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The document discusses experimenting with different backgrounds, zoomed footage, and cut/overlapped footage for green screen shots. It explains that different video tracks hold different types of footage, and clicking the eye icon allows choosing whether that track is visible or not during playback. Transitions like dissolves were added to link graphic matches showing how subjects had changed over time between shots with matching compositions.
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This document provides ideas for promoting a music package, including a music video, CD, and DVD. For the music video for Bastille's "Warmth," the summary proposes following a main character through his struggles with world issues shown on the news. Stock footage would be incorporated during choruses. Shooting would take place in everyday urban locations in York, with some studio shots using green screen for effects or background additions. Costumes for the character would be fashionable but not extravagant to seem realistic.
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Adam Peck Question 1 - Music video
This document discusses how the media product challenges and develops conventions of real music videos. It provides examples from shots in the video:
1) The cover uses black and white to set expectations and follow music video conventions.
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This document discusses ideas for filming and editing a music video. It suggests splitting the screen during parts of the song to show three models singing together. It also notes using the same outfit for a dance scene and having colored lights from behind performers. The document further discusses ending shots, moving spotlights, silhouette shots, bursts of color, and ensuring the video looks professional.
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The document discusses the various editing techniques used to create a music video, including green screen, cuts, fades, speed/slowing clips, picture-in-picture, overlays, and syncing clips to music. A wide range of edits were applied, such as color correction, cropping, and positioning extras around the main artist to fit the lyrics. Overlays like fairy lights were added for visual interest. Careful editing of timing and effects was needed to craft an entertaining video that highlighted the artist's style.
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- Jack experimented with background frame rates to get the correct running speed. He created gradient backgrounds in purple/orange and blue/white.
- He used guides and effects to add roads and buildings to different background colors. Early designs included 3 streets of varying lengths and styles.
- Later improvements included darkening the background/colors for a nighttime look, adding/removing stars, and signs in Japanese with alternating colors.
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Production Log
The document is a production log for a video game demo level created by Jack Hurst. It summarizes the process of designing the background, streets, buildings, signs, holes, trophies, and character. Key details include experimenting with different background speeds, using guides to ensure consistency, choosing accent colors for each street, adding Japanese signs to indicate the setting is Tokyo, and animating the character walking, jumping, and falling through the levels. The goal was to create a realistic late-night look and setting in Tokyo to match the intended film advertisement concept.
Production Log
The document is a production log for a video game demo level created by Jack Hurst. Some key details:
- Jack experimented with background frame rates to get the correct running speed. He created gradient backgrounds in purple/orange and blue/white.
- He used guides and effects to add roads and buildings to different background colors. He created three streets - a shopping street, residential street, and industrial street to give variety.
- Jack added holes, trophies, signs, and a character that runs and jumps through the streets. He animated walking, jumping, falling and dying sequences.
- Additional elements include a countdown, trophy flashes/points when collected, and a game over screen with options
Production Log
The document is a production log for a video game demo level created by Jack Hurst. Some key details:
- Jack experimented with background frame rates to get the correct running speed. He created gradient backgrounds in purple/orange and blue/white.
- He used guides and effects to add roads and buildings to different background colors. Early designs included 3 streets of varying lengths and styles.
- Further details were added like neon signs, holes to jump over, and trophies at the end of each street. The character and its walking/jumping/falling animations were designed.
- A countdown, trophy flashes, and score updates were added. The game over screen was also designed to
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The document describes the process of editing together footage for a music video using Final Cut Pro. Several techniques were used to assemble the clips, add transitions, and alter aspects like color and speed to tell the narrative. Challenges like unexpected weather led to changes from the storyboard. Color correction and effects like slow motion and zooms were applied to emphasize emotions and themes. Text was also added at the beginning and end for identification.
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Similar to Editing
Final Evaluation
Our media product uses conventions of real music videos such as having an easy to follow narrative, lyrics that correlate with visuals, close ups, and point of view shots. It challenges conventions by having an unconventional unhappy ending and not including typical "live band" shots. Feedback was generally positive about the story, editing, and characters, but suggested limiting fast/slow motion and point of view shots. New media technologies used included cameras, Google Maps, Survey Monkey, Photoshop, and WordPress for research, planning, production, and evaluation.
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The document summarizes the process of creating a music video using Sony Vegas Pro software. Some of the key steps included importing video clips in order of the song verses, placing them on the timeline, adding chromakey effects to remove green screens, editing clips by splitting the screen, and adding effects like reversing scenes and changing the velocity to speed up or slow down parts of the video. The biggest challenge was that exporting the final video caused the audio and video to get out of sync.
Little Mix
1) The document describes a student's process of remaking the music video for Little Mix's "Wings" frame by frame. Students were assigned roles matching the characters and learned the song lyrics.
2) Filming took place over one session using different shot types of each individual. Editing involved adding green screen backgrounds, matching shots to the original video, and using effects to split the screen during transitions.
3) By exporting individual clips and arranging them using timing markers and transforms, the editor was able to recreate complex transitions like the screen splitting into four moving panels. The final video was exported and compared side-by-side to the original.
Adam Peck Question 1 - Music video
This document discusses how the media product challenges and develops conventions of real music videos. It provides examples from shots in the video:
1) The cover uses black and white to set expectations and follow music video conventions.
2) An introductory shot of a mysterious masked figure adds suspense and follows the conventions of the house music genre.
3) Using a storyline with the mask challenges conventions by adding a narrative not seen in all music videos.
4) An abstract sign was included to make the video more memorable and challenge common music video conventions.
Backgrounds and location ideas
This document discusses ideas for filming and editing a music video. It suggests splitting the screen during parts of the song to show three models singing together. It also notes using the same outfit for a dance scene and having colored lights from behind performers. The document further discusses ending shots, moving spotlights, silhouette shots, bursts of color, and ensuring the video looks professional.
Ee pp
The document discusses various editing techniques used in a music video to separate narrative and performance shots, give the video a vintage look, and emphasize the shoe theme of the song through effects like stage lighting, slide cuts, zoom cuts, posterize filter, and multi-shot edits focusing on shoes. These techniques fit with conventions of the indie genre and helped link the visuals to the lyrics and meaning of the song.
Ee pp
The document discusses various editing techniques used in a music video to separate narrative and performance shots, give the video a vintage look, and emphasize the shoe theme of the song through effects like stage lighting, slide cuts, zoom cuts, posterize filter, and multi-shot edits. These techniques fit with conventions of the indie genre and helped link the visuals to the lyrics and meaning of the song.
Editing the video
The document discusses the various editing techniques used to create a music video, including green screen, cuts, fades, speed/slowing clips, picture-in-picture, overlays, and syncing clips to music. A wide range of edits were applied, such as color correction, cropping, and positioning extras around the main artist to fit the lyrics. Overlays like fairy lights were added for visual interest. Careful editing of timing and effects was needed to craft an entertaining video that highlighted the artist's style.
Production Log
The document summarizes the process of creating a demo level for a video game set in Tokyo at night. Some key points:
- The creator experimented with background speeds and colors before choosing a dark blue gradient to set a nighttime scene.
- Streets were designed with different building styles to feel individual yet part of the same city. Signs and Japanese text were added.
- Holes were added to the ground for the character to jump over, getting smaller in distance between each street to increase difficulty.
- A character was designed in black clothing to match advertising materials, with lighter limbs to show movement. Walking, jumping, and falling animations were created through layers and guides.
Production Log
The document is a production log for a video game demo level created by Jack Hurst. Some key details:
- Jack experimented with background frame rates to get the correct running speed. He created gradient backgrounds in purple/orange and blue/white.
- He used guides and effects to add roads and buildings to different background colors. Early designs included 3 streets of varying lengths and styles.
- Later improvements included darkening the background/colors for a nighttime look, adding/removing stars, and signs in Japanese with alternating colors.
- Additional elements were holes to jump over using gradients, trophies at the end of each street, and a character that walks, jumps and falls with separate layers
Production Log
The document is a production log for a video game demo level created by Jack Hurst. It summarizes the process of designing the background, streets, buildings, signs, holes, trophies, and character. Key details include experimenting with different background speeds, using guides to ensure consistency, choosing accent colors for each street, adding Japanese signs to indicate the setting is Tokyo, and animating the character walking, jumping, and falling through the levels. The goal was to create a realistic late-night look and setting in Tokyo to match the intended film advertisement concept.
Production Log
The document is a production log for a video game demo level created by Jack Hurst. Some key details:
- Jack experimented with background frame rates to get the correct running speed. He created gradient backgrounds in purple/orange and blue/white.
- He used guides and effects to add roads and buildings to different background colors. He created three streets - a shopping street, residential street, and industrial street to give variety.
- Jack added holes, trophies, signs, and a character that runs and jumps through the streets. He animated walking, jumping, falling and dying sequences.
- Additional elements include a countdown, trophy flashes/points when collected, and a game over screen with options
Production Log
The document is a production log for a video game demo level created by Jack Hurst. Some key details:
- Jack experimented with background frame rates to get the correct running speed. He created gradient backgrounds in purple/orange and blue/white.
- He used guides and effects to add roads and buildings to different background colors. Early designs included 3 streets of varying lengths and styles.
- Further details were added like neon signs, holes to jump over, and trophies at the end of each street. The character and its walking/jumping/falling animations were designed.
- A countdown, trophy flashes, and score updates were added. The game over screen was also designed to
Editing the vid
The document discusses various techniques used to edit video clips to make their colors more vivid and bright. This included boosting brightness, contrast, and using equalize effects on clips from Three Sisters, Tesco, an arcade, and a train station. Color balance and RGB curves were used to even out colors and make gray clips appear more golden. The speed of some clips was increased to better match the song used. Dissolve transitions were added to smoothly flow clips together.
Development diary music video
The document describes the process of editing together footage for a music video using Final Cut Pro. Several techniques were used to assemble the clips, add transitions, and alter aspects like color and speed to tell the narrative. Challenges like unexpected weather led to changes from the storyboard. Color correction and effects like slow motion and zooms were applied to emphasize emotions and themes. Text was also added at the beginning and end for identification.
3. research
Here are the key points about the response I got from my research:
- Questionnaires: I got a good response rate with 21 people completing the survey. This provided useful quantitative data about audience preferences.
- Interviews: I was able to interview 2 people who gave thoughtful qualitative feedback. Their insights helped validate some of my initial ideas and pointed out areas to improve.
- Overall the response was positive. People seemed engaged with my project ideas and provided constructive feedback. This suggests my research methods were effective at gauging audience interest and gathering feedback to refine my product concept.
- The questionnaires in particular provided a good sample size to analyze audience demographics and preferences statistically. This gave me clear direction on who to target and
Construction
The document describes the various effects, tools, and techniques used to create a music video in Final Cut Pro X. A cross dissolve and muting effects were used to relate lyrics to a dull atmosphere. The 'isolate' effect was used to brighten writing on bricks and Adobe Elements was used to further enhance the color. An earthquake effect and black and white were used to portray emotions. A vignette distracted from moving traffic. The 'trails' effect portrayed the feeling of being drunk. Color was drained throughout to focus on the narrative and portray struggles with alcoholism and gambling. Layer masks and fades were used to fit bricks together naturally. Bevels, glows, and warping were used to design album
Construction
The document describes the various effects, tools, and techniques used to create a music video in Final Cut Pro X. A cross dissolve and muting effects were used to relate to lyrics and create a dull atmosphere. The 'isolate' effect was used to brighten writing on bricks and Adobe Elements was used to further enhance the color. An earthquake effect and black and white were used to portray emotions. A vignette distracted from moving traffic. The 'trails' effect portrayed the feeling of being drunk. Color was drained throughout to focus on the narrative and portray struggles with alcoholism and gambling. Layer masks and fades were used to fit bricks together naturally. Effects like bevels and outer glows were used to make
Video production screenshots
This document discusses the production of a music video. Various editing techniques were used, including cutting clips to fit the music, adding a song to the timeline, and changing performance shots to black and white. Transitions like "dip to black" were used to smoothly change between color and black and white clips. Some footage had to be re-shot and edited together due to issues like focusing. Turning clips black and white helped mask differences from the multiple shoots.
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Editing
- 1. Here we have tried out different backgrounds to the green screen shots. We tried the stop motion playing in the background because we thought this would be more interesting than just an image or a colour. We Zoomed in so that we got more of the pattern, this gives a more abstract approach.
- 2. This is a close up of all our footage that we are using at the moment. We cut out everything that was overlapped for now so we can see what areas need more work and this also makes it easier to render and watch back.
- 3. Each line holds a different piece of footage. Eg ‘Video 18’ may hold some green screen footage and ‘Video 9’ may hold some band performances. The symbol of the eye means that you can choose to see that line’s footage or not. If you click on the eye then a line will appear meaning that when you play all the tracks, that line of footage will not show. All these little blue shapes are the tracks we cut up from each line. There are also some white bits which are transitions eg fade.
- 4. We also added in a dissolve transition to link the graphic matches which shows how the girls have grown apart over time. Everything was in the same position in the two shots however the costume, lighting and body language was different to show the difference.