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EMMA DWYER
COMMUNICATIONS MANAGER
EVA INTERNATIONAL
WRITING ABOUT YOUR
WORK
DIGITAL MARKETING
WRITE CLEAR EASY TO READ ARTIST
STATEMENTS
GEORGE ORWELL, POLITICS AND THE
ENGLISH LANGUAGE
NEVER USE A METAPHOR, SIMILE, OR
OTHER FIGURE OF SPEECH WHICH YOU
ARE USED TO SEEING IN PRINT
NEVER USE A LONG WORD WHERE A
SHORT ONE WILL DO
IF IT IS POSSIBLE TO CUT A WORD
OUT, ALWAYS CUT IT OUT
NEVER USE THE PASSIVE WHERE
YOU CAN USE THE ACTIVE
NEVER USE A FOREIGN PHRASE, A
SCIENTIFIC WORD, OR A JARGON
WORD IF YOU CAN THINK OF AN
EVERYDAY ENGLISH EQUIVALENT
BREAK ANY OF THESE RULES
SOONER THAN SAYING ANYTHING
OUTRIGHT BARBAROUS
“THIS MULTI ITERATION WORK HINGES
ON EXTREMES OF ADVERTISING,
INTERTWINED WITH AN EXPLORATION
OF BEAUTY, FROM THE PROFOUND TO
THE SUPERFICIAL. THE MECHANISM OF
EVOLUTION ARTICULATED AS
MARKETING TOOLS, SIMULTANEOUSLY
MYSTICAL AND BALDLY SELFISH.”
AFTER A SEVEN YEAR BREAK FROM STAND-
UP, DURING WHICH SHE HAD BABIES, MADE
A MOVIE IN VIETNAM AND BECAME THE
MOTHER OF MOONE BOY, DEIRDRE O’KANE
RETURNS WITH A BRAND NEW SHOW. SHE IS
OLDER BUT IS SHE WISER? WHAT HAS SHE
LEARNED FROM BEING A STAY AT HOME
MUM, ACHIEVING THE GLORY OF MIDDLE-
AGE AND CHASING AFTER COLLAGEN AS IT
ATTEMPTS TO LEAVE HER LIFE FOREVER?
SHE REVEALS ALL (WELL NEARLY ALL) IN A
LINE OF O’KANE.
WHAT’S THE STORY?
WHO, WHAT, WHY, WHERE,
WHEN
USE A DECENT IMAGE
WEBSITE
SOCIAL MEDIA
FACEBOOK, TWITTER,
INSTAGRAM, YOUTUBE, VIMEO
EMAIL MARKETING
THAAAANKS

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Emma Dwyer writing, marketing and social media for visual artists siamse tire

Editor's Notes

  1. Undergrad in English. Oh, Francis Then MA in Art in The Contemporary World. Dublin Contemporary, mother’s tankstation, freelance Arts Council TBG+S, NewsFour, IAF, Mermaid Arts Centre, now EVA International. In all my roles I’ve worked with artists, writing bios, press releases etc to help communicate their practice.
  2. Vis Arts copy notorious for being indecipherable. When people talk about their work it’s way easier to understand, so try to write as though you’re talking.
  3. 6 rules for writing which can be applied across the board. 6 points that will help you not write bullshit.
  4. Phrases a heart of stone, apple of my eye, flogging a dead horse. Any overused phrase that has kind of lost any real meaning, or emotion. Think about why you’re saying what you’re saying. Are you flogging a dead horse?!
  5. Long words don’t impress they alienate a reader. If someone doesn’t understand a word they will stop reading Short words can pack the same punch if what you’re saying is interesting in itself
  6. Good writing is language charged with meaning. Any words that don’t contribute meaning to a passage dilute its power. Less is always better. Always.
  7. The man was bitten by the dog. (passive) The dog bit the man. (active). The active is better because it’s shorter and more forceful.
  8. If possible, remain accessible to your average reader. If a specialised reader use appropriate language.
  9. If you want to flog a dead horse do! Sometimes cliches can be apt. Sometime long words read better…Ask yourself what you are really trying to say rather than impressing with words. Maybe get someone else to write it if you really struggle.
  10. Gunning fog index measures the readability of English writing. Estimates the years of formal education needed to understand the text on a first reading. A fog index of 12 requires the reading level of a U.S. high school senior (around 18 years old). Texts for a wide audience generally need a fog index less than 12. near-universal understanding generally less than 8. Fog index: http://gunning-fog-index.com/ This has an index of 18.59
  11. Gunning Fog Index of 9.81: Almost universal.
  12. Press Releases: Do you and your wife work together, does your dog sing? Have you self taught? Pitch the story in a press release. EG 4 architect couples. Treat it differently to the copy that will be used elsewhere. It is just to go to newspapers/radio etc. Local papers? Local websites? Bloggers? Be realistic, if Aidan Dunne won’t come think of who is likely to. If emailing a journalist put in subject Story Idea: And the one line hook.
  13. Exhibition invite Text: Send out an invite to people you want to come to your exhibition. Printed postcards are great but costly. Email marketing is good and free. Keep this simple and to the point. Tell the Story of the exhibition: Who, what, why, where, when. Who is in the exhibition, what is it made up of painting, sculpture etc, why: the concept, where, when. Link it to a website with more information. Contact details.
  14. NOT MY STRONG POINT! This is the main thing that communicates your work. Language is important but if you don’t have a good professional image you may as well be talking to the cows. Take high quality images. Strong, high res, professionally done. Barter!
  15. Website are easy to do despite what you might think. Keep it simple.
  16. Clean simple design using tumblr. Free, you can copy templates, just like this and upload the images yourself: http://fuchsiamacaree.tumblr.com/
  17. Her shop is powered by big cartel
  18. Links to all her contact places including social media
  19. FB: Set up a business page, linked to your own personal account. Invite your friends to like it. Share images of your work, set up events for exhibitions. Any news/updates, nice pictures of your cat, funny stories etc go up here. Be yourself on it. Not too professional. Link to your website, and any other social media you might have. All other social medias should echo the aesthetic and images used on your website. Same profile pic. Link to all of them on each. Hootesuite can time posts and send them to all your accounts etc.
  20. Use mailchimp, or constant contact to communicate with a list of people. It can be small to start. Have a sign up form on your website and facebook pages. Updates every month at most. Match the look and feel of your website in your email template. Use buttons in your emails to link back to your website, social media etc. or the gallery where you’re showing. Christmas gift ideas. Link to your big cartel or whatever shop you’re using.