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Expressionism was an artistic movement that gained popularity in Germany between 1905-1920. It focused on expressing emotions rather than depicting the external world, and reflected the psychological impacts of new technology and urbanization. Artists used techniques to convey emotions rather than realism, influenced by Van Gogh. Major expressionist sub-movements included Die Brücke, which formed in 1905 and helped popularize the style.
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Expressionism
Expressionism was a modern art movement that originated in Germany in the early 20th century. It aimed to present the world solely from a subjective perspective and distort reality for emotional effect. Expressionist art tried to convey emotion and meaning rather than realistic depictions. Artists like Max Beckmann, James Ensor, Oskar Kokoschka, August Macke, Franz Marc, Edvard Munch, and Egon Schiele used vivid colors and exaggerated subjects to express inner emotions. Expressionism influenced not only painting and poetry but also literature, dance, sculpture, music, and theatre.
Expressionism incomplete
The document provides background information on Expressionism as an art movement from 1905-1940s that originated in Germany. Expressionism sought to portray subjects in a way that expressed the inner emotional experience of the artist rather than aiming for photographic realism. Key goals were to evoke subjective responses in viewers and depict how the world causes extreme emotions in sensitive individuals. Examples are given of paintings by Expressionist artist Edvard Munch from the 1890s that depict anxiety, melancholy, and other emotions through distorted figures and use of color.
Art in America
The document summarizes major art movements and styles that emerged in America after World War 2, including Abstract Expressionism, Pop Art, Minimalism, and Feminist Art. It provides examples of influential artists like Jackson Pollock, Andy Warhol, Frank Stella, and Judy Chicago. The art movements reflected reactions to the postwar period, consumer culture, protest movements, and the changing roles of women in society.
Expressionism
This slide explains how the principle of expressionism is applied to architectural structures and examples about expressionism art and architecture .
German expresionism (1919 24)
Expressionism was a modernist art movement that originated in Germany in the early 20th century. Expressionist artists sought to express inner feelings and emotions rather than depict physical reality through techniques like distorting forms, using vivid colors, and imbalanced designs. Expressionism influenced various art forms including painting, literature, theater, dance, film, and music. The movement aimed to represent inner essence and the most expressive aspects of subjects, with the belief that reality is created by the mind rather than reflecting the external world.
Expressionism
Expressionism was an artistic movement between 1910-1924 where architects distorted building forms to elicit an emotional response from viewers. Key characteristics included the exaggeration of forms, unusual massing, novel materials, and curved roofs to create a sense of movement. Some notable expressionist works included Bruno Taut's Glass Pavilion built in 1914 which used glass as its primary material, Erich Mendelsohn's Einstein Tower from 1921 featuring an expressionist style, and Hans Polzig's Great Theater in Berlin completed in 1919 that distorted traditional forms. However, only a limited number of expressionist buildings were realized due to economic difficulties and the style was later outlawed by the Nazis.
Expressionism
German Expressionism developed in late 19th and early 20th century Germany and was characterized by the use of vivid colors and distorted images to convey inner emotions and visions. Two major German Expressionist movements were Die Brucke, centered in Dresden and led by Ernst Kirschner, known for his expressive self-portraits and street scenes, and Der Blaue Reiter, which pursued non-objective abstraction through orchestration of color and form to envision a liberated society. Key figures included Kandinsky, whose abstract compositions eliminated representation, and Franz Marc, known for works like Foxes that distorted reality to evoke feelings. Expressionism also influenced other creative fields and the American artist Marsden
Expressionism
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
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Expressionism
Expressionism was a modern art movement that originated in Germany in the early 20th century. It aimed to present the world solely from a subjective perspective and distort reality for emotional effect. Expressionist art tried to convey emotion and meaning rather than realistic depictions. Artists like Max Beckmann, James Ensor, Oskar Kokoschka, August Macke, Franz Marc, Edvard Munch, and Egon Schiele used vivid colors and exaggerated subjects to express inner emotions. Expressionism influenced not only painting and poetry but also literature, dance, sculpture, music, and theatre.
Expressionism incomplete
The document provides background information on Expressionism as an art movement from 1905-1940s that originated in Germany. Expressionism sought to portray subjects in a way that expressed the inner emotional experience of the artist rather than aiming for photographic realism. Key goals were to evoke subjective responses in viewers and depict how the world causes extreme emotions in sensitive individuals. Examples are given of paintings by Expressionist artist Edvard Munch from the 1890s that depict anxiety, melancholy, and other emotions through distorted figures and use of color.
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The document summarizes major art movements and styles that emerged in America after World War 2, including Abstract Expressionism, Pop Art, Minimalism, and Feminist Art. It provides examples of influential artists like Jackson Pollock, Andy Warhol, Frank Stella, and Judy Chicago. The art movements reflected reactions to the postwar period, consumer culture, protest movements, and the changing roles of women in society.
Expressionism
This slide explains how the principle of expressionism is applied to architectural structures and examples about expressionism art and architecture .
German expresionism (1919 24)
Expressionism was a modernist art movement that originated in Germany in the early 20th century. Expressionist artists sought to express inner feelings and emotions rather than depict physical reality through techniques like distorting forms, using vivid colors, and imbalanced designs. Expressionism influenced various art forms including painting, literature, theater, dance, film, and music. The movement aimed to represent inner essence and the most expressive aspects of subjects, with the belief that reality is created by the mind rather than reflecting the external world.
Expressionism
Expressionism was an artistic movement between 1910-1924 where architects distorted building forms to elicit an emotional response from viewers. Key characteristics included the exaggeration of forms, unusual massing, novel materials, and curved roofs to create a sense of movement. Some notable expressionist works included Bruno Taut's Glass Pavilion built in 1914 which used glass as its primary material, Erich Mendelsohn's Einstein Tower from 1921 featuring an expressionist style, and Hans Polzig's Great Theater in Berlin completed in 1919 that distorted traditional forms. However, only a limited number of expressionist buildings were realized due to economic difficulties and the style was later outlawed by the Nazis.
Expressionism
German Expressionism developed in late 19th and early 20th century Germany and was characterized by the use of vivid colors and distorted images to convey inner emotions and visions. Two major German Expressionist movements were Die Brucke, centered in Dresden and led by Ernst Kirschner, known for his expressive self-portraits and street scenes, and Der Blaue Reiter, which pursued non-objective abstraction through orchestration of color and form to envision a liberated society. Key figures included Kandinsky, whose abstract compositions eliminated representation, and Franz Marc, known for works like Foxes that distorted reality to evoke feelings. Expressionism also influenced other creative fields and the American artist Marsden
Expressionism
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
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Abstract expressionism was an influential art movement that began in the 1940s in New York City. It focused on spontaneous, abstract paintings that expressed the artist's inner feelings rather than representing external scenes or objects. Key artists included Jackson Pollock, known for his "drip" technique, Willem de Kooning, a leader in the 1950s, and Franz Kline, who created black and white paintings resembling Japanese calligraphy that influenced modern architecture. The movement emphasized personal expression over social messages and was influenced by surrealism and earlier abstract artists like Kandinsky.
Expressionism
Expressionism was an art movement from 1905-1925 where artists prioritized expressing emotions over realism, often using exaggerated colors and brush strokes. It originated in Germany with key artists including Ernst Ludwig Kirchner, Max Pechstein, Emil Nolde, Edvard Munch, and Franz Marc who are known for works expressing moods through distorted forms.
Expressionism
The document discusses the Expressionist art movement in Germany in the early 20th century. It was a reaction against Impressionism and sought to portray inner experiences rather than outer reality. Two main groups led the movement: Die Brücke focused on everyday subjects depicted roughly, while Der Blaue Reiter had a more spiritual orientation and incorporated symbols from primitive art and music into their works. Expressionism was a realistic style that put the artist's inner ideas and moods above technique or conventional beauty.
Portrait Masters to Inspire Study
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Abstract expressionism was an influential art movement that began in the 1940s in New York City. It focused on spontaneous, abstract paintings that expressed the artist's inner feelings rather than representing external scenes or objects. Key artists included Jackson Pollock, known for his "drip" technique, Willem de Kooning, a leader in the 1950s, and Franz Kline, who created black and white paintings resembling Japanese calligraphy that influenced modern architecture. The movement emphasized personal expression over social messages and was influenced by surrealism and earlier abstract artists like Kandinsky.
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Expressionism was an art movement from 1905-1925 where artists prioritized expressing emotions over realism, often using exaggerated colors and brush strokes. It originated in Germany with key artists including Ernst Ludwig Kirchner, Max Pechstein, Emil Nolde, Edvard Munch, and Franz Marc who are known for works expressing moods through distorted forms.
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The document discusses the Expressionist art movement in Germany in the early 20th century. It was a reaction against Impressionism and sought to portray inner experiences rather than outer reality. Two main groups led the movement: Die Brücke focused on everyday subjects depicted roughly, while Der Blaue Reiter had a more spiritual orientation and incorporated symbols from primitive art and music into their works. Expressionism was a realistic style that put the artist's inner ideas and moods above technique or conventional beauty.
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This document provides portraits and biographies of several famous artists to inspire the study of their styles. It includes brief biographies of Vincent Van Gogh, Ferdinand Hodler, Eugene Delacroix, John Singer Sargent, and Mary Cassatt. It also profiles Egon Schiele, Edvard Munch, Max Beckmann, Amedeo Modigliani, Edward Hopper, Filippino Lippi, Ilya Repin, Berthe Morisot and their contributions to art. The document concludes with examples of student artworks and self-portraits created in the styles of different masters.
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German Expressionism was an artistic movement that flourished in Germany between 1905 and 1935. It was characterized by vivid colors, subjective and distorted images, and agitated brushstrokes used to express emotion and set a mood. Two major Expressionist groups were Die Brücke and Der Blaue Reiter. Die Brücke was based in Dresden and expressed radical social views through works inspired by Primitivism. Key artists included Kirchner, Schmidt-Rottluff, and Heckel. Der Blaue Reiter was formed in Munich and centered around Kandinsky and Marc, focusing on injecting art with spiritual values using color. Major influences included Van Gogh and Munch, known
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This document introduces several portrait masters from different time periods and locations to inspire further study. It provides brief biographies on Vincent Van Gogh, Ferdinand Hodler, Eugene Delacroix, John Singer Sargent, Mary Cassatt, Egon Schiele, Edvard Munch, Max Beckmann, Amedeo Modigliani, and Edward Hopper, summarizing their styles and influences in painting portraiture.
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This document discusses the history and evolution of Expressionist architecture. It describes how Expressionism began as an artistic movement in Germany in the early 20th century focused on subjective experience over physical reality. Expressionist architecture emerged around 1910 and was characterized by distorted forms to evoke emotion, experimentation, and seeing architecture as a work of art. Notable Expressionist architects included Bruno Taut, whose works were inspired by Friedrich Nietzsche, and Erich Mendelsohn, who built the distinctive Einstein Tower in 1919. Though declining under Hitler, Expressionism continues to influence contemporary architecture through styles like Brutalism, Organic architecture, and the works of architects like Santiago Calatrava.
Appropriation
This document discusses the concept of appropriation in art, which involves borrowing and transforming existing images from other sources. It provides examples of famous artists like Andy Warhol, Jeff Koons, and Marcel Duchamp who pioneered appropriation techniques. The document also explains concepts like fair use and how copyright law aims to balance protecting artists' rights with allowing new creative works.
Impressionism and post impressionism
This document provides an overview of Impressionism and Post-Impressionism for a high school art class. It defines the objectives and standards being covered, which relate to creativity, interpreting artworks, and understanding art in its historical context. It then discusses key Impressionist and Post-Impressionist artists like Claude Monet, Vincent Van Gogh, and their seminal works. Examples are given of how Impressionists aimed to capture fleeting moments outdoors, while Post-Impressionists emphasized symbolic content and abstract qualities. The document concludes by asking students to consider similarities and differences between the two movements.
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This slideshow was created as an introduction to a Year 9 unit on Abstract Expressionism, it was designed as a starting point for further research into specific artists of the movement and its wider influences. It was also designed as a starting point into a practical exercise recreating the 'sentiment' of AE without necessarily reproducing the 'methods'. It needs editing.
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The document discusses French and Czech Surrealism. It provides background on Surrealism as a revolutionary cultural movement originating in post-WWI France. Key figures in French Surrealism included Andre Breton and artists Max Ernst, Salvador Dali, and others. Czech Surrealism emerged in the 1930s and was influenced by visits of Czech artists to Paris to interact with French Surrealists like Breton. Major Czech Surrealist figures were Karel Teige, Jindrich Styrsky, Toyen, and Vitězslav Nezval. While there is no consensus end date, many point to Breton's death in 1966 as marking the end of Surrealism as an organized movement
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This document lists several artists that could inspire a horrific painting prop for a film opening. It provides biographical information on Egon Schiele, an Austrian painter known for his intense, raw self-portraits; Edvard Munch, a Norwegian painter who influenced Expressionism with his psychologically evocative works; and Francis Bacon, a British figurative painter famous for his abstracted, emotionally charged imagery contained in geometric cages. It also briefly describes Francisco Goya, a Spanish painter who documented the horrors of war; Lucian Freud, a British painter known for his thickly painted, psychologically penetrating portraits; Takahiro Kimura, a Japanese animator and illustrator; and Alberto Giacometti, a
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It's a chronological compilation of 100 years of Art movements by Ar. Kush Jee Kamal (India) for the benefits of all the art lovers.
Abstractionism
Abstractionism was an art movement between 1910-mid 1900s that used abstract principles, shapes, and color to represent thoughts rather than realistic subjects. It was influenced by Impressionism, Fauvism, and Cubism and spread worldwide with artists like Kandinsky, Malevich, and O'Keeffe. There were three main forms: geometric using mathematical shapes, organic using irregular natural shapes, and lyrical with emotional connections. Famous abstractionist artists included Kandinsky who believed color provoked emotion, Malevich who founded Suprematism, O'Keeffe influenced by nature, and Mondrian who used basic colors and forms.
Trends of contemporary s
The document provides an overview of art movements from 1920-1929, including Dada, Surrealism, Bauhaus, and Precisionism. Major developments included Dada's anti-art provocations in Berlin following WWI and the emergence of photomontage. The Bauhaus school was founded with the goal of uniting art and industry. Surrealism aimed to access the unconscious through techniques like automatism. In the US, Precisionism celebrated American industrial architecture and infrastructure. The period saw the rise of new techniques like photomontage and developments in sculpture with Brancusi's simplified abstract forms.
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creative industries 1: 12 expressionism and cubism
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Expressionism powerpoint [autosaved]
- 2. Expressionism • What is expressionism? • Gained popularity during the early 1900’s • Techniques • Influences • Artists and their work • Sub-movements • Fall of expressionism
- 3. What is expressionism? • Germany • 1905-1920 • Expression of emotions • Depict emotions rather than the external world • Reflected psychological impacts of new technology and urbanization
- 4. Gained popularity • Antonin Matejcek coined the term expressionism in 1905. • Expressionism emerged when Die Brücke (The Bridge) formed in 1905 • Majorly influenced by Van Gogh