Summit Entertainment is a film production, distribution and sales company founded in 1991. They initially handled foreign film sales but later expanded into fully financing and producing their own films by the late 1990s. Summit distributes their films both theatrically and on home video formats internationally through partnerships with other major studios like Universal and Sony. As an independent studio with access to over $1 billion in financing, Summit would be capable of distributing films internationally but likely requires partnerships for domestic theatrical distribution in large markets like North America.

2. Real Production/Distribution companies: UK & US

3. Distribution
Film distribution describes everything that happens in between production (making the film) and exhibition
(people watching the film in cinemas ,DVD/UMD, TV, through the internet or on a plane or anywhere else).
Distribution involves all of the deals done to get films shown and just as importantly promoted. There has to
be release cycles e.g. 0 months- Theatrical release & then 36 months- free- TV (BBC1). They have to
decide which date to release the film and take into consideration when is the right time to release seasonal
films. Take for instance Paranormal activity 3 which was released in October on the 21st around Halloween.
The key players, the big companies who control much of the industry, control distribution of their own products
and of others e.g. 20th Century Fox & Avatar.
Five major distributors dominate the UK film industry which are
1. United international pictures which Universal is a part of)
2. Warner bros
3. Buena vista
4. Twentieth century fox
5. Sony
They deal with exhibitors who are no longer owned by the same Hollywood companies but for reasons of profit,
prioritise Hollywood films over others. Usually the blockbuster films we are familiar with are distributed
through ‘blanket release’. This means that even if a small UK independent company manages to get its
product into cinemas, it is usually competing for attention with one or more films that take on the status of
an ‘event’. One of the outcomes of the distribution agreement outlined above is that half of the films
released in Britain do not reach the whole country.

4. Marketing & Advertising
Marketing Advertising
To market a film you’ll have to think about There are many ways your film can be distributed
• Finding the hook of the film when marketing it. Distributors might go for a
• genre of the film, range depending on the budget they have. To
advertise a film there are a range of things you
• Who? What? When? where? And why? ( could use to do so.
audience/target audience-teens or family?),
Three key things in advertising-
• The unique selling point
• Advertising
• Try attract as many people to watch the film.
• Cost of production
Distributors will then need to
• Promotion/third party e.g. Radio
• Create a market campaign for the film to stand
out Also they could use Billboards, Official
websites, flyers, Buses, TV or cinema adverts.
• Build up a reservoir of information
• Campaign ways include:
Print/poster, internet, mobile e.g. an image of
Spiderman which is a global image
Teaser campaigns are made to keep people aware of
the film coming to screen, ad sells and most
importantly create a trailer. There's three
types: Teaser trailer, Main trailer & Shorter
main trailer. The trailer is important because it’s
the first exposure to what the film will be about
therefore it has to be portrayed well.

5. Type of distributors that might want distribute
our film

6. Optimum Releasing
StudioCanal UK (formerly Optimum Releasing/Home Entertainment/Classics) is a film distributor company
working in the UK and Ireland. They are vertically integrated and the company releases many films, including
foreign language films, anime releases such as Studio Ghibli's films and independent British, Irish and
American films in the UK and sometimes Ireland.
Optimum was acquired by StudioCanal, a subsidiary of Vivendi SA, in 2006. Since StudioCanal bought
Optimum, the French company distribute their large back catalogue of classic British films (many from the
Cannon and EMI catalogues) through Optimum releasing under the strand 'Optimum Classic'. When named
Optimum, the company's image was that of a modern, independent new release and back catalogue distributor.
Films were released under four strands: Optimum Releasing (Theatrical New Releases), Optimum Home
Entertainment (DVD, Blu-ray Disc and HD DVD New Releases), Optimum Classic (DVD Re-releases of back
catalogue films) and Optimum World (New and Back Catalogue World Cinema). The latter three appear to be
still being used, despite the company's name change.
They released over 200 films a year and were one of the most prominent distributors in the UK independent
film and world cinema market since the closure of Tartan Films in 2008.

7. Optimums distributions
The genre of films they distribute vary from comedy, Horror, Romance and thrillers. Some of
the thrillers they have distributed are:
• Orphan
• The Hurt Locker
• The Loved Ones
Films they have distributed which have done well include Vicky Cristina Barcelona a Drama
Romance film which had a budget of $15,500,000 estimated. It managed to gross a total of
$23,213,577 which is a fair amount. Another film is The Last Exorcism which had a budget
of $2,000,000 estimated and on opening weekend made over $20,366,813 but in total overall
it grossed $40,990,055. This is more than triple the amount of the budget which just shows
how a low budget film can do extremely well.

8. Universal Pictures
Universal Pictures a subsidiary of NBCUniversal, is one of the six major movie studios. They are horizontally
integrated and on May 11, 2004, the controlling stake in the company was sold by Vivendi Universal to
General Electric, parent of NBC. The resulting media super-conglomerate was renamed NBC Universal, while
Universal Studios Inc. remained the name of the production subsidiary. In addition to owning a sizable film
library spanning the earliest decades of cinema to more contemporary works, it also owns a sizable
collection of TV shows through its subsidiary NBCUniversal Television Distribution. It also acquired rights
to several prominent filmmakers' works originally released by other studios through its subsidiaries over
the years.
One of the pros of Universal Pictures is that they would be able to distribute a film internationally without any
outside help because they can afford to do so and the majority of their films do successfully well in the
cinema and eventually go to DVD which also sell well. Unfortunately they don’t have their own TV channel
which they can show their films on but most of their films et shown on various channels after 12-18 months
so its still quite good.
If I’m honest I don’t think they would be a good option for us to distribute our film because they have high
budgets and since our film is an amateur independent film I feel that its best for us to have our film
distributed by an British Independent film company.

9. Universals distributions
Just like Optimum releasing they distribute a wide range of films and the genres vary from
Romance, Comedy, Action and thrillers. Examples of thrillers they have distributed are Stay
Alive, Drag me to hell and The Unborn which have done pretty well. Other films they have
distributed which have done successfully well was King Kong which had a high budget of
$207 million but made $550.5million at box office which became the fourth highest grossing
movie in Universal pictures history.
DVD sales contributed over $100million towards the grosses. Another example of a film they
have distributed which has done extremely well at box office is the 1999 movie The Mummy.
The Mummy had a budget of $80million and grossed total of $415,933,406 at the box
office, this led to sequels and TV shows. It was nominated for Best Sound at the academy
awards & Best Visual Effects at the BAFTAs and in 2004 Universal pictures and Amblin
Entertainment decided to open a roller coaster called Revenge of the Mummy.

10. Summit Home Entertainment
Founded in 1991 by film producers Bernd Eichinger, Arnon Milchan, and Andrew G. Vajna, initially to handle film
sales in foreign countries. Summit later expanded into producing and co-financing films in 1995, and started
fully financing films by 1997.Summit officially launched in 1993 by Patrick Wachsberger, Bob Hayward and
David Garrett under the name Summit Entertainment LP as a production, distribution, and sales
organization, thus making them vertically integrated. Among the company's early successes was American
Pie, which Summit distributed outside of English-speaking territories. In 2006, it became a fully
independent film studio, Summit Entertainment, with the addition of Rob Friedman a former executive at
Paramount Pictures. The new company added major development, production, acquisitions, marketing and
distribution branches with a financing deal led by Merrill Lynch and other investors giving it access to over
$1 billion in financing. With that, Summit now releases their own films on DVD with the help of Universal
Studios and Sony Pictures. Summit is also distributed theatrically and on DVD in Europe and in Canada by
Entertainment One. Without doubt they would be able to distribute their films internationally as stated
before" distributed theatrically and on DVD in Europe and Canada” but they do need the help of other
conglomerates such as Universal Studios and Sony pictures to release their films on DVD. They do not have
any links with TV channels but again this is not a major problem because people can still consume their films
elsewhere.

11. Summits distributions
They finally found success in November 2008 with the release of Twilight, a teen romance that made
$408,773,703 worldwide. In the spring of 2009, Summit released Knowing, the company's second movie to
open at number one at the box office and made $182,492,056 worldwide.
Other films they have distributed include thriller ‘The Hurt Locker’ grossing $16,400,000 at box office which
gave Summit its first Oscar-winning for Best Picture, the animated film Astro Boy, the teenage horror
thriller Sorority Row which made $11,965,282 at box office, the low-budget Action thriller Push and the
2010 hit ‘RED’ also grossing a high amount of $87,940,198 at box office and nominated for a 2010 Golden
Globe in the Best Motion Picture – Comedy or Musical category.

12. Distributor we think would want to distribute
our film
After doing research into different media institutions I’ve thought about the type of distributors that I think
is best suitable to distribute our thriller and have settled for Optimum Release. The reason I have chose
them is because they are an British film distribution & production company who release independent British
films which is what our thriller is. Leading on from the point I made earlier, they do thriller genres too and
because they distribute independent films and they are an independent film company based in the UK it
comes as an advantage for us because out film is of British heritage and will appeal more to a British
audience. Also our film will have a low budget due to the camera equipment we will use and the type of
actors/actresses we will use along with the locations. They don’t have their own TV channel but that’s not
that much of a problem as they have their own DVD company which our audience can watch from their TVs
at home. Although they distribute in the UK they’ll be able to distribute internationally under one of their
four strands Optimum Releasing (theatrical new releases) as well as he other three strands. With the
marketing process that would be cheap too as we could use social networking sites such as Twitter &
Facebook which many young people are signed up to. This in return will be of much benefit to our film
because our thriller is aimed at young teens and adults ages 15-24.

13. Distributors for our film continued…
My groups opening to our thriller film, called ‘Live To Tell’, is an independent thriller film and the group and I discussed
the sort of media institution which would distribute our media product and realised that our thriller film is of non-
mainstream culture. Our film, I believe, would appeal more to Film 4 a British independent distribution/production
company who are vertically integrated and I do not believe that it would appeal to the likes of Universal Pictures because
such a huge media conglomerate would require our film to have a high budget and use better technology. Also it would
mean that our film would have to include mainstream actors/actresses which Universal Pictures nearly almost always have
in their films. Popular ‘Universal Pictures’ actors and actresses would include names like Denzel Washington & Russell
Crowe from the 2007 crime film American Gangster.
Without further a due Film 4 may be more interested in the funding of our thriller film, instead of Universal
Pictures, due to a non-mainstream cast. In our thriller film the main actors are our fellow students Jenessa
Tawiah, Abiola Fatusin & Richard who is one of my group members. As a group we directed and produced the opening to
our thriller which Film 4 may take into account as one of their Ethos is to develop new UK talent giving us an advantage.
Furthermore social networking sites across the internet is a very powerful way of gaining fans or to advertise ‘Live To
Tell’ for free. Film 4 have distributed a wide range of films including thrillers like ‘The Crying Game’ which was nominated
for 6 academy awards winning Best original screenplay. They’ve also produced Slumdog millionaire which was distributed
by Fox searchlight pictures and it got nominated for ten academy awards and won eight in total which was the highest for
any film in 2008.
Fox searchlight pictures established in 1994, may be another Distributor we could use as they specialise particularly in
independent and British films. They’re a film division of Fox Filmed Entertainment alongside Fox Studio 20 th Century
Fox. They’ve distributed many low budget films which have done extremely well at box office e.g. Napoleon
Dynamite, Juno and Slumdog Millionaire as mentioned before. Napoleon Dynamite had a budget of $400,000 but its gross
revenue was almost $50million. Although the above films which have been low budget have done well, I think the best low
budget media product which resembles our thriller is the 1999 film, The Blair Witch Project. It had a budget around
$600,000 and lead to a worldwide gross of over $248.3million which is good considering the fact they used a handheld
camera and the woods to create such a film. But while most low budget films are backed by distributors, it’s common for
low budget films to be produced without one and this results in producers much like me and my group to rely on audience
reactions at film festivals. So maybe if we show our film at a film festival it would help in terms of pre-promotion and
help us gain acclaim and attention for the film and might lead to a limited release in theatres. In terms of advertising our
film and gaining recognition many people sign up to sites such as Facebook, Twitter, and even You Tube to view and watch
online activity. If we publicly broadcast our thriller film across these websites, we can engage with the general public to
get insight into what they think of our media production.