STAT Patient Portal is a personalized web-based portal that provides patients with a secure web-based access to information and services like scheduling, viewing of lab results and reviewing and paying bills online. STAT Patient Portal has been developed utilizing state-ofthe-art Java technologies and an open communications platform that enables customers to integrate their back-end legacy system quickly and effectively.
Hacktivism - The Hacker News Magazine - May 2012 IssueReputelligence
Article from me „The Many Faces of Modern Day Hackers“ inside this issue. Welcome cyber space readers and internet junkies from around the world. May brings us into an in-depth look at our favorite topic: Hacktivism
STAT Patient Portal is a personalized web-based portal that provides patients with a secure web-based access to information and services like scheduling, viewing of lab results and reviewing and paying bills online. STAT Patient Portal has been developed utilizing state-ofthe-art Java technologies and an open communications platform that enables customers to integrate their back-end legacy system quickly and effectively.
Hacktivism - The Hacker News Magazine - May 2012 IssueReputelligence
Article from me „The Many Faces of Modern Day Hackers“ inside this issue. Welcome cyber space readers and internet junkies from around the world. May brings us into an in-depth look at our favorite topic: Hacktivism
Exenta is empowered with exciting workforce metrics that facilitates your HR teams with critical indicators & KPI’s enabling them to take the well informed decisions at the right time. Exenta, lets employees handle their own personal information, therefore ensuring all data is accurate and undeviating. Exenta’s capabilities do not stop with contouring economically and efficiently the managerial aspects of the workforce, but also enables the company utilize the potential of the workforce to its maximum.
You have to hand it to the Buddhists. For centuries they have gone about practicing and preserving their religion, not diluting its essence over generations, and continuing to command the respect and veneration of the followers of this faith. Their art and architecture has been admirable throughout - and they managed to perch their installations on sites you can barely trudge up to. Modern day builders cannot emulate these. Go on the Buddhist circuit in Ladakh to feel all this for yourself.
Read more interactive e-books by Kunzum at http://kunzum.com/books.
A slideshow specially designed for non-english teachers in engineering colleges to help them improve their vocabulary and to help them learn certain vocabulary learning and teaching techniques.
The impact of innovation on travel and tourism industries (World Travel Marke...Brian Solis
From the impact of Pokemon Go on Silicon Valley to artificial intelligence, futurist Brian Solis talks to Mathew Parsons of World Travel Market about the future of travel, tourism and hospitality.
Exenta is empowered with exciting workforce metrics that facilitates your HR teams with critical indicators & KPI’s enabling them to take the well informed decisions at the right time. Exenta, lets employees handle their own personal information, therefore ensuring all data is accurate and undeviating. Exenta’s capabilities do not stop with contouring economically and efficiently the managerial aspects of the workforce, but also enables the company utilize the potential of the workforce to its maximum.
You have to hand it to the Buddhists. For centuries they have gone about practicing and preserving their religion, not diluting its essence over generations, and continuing to command the respect and veneration of the followers of this faith. Their art and architecture has been admirable throughout - and they managed to perch their installations on sites you can barely trudge up to. Modern day builders cannot emulate these. Go on the Buddhist circuit in Ladakh to feel all this for yourself.
Read more interactive e-books by Kunzum at http://kunzum.com/books.
A slideshow specially designed for non-english teachers in engineering colleges to help them improve their vocabulary and to help them learn certain vocabulary learning and teaching techniques.
The impact of innovation on travel and tourism industries (World Travel Marke...Brian Solis
From the impact of Pokemon Go on Silicon Valley to artificial intelligence, futurist Brian Solis talks to Mathew Parsons of World Travel Market about the future of travel, tourism and hospitality.
The Six Highest Performing B2B Blog Post FormatsBarry Feldman
If your B2B blogging goals include earning social media shares and backlinks to boost your search rankings, this infographic lists the size best approaches.
Each technological age has been marked by a shift in how the industrial platform enables companies to rethink their business processes and create wealth. In the talk I argue that we are limiting our view of what this next industrial/digital age can offer because of how we read, measure and through that perceive the world (how we cherry pick data). Companies are locked in metrics and quantitative measures, data that can fit into a spreadsheet. And by that they see the digital transformation merely as an efficiency tool to the fossil fuel age. But we need to stretch further…
أفضل 11 موقع لعمل اختبارات إلكترونية (Slide Decks).pdfqorrectdm
مع تطور التكنولوجيا، أصبحت أنظمة وأدوات الامتحانات الإلكترونية جزءاً أساسياً من التعليم الحديث. في هذا العرض، سنستعرض أفضل الأنظمة والأدوات التي تساعد المؤسسات التعليمية على تحسين عمليات الامتحان وتقديم تجربة تعليمية متميزة.
1. … ..Le rn tous c rre t Eng h
a e o c lis
(c urs title #6 5 )
o e : 52
2. PARTS OF SPEECH
Be rew g a a w a p rt o g m a w s uld
fo e o he d ith ny a f ra m r e ho
kno tha Eng h Gra m r c ns
w t lis m a o titute o 9p rtso
s f a f
s ec
p e h.
The e9p rtso s e c w te c to s e k ap rfe t a
s a f p e h ill a h p a e c nd
c rre t Eng h.
o c lis
So le ss rt..
t’ ta
3. 1. Te e
ns s
2. Verb
3. No un
4. P no
ro un
5. Ad rb
ve
6. Ad c
je tive
7. P p s ns
re o itio
8. C njunc nsa Inte c ns
o tio nd rje tio
9. Artic s
le
4. Tenses:
Thew rdTe e isd rive fro aLa w rd
o ns s e d m tin o
“ m us m a tim .
Te p ” e ns e
The a 3typ so te e :-
re re e f ns s
1.P s nt Te e
re e ns
2 a t Te e
.P s ns
3.FutureTe e
ns
The ethre te e a furthe d e intos d io :
s e ns s re r ivid d ub ivis ns
5. Different types of tenses:
Present Tense:
Simple present tense
Present Continuous
Present perfect
Present Perfect Continuous
Past Tense:
Simple past tense
Past continuous
Past perfect
Past perfect continuous
Future Tense
Future Tense has no specific subdivision.
6. Present Tense:
Sim leTe e rm =s je t+1st fo o ve )
p ns (fo ula ub c rm f rb
Thisisw ut d ub them s im o nt te ein the
itho o t o t p rta ns
Eng h la ua ea w us it in ag a num e o ve
lis ng g nd e e re t b r f ry
d re s tio in o live . To e o g yo to ha
iffe nt itua ns ur s nc ura e u ve
alo k a theb lo tho ug d s rip n o thePresent
o t e w ro h e c tio f
Simple, I m t s y tha thiste eisre tive e s to
us a t ns la ly a y
und rs ndfo p o lele rningEng h, w h isa o w
e ta r ep a lis hic ls hy
it istheb s te etole rn firs OK, no it'stim to ha
e t ns a t. w e ve
alo k a theus so thiste e
o t e f ns :
7. Its use:
Fa tsa g ne liza n
c nd e ra tio
Ha itsa ro
b nd utine s
P rm ne s tio
e a nt itua ns
Sta ve s(e . b , ha , think, kno ) m re
te rb .g e ve w o
Fixe / o ia a ng m nt tha w c n't c ng
d ffic l rra e e t e a ha e
e ., I e t.
.g a
Hee ts
a .
The g .
y o
8. P s nt C ntinuo (fo ula e+ m in ve + ‘ ’ rm
re e o us rm =b a rb ing fo )
Weus the Present Continuous (Progressive) tense
e
w n ta
he lkinga o a tio tha a ha p ningat the
b ut c ns t re p e
moment (p s nt o te p ra a tivity) o w h w b
re e r m o ry c r hic ill e
d nein the future (futurea ng m nt). Tofo
o rra e e rm
s nte e in thiste e yo s uldkno the e
e nc s ns , u ho w s.
9. Its uses:
P s nt o te p ra a tivitie
re e r m o ry c s
Future(p rs na a ng m nts
e o l) rra e e
e ., Heise ting
.g a .
The a g ing
y re o .
Ia cm .
m o ing
Is re ma thefo so ‘e .
,a ,a re rm f b ’
W w d c sa o ve sla r.
e ill is us b ut rb te
P s nt c ntinuo isa oc lle p s nt p g s ive
re e o us ls a d re e ro re s .
10. P s nt p rfe t(fo ula ve s+ 3 fo o ve )
re e e c rm =ha /ha rd
rm f rb
TheP s nt P rfe t isus dtoe re sa tio tha ha p ne a
re e e c e xp s c ns t p e d t
an indefinite time o tha b g n in thep s a c ntinuein the
r t ea a t nd o
p s nt. Thiste eisa ous dw n a a tivity ha a e c
re e ns ls e he n c s n ffe t
o thep s nt m m nt.
n re e o e
No : la r in thisa le Preset Perfect w b a b via da
te te rtic , ill e b re te s
PP.
11. Its uses:
Ac nsw h ha p ne a a ind finite(unkno n) tim
tio hic p e d t n e w e
b fo no
e re w
Ac nsin thep s w h ha a e c o thep s nt
tio a t hic ve n ffe t n re e
m m nt
o e
Ac nsw h b g n in thep s a c ntinuein the
tio hic e a a t nd o
p s nt
re e
e ., I ha live he for 20 years.
,g ve d re
Shehas ne r s e m b the
ve e n y ro r.
12. The isa the fo o p s nt te ew h I d no
re no r rm f re e ns hic id t
m ntio a it isle s us d
e n s at e .
P s nt p rfe t C ntinuo (fo ula ve sb e +
re e e c o us rm =ha /ha e n
‘ ’ rm
ing fo )
W us the Present Perfect Continuous (Progressive) to
e e
e re sa tio tha s rte in thep s and continue in
xp s c ns t ta d at
the present. Thiste eisa ous d tota a o a tio
ns ls e lk b ut c ns
w h b g n in thep s a ha re e
hic e a a t nd ve c ntly s p e .
to p d
13. Its uses:
Ac nstha s rte in thep s a c ntinuein thep s nt
tio t ta d a t nd o re e
Ac nstha ha re e
tio t ve c ntly s p e
to p d
e ., I ha b e w itings e6 m
.g ve e n a inc p .
Heha b e te
s e n llingm no to g the .
e t o re
14. Past Tense:-
Sim leP s
p a t:
Weus thePast Simple to ta a o a tio tha
e lk b ut c ns t
ha p ne a as e ifictim in thep s Thea tio c n b
pe d t pc e a t. c ns a e
s rt o lo . The c n a ob afe a tio ha p ning
ho r ng re a ls e w c ns p e
o a r a the
ne fte no r.
15. Its uses:
Eve in thep s tha a no finis d (e . I w nt to
nts a t t re w he .g e
s ho l) *
c o
Situa n in thep s (the live ano a lifeuntil the
tio at y d rm l y
w n alo ry) **
o tte
*o n re rre to a s rt a tio in thep s
fte fe d s ho c ns at
** o n re rre toa lo a tio in thep s
fte fe d s ng c n at
A s rie o a tio in thep s
e s f c ns at
16. E.g Hedidn't le rn a Ita n w n hewas in Ita tw
., a ny lia he ly o
ye r a o (Us 2
a g e )
I wasn't a m g nd a w n yo came (Us 1)
t y ra m 's he u e
Hedidn't get a g o g d sw n heattended s ho l
ny o d ra e he c o
(Us 3
e )
No a itslike I a .
rm lly , te
The a .
y te
17. P s c ntinuo (fo ula rm o b + ‘ ’ rmo
at o us rm =fo s f e ing fo f
ve )
rb
Weus the Past Continuous to ta a o p s a tio in
e lk b ut a t c ns
p g s . Thea tio c n a ob inte te b
ro re s c ns a ls e rrup d y
s m thing(I w se ting
o e a a ).
* a ,a ,w re a ,is a thefo so b .
m re e ,w s re rm f e
18. Its uses:
Ac nsin p g s
tio ro re s
Inte te a tio in p g s *
rrup d c ns ro re s
Ac nsin p g s a thes m tim in thep s
tio ro re s t a e e a t.
Irrita ntio
Tim /p liteq s n (re dm reb lo )
id o ue tio a o e w
*e ntstha w rein p g s w n a the e nt
ve t e ro re s he no r ve
ha p ne . W o n us when tolink the etw e nts
p e d e fte e s o ve .
E.g I w sg ing
., a o .
The w rec m .
y e o ing
Hew se tingw n I c lle him
a a he a d .
19. P s p rfe t(fo ula d + 3 fo o ve )
a t e c rm =ha rd
rm f rb
The Past Perfect isquites p a us ful, w us it to
im le nd e e e
s wtha o a tio in thep s o c dbefore a the
ho t ne c n a t c urre no r
a tio in thep s
c n a t.
No a w us thisto s y a inc e w h a o c d
rm lly e e a n id nt hic d c urre
lo b c
ng a k.
20. Its uses:
A c m le d a tio b fo a the a tivity in thep s
o p te c n e re no r c at
Thirdc nd na s nte e (a a re o ds e c (b
o itio l e nc s ) nd p rte p e h )
(re d m rea theb tto thep g )
a o t o m ae
Dis a fa tio w thep s
s tis c n ith at
e ., Us 3isthes -c lle hyp the a p s W 're
.g e o a d o tic l a t. e
ta lkinga o thing tha ne r ha p ne .
b ut s t ve p e d
I w h I had fixed m um e lla (b I d n't)
is y b re . ut id
If o I had known thea w r to tha q s n. (b I
nly ns e t ue tio ut
d n't)
id
21. No thefo
w urth o w h isa a le s us d isP s
ne hic g in a t e at
p rfe t c ntinuo (ha b e + ‘ ’ rmo ve )
e c o us d e n ing fo f rb
ThePast Perfect Continuous (Progressive) isvery
s ila to theP s P rfe t. Ho e r, w us this
im r at e c w ve hile ing
te e w fo uso thed tio o a a tivity ra r tha
ns , e c n ura n f n c the n
there ult o it.
s f
22. Its uses:
Dura n o ap s a tio uptoac rta p int in thep s
tio f a t c n e in o at
Thirdc nd na s nte e (a a re o ds e c (b
o itio l e nc s ) nd p rte p e h )
I had been runningfo a ho w n it s rte ra
r n ur he ta d ining (Us 1)
. e
Ma s ids had ne r been swimming s m h in o d y.
ry a he ve o uc ne a
(Us 2 )
e b
Ka p o w ig b c us s had been e tingto m h
thy ut n e ht e a e he a o uc
s a (Us 1)
ug r e
23. Future Tense:
Futurity ise re s d b m ny w ys
xp s e y a a .
Futurity in Eng h ise re s de r b us w rd tha
lis xp s e ithe y ing o s t
im ly futurea tio ("I g to Be ne w e o b
p c n o rlin xt e k.") r y
e p yinga a
m lo n uxilia c ns tio c m ine w the
ry o truc n o b d ith
m in ve w h re re e thetruea tio o thes nte e
a rb hic p s nts c n f e nc
(So e W e ia
urc : ikip d ).
Them s c m o a
o t o m n uxilia ve sus d toe re sfuturity
ry rb e xp s
a will, can,s uld may, a must.
re ho , nd
Ma a m ht
y nd ig
24. Of the e "w isthem s ne l a it isthem s
s , ill" o t utra nd ot
c m o us d
o m nly e :
Sim leFuture
p
FutureC ntinuo
o us
FutureP rfe t
e c
FutureP rfe t C ntinuo
e c o us
Ap rt fro tha the a s ve l o r c ns tio tha
a m t re re e ra the o truc ns t
c n e re sfuturity:
a xp s
Go to
ing
25. Am nga futurete e , theFuture Simple isthem s
o ll ns s ot
c m o It isus d in m ny s tio s h a m king
o m n. e a itua ns uc s a
p m e o p d tio .
ro is s r re ic ns
It us s
e :-
P m e (Us 1)
ro is s e
Unp nne a tio (s o ne usd c io ) (Us 2
la d c ns p nta o e is ns e )
P d tio b s do e e nc o intuitio * (Us 3
re ic ns a e n xp rie e r n e )
Ha its(o s teins nc , us lly ha itua (Us 4
b b tina ite e ua b l) e )
26. * Us g ingto fo toe re sp d tio b s d o
e o rm xp s re ic ns a e n
o s rvingthep s nt s tio
be re e itua n.
** Yo p b b ha e o
u ro a ly ve nc unte dthew rd"g nna .
re o o "
Tha isthec ntra tio o "g ingto .
t o c n f o "
Keep in mind: "Go " isra r info a s b c re
nna the rm l o e a ful
w n us it!
he ing
27. C utio
a n:
Re e b r, yo s uld ne r us will to s y w t
mm e u ho ve e a ha
s m b d ha a a y a ng o d c e to d in the
o e o y s lre d rra e r e id d o
future:
–Mikeism vingto Ne J rs y ne m nth (no "Mike
o w e e xt o t
w m ve
ill o ")
The a s ve l w ysto e re sfuturity.
re re e ra a xp s
Yo ll le rn a yo us it.
u’ a s u e
28. W us theFuture Continuous (Progressive) to ind a
e e ic te
tha w w b in them d o d ings m thingin a
t e ill e id le f o o e
s e ifie tim in thefuture
pc d e .
Itsus s
e :-
Futurea tio in p g s .
c ns ro re s
Gue s sa o thep s nt o thefuture
s e b ut re e r .
P liteq s nsa o s m b d inte ns
o ue tio b ut o e o y's ntio *.
29. *Remember
If yo w nt tole rn a o s m b d inte ns yo
u a a b ut o e o y's ntio , u
s uld ne r us theFutureSim le Us theFuture
ho ve e p . ing
Sim leim lie tha yo w nt to influe es m b d
p p s t u a nc o e o y's
d c io Que tio b c m m h m reo je tiveif
e is n. s ns e o e uc o b c
fo e in theFutureC ntinuo .
rm d o us
W yo c m ho e (= I w nt yo toc m ho e
ill u o e m ? a u o e m)
30. W us thiste etoe re sa a tio tha w b finis d
e e ns xp s n c n t ill e he
b fo s m p int in thefuture
e re o e o .
Itsus s
e :-
C m o tim e re s nsus d in theFuture Perfect:
o m n e xp s io e
Be re
fo
By to o w o lo k/ne m nth
m rro /7 'c c xt o
Until/till
31. C m o tim e re s nsus d in theFuture Perfect
o m n e xp s io e
Continuous :
By to o w/ 8o lo k
m rro 'c c
Thisye r / m nth / w e
a o ek
Ne ye r / m nth / w e
xt a o ek
No thisisw t te e a .
w ha ns s re
W ’ d c sa o yo q rie if a in d ta if w
e ll is us b ut ur ue s ny e ils e
c to
ha nline riya a hinib he @ g a o )
.(p d rs e ra m il.c m
32. VERB:
A ve isaw rd w h e re s sam d o a tio
rb o hic xp s e o e f c n.
In o r w rd , itsisaw rd in thes nte ew h
the o s o e nc hic
s w tha s m thingisb ingd ne
ho s t o e e o .
Hee ts e ts‘ ave )
a .(‘a is rb
Yo likeyo m the
u ur o r.(he ‘ ’ ave )
re like is rb
Teb b iss e ing s e ing isave )
a y le p .(‘le p ’ rb
33. Types of verb:
TRANSITIVE VERB:
A ve w h s w a a tio w h isa re s d fro a
rb hic ho s n c n hic d se m
s je t toa o je t.
ub c n b c
No , w t iss je t a o je t.
w ha ub c nd b c
In s p w rd , s je t isthep rs n o thingw a
im le o s ub c e o r e re
talkinga o a theo je t It d no ss m b d o
b ut nd b c e te o e o y r
s m thinginvo d in thes je t's"p rfo a e o the
o e lve ub c e rm nc " f
ve . Asa e m le thefo w s nte eisg n:
rb n xa p , llo ing e nc ive
34. In thes nte e"Bobby kicked the ball", "b ll" isthe
e nc a
o je t.
b c
"Bo b isthes je t, thed e o p rfo e w
b y" ub c o r r e rm r, hile
"kic isthea tio a "b ll" istheo je t invo din
k" c n, nd a b c lve
thea tio
c n.
He ‘ k’ thetra itiveve .
re kic is ns rb
35. INTRANSITIVE VERB:
A ve w h isus din as nte ew noo je t is
rb hic e e nc ith b c
c lle a intra itiveve , p tty s p , is t it?
a d n ns rb re im le n’
Fe e m le :
w xa p s
Hes e sa thetim .(s e )
le p ll e le p
A b ll a a ro .(ro )
a lw ys lls lls
36. AUXILIARY VERB:
It isa o c lle a ‘ lp ve ’
ls a d s he ing rb .
A ve w h he sa the ve in fo ingas nte eis
rb hic lp no r rb rm e nc
c lle a a
a d s uxilia ve .
ry rb
No the ea
w s uxilia ve sinc eb ,ha ,d ,e .
ry rb lud e ve o tc
Theauxilia ve sa a a o 2typ s
ry rb re g in f e:
PRIMARY a MODALS
nd
37. Auxiliary Verbs and its types:
Primary Auxiliary Verbs Its Forms
Be Am ,a ,w s e
,is re a ,w re
Have Ha ,Ha
s d
Do Do s
e ,Did
38. Modal Auxiliary Verbs Its Forms
Shall Should
Will Would
Cn
a C uld
o
May Might
Must Ha to
d
Oug (to
ht ) -no fo s
rm -
Ne d
e -no fo s
rm -
Dare -no fo s
rm -
Us d
e -no fo s
rm -
39. Modal auxiliary verbs (in
details)
Mo a a
d l uxilia ve sa us d a c rd to itsm a
ry rb re e c o ing e ning
to b e re s d
e xp s e .
C n: a ility,p rm s n,re ue t,p s ility
a b e is io q s o ib
C uld -s m a c n-
o : a e s a
Sha Futurity,W
ll: illing s ,Sug e tio
ne s g s n,Ins te e
is nc
Sho : Ob a n,Ad ia ility,ne e s
uld lig tio vis b c s ity,Exp c tio
e ta n
W W ill: illing s ,P d tio
ne s re ic n,Re ue t
q s
W uld W
o : illing s ,Ha itua a tio in the
ne s b l c n
ps
a t,Wis s ro a
he ,P b ility
40. Ma P rm s n,P s ib
y: e is io o s ility,W he ,P o e
is s urp s
Mig -s m a m y-
ht: a e s a
Must:Ne e s
c s ity,P hib n,Ob a n,P b b
ro itio lig tio ro a ility
‘ uld isthep s fo o ‘a . Sim rly,
Co ’ a t rm f c n’ ila
Is a
-W s
Are e
-W re
‘ uld isim o nt to no he a it’ thep s fo o
Co ’ p rta te re s s a t rm f
c n w h e re s sthea ility tha e te in thep s
a hic xp s e b t xis d a t.
e ., I c uld s imw n I w sin s ho l.
.g o w he a c o
41. Important points to note about
verbs when we speak:
‘ a isus d in info a re ue ts It m a , w us it in a
C n’ e rm l q s . e ns e e
typ o re ue t w m ketoo frie sa intim te .
e f q s e a ur nd nd a s
e ., C n I us yo p n?
.g a e ur e
‘ o ’ us d in fo a re ue ts It m a , w us it to
C uld is e rm l q s . e ns e e
re ue t hig s tusp o leo p fe s na s h a
q s h ta e p r ro s io ls uc s
te c rs a g rs tc
a he ,m na e ,e .
e ., C uldyo p a eg m yo p n?
.g o u le s ive e ur e
42. ‘ ill’ nd‘ o ’ reus d in ne r fo a o
W a w uld a e ithe rm l r
info a re ue ts
rm l q s .
It m a , it’ us d tore ue t le skno n p rs nso
e ns s e q s s w e o r
s ng rs It isus din q s n fo .
tra e . e ue tio rm
e ., W yo g tothem e ?
.g ill u o e ting
W uldyo p a ere e t w t yo jus s id
o u le s p a ha u t a ?
43. 1 ,2 ,3 form of words :
st nd rd
Ano r m s im o nt thingto kno in ve sisthe
the o t p rta w rb
fo so w rd (ve s
rm f o s rb ).
E.g Le sta fe e m le .
., t’ ke w xa p s
Verbs 1st Form 2nd Form 3rd Form
Go Go Went Gone
Write Write Wrote Written
Draw Draw Drew Dra n
w
See See Saw Se n
e
44. Where are they used?
Ge ra 1st fo sa us din s p p s nt s p .
ne lly rm re e im le re e im le
2 fo sa us din p s s p .
nd
rm re e a t im le
3 fo sa us d in p s p rfe t te e .
rd
rm re e a t e c ns s
Le sta o e m le
t’ ke ne xa p :
I e t(1st fo )
a rm
I a (2 fo )
te nd rm
I ha e te rd fo )
ve a n(3 rm
45. NOUN:
No isno
un thingb it d s rib sthena eo ap rs n,
ut e c e m f e o
p c , thing
la e .
The a 5typ so no
re re e f un:
1.P p r No
ro e un
2 o m n No
.C m o un
3 o c
.C lle tiveNo un
4 te l No
.Ma ria un
5 s c No
.Ab tra t un
46. Proper Noun:
A p p r no isthes e ia w rd (o na e tha w us
ro e un pc l o r m) t e e
fo ap rs n, p c o o a tio likeJ hn, Ma ,
r e o la e r rg niza n, o rie
Lo o Fra eo So A na eisano b ave
nd n, nc r ny. m un, ut ry
s e ia no - ap p r no P p r no ha s e ia
p c l un ro e un. ro e uns ve p c l
rule .
s
Therule a a fo w :
s re s llo s
47. Rule 1:
W always us aCa ita Le r fo thefirs le r o a
e e p l tte r t tte f
p p r no (na e Thisinc e na e o p o le
ro e un m ). lud s m s f e p ,
p c s c m a s d yso thew e a m nths Fo
la e , o p nie , a f e k nd o . r
e m le
xa p :
The likeJo (not *The likejo
y hn. y hn.)
I livein Eng nd
la .
Shew rksfo So
o r ny.
Thela t d y in Ja ry isaMo a
s a nua nd y.
W s wTitanic in theOd o Cine a
ea en m.
48. Rule 2(proper nouns without
‘the’):
W d no us "the w na e o p o le Fo e m le
e o t e " ith m s f e p . r xa p :
firs na e Bill (not *theBill)
t ms
W d no no a us "the w na e o c m a s
e o t rm lly e " ith m s f o p nie .
Fo e m le
r xa p :
Re ult, Fo , So Eng hC .c m
na rd ny, lis lub o
Ge ra Mo rs Air Fra e Britis Airw ys
ne l to , nc , h a
W d no no a us "the fo s p , b nks ho lse
e o t rm lly e " r ho s a , te tc
na e a r afo e o o r p rs n (w -'so -s
m d fte und r r the e o ith r ).
49. Exception! If ac untry na einc e
o m lud s
"Sta s
te ","King o ", "Re ub " e , w us "the
dm p lic tc e e ":
e ., TheUnite Sta s
.g d te
TheUnite King o
d dm
W d no us "the w "P s e
e o t e " ith re id nt/Do to
c r/Mr e +
tc
Na e
m.
e ., TheP s e b no TheP s e Bus
.g re id nt ut t re id nt h.
50. Rule 3(Proper nouns with
‘the’):
W no a us "the fo c untry na e tha inc e
e rm lly e " r o m s t lud
"Sta s
te ","King o ", "Re ub " e :
dm p lic tc
e ., TheUnite Sta s
.g d te
W no a us "the fo na e o c na , rive , s a
e rm lly e " r m s f a ls rs e s
a o e ns
nd c a :
e ., TheSue C na
.g z a l
W no a us "the fo plural na e o p o lea
e rm lly e " r m s f e p nd
p cs
la e :
e ., TheC
.g linto , TheHim la s
ns a ya
51. W no a us "the fo na e m d w "o
e rm lly e " r m s a e ith f":
e ., TheTo e o Lo o
.g w r f nd n
TheLo o Sc o o Ec no ic
nd n ho l f o m s
TheSta o Lib rty
tue f e
TheTro ico Ca e
p f nc r
52. Common Nouns:
All c m o no a d e intoc unta lea
o m n uns re ivid d o b nd
unc unta leno .
o b uns
It isthena eo a p rs n , p c o thing
m f ny e o la e r .
C unta le c n b c unte (m y b s ula a p l)
o b : a e o d a e ing r nd lura
Unc unta le c nno b c unte
o b : a t e o d
e ., Ric ,Stud nts b ,Ro e
.g e e ,Ta le g r,Sing p re s a
a o (the e re
c unta le
o b )
Milk,Hair,W te
a r(unc unta leno )
o b uns
53. Collective Noun:
C lle tiveno a re rre to ac lle tio o thing ,
o c uns re fe d o c n f s
p rs ns
e o .
The ea a a p l.
s re lw ys lura
e ., A b h o g p s
.g unc f ra e
Thejury
Thep o leo Ind
ep f ia
54. Material Noun:
The ere r toam te l o thinglikeGo , C p e , e .
s fe a ria r ld o p r tc
The ea le s us d
s re a t e .
All the ea o m ntio d no c m und r ac te o
s b ve e ne uns o e e a g ry
c lle C nc teNo .
a d o re uns
No theo r c te o o no a Ab tra t No .
w the a g ry f uns re s c uns
55. Abstract Nouns:
The ere r toa id a
s fe ny e ,inte c l,Te hno g tc
lle tua c lo y,e .
Fe e m le a itsus a a b lo :
w xa p s nd e re s e w
I g vehimag a id a e )
a re t e .(id a
Heha a intuitio o a a c e
s n n f n c id nt.(intuition)
56. PRONOUN:
P no isno
ro un thingb aw rdtha re la e ano o
ut o t p cs un r
s s
ub titute ano
s un.
Fe e m le a :
w xa p s re
It,That,The y,He ,He
,His r,The ,The
m ir,You,Your,She tc
,e .
J hn p ysc ke w ll.
o la ric t e
Hep ysc ke w ll.
la ric t e
57. ADVERB:
Ad rbisaw rd w h m d s a p rt o s e c
ve o hic o ifie ny a f p e h
e e t ano o p no
xc p un r ro un.
An adverb c n m d ave , a a je tive a the
a o ify rb n d c , no r
a ve , ap s , o ac us . An a ve ind a sm nne
d rb hra e r la e d rb ic te a r,
tim , p c , c us , o d g ea a w rsq s nss h
e la e a e r e re nd ns e ue tio uc
a "ho ," "w n," "w re "ho m h“
s w he he ," w uc .
58. ADJECTIVE:
An adjective m d sano o ap no b d s rib ,
o ifie un r ro un y e c ing
id ntifying o q ntifyingw rd . An a je tiveus lly
e , r ua o s d c ua
p c d stheno o thep no w h it m d s
re e e un r ro un hic o ifie .
An a je tivec n b m d d b a a ve , o b ap s
d c a e o ifie y n d rb r y hra e
o c us func ninga a a ve .
r la e tio s n d rb
e ., Hed shisve leto fa t.(fa t)
.g rive hic o s s
Sheisto b a
o e utiful.(b a
e utiful)
59. In thea o e m le , thew rd ‘ s d s rib sthe
b ve xa p s o fa t’ e c e
driving, tha istheve . In thes c nd s nte ethew rd
t rb e o e nc o
‘e utiful d s rib s ‘he , tha isthep no
ba ec e s ’ t ro un.
Othe a je tive a As m d o io ,To ra
r d c s re ha e ,C ns us le nt,Ugly,
Am ze ,C nfus d ndlo m re
a d o e ,a ts o .
**Fo b tte c rific tio , c tc m o
r e r la a ns a h e nlinea t
p d rs
riya a hinib he @ g a o
e ra m il.c m
Tim : 11.3 p o a sGMT
e 0 m nw rd
60. PREPOSITIONS:
A preposition linksno , p no a p s stoo r
uns ro uns nd hra e the
w rd in as nte e Thew rdo p s tha the
o s e nc . o r hra e t
p p s n intro uc sisc lle theo je t o the
re o itio d e a d b c f
p p s n.
re o itio
A p p s n us lly ind a sthete p ra s a l o
re o itio ua ic te m o l, p tia r
lo ic l re tio hipo itso je t tothere t o thes nte e
g a la ns f b c s f e nc
a in thefo w e m le :
s llo ing xa p s
Theb o ison theta le Theb o isbeneath theta le
ok b . ok b .
Theb o isle ningagainst theta le Theb o isbeside
ok a b . ok
theta le Shehe theb o over theta le Shere d the
b . ld ok b . a
b o during c s .
ok la s
61. Few common mistakes:
Ofte c nfus d p p s nsa :
n o e re o itio re
In a Into ‘ d no sas teo re t o s teo b ing
nd : In’ e te ta f s r ta f e
ins es m thinga ‘ ’ e te m ve e ins e
id o e nd Into d no s o m nt id
s m thing
o e .
Le stry tound rs nd w a e m le
t’ e ta ith n xa p :
1.Thefro isin thew ll.
g e
Thefro jum e intothew ll.
g pd e
2.Theb b isin thero m
ay o .
Theb b ra into thero m
ay n o .
62. By a W ‘y’ us d tore r thed e o thea tio
nd ith: b is e fe or f c n
a ‘ ith’ us dto re r theins
nd w is e fe trum nt o e m nt w
e r le e ith
w h thea tio isd ne
hic c n o .
Le ss ethee m le :
t’ e xa p s
1.Hew ss t d a b hiso n b d a s
a ho e d y w o y-g urd .
Hew ss t d a w ag
a ho e d ith un.
2.Thefie w sd b afa e
ld a ug y rm r.
Thefie w sd w a a .
ld a ug ith n xe
63. Be e n a Am ng ‘e e n’ us d toc m a 2
tw e nd o : b tw e is e o p re
p rs nso thing a ‘m ng isus d c m a m retha
e o r s nd a o ’ e o p re o n
2p rs nso thing .
e o r s
E.g W ista r b tw e J hn a Ro e
., ho lle e e n o nd g r?
W istheta s a o a o the ?
ho lle t m ng ll f m
Thetw b the s re thep p rty b tw e the s lve .
o ro rs ha d ro e e e n me s
Theb the s re thep p rty a o the s lve .
ro rs ha d ro e m ng m e s
64. CONJUNCTIONS:
C njunc nsa thejo
o tio re ininngw rd .
o s
I w g yo as p w y tore e b r it.
ill ive u im le a mm e
J t re e b r FANBOYS
us m m e
F:For
A:And a w ll a
, s e s
N:Ne r/No
ithe r
B:But
O:Or,Either/Or
Y:Ye t
S:So
65. INTERJECTIONS:
Interjection isab na efo alittlew rd Inte c ns
ig m r o . rje tio
a s rt e la a nslikeOh!, Um o Ah! The ha no
re ho xc m tio r y ve
re l g m a a va b w us the q
a ra m tic l lue ut e e m uiteo n, fte
us lly m rein s e kingtha in w
ua o pa n riting W n
. he
inte c nsa ins rte into as nte e the ha no
rje tio re e d e nc , y ve
g m a a c nne tio tothes nte e An inte c n is
ra m tic l o c n e nc . rje tio
s m tim sfo w db a e la a n m rk (!) w n
o e e llo e y n xc m tio a he
w n.
ritte
E.g Eno h! Do t s e k a
., ug n’ p a nym reo .
W w Itsa a .
o ! m zing
66. ARTICLES:
Artic sa a o kno n a ‘e rm s .
le re ls w s d te ine ’
The a 2typ so a le :
re re e f rtic s
Ind finitea De
e nd finite
Ind finiteinc e a, a
e lud s n.
De finiteinc e The
lud s .
Theind finitea le a c lle s b c us thep rs nso
e rtic s re a d o e a e e o r
thing it re rsa no d fine .
s fe re t e d
e ., I m t ab g a to a
.g e e g r d y.
Ne tim w ta a o theb g a , w us The
xt e e lk b ut egr e e .
e ., I m t theb g a to a
.g e e g r d y.
67. VOICE CHANGES:
Itsno o vo a vo etha w a ta
t ur c l ic t e re lkinga o
b ut.
The ea theVo ein Gra m r w h a o 2typ s
s re ic m a hic re f e:
P s ivea Ac
as nd tive
Active Voice
In s nte e w n in a tivevo e thes je t p rfo s
e nc s ritte c ic , ub c e rm
thea tio e re s din theve ; thes je t a ts
c n xp s e rb ub c c .
e ., Thed gb theb y.
.g o it o
68. Passive Voice
In s nte e w n in p s ivevo e thes je t re e s
e nc s ritte as ic , ub c c ive
thea tio e re s din theve ; thes je t isa te up n.
c n xp s e rb ub c c d o
Thea e p rfo ingthea tio m y a p a in a"b
g nt e rm c n a p er y
the. . ." p s o m y b o itte .
hra e r a e m d
e ., Theb y w sb n y thed g
.g o a itte o.
If yo w nt toc ng ap s ive ic s nte eto a tive
u a ha e a s -vo e e nc c
vo e findthea e in a"b the p s , o c ns e
ic , g nt y ..." hra e r o id r
c re
a fully w o w t isp rfo ingthea tio e re s d
ho r ha e rm c n xp s e
in theve . Ma tha a e thes je t o thes nte e
rb ke t g nt ub c f e nc ,
a c ng theve a c rd ly.
nd ha e rb c o ing
69. CLAUSES:
A c us isag m a a unit tha
la e ra m tic l t
inc e , a m
lud s t inim , ap d a a a e lic o
um re ic te nd n xp it r
im lie s je t, a e re s sap p s n.
p d ub c nd xp s e ro o itio
P a ere r theb lo link fo m rec rific tio o yo
le s fe e w r o la a ns r u
c n c nta t m o
a o c e nline .
http w .s rg
://w w il.o /ling tic /Glo s ryOfLing tic rm /W t
uis s sa uis Te s ha
70. Summary:
Thistuto l inc e :
ria lud s
Te e
ns s
Verb
No un
P no
ro un
Ad rb
ve
Ad c
je tive
P p s ns
re o itio
C njunc nsa Inte c ns
o tio nd rje tio
Artic s
le
71. C us s
la e
Vo eC ng s
ic ha e
Fe C m o Mis ke
w o mn ta s
So s e , a w re d w o b s so Eng h
tud nts re e a y ith ur a ic f lis
Gra m r?
m a
If yo ha a q s ns, yo c n a k m o
u ve ny ue tio u a s e nline at
11.3 p to 1.3 a a w e a in Ind n Tim Zo .
0 m 0 m ny e kd ys ia e ne
On w e nd , yo c n c tc m b tw e 10 m 0 m
e ke s u a a h e e e n p -1.3 a .
72. By, Priyad rs
a hini Be ra
he
Ma te in Bio c lo y
s rs te hno g
Ba a re
ng lo ,
INDIA.
**I a c m w m ne c urs o ANIMAL
m o ing ith y w o e n
BIOTEC HNOLOGY s o Info yo frie sto jo the
o n.. rm ur nd in
c urs … C e !!!
o e he rs