of the wanderer, who leaves the group and is usually the first to die; the popular girl, who is blonde and dismissive of smarter characters, often meeting her demise; and the jock, who is self-confident and cocky and also frequently meets an early death. Additionally, it examines the pervert, whose sexual desires lead to their downfall, and Pandora characters who are secretly connected to the killer. Finally, it explores the "final girl" character who is often the last surviving target of the killer.
The document describes several common stock characters that are often seen in horror movies:
1) The Wanderer is the character who explores alone and gets killed due to their isolation from the group.
2) The Jock is arrogant, vain, and popular but not very bright. They are often the first non-main characters killed.
3) The Popular Girl is beautiful and well-liked but can also be mean. She is typically dating the Jock.
4) Pandora or the "Dark Horse" seems innocent but is revealed to be the killer in a plot twist.
5) The Final Girl is the main character who outsmarts the killer and survives to the end
Todorov's classical Hollywood narrative structure outlines a typical plot progression from equilibrium, to disruption, to disequilibrium as the protagonist works to resolve the disruption and restore equilibrium. Propp identified common character archetypes like the hero, villain, and helper. Levi-Strauss examined binary oppositions that represent good vs evil. Bordwell and Thompson noted narratives rely on events occurring in time and space, with gaps the audience must infer. These theories provide tools to understand narratives and character roles. The document analyzes how Halloween uses some theories despite diverging from the classical structure, identifying character types but lacking a clear resolution.
Stock characters media research and planning. Jumana IsmailJumana Ismail
The document summarizes four common character archetypes in horror films - the false hero, villain, hero, and donor - providing an example character and brief description for each. The false hero, Adam Carr from Valentine, appears innocent but is revealed to be the murderer. The villain, the Creeper from Jeepers Creepers, is portrayed as evil and harms others. The hero, Nancy Thompson from A Nightmare on Elm Street, risks her life to defeat the villain. The donor, Rham Jas from Drag Me to Hell, helps the protagonist by revealing she is haunted.
The document discusses the "final girl theory" developed by Carol Clover. The final girl is the last character left alive at the end of a slasher film who confronts the killer. She is typically an intelligent, curious, and vigilant character who moves the narrative forward. According to Clover, final girls sometimes have unisex names and occasionally share a history with the killer. While some have criticized the theory as predictable, Clover argued it subverted the typical sexualized representation of women in horror films by positioning the audience to identify with the surviving female character rather than the killer.
A powerpoint presentation for a Media Studies College level (CEGEP) class as a complement to showing "Carrie", the 1976 film directed by Brian De Palma. Discusses girl culture, stereotypes and coming of age stories in media.
This document summarizes several common stock characters that appear in horror films. The wanderer is an aimless traveler who explores unfamiliar places and is often the first killed. The popular girl is well-liked but her popularity makes her vulnerable. The jock is an athletic leader of the group. The final girl is usually the last surviving female who confronts the killer. Pandora figures unlock dangerous secrets. The pervert is a sexually motivated male who dies early, highlighting that immoral acts will be punished.
The document discusses the TV show Agent Carter. It analyzes different elements of the show including:
1. The target audience is those aged 12 and up, as younger children may not understand the language and time period depicted.
2. The narrative unfolds through interesting camerawork like close-ups, quick cuts during dramatic scenes, and shots of each person during phone calls.
3. Mise-en-scene elements include 1940s-era costumes, cars, and sets, with women in color and men in dark colors, reflecting the period's gender roles.
4. Both diegetic and non-diegetic sounds are used, like classic music and dramatic score during serious scenes.
This document contains disjointed summaries of multiple stories:
1) A story about ninjas on a mission who encounter an old friend who is now a villain.
2) A comedy about two friends who make a decision that changes their lives forever, finding a bag of money.
3) A boy goes on a date with a popular girl he likes, but discovers she is a vampire who eats him. However, doctors are able to save him by combining organs, turning him into a vampire against his will.
The document discusses the 1978 horror film Halloween, directed by John Carpenter. It was made with a small budget of $325,000 but grossed $47 million, making it one of the most successful independent films. Halloween helped establish common conventions for the slasher genre, including killings taking place in suburban America. It featured suspense through minimal violence and gore. Critics praised Carpenter's camera work and music score. The film reviewer found Halloween to be one of the best horror movies due to its scary masked villain and ability to build tension without drawn-out scenes.
This document analyzes the psychological horror film "You're Next" through discussing its conventions and techniques. It summarizes the plot, examines character types and representations through mise-en-scene elements. It also analyzes themes, settings, and how the film creates fear through plausible events, human villains portrayed in a realistic way, and gory realistic deaths. The purpose is to bring psychological fear and disturb the audience.
The document discusses the target audiences for the film "The Descent". The primary audiences are those interested in action/adventure films, horror films, and young women/young adults as the film has intense action scenes, scary monsters, and an all-female cast. Secondary audiences include those who like monster movies, sports/extreme sports, and depictions of gore/death. Additional potential audiences are fans of the director, cast members, or themes like feminism and the unknown found in thriller films.
This document outlines Abigail Alfaro's cultural travel itinerary to four Asian countries: Singapore, Malaysia, Thailand, and Cambodia. For each country, key travel destinations and cultural points are identified. Budget costs and references are also provided for planning purposes. The itinerary provides details on places to visit, cultural experiences to learn about, and costs to consider for visiting these four Southeast Asian countries.
Cross cultural communication-translating nonverbal cuesAra Alfaro
This document summarizes key aspects of non-verbal communication across cultures. It discusses how personal space, eye contact, speaking volume, and touch have different meanings in various cultures. For example, direct eye contact with authority figures is avoided in Latino culture. The document emphasizes that non-verbal cues vary significantly between cultures and greater sensitivity to these differences can help with cross-cultural communication. It concludes that each culture has unique ways of communicating non-verbally.
How does your film opening represent particular socialTheFro223
The document analyzes the representation of characters in horror films based on location, ethnicity, gender, and age. It describes the setting of the film as a lab, implying the characters are educated scientists rather than working class. It notes that white female characters are typically strong and determined professionals like scientists or doctors, while the white female in this film seems more relaxed and talkative than driven. The black male character follows a common trope of being the first to make a mistake and get killed, acting as a heroic sacrifice. Men are usually portrayed as dominant and willing to fight threats, though the male character here is distracted by his work. Main female leads in horror tend to be determined teenagers but this character is laidback and survives by
The document discusses research into common stock characters in horror movies. It identifies 6 main types: The Wanderer, The Popular Girl, The Final Girl, The Jock, The Pervert, and The Pandora. For each type, it provides examples of characters from movies that exemplify the characteristics of that stock character, such as being curious, attractive, intelligent, a leader, sexually frustrated, or appearing innocent but turning out to be the killer. The document concludes that identifying these stock character types will help in creating own's own horror movie characters that fit genre conventions.
Danny Ocean is the charismatic leader of a group of skilled thieves and con artists in the Ocean's movies. He is experienced in various cons and schemes. As the leader, he knows each member's skills and how to utilize their talents for complex heists. Despite being a criminal, Danny adheres to an ethical code of not harming others and only stealing from those who deserve it.
The document summarizes reported statements from famous people about their personal lives and reviews of the movie Spider-Man 2. It provides examples of changing direct quotes to reported speech and reviews of the movie to reported statements using was/wasn't and were/weren't. The full document is then provided for reference.
The document analyzes film narrative theories and applies them to the film "Before I Go to Sleep." It summarizes Todorov's, Propp's, and Levi-Strauss's theories and identifies the narrative structures they see in the film. The document concludes that Todorov's theory of narrative equilibrium, disruption, recognition, repair, and return to equilibrium best describes the plot of the film. It also discusses potential applications of Propp's character archetypes to the author's own thriller film.
Stock characters are fictional characters based on common stereotypes. There are several common stock characters in horror films, including the wanderer, popular girl, jock, final girl, pandora, and pervert. The wanderer is often the first to die, as they wander off alone. The popular girl is attractive but unintelligent. The jock is a muscular male athlete. The final girl is a loner who survives to the end to face the killer. The pervert meets their demise due to sexual desires. Pandora characters take risks that result in death or survival.
This document discusses representations of different groups in horror films. It notes that males are often portrayed as heroic protagonists but also as villains, while females are usually shown as the "weaker" gender. A common trope is the "final girl" who is the last survivor. Regarding age, children are typically endangered while needing rescue, and older characters tend to be evil antagonists providing wisdom before being killed. Nationality, religion, sexual orientation and ethnicity are also mentioned as representations that can be positive or negative depending on the film's context.
The document discusses common stock characters that are instantly recognizable in the horror genre of films. It identifies and provides examples of the wanderer, who leaves the group and is usually the first to die; the popular girl, who is blonde and dismissive of smarter characters, often meeting her demise; and the jock, who is self-confident and cocky and also frequently meets an early death. Additionally, it examines the pervert, whose sexual desires lead to their downfall, and Pandora characters who are secretly connected to the killer. Finally, it explores the "final girl" character who is often the last surviving target of the killer.
The document describes several common stock characters that are often seen in horror movies:
1) The Wanderer is the character who explores alone and gets killed due to their isolation from the group.
2) The Jock is arrogant, vain, and popular but not very bright. They are often the first non-main characters killed.
3) The Popular Girl is beautiful and well-liked but can also be mean. She is typically dating the Jock.
4) Pandora or the "Dark Horse" seems innocent but is revealed to be the killer in a plot twist.
5) The Final Girl is the main character who outsmarts the killer and survives to the end
Todorov's classical Hollywood narrative structure outlines a typical plot progression from equilibrium, to disruption, to disequilibrium as the protagonist works to resolve the disruption and restore equilibrium. Propp identified common character archetypes like the hero, villain, and helper. Levi-Strauss examined binary oppositions that represent good vs evil. Bordwell and Thompson noted narratives rely on events occurring in time and space, with gaps the audience must infer. These theories provide tools to understand narratives and character roles. The document analyzes how Halloween uses some theories despite diverging from the classical structure, identifying character types but lacking a clear resolution.
Stock characters media research and planning. Jumana IsmailJumana Ismail
The document summarizes four common character archetypes in horror films - the false hero, villain, hero, and donor - providing an example character and brief description for each. The false hero, Adam Carr from Valentine, appears innocent but is revealed to be the murderer. The villain, the Creeper from Jeepers Creepers, is portrayed as evil and harms others. The hero, Nancy Thompson from A Nightmare on Elm Street, risks her life to defeat the villain. The donor, Rham Jas from Drag Me to Hell, helps the protagonist by revealing she is haunted.
The document discusses the "final girl theory" developed by Carol Clover. The final girl is the last character left alive at the end of a slasher film who confronts the killer. She is typically an intelligent, curious, and vigilant character who moves the narrative forward. According to Clover, final girls sometimes have unisex names and occasionally share a history with the killer. While some have criticized the theory as predictable, Clover argued it subverted the typical sexualized representation of women in horror films by positioning the audience to identify with the surviving female character rather than the killer.
A powerpoint presentation for a Media Studies College level (CEGEP) class as a complement to showing "Carrie", the 1976 film directed by Brian De Palma. Discusses girl culture, stereotypes and coming of age stories in media.
This document summarizes several common stock characters that appear in horror films. The wanderer is an aimless traveler who explores unfamiliar places and is often the first killed. The popular girl is well-liked but her popularity makes her vulnerable. The jock is an athletic leader of the group. The final girl is usually the last surviving female who confronts the killer. Pandora figures unlock dangerous secrets. The pervert is a sexually motivated male who dies early, highlighting that immoral acts will be punished.
The document discusses the TV show Agent Carter. It analyzes different elements of the show including:
1. The target audience is those aged 12 and up, as younger children may not understand the language and time period depicted.
2. The narrative unfolds through interesting camerawork like close-ups, quick cuts during dramatic scenes, and shots of each person during phone calls.
3. Mise-en-scene elements include 1940s-era costumes, cars, and sets, with women in color and men in dark colors, reflecting the period's gender roles.
4. Both diegetic and non-diegetic sounds are used, like classic music and dramatic score during serious scenes.
This document contains disjointed summaries of multiple stories:
1) A story about ninjas on a mission who encounter an old friend who is now a villain.
2) A comedy about two friends who make a decision that changes their lives forever, finding a bag of money.
3) A boy goes on a date with a popular girl he likes, but discovers she is a vampire who eats him. However, doctors are able to save him by combining organs, turning him into a vampire against his will.
The document discusses the 1978 horror film Halloween, directed by John Carpenter. It was made with a small budget of $325,000 but grossed $47 million, making it one of the most successful independent films. Halloween helped establish common conventions for the slasher genre, including killings taking place in suburban America. It featured suspense through minimal violence and gore. Critics praised Carpenter's camera work and music score. The film reviewer found Halloween to be one of the best horror movies due to its scary masked villain and ability to build tension without drawn-out scenes.
This document analyzes the psychological horror film "You're Next" through discussing its conventions and techniques. It summarizes the plot, examines character types and representations through mise-en-scene elements. It also analyzes themes, settings, and how the film creates fear through plausible events, human villains portrayed in a realistic way, and gory realistic deaths. The purpose is to bring psychological fear and disturb the audience.
The document discusses the target audiences for the film "The Descent". The primary audiences are those interested in action/adventure films, horror films, and young women/young adults as the film has intense action scenes, scary monsters, and an all-female cast. Secondary audiences include those who like monster movies, sports/extreme sports, and depictions of gore/death. Additional potential audiences are fans of the director, cast members, or themes like feminism and the unknown found in thriller films.
This document outlines Abigail Alfaro's cultural travel itinerary to four Asian countries: Singapore, Malaysia, Thailand, and Cambodia. For each country, key travel destinations and cultural points are identified. Budget costs and references are also provided for planning purposes. The itinerary provides details on places to visit, cultural experiences to learn about, and costs to consider for visiting these four Southeast Asian countries.
Cross cultural communication-translating nonverbal cuesAra Alfaro
This document summarizes key aspects of non-verbal communication across cultures. It discusses how personal space, eye contact, speaking volume, and touch have different meanings in various cultures. For example, direct eye contact with authority figures is avoided in Latino culture. The document emphasizes that non-verbal cues vary significantly between cultures and greater sensitivity to these differences can help with cross-cultural communication. It concludes that each culture has unique ways of communicating non-verbally.
Cross cultural communication-translating nonverbal cuesAra Alfaro
This document summarizes key aspects of non-verbal communication across cultures. It discusses how personal space, eye contact, speaking volume, and touch have different meanings in various cultures. For example, direct eye contact with authority figures is avoided in Latino culture. The document emphasizes that non-verbal cues vary significantly between cultures and greater sensitivity to these differences can help with cross-cultural communication. It concludes that each culture has unique ways of communicating non-verbally.
The document discusses the importance of cultural competence for teachers in increasingly diverse classrooms. It outlines key cultural differences, such as ways of communicating, learning, and dealing with conflict, that teachers should be aware of. The document provides suggestions for teachers to gradually develop cultural competence, including building relationships, seeking cultural resources, and learning about students' cultures.
The presentation was given by Abigail R. Alfaro. It discussed key points about a new product launch or marketing campaign. Details were provided about target markets, pricing, distribution channels, and timelines to help stakeholders understand and provide feedback on the plan.
2. The setting took
place in Krakow ,
Germany where the
Jewish people were
ordered to register
all family members
and relocate to
major cities.
The cultural identity
shown here was the
discrimination of
Jewish people.
3. Oscar Schindler, a
money-minded
person and being a
German that he
was, was against
the mass killing of
the Jewish people
and spent his
Oskar Schindler (Liam Neeson)
money to save the
lives of those 1,100
Jewish people.
4. Watching this
movie/film made
me realize the
hostility of the
Jewish people
German soldiers
and other residents
towards these
Jewish people.
Nazis
5. The German soldiers
discriminated the Jewish
people took their lives and
burned down their dead
bodies rather than giving
them proper burial.
6. Setting: India
This film is about the three
engineering students who met
each other at Imperial College.
They are Farhan, Rancho, and Raju.
7. The cultural L-R:
Farhan,
identity found here Rancho
and Raju
is prejudice
wherein some
students make fun
of these three guys
whom they believe
are nothing but
fools
Inside a trap cell
8. Somehow, these
guys proved those
other students
wrong by showing
that they could Raju, Rancho and Farhan
help other people
in need and they
Aal Izz
have this positive Well…
outlook in life. As
they say, “Aal Izz
Well”
9. The sad part was
that as they were
about to help a
fellow engineering
student, they were
too late since he
already killed
himself due to
being told by a
professor that he is Suicide part
a failure.
10. What I have learned from
watching this film is that we
should not judge others by
their ability and instead of
degrading them or telling
them that they are a failure,
we should support them
and cheer them up.
11. I admire the three
guys for their
loyalty to each
other and their
strong friendship.
No matter what
their stand is, they
are still there for Rancho and his friends
each other through
thick and thin
12. The film was about
a man who got
arrested for
stealing bread. Jean
Valjean, an ex-
convict, broke free
of the parole to
start a new life as
Monsieur
Madeleine.
13. The setting took
place in France and
the cultural identity
would probably be
prejudice because
the prisoners,
including Jean Hugh Jackman as Jean Valjean
Valjean himself,
was mistreated due
to being a criminal.
14. Jean Valjean was not the only
one that was mistreated but
Fantine , a factory worker, as
well by other people.
Anne Hathaway as Fantine
15. Two characters that I Fantine
admire the most in this
film are Fantine for being
a sacrificial mother and
Jean Valjean for being Jean
Valjean/Monsieur
such a kind man , even to Madeleine
those who have done
him wrong like Inspector
Javert.
Russell Crowe as
Inspector Javert
16. What I have learned from
this film was that even
From being Jean Valjean (
bad people deserve to be a convict)
given the chance to start
living a new life as a good
person.
To being Monsieur
Madeleine (a
respected man)
17. Karate Kid is about
a young boy who
moved from Detroit
to China due to the
fact that his mother Karate Kid poster
got a job.
Two of the cultural
identities identified
here are prejudice
and discrimination. Dre Parker moving to
China
18. There’s also a
language barrier
between an
American and a
Chinese wherein
Dre Parker (Jaden
Smith) tries to
communicate with
Dre Parker trying to strike
his fellow traveller a conversation in
Mandarin
in Mandarin.
19. One of the cultural
identity found in
this film is
discrimination Bullied by Cheng and
his friends
wherein Dre Parker
gets bullied in his
school by Cheng
and his friends.
Dre Parker gets hurt
20. Another cultural
identity is the
prejudice where Mei Ying
Mei Ying (WenWen
Han) ‘s parents
disapprove of her
friendship with Dre
since they think At the Forbidden
City
that he is a bad
influence to their
child.
Mei Ying falls for Dre
21. Quoting Mr. Han (Jackie Chan) , “Too much good stuff
becomes bad stuff” , I have learned that we have to
discipline or control ourselves from doing such things that
we think or believe are good for us.
22. Also, Mr Han
disciplined Dre with
hanging his coat
and taught him the Being taught to hang his coat
importance of
proper attitude in
hanging his coat.
Mr. Han to Dre on hanging his
coat on the rack: “Attitude”
23. I admire Mr. Han the
most in this film for
being a good mentor
to Dre Parker about
Teaching kung fu to Dre
kung fu and for being
a disciplinarian as
well.