Most films use continuity editing to seamlessly move the story and immerse viewers. Editing aims to create identification with characters, build conflict, and intensify drama through techniques like match cuts, jump cuts, and reaction shots. The editor's goal is to make the construction invisible and create meaning through juxtaposing shots rather than removing material. Editing pace and techniques like montages, dissolves, and long takes are used to convey emotions and direct audience response.

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Film Language:Editing
Most films use a system of editing known as continuity editing. Its
sole aim is to get the story moving along and get the audience
completely immersedin the plot and characters.
In drama sequences,the purpose of editing is often:
 Identification(with characters)
 conflict
 intensification
The function of this system is to make the drama as fluid as possible,
so that the audience are not aware of the construction process
therefore,you need to be especiallyaware to spotthe techniques of
editing employed during a textual analysis. Rememberalso that
sometimessound is used to ‘bridge’the cut and make it less
noticeable on screen.
The process of editing is more concerned with the ‘creation’ of
meaning rather than the taking away of material.
Editing Pace:
 This is the speed and the tempo of the cuts- slow can suggest
emotion and fast can suggesttension, action or uncontrollable
events.
 This is the first mostobvious thing to look for as it gives an
insight into the tempo and feelof the sequence.
Editing often works through the juxtaposition of differentshots to
create meaning.
There are a huge number of editing techniques which filmmakers can
employ.
The most commonof these is the cut.
The cut is a: The most basic tool of the editor. Editing trims the
footage down but also helps to create/maintain the logic of the start,
middle and end (narrative).The cut is a change of shot from one
viewpoint or location to another.

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Always ask yourself why a cut has occurred – there is always a
reason.
Match on action:
Is where the editor cuts from one shot to another view that matches
the first shots action, cutting on action gives the impressionof
continuous time when watching the edited film. By having a subject
begin an action in one shot and carry it through to completionin the
next, the editor created a visual bridge,which distracts the viewer
from noticing the cut or any slight continuity error between the shots.
Jump cut:
An abrupt switch from one scene to another, used to make a dramatic
point, or mark a period of time passing.
Cross-cut
A cut from one narrative or line of action to another. Mostly used in
films to establish action occurring at the same time in two different
locations.
Cutaway
This is when a shot ‘cuts away’ to often a reaction shot of another
character or piece of action, oftenreinforces a mood of togetherness
or confrontation.
Reaction shot
The reaction shot is any shot in which a participant reacts to
events/action. Often used to guide the audiences reaction to the
scene.
Matched Cutor Graphic Cut
Is a cut between either two differentobjects,two differentspaces,or
two differentcompositions in which an objectin the two shots
graphically match, oftenhelping to establish strong relationship
between two scenes.
Other forms of transition are also possible:
Fade
A transition to or from a black screen(normally black).

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Dissolve
A slow transition as one image merges into another.
Both are used to suggest: differences intime or place. A dissolve
might also suggesta strong connectionbetween the two scenes
involved.
Wipe
An optical effectin which one shot ‘wipes’ another off the screen for
dramatic effect.
Superimposition
Two or more images placed directly on top of one another.
Montage:
A series of shots that are connected togetherto reinforce/create
meaning- intensify and controls the emotionthrough collection.
Slow-motion:
The action literally slows down with the next – this connotes
seriousness or a past event. Helps to prolong tension, add style, or
dramatic effectto the film.
Long take:
This is a shot that does not cut away but ‘lingers’ on one piece of the
action. It is the equivalent of staring – connotes intensity.
Split screen
Division of screen in order to show two or more lines of action
simultaneously – this can be referred to as parallelaction.
Effects are also added as part of the editing process – eg; slow
motion or fast motion.