This document provides information on experimental image making techniques used by various artists. It includes examples of pinhole photographs by Ruth Thorne-Thomsen from 1979, solarized prints by Man Ray and Carla Williams, photograms/rayograms by Laurent Millet from 1998, and manipulated photographs by Jerry Uelsmann from the 1960s-1980s and Joel-Peter Witkin from 1999 that incorporate collage or compositing elements. The works showcase a range of analog photographic processes and manual manipulations to create surreal or symbolic images.

1. Experimental Image Making

2. Ann Hamilton

4. Anonymous, Pin-hole Camera

5. Ruth Thorne-Thomsen,"Expeditions”: Chicago 4" x 5" pinhole photograph, 1979

6. RUTH T HORNE-THOMSEN Expeditions: Head with Ladders, 23/25 TONED SILVER PHOTOGRAPH,4” X 5”

7. RUTH T HORNE-THOMSEN Expeditions: Tower, 12/25 TONED SILVER PHOTOGRAPH4 X 5 inches

8. RUTH T HORNE-THOMSEN Expeditions: Sphinx, 19/25 TONED SILVER PHOTOGRAPH,4 X 5 inches

9. Ruth Thorne-Thomsen"Expeditions: Blimp, Mexico" 4" x 5" pinhole photograph, 1979

10. Angie Buckley, What he said , 2001

11. Angie Buckley

12. Angie Buckley

13. Angie Buckley

14. Angie Buckley

15. Man Ray, Self-Portrait, Solarized Print

16. Carla Williams, Untitled, 1990-1991. (Solarized negative image)

17. Laurent Millet

18. Photogram/Rayogram

19. Millet, Laurent (French b. 1968) Wind Traps, near Saint Romain, 1998 Gelatin silver photograph hand collage, 19 1/2 x

20. Mann Ray, Self-Portrait with Camera, 1930, 4.25 x 3.25 inch

21. Jerry Uelsmann, Undiscovered Self

22. Jerry Uelsmann , Symbolic Mutation 1961

23. Jerry Uelsmann, Untitled 1964

24. Jerry Uelsmann, Untitled 1965

25. Jerry Uelsmann, Untitled 1969

26. Jerry Uelsmann, Untitled 1975

27. Jerry Uelsmann, Untitled 1975

28. Jerry Uelsmann, Untitled 1976

29. Jerry Uelsmann, Untitled 1981

30. Joel Peter Witkin

31. Poussin in Hell, Paris, 1999 , Joel-Peter Witkin

32. Interrupted Reading, Paris (1999) Joel-Peter Witkin